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Creator: | Museum of Modern Art (New York, N.Y.) | |
Title: | International Council and International Program Records, Subseries I.A: International Program ICE-F Exhibition Files | |
Inclusive Dates: | 1938–2005 | |
Bulk Dates: | 1953–2005 | |
Quantity: | 336 Linear Feet 785 5" manuscript boxes, 14 2.5" manuscript boxes, 9 3x4x12" card boxes, 2 5x8x12" card boxes, 5 12x20x4" flat boxes, 2 flat file drawers |
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Abstract: | Records of the International Program and International Council of The Museum of Modern Art comprising extensive documentation of international exhibitions and other Program projects as well as records of Council meetings, their activities, and administration. |
The Museum of Modern Art has always been international in scope. Founded upon the principle that art should have no boundaries, it has sought the best both in its own country and abroad, and its collections, exhibitions, publications and other educational activities reflect this spirit of internationalism. Mrs. John D. Rockefeller, 3rd, Chairwoman of the International Council (1953–1957) and President of The Museum of Modern Art (1959–1962), in The Museum of Modern Art and its Program of International Exchange in the Arts, 1961.
The International Program of The Museum of Modern Art was founded in 1952 to expand the Museum's international outreach; it was a natural step forward for the Museum. The Department of Circulating Exhibitions, dedicated to domestic tours, had begun two decades before. The 1938 exhibition sent to Paris, Three Centuries of Art in the United States [MoMA Exh. #76a May 24–July 31, 1938], provided a template for touring exhibitions internationally. Additional exhibitions were sent abroad during the 1940s at the behest of the U.S. government, but in the post-war era, the United States government retreated from sponsorship of international cultural outreach, leaving a gap for MoMA to fill.
To fund the program, a five-year grant was secured from the Rockefeller Brothers Fund in July 1952 that enabled the Museum to develop an initial slate of exhibitions. Former Director of Circulating Exhibitions Porter McCray was appointed as the International Program's first director. The first exhibition was Twelve Modern American Painters and Sculptors, ICE-F-3-53, which opened in Paris in April 1953. This was quickly followed by a host of exhibitions of works on paper: Young American Printmakers, ICE-F-1-52, Seven American Watercolorists, ICE-F-4-53; Contemporary Printmaking in the United States, ICE-F-5-53; Thirty American Printmakers, ICE-F-6-53; The American Woodcut Today, ICE-F-7-53; and Twenty-Five American Prints, ICE-F-8-53. These first exhibitions demonstrated the ambitious reach of the new Program as they toured not only Northern Europe and Scandinavia, but also Mexico, Central America, Japan, Australia, and New Zealand. Apart from works on paper, other MoMA departments and interests were also displayed in early exhibitions. U.S. Selections for Berlin Trade Fair, 1952, SP-ICE-1-52, was the first Program exhibition of design; the first photography exhibition to circulate was Contemporary American Photography, ICE-F-13-53; while The Skyscraper: U.S.A., ICE-F-9-53, and Built in U.S.A.: Postwar Architecture, ICE-F-10-53, were the first architecture exhibitions and circulated widely, including stops in Lebanon, Turkey, Israel, and South America.
Not all of these exhibitions were originated by the Program. Young American Printmakers originated as MoMA Exhibition #547 (though only appeared at the Museum after its tour); while Built in U.S.A.: Postwar Architecture was shown as MoMA Exhibition #528, January 20–March 15, 1953. And while some exhibitions were curated by Director Porter McCray and other Program staff, including curator Frank O'Hara, many other exhibitions were assembled by MoMA curatorial department staff including, in the early years, Edward Steichen, William S. Lieberman, Arthur Drexler, and Dorothy Miller. This mixture of Program and Museum staff producing exhibitions shown at the Museum or only on tour, with numerous exhibitions crisscrossing several continents at the same time, characterize the Program's activities of the first decade.
To provide support and guidance for the Program, MoMA's board of trustees authorized the formation of the International Council in 1953. Mrs. John D. (Blanchette) Rockefeller, along with Mrs. Bliss (Eliza) Parkinson and others led the efforts to plan the Council and build membership and the Council held its first official meeting in 1954, with seventeen charter members and Blanchette Rockefeller as Chairperson. The Council grew and solidified its identity in the succeeding years. In 1956, as the five-year grant from the Rockefeller Brothers Fund was reaching its end, the Council had to assume full sponsorship for the Program. To this end, the Council was officially incorporated in December 1956. The following November the Council held its first annual fall business meeting, and all successive meetings have been numbered from then.
Meanwhile, the Program's exhibition schedule continued. One of the primary responsibilities of the Program in the early years was to organize the United States' representations at biennials, expositions, and other international gatherings. These included such events as the Internationale Grafik, in Salzburg, Austria; the International Art Exhibition, Japan; the Berlin Trade Fair, Germany; the Inter-American Conference, Caracas, Venezuela; the III International Contemporary Art Exhibition, India; and many others. Most prominent among these events were the Venice Biennale and the Bienal do Museu de Arte Moderna, São Paulo. MoMA purchased the United States pavilion in Venice and the first Program exhibitions organized there were solo retrospectives of Ben Shahn and Willem de Kooning at the XXVII Biennale of 1954. The Program would ultimately be responsible for U.S. representation at five Biennales. Program exhibitions also represented the United States at five São Paulo biennials beginning in 1953; the II Bienal featured a survey of work by Alexander Calder and a showing of Built in U.S.A.: Postwar Architecture. (Some later biennial representations were administered by the Program but actually curated by other institutions such as the Minneapolis Institute of Art and the San Francisco Museum of Modern Art.) The Program's responsibility for United States representation at biennials and other events effectively ended in the early 1960s.
Numerous exhibitions created or circulated by the Program in its first decade have remained significant within the history of the museum and in the context of postwar art history. Modern Art in the U.S.A., ICE-F-24-54, was the first multi-departmental show created by the Program and featured more than five hundred objects selected from every curatorial department of the museum. It appeared in Paris as part of the 1955 "Salute to France" cultural program. Also part of that program was the exhibition De David á Toulouse-Lautrec: French Masterpieces from American Collections, an exhibition organized by a consortium of museums led by Porter McCray and the Program. A similarly broad exhibition of French art, French Drawings from American Collections: Clouet to Matisse, SP-ICE-21-58, appeared in 1958 and both of these shows show the breadth of art history the Program was willing to confront in its exhibitions. Perhaps more well know are the shows which promoted Abstract Expressionism to an international audience. The New American Painting, ICE-F-36-57, was a landmark survey of the modern American art movement. Organized by Dorothy Miller and appearing at the Museum after its international tour as MoMA Exhibition #645, the show featured eighty-one paintings by artists still little known outside the United States at the time. Another exhibition promoting this new art was the retrospective Jackson Pollock 1912–1956. Selected by Frank O'Hara, this exhibition debuted at the IV Bienal do Museu de Arte Moderna, São Paulo, and appeared together with The New American Painting at locations in Europe. The Family of Man (SP-ICE-10-55 and other designations) is the most widely seen photographic exhibition in history. Curated by Edward Steichen and appearing first at the Museum in 1955 as MoMA Exhibition #569, The Family of Man circulated in multiple versions both domestically and to all corners of the globe for a decade. The exhibition has been permanently on view in Luxembourg since 1975 and the original exhibition catalogue is still in print, making The Family of Man the most enduring of any exhibition the International Program has been associated with.
The International Council and International Program, through their advocacy for international cultural exchange, worked closely with the United States government and agencies as well as foreign governments and international organizations. The United States Information Agency (USIA) specifically commissioned numerous exhibitions, and the tours of shows within some countries were often coordinated by local departments of culture or other organization. From its beginnings the Council also had close relations with UNESCO and the United Nations. The first annual fall meeting of the International Council was held in 1957 in San Francisco to coincide with the 6th Annual Conference of the United States Commission for UNESCO. The Council later assumed responsibility for the design of the executive boardroom at UNESCO's Paris headquarters (SP-ICE-19-57, Philip Johnson, architect). In New York City, International Council receptions for United Nations diplomats were a regular feature of their social calendar. In 1960 the Program and Council began what may be their most unique intersection with the diplomatic world through the Art in Embassies Program. This program assembled collections of artwork for placement in American embassies and ambassadorial residences. Over the next decade, a total of forty-one collections were seen in nearly as many countries. The program achieved its ultimate goal in 1970 when the United States government assumed responsibility for the program.
The International Council had fully matured by the 1970s. In 1968 the Council traveled to South America for their spring meeting and international excursions have been a defining feature of the Council ever since. The Council began publishing newsletters and annual reports at the beginning of the decade, which helped publicize and commemorate their activities. The Program continued a robust exhibition schedule. From the 1960s onward all exhibitions were curated by MoMA curatorial departments and their staff and a greater percentage of the exhibitions appeared at the Museum (before or after the international tour). The shows remained major events in their host countries. In 1974 Modern Masters: Manet to Matisse, ICE-F-163-74, received a grand reception in Sydney and Melbourne, Australia even while Some Recent American Art, ICE-F-160-73, was introducing minimalist and conceptual American art to those same Australian audiences. Twenty years later, the The William S. Paley Collection, ICE-F-250-93, made similar waves in Australia and Japan.
By the 1990s MoMA was far from alone in sending exhibitions on tour, the Museum itself had grown, and the role of the Program was changing as well. The Department of Circulating Exhibitions had previously been merged with the Museum's Department of Exhibitions and responsibility for international tours was now likewise folded into the Exhibitions Department. Though the Program and Council still provide support today for selected exhibitions, the last exhibitions directly administered by the Program toured in 1998. In place of exhibitions, the International Program turned its energies to various activities that could bring museum professionals and artists together from around the world, help elevate professional standards of museums, expose regional artists and art movements to international audiences, and generally promote international cultural conversation. Beginning in 1998 the Program began a series of workshops for museum professionals from Latin America, Central and Eastern Europe, Africa, and East Asia; workshops on conservation, and libraries and archives were held in South America and elsewhere; and numerous international symposia on art history were held in New York. At the same time the Program began a new series of publications titled Primary Documents, each volume focused on a different region of the world; the series now comprises seven volumes. Most recently, the Program has been the main force behind Contemporary and Modern Art Perspectives in a Global Age Initiative (C-MAP), a program designed to ensure MoMA continues to best understand and present modern and contemporary art regardless of its place of origin.
The International Council continues to support and enable the Program's efforts. In 2013 at the fall meeting the Council celebrated its sixtieth anniversary. In the decades since the Council and Program's founding, the ability of exhibitions to reach audiences in all parts of the world has been transformed by new technologies even as the forms art takes have similarly multiplied; the art world now encompasses the entire actual world. Through this change the International Council and Program have remained a pivotal part of The Museum of Modern Art and their efforts continue to demonstrate that Blanchette Rockefeller's belief in the spirit of internationalism remains as relevant today as at the Museum's beginning.
The International Council and International Program Records comprise the comprehensive organizational records of the offices that spearheaded the international outreach of The Museum of Modern Art. The records document the history of one of the first and most important large-scale efforts to promote American art abroad. But the collection also documents the Program and Council's interests in promoting art from around the globe to American and other foreign audiences and their efforts, through symposiums and other methods, to educate museum professionals and improve the communication and mutual support among art institutions on all six continents. The records reflect the incredible breadth and diversity of these activities, documenting over three hundred separate exhibitions, including many of lasting significance to post-war modern art history, and demonstrate the role played by the Council and the Program in MoMA's rise to international preeminence in the art community.
Series I is the primary group of records documenting exhibitions developed and circulated by the International Program. Records are divided into five subseries containing documentation on international circulating exhibitions (ICE-F), special international circulating exhibitions (SP-ICE), and domestic circulating exhibitions (ICE-D), as well as subseries on proposed exhibitions and small quantities of older records, as described below. Subseries I.A: ICE Exhibition Records is the largest of the series and contains records of many of the Program's most significant exhibitions and activities. International Program staff worked closely with MoMA curators and U.S. government officials including the U.S. Information Agency and U.S. embassies to coordinate exhibitions that were circulated to nations across Europe, Latin America, Asia, and Africa. Materials include correspondence between curators and artists, notable collectors, U.S. Information Service officials, U.S. embassy staff members, and other museum staff; key exhibition documentation such as exhibition itineraries, checklists, press releases, and installation and publicity photographs; as well as such further documentation as exhibition catalogues and posters, brochures, promotional materials, exhibition floor plans, loan forms and lender correspondence, shipping records, insurance records, and financial records.
Subseries I.B contains records on some of the Council and Program's best known activities, including the international circulation of the photography exhibition Family of Man, and the Art in Embassies program, which curated small collections of modern art for display in diplomatic residences and embassies around the world. Other notable subjects documented here include the exhibition French Drawings from American Collections: Clouet to Matisse, which appeared locally at the Metropolitan Museum of Art, and international appearances of the Children's Art Carnival, begun by Victor D'Amico at MoMA. SP-ICE exhibitions were composed mainly of loans from other institutions rather than formed primarily from MoMA collections. Because of this distinction these exhibitions were given their own unique budget code and exhibition number and the records were consistently kept separate from ICE exhibition files. Nonetheless, the records are on the whole similar in character. Materials include correspondence from artists, government and embassy officials, art collectors, gallery owners, museum staff, and even staff from the White House. Additional materials include installation and event photographs, prints, negatives, contact sheets, slides, checklists, box lists, press clippings, press releases, lender lists, itineraries, architectural drawings, exhibition catalogues and posters, articles, journals, meeting minutes and agendas, shipping records, and insurance records.
Subseries I.C comprises records of ICE-D exhibitions which were formed solely of works loaned from foreign institutions and then circulated domestically. While representing only a few exhibitions, these records help demonstrate the dedication of the Program and the Council not merely to promoting American Art, but also to exposing American and foreign audiences to art from all around the world. Exhibitions with particularly extensive documentation here include Art Israel: 26 Painters and Sculptors and The New Japanese Painting and Sculpture. Materials include curatorial and exhibition correspondence, as well as artwork negatives, prints, slides, and contact sheets. Additional materials consist of checklists and box lists, lists of loans, press releases and clippings, artist biographies, exhibition catalogues, shipping records, and excerpts of critical reviews.
Additional subseries contain further exhibition-related documentation. Subseries I.D comprises correspondence and proposals for unrealized exhibitions. Materials range from single letters to proposed lists of artists and lenders, checklists, and exhibition agreements. Other materials included consist of press releases and clippings, research materials, curator and artist biographies, artwork and installation photographs, exhibition catalogues, and posters. Many of these files are for exhibitions that appeared at MoMA and were considered for international tours; additional files are present for symposia and other types of projects. The planning for some unrealized exhibitions advanced far enough that the shows were awarded exhibition numbers; records from those instances will be found in the previous subseries. Subseries I.E comprises a small set of exhibition related files from Program Associate Director Elizabeth Streibert. Some files are for specific exhibitions while many cover several shows or general activity within a set period of time. Records include extensive notes, correspondence, budget sheets, occasional checklists, loan documents, and other materials. Subseries I.F and I.G are two small sets of records from the previous version of this collection, International Program Records, and retained in that order. I.F features a number of records documenting MoMA's international activities prior to the formation of the council, while I.G consists of numerous historical lists of exhibitions assembled at different times.
Exhibitions were never the sole activity of the International Program and from the 1990s, as international exhibition tours became a common activity of many museums and MoMA reorganized the administration of exhibition tours, the International Program refocused its activities on symposiums and workshops and other outputs. Series II documents these other activities, particularly of recent decades. Series II.A concerns conferences and workshops organized by the International Program. Major programs include the International Curatorial Symposium and the Museum Professionals Workshops held for members of the museum profession from Africa, East Asia, Central and Eastern Europe, and Latin America. Other projects represented are the East European Art Symposium, the Hong Kong Museum Practices Workshop, an Indian artist retreat, and many other initiatives. The series includes records documenting all aspects of the arrangements including correspondence with program participants, cooperating art institutions, MoMA's Department of Education, Library and other internal departments. Additional materials include project proposals, participant lists and biographies, publicity packets, itineraries, press clippings and articles, brochures, printed images, and audio cassette tapes. II.B represents the International Program's part in MoMA's advisory role in the creation of the Mori Art Museum in Tokyo, Japan. Records include correspondence, building plans, press and promotional materials, and other documents. Series II.C is a set of records detailing various and miscellaneous activities of the Program such as the early publications program, the International Study Center, the Library Overseas Program, and the Pilot Project in Corporate Fundraising for Museums in Central and Eastern Europe. Materials include correspondence, memoranda, email messages, project proposal, research materials, along with occasional exhibition-related documents and other materials.
In addition to workshops and symposia, the International Program has more recently focused on a new publication program devoted to presenting English translations of source materials documenting artists and art movements from different regions of the world. There are currently seven titles in the Primary Documents series with more scheduled for publication. Because the series is less than fifteen years old, only records related to the first publication, with a handful of files from the second publication, have entered the Museum Archives thus far. Subseries III.A contains materials created and compiled for the initial publication, Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, published in 2002. Records include drafts of individual essays, biographical information on contributors, research materials, correspondence, contact lists, and bibliographies. Subseries III.B comprises a much smaller set of available files for the second publication, from 2004, Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-Garde.
Series IV comprises extant administrative files of the International Program. Many of these files concern day-to-day operations of the program while others may concern exhibitions and activities, but only in so general a way as to not be included in the previous series. Subseries IV.A contains general International Program administrative records. Materials include correspondence, memoranda, contracts with external institutions, reports and other records related to circulating exhibitions and internal Museum and departmental policies and procedures, general informational materials on external institutions, events, and services, meeting minutes, reports, project proposals, expense records, and press releases. Subseries IV.B is a set of publicity records, again, connected to exhibitions and other programming but not tied so directly to individual exhibitions or activities as to be found in those series. Records here include exhibition lists and summaries, label texts, correspondence, memoranda, photograph requisition forms, press release, press clippings, invitation lists, catalogue distribution lists, brochures, event photographs, and reports. This subseries also includes documentation related to the "exhibitions" held at a Manhattan warehouse, showcasing artworks for Program patrons and others before being sent abroad. Subseries IV.C is a set of administrative files organized by country of activity and consists primarily of correspondence with state officials, museum staff, cultural councils, and arts professionals from the different countries concerning various exhibitions and other activities. Subseries IV.D is yet another parallel set of administrative records, originally created and stored in alphabetical order rather than geographic or chronological order as the previous subseries. Documentation is otherwise very similar, consisting of correspondence, project documents, and other materials. Subseries IV.E is composed of files concerning the annual reports published by the Program and Council and containing correspondence, report texts, notes, report layouts, galley proofs, press review extracts, exhibition and publication lists, and other documents. Subseries IV.F contains records of the Program's involvement in external professional organizations, conferences, and advisory groups such as the International Council of Museums, the Americas Society, and the International Congress of Friends of Museums. Finally, Subseries IV.G comprises International Program records of meetings of the Council and its subcommittees. Program staff both reported to these meetings and otherwise participated in them and records here of that activity include meeting correspondence, presentation texts, and other materials.
Series V and series VI represent the full extant of publicly available records of the International Council as separate from the Program. The Council's primary responsibilities have been to support and guide the Program's activities; for most of the Council's history those tasks have been mainly carried out through annual spring and fall meetings as well the regular meetings of several subcommittees. Series V is devoted to these meeting records. Subseries V.A comprises member packets assembled for each attendant to the spring and fall meetings. Spring meeting packets are a larger part of this series as they were typically held outside New York, with extended itineraries and programs. Materials include agenda booklets, memos, press releases, local tour brochures and informational documents. Subseries V.B consists solely of transcripts of spring and fall business meetings and subcommittee meetings. While typically focused on Council business, these transcripts can also include speeches from visiting dignitaries or lectures by curators and scholars. Subseries V.C is a small set of snapshots and formal photographs of Council members at various receptions and events and on spring meeting excursions while subseries V.D is a collection of audio recordings of various Council meetings and gatherings. Subseries V.E is the primary administrative record set concerning Council meetings. Files here include extensive correspondence among senior Council staff and with members, draft and final agendas and minutes, notes, and other planning documents, budget and finance sheets, exhibition proposals submitted for committee reviews, and other materials. The earliest documents in the series date from the very beginnings of the council and before its formal incorporation in 1956. Lastly, subseries V.F is a small set of geographic files containing notes and information on prospective spring meeting sites and other locales of possible interest.
Series VI comprises administrative and other files produced by the Council not directly connected to the planning and organization of the meetings. Subseries VI.A is general administrative correspondence, particularly from the first two decades of the council's existence. Subseries VI.B is publicity files, much on exhibitions and the Program's activities, but also concerning Council activities and trips. Materials here include press releases, news clippings, materials regarding receptions and public events, and exhibition documents such as checklists and itineraries. Subseries VI.C is the records produced from the numerous special events and social functions the Council held or attended, ranging from opening parties and press previews, to receptions and tours for visiting dignitaries and foreign groups. Correspondence, budgets, invitations, and other planning documents are included here. Subseries VI.D and VI.E are both small series of fundraising correspondence and documents. VI.D is general files devoted to the support of specific exhibitions, while VI.E is a set of files documenting the concerted role the Council played in fundraising on behalf of MoMA's 50th anniversary. Subseries VI.F consists of general administrative records, including memos, correspondence, and other documents concerned with membership issues such as dues payments, meeting attendance, and other items. Subseries VI.G and Subseries VI.H are sets of the Council newsletter, published to coincide with the spring meeting, and the Program and Council's annual report, issued in the fall at the same time as the annual business meeting.
The records are open for research except for the following restricted materials. Two subseries, Subseries V.D: International Council Audio Recordings and Subseries VI.E: 50th Anniversary Fundraising Records are permanently closed to the public. In other series, all correspondence, forms, and other documentation pertaining directly to loans and lenders and artwork condition and damage are permanently closed to the public. Documents that discuss or relate to an artwork's value, such as insurance checklists, are closed for twenty-five years from the date of creation. International Council meeting files and documentation, such as included in Subseries VI.G, V.B, and V.E, are also closed to the public for a period of twenty-five years. Among other records, any materials from MoMA board meetings or trustee subcommittee meetings are permanently closed to the public, as are occasional documents pertaining to personnel matters, donors and donations, and other sensitive issues. As necessary, restricted materials have been removed from folders and entire folders removed from the publicly accessible files though those files' descriptions remain in the finding aid. If Museum staff wish to view any of these materials they should contact the Museum Archives.
The International Counil and International Program Records are the physical property of The Museum of Modern Art. Rights to work produced during the normal course of Museum business resides with the Museum. Literary rights including copyright belong to the authors or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Index Terms |
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This collection is indexed under the following headings in DADABASE, the library catalog of The Museum of Modern Art. Researchers desiring materials about related topics, persons, or places should search the catalog using these headings. | ||
Persons and Organizations: | ||
International Council of the Museum of Modern Art (New York, N.Y.) | ||
International Program of Circulating Exhibitions (Museum of Modern Art (New York, N.Y.)) | ||
Museum of Modern Art (New York, N.Y.) -- Exhibitions -- Archives | ||
Museum of Modern Art (New York, N.Y.) -- International Council | ||
Museum of Modern Art (New York, N.Y.) -- International Program -- Archives | ||
Traveling exhibitions -- History -- Sources | ||
Subjects: | ||
Museum of Modern Art (New York, N.Y.) -- Exhibitions -- Archives | ||
Museum of Modern Art (New York, N.Y.) -- International Council | ||
Museum of Modern Art (New York, N.Y.) -- International Program -- Archives | ||
Traveling exhibitions -- History -- Sources | ||
Document Types: | ||
Correspondence | ||
Exhibition catalogs | ||
Photographs | ||
Press releases |
As many exhibitions sent on international tours by the International Program originated at the Museum, records of them may be found in Exhibition Files of The Museum of Modern Art. As many of these exhibitions also toured domestically, further information may be found in Department of Circulating Exhibitions Records. The Frank O'Hara Papers contain records of a significant curator of Program exhibitions. As the activities of the International Council and International Program were closely aligned with the activities of the rest of the Museum, and as many staff people held positions in several museum departments, other materials related to the International Council and Program can be found across the collections of the Museum Archives. Exhibition catalogues, annual reports and newsletters, and other publications by or concerning the International Program and International Council may be found in the Museum Library.
Various video recordings have been removed from these records to the Video Recordings collection. Those finding aids contain listings for numerous recordings produced by the Council and Program.
Published citations should take the following form:
Long version: International Council and International Program Records, [series.folder]. The Museum of Modern Art Archives, New York.
Short version: IC/IP, [series.folder]. MoMA Archives, NY.
The records comprising this collection originated within the Museum over more than six decades and were held within Museum offices. A large portion of this collection was later transfered into the Museum's records management program from which it was retrieved and processed into its current state in 2013. Approximately one tenth of the collection, mainly comprising publicity materials and photographic exhibition documentation, along with some other documentation, was earlier transferred to the Museum Archives by the International Council in June 1994 (with a smaller set of records incorporated into the collection the following year), processed, and opened to the public as the International Program Records. Those files have been completey integrated into the new collection. The finding aid to the previous collection, as well as documents concerning the two record groups' integration, are kept within the Museum Archives.
The collection as a whole is in good condition. In processing, staples and other metal fasteners were removed; folders and other housings were discarded or replaced with acid-free equivalents; photographs, negatives and other photographic materials were rehoused in polyester sleeves; and acidic and other unstable materials were isolated or encapsulated as appropriate.
Series I: International Program Exhibition Files 1938–2000 |
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Series I is the primary group of records documenting exhibitions circulated by the International Program since its establishment in 1953. Records are divided into five subseries containing documentation on exhibitions divided into three categories ICE-F, SP-ICE, and ICE-D and assigned numbers reflecting this classification. These numbers were used both as budget codes for exhibition costs and also served to help identify shows which otherwise have similar titles. The three categories can be differentiated as follows:
ICE-F: "International Circulating Exhibitions—Foreign." These exhibitions were drawn mostly from the Museum's collection, supplemented with works from private collections, and then circulated internationally. Some were adapted from exhibitions originated by MoMA curatorial staff and initially shown at the Museum, while others were developed by Program staff. Some exhibitions, such as 100 European Drawings from the Collection of The Museum of Modern Art (ICE-F-161-73) and American Art from The Museum of Modern Art (ICE-F-183-78) were organized in exchange with European museums for other loan exhibitions.
SP-ICE: "Special Projects—International Circulating Exhibitions." Special Projects included recurring international exhibitions, competitions, United States representations, and exhibitions funded, organized, and/or circulated by associations of public and private institutions. Many were organized at the request of the United States Information Agency or foreign ministries and governments. For example, U.S. Representation: III International Contemporary Art Exhibition in India (SP-ICE-15-56), organized at the invitation of the All India Fine Arts and Crafts Society, was jointly sponsored by the Ford Foundation and the Indian government.
ICE-D: "International Circulating Exhibitions—Domestic." These were exhibitions of works borrowed from foreign collections and circulated in the United States and Canada under the auspices of the Council, usually with the cooperation of other cultural institutions such as the Japan Society for Calligraphy (Abstract Japanese Calligraphy , ICE-D-3-53) and the America-Israel Cultural Foundation (Art Israel: 26 Painters and Sculptors, ICE-D-12-64). Very few exhibitions were given the ICE-D designation.
In all three categories the alphabetic designation is followed by two numbers separated by a hyphen. The first number is the specific exhibition number, following in numerical order from the prior exhibition. The second two-digit number represents the year planning for the exhibition began (as opposed to when it was actually shown). Thus ICE-F-9-53, The Skyscraper: U.S.A., is the ninth ICE exhibition ever devised, and work began on it in 1953 (though it didn't open until 1954, and toured until 1957). In some instances, such as when exhibitions were reduced in size or substantially reconfigured, they were given new numbers. The Skyscraper: U.S.A. also toured as ICE-F-25-54. Finally, some exhibitions awarded numbers were canceled so early in their planning that no records were produced. Subsequently even the most complete list of exhibitions contain gaps in numbering.
Restriction Note
Some materials in this series have been permanently restricted and are closed to the public, including loan records and artwork condition documentation. Records concerning artwork values, such as insurance lists, that are less than twenty-five years old have also been restricted. Restrictions have been specifically noted in the folder descriptions below. |
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Subseries I.A: ICE-F Exhibition Files 1953–2003 |
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This subseries comprises records of exhibitions planned and circulated by The Museum of Modern Art's International Program, intended to promote modern art and American culture throughout the world, an unprecedented endeavor for an art museum at that time. International Program staff worked closely with MoMA curators and U.S. government officials including the United States Information Agency (USIA) and U.S. embassies to coordinate exhibitions that were circulated to nations across Europe, Latin America, Asia, and Africa. Records of particular significance in this subseries include records from such notable exhibitions as The New American Painting, Jackson Pollock 1912-1956, US representation at the Venice Biennale from 1954 through 1962 and five São Paulo Bienals, Latin American Artists of the Twentieth Century, New Photography U.S.A., and many others. |
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Materials include correspondence among curators, other Museum staff, artists, notable collectors, gallerists, U.S. Information Service officials, U.S. embassy staff members, and many others, including such persons as Alexander Calder, Robert Motherwell, Naum Gabo, Ad Reinhardt, Robert Rauschenberg, Man Ray, Helen Frankenthaler, Claes Oldenburg, Sidney Janis, Leo Castelli, Rudolf Zwirner, Alfred H. Barr, Jr., René d'Harnoncourt, Dorothy Miller, Frank O'Hara, Richard Bellamy, Waldo Rasmussen, Kynaston McShine, Riva Castleman, and John Elderfield. Additional materials include exhibition itineraries, checklists, box lists, exhibition press releases, installation and publicity photographs, exhibition catalogues and posters, brochures, promotional materials, installation floor plans, loan forms and lender correspondence, and documentation of shipping, insurance, and finance. |
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Arrangement |
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Records are arranged chronologically by exhibition number. If an exhibition toured under more than one exhibition number, those records have been kept together. Note that most exhibitions documented in this series were successfully mounted and toured. However, some unrealized exhibitions were developed to the extent that they were awarded numbers and kept among other records here, while most other unrealized shows are documented in subseries I.D. Additionally, a small number of realized and unrealized exhibitions documented here were never awarded numbers; those records are located in their approximate chronological position. Languages used include English, French, Norwegian, German, Spanish, Hebrew, Italian, Portuguese, Romanian, Vietnamese, Japanese, Dutch, Swedish, Catalan, Finnish, and Czech. |
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ICE-F-1-52 |
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Forty-eight prints by forty artists under forty years old selected by William S. Lieberman. Adapted from MoMA Exh. #547, November 25, 1953–January 31, 1954. Exhibition assembled as U.S. representation for the Internationale Grafik, Salzburg, Austria. Circulated to Salzburg, Linz, Vienna, and Graz, Austria; Munich and Berlin, Germany: July 1952–March 1953. Dispersed in 1953. Also circulated as ICE-F-16-53 and ICE-F-31-57. |
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Folder | Title | Date |
I.A.1 | Young American Printmakers: Itinerary and Checklist | 1952–1953 |
I.A.2 | Young American Printmakers: Photographs | 1952–1953 |
I.A.3 | Young American Printmakers: Photographs | 1952–1953 |
I.A.4 | Young American Printmakers Salzburg and other European Cities: Correspondence with Artists and Dealers Regarding Loans Checklists and correspondence, including letters from artists. |
1952 |
I.A.5 | Young American Printmakers Draft of William Lieberman's Note for Salzburg Catalogue | 1953 |
I.A.6 | Internationale Graphik, 1952 | 1952–1953 |
I.A.7 | Young American Printmakers Publicity: Miscellaneous | 1952–1953 |
I.A.8 | Young American Printmakers Salzburg and other European Cities: Loan Receipts. Loan receipts, delivery receipts, correspondence, and memoranda. Entire folder restricted. |
1952–1953 |
I.A.9 | Young American Printmakers Salzburg and other European Cities, 1952–1953: Work Folder | 1952–1953 |
I.A.10 | Young American Printmakers Biographical Information on Artists: 1952–1953 Checklist, curatorial correspondence, artists' biographical statements, and general correspondence. |
1952–1953 |
I.A.11 | Young American Printmakers Salzburg Exhibition Invoices, correspondence, customs form, checklist, and loan agreements. Restricted material removed: Loan forms. |
1952–1955 |
I.A.12 | Young American Printmakers Correspondence | 1952–1955 |
ICE-F-16-53 |
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Small version with thirty-five prints by thirty-five artists. Organized in 1953, it circulated to Mexico City, Mexico and Guatemala City, Guatemala 1958 October–1959 June. The exhibition was destroyed by fire in a Guatemala warehouse July 15, 1959. |
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Folder | Title | Date |
I.A.13 | Young American Printmakers: Checklists | |
I.A.14 | Young American Printmakers: Publicity | |
I.A.15 | Young American Printmakers: Photographs | |
I.A.16 | Young American Printmakers El Salvador: Work Folder | 1959 |
I.A.17 | Young American Printmakers Work Folder | 1954–1958 |
I.A.18 | Young American Printmakers Guatemala: Work Folder | 1958–1959 |
I.A.19 | Young American Printmakers Mexico: Work Folder | 1958–1959 |
I.A.20 | Young American Printmakers (Small Edition) Box and Checklists Checklists, box list, and unpacking and packing instructions. |
1954 |
I.A.21 | Young American Printmakers Work Folder Checklists, correspondence, invoice, U.S. customs amendment, shipping invoices, and customs form. |
1954–1959 |
ICE-F-31-57 |
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Large edition specifically for Norway, adapted from the C/E version; seventy prints by seventy artists. Circulated under the auspices of Riksgalleriet, Oslo to Nottoden, Rjukan, Honnefoss, Tønsberg, Sandefjord, Larvik, Skien, Arendal, Hamar, Drammen, Vikersund, and Oslo September 1957–1958. Dispersed in 1958. |
||
Folder | Title | Date |
I.A.22 | Young American Printmakers: Publicity | |
I.A.23 | Young American Printmakers Checklist Checklists, exhibition summary, box lists, and unpacking and packing instructions. |
1957 |
I.A.24 | Young American Printmakers Oslo: Correspondence | 1957–1958 |
I.A.25 | Young American Printmakers Imports, Exports | 1957 |
ICE-F-3-53 |
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Fifty-six works by nine painters and eighteen works by three sculptors, selected by Andrew C. Ritchie. Circulated to Paris, France; Zurich, Switzerland; Düsseldorf, Germany; Stockholm, Sweden; Helsinki, Finland; Oslo, Norway: April 1953–March 1954. Dispersed in 1954. |
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Folder | Title | Date |
I.A.26 | Twelve Modern American Painters and Sculptors: Itinerary | 1953–1954 |
I.A.27 | Twelve Modern American Painters and Sculptors: Checklist | |
I.A.28 | Twelve Modern American Painters and Sculptors: Publicity | |
I.A.29 | Twelve Modern American Painters and Sculptors: Photographs | |
I.A.30 | Twelve Modern American Painters and Sculptors: Photographs | |
I.A.31 | Twelve Modern American Painters and Sculptors: Installation Photographs | |
I.A.32 | Twelve Modern American Painters and Sculptors: Photographs Thirty-seven event photographs and five negatives from Paris. |
|
I.A.33 | Twelve Modern American Painters and Sculptors: Catalogues Catalogues from shows in Paris, Stockholm, Oslo, Zurich, and Düsseldorf. |
|
I.A.34 | Twelve Modern American Painters Unpacking Photograph | 1953 |
I.A.35 | Twelve Modern American Painters and Sculptors Loans and Lenders | 1953–1955 |
I.A.36 | Twelve Modern American Painters and Sculptors Works for Sale-Lists Multiple copies of two different lists of works for sale. Entire folder restricted. |
1953–1954 |
I.A.37 | Twelve Modern American Painters and Sculptors Zurich: Work Folder | 1953–1954 |
I.A.38 | Twelve Modern American Painters and Sculptors Zurich: Publicity-Press Notices Traveling exhibition summary, press clippings, and translated articles. |
1953 |
I.A.39 | Twelve Modern American Painters and Sculptors Zurich: Publicity Two copies of a summary of public and press reaction to exhibition. |
undated |
I.A.40 | Twelve Modern American Painters and Sculptors Dusseldorf, Germany: Work Folder Correspondence with translations, along with telegrams and memoranda. |
1953 |
I.A.41 | Twelve Modern American Painters and Sculptors Dusseldorf: Publicity Summaries of press reaction to exhibition, along with memorandum and correspondence. |
1954–1955 |
I.A.42 | Twelve Modern American Painters and Sculptors Dusseldorf: Publicity-Press Notices Exhibition summary, six copies of the press reaction summary, and press clippings with translations. |
1953 |
I.A.43 | Twelve Modern American Painters and Sculptors Stockholm: Publicity | 1953–1954 |
I.A.44 | 12 American Painters and Sculptors Stockholm: Work Folder | 1953–1954 |
I.A.45 | Twelve Modern American Painters and Sculptors Stockholm: Publicity-Press Notices Exhibition summary, list of news agencies, correspondence, and press clippings with translations. |
1953–1954 |
I.A.46 | Twelve Modern American Painters and Sculptors Helsinki: Publicity Correspondence, notes, and memorandum with transmittal slip. |
1953–1956 |
I.A.47 | Twelve Modern American Painters and Sculptors Helsinki: Work Folder | 1954–1956 |
I.A.48 | Twelve Modern American Painters and Sculptors Helsinki: Publicity-Press Notices Summary of traveling exhibition and press clippings with translations. |
1954 |
I.A.49 | Twelve Modern American Painters and Sculptors Oslo: Publicity | 1953–1954 |
I.A.50 | Twelve Modern American Painters and Sculptors Oslo: Publicity-Press Notices | 1954 |
I.A.51 | Twelve Modern American Painters and Sculptors Oslo: Work Folder | 1953–1954 |
I.A.52 | Twelve Modern American Painters and Sculptors London: Work Folder | 1953 |
I.A.53 | Twelve Modern American Painters and Sculptors Basle: Work Folder | March 1953 |
I.A.54 | Twelve Modern American Painters and Sculptors Copenhagen: Work Folder | 1953–1954 |
I.A.55 | Twelve Modern American Painters and Sculptors Exhibition Catalogues | 1953 |
I.A.56 | Twelve Modern American Painters and Sculptors Paris: Publicity | 1953–1956 |
I.A.57 | Twelve Modern American Painters and Sculptors Paris: Publicity-Press Notices, Press Releases | 1953 |
I.A.58 | Twelve Modern American Painters and Sculptors Paris: Catalogue | 1953–1954 |
I.A.59 | Twelve Modern American Painters and Sculptors Paris and other European Cities: Work Folder | 1953–1954 |
I.A.60 | Twelve Modern American Painters and Sculptors Paris and other European Cities: Work Folder | 1952–1955 |
I.A.61 | Twelve Modern American Painters and Sculptors Paris and other European Cities: Packing and Shipping
Restricted material removed: Artwork damage reports. |
1953–1956 |
I.A.62 | Twelve Modern American Painters and Sculptors Paris and other European Cities: Packing and Shipping | 1953–1954 |
I.A.63 | Twelve Modern American Painters and Sculptors Paris and other European Cities: Loan Receipts-Items Considered-Not Used
Restricted material removed: Loan records. |
1953 |
I.A.64 | Twelve Modern American Painters and Sculptors Paris, Zurich, Dusseldorf, Stockholm, Helsinki and Oslo | 1952–1955 |
I.A.65 | Twelve Modern American Painters and Sculptors Correspondence: A-L Correspondence and purchase order, with a handwritten letter from Alexander Calder. |
1953–1954 |
I.A.66 | Twelve Modern American Painters and Sculptors Correspondence: M-Z Condition report form, itinerary, and invoices. Restricted material removed: Condition records. |
1953–1954 |
I.A.67 | Twelve Modern American Painters and Sculptors Memos, Lists, Etc.
Restricted material removed: Condition records. |
1953–1956 |
I.A.68 | Twelve Modern American Painters and Sculptors Imports and Exports Itinerary, invoices, correspondence, case lists, air waybills, and bills of lading. |
1953–1954 |
I.A.69 | Twelve Modern American Painters and Sculptors Condition Records
Entire folder restricted. |
1953 |
ICE-F-4-53 |
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Forty-two works by seven artists selected by Dorothy C. Miller as U.S. Representation at the 1953 Second International Art Exhibition, Japan, sponsored by Mainichi Newspapers of Japan. Circulated under the auspices of the Foreign Ministry of Japan to Tokyo, Osaka, Ube, Fukuoka, Sasebo, Nagoya, and Takamatsu, Japan; and Honolulu, Hawaii may 1953–January 1954. Dispersed in 1954. |
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Folder | Title | Date |
I.A.70 | Seven American Watercolorists: Itinerary and Checklist | 1953–1954 |
I.A.71 | Seven American Watercolorists: Publicity | |
I.A.72 | Seven American Watercolorists: Photographs Five installation photographs from Honolulu and one print from Japan. |
|
I.A.73 | Seven American Watercolorists: Photographs | |
I.A.74 | Seven American Watercolorists: Catalogues | |
I.A.75 | Seven American Watercolorists Japan, May 20–Sept. 30, 1953: Work Folder
Restricted material removed: Loan forms. |
1952–1957 |
I.A.76 | Seven American Watercolorists Japan: Publicity-Press Notices | 1953–1954 |
I.A.77 | Seven American Watercolorists Japan: Publicity-Press Notices | circa 1953–1954 |
I.A.78 | Seven American Watercolorists Japan, May 20–Sept. 30, 1953: Publicity | 1953, 1956 |
I.A.79 | Seven American Watercolorists Honolulu: Work Folder Correspondence regarding traveling exhibition and loans, list of artwork, and memoranda. |
1953–1954 |
I.A.80 | Seven American Watercolorists Correspondence
Restricted material removed: Loan form. |
1953–1954 |
I.A.81 | Seven American Watercolorists Imports and Exports Correspondence, case lists, bill of lading, invoices, and air waybill. |
1953–1954 |
ICE-F-5-53 |
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Forty prints by thirty-two artists selected by William S. Lieberman. Circulated to Melbourne, Sydney, Brisbane, Adelaide, Perth, Launceston, and Hobart, Australia; and Auckland, Hamilton, Tauranga, Gisborne, and Wellington, New Zealand: February 1958–may 1959. Dispersed in 1959. |
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Folder | Title | Date |
I.A.82 | Contemporary Printmaking in the United States: Itinerary and Checklist | 1958–1959 |
I.A.83 | Contemporary Printmaking in the United States: Publicity | |
I.A.84 | Contemporary Printmaking in the United States: Photographs Seven prints showing works in exhibition and five prints of installation in Melbourne. |
|
I.A.85 | Contemporary Printmaking in the United States: Catalogues | |
I.A.86 | Contemporary Printmaking in U.S. New Zealand: Work Folder Artist list, correspondence, return shipment papers, packing documents, and shipping documents. |
1958–1959 |
I.A.87 | Contemporary Printmaking in U.S. Offers of Showings: Various Countries | January 1957 |
I.A.88 | Contemporary Printmaking in U.S. Work Folder Foreword describing exhibition, loan correspondence, checklists, and photograph requisition forms. |
1954–1958 |
I.A.89 | Contemporary Printmaking in the United States Australia: Publicity-General | 1957–1958 |
I.A.90 | Contemporary Printmaking in the United States Press Releases | July 1958 |
I.A.91 | Contemporary Printmaking in the United States | 1959 |
I.A.92 | Contemporary Printmaking in the United States Rio de Janeiro: Work Folder Correspondence regarding exhibition scheduling in Rio de Janeiro. |
1955 |
I.A.93 | Contemporary Printmaking in the United States Australia: Work Folder | 1956–1959 |
I.A.94 | Contemporary Printmaking in the United States New Zealand: Publicity Exhibition description and outlines, publicity reports, and press clippings. |
1959 |
I.A.95 | Contemporary Printmaking in the United States Australia: Publicity-Press Notices | 1959 |
I.A.96 | Contemporary Printmaking in the United States Box and Checklist Exhibition note, checklists, box list, exhibition summary, and unpacking and packing instructions. |
1954 |
I.A.97 | "Six Print Shows": Correspondence-Artists and Dealers | 1952–1963 |
I.A.98 | "Six Print Shows": Temporary Receipts
Entire folder restricted. |
1953 |
I.A.99 | "Artists' Biographical Information Print Shows 1953" | 1953 |
I.A.100 | American Prints of the Twentieth Century Work Folder | 1953–1955 |
I.A.101 | "Photo Work for Print Shows": Work Folder Memoranda, photograph requisition forms, and exhibition lists for print exhibitions. |
1953–1954 |
I.A.102 | "Curt Valentin Gallery" Correspondence, memoranda, and lists of prints included in the bequest from Curt Valentin. |
1954–1957 |
I.A.103 | "Return of Prints Held on Approval by ICE since 1953": Correspondence | 1963–1966 |
I.A.104 | "Prints": Lists of Prints Purchased Consignment agreements, receipts, correspondence, and memoranda. Restricted material removed: Consignment forms. |
1953–1958 |
I.A.105 | "Purchase Orders" Correspondence, memoranda, lists of purchase items, and lists of exhibition costs. |
1953–1954 |
I.A.106 | "Print Show Memos and Other Information" Lists of prints, along with correspondence and memoranda pertaining to print exhibitions. |
1953–1959 |
I.A.107 | "ICE Print Exhibitions" | 1952–1959 |
I.A.108 | "Print Shows: Foreign" | 1953 |
I.A.109 | ICE Print Shows Work Folder | 1952–1960 |
ICE-F-6-53 |
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Organized in 1953, circulated 1957–1958. Thirty prints by thirty artists selected by William S. Lieberman. Circulated to Leicester, Newcastle upon Tyne, England; Helensburgh and Edinburgh, Scotland; Rugby, England; Malmö, Växjö, Nyköping, Linköping, Strängnäs, Brombölla, Karlstad, Sundsvall, Stockholm, and Mora, Sweden; Helsinki, Salo, Pori, Tampere, Pietarsaari, Jyväskylä, Mikkeli, Lieksa, Joensuu, and Hamina, Finland: July 1957–December 1958. |
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Folder | Title | Date |
I.A.110 | Thirty American Printmakers: Publicity | 1953, 1957–1958 |
I.A.111 | Thirty American Printmakers: Photographs | |
I.A.112 | Thirty American Printmakers Work Folder List of artists in exhibition, preliminary checklists, and a photograph requisition form. |
1954 |
I.A.113 | Thirty American Printmakers Finland: Publicity Press Notices | 1958–1959 |
I.A.114 | Thirty American Printmakers Sweden: Publicity-General Revised press release draft, attendance summary, and exhibition correspondence. |
1957–1958 |
I.A.115 | Thirty American Printmakers Great Britain: Publicity-General | 1957–1958 |
I.A.116 | Thirty American Printmakers Great Britain: Publicity Press Notices | 1957–1958 |
I.A.117 | Thirty American Printmakers Sweden: Publicity Press Notices Exhibition description, itinerary, exhibition outlines, publicity reports, and press clippings. |
1958–1959 |
I.A.118 | Thirty American Printmakers Finland: Work Folder | 1957–1959 |
I.A.119 | Thirty American Printmakers Sweden: Work Folder Summary of exhibition reception, correspondence, shipping record, arrival notice, and box list. |
1957–1958 |
I.A.120 | Thirty American Printmakers Great Britain: Work Folder | 1956–1957 |
I.A.121 | Thirty American Printmakers Check and Box List Checklist, list of artwork, and unpacking and packing instructions. |
1954 |
I.A.122 | Thirty American Printmakers Checklist | 1954 |
ICE-F-7-53 |
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Copy 1. Organized in 1953, circulated 1955–1958. Forty prints by thirty artists selected by William S. Lieberman. Circulated to Salzburg, Austria; Bergen, Mo i Rana, and Stavanger, Norway; Linz, Salzburg, Graz, and Klagenfurt, Austria; Zagreb, Skopje, and Maribor, Yugoslavia; Padua, Vincenza, Treviso, Ravenna, Florence, Pistoia, Siena, Livorno, Massa, Grosseto, and Viareggio, Italy; Athens, Greece; and Istanbul, Turkey: February 1955–April 1958 . Dispersed in 1958. Also circulated as ICE-F-18-53. |
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Folder | Title | Date |
I.A.123 | The American Woodcut Today: Itinerary and Checklist | 1953, 1955–1958 |
I.A.124 | The American Woodcut Today: Publicity | |
I.A.125 | The American Woodcut Today: Photographs Seventy-five photographs of works in exhibition and checklist of photographs. |
|
I.A.126 | The American Woodcut Today: Photographs Nineteen event photographs from Italy and three prints from Greece. |
|
I.A.127 | The American Woodcut Today: Printed Matter | |
I.A.128 | The American Woodcut Today Istanbul: Work Folder Correspondence, with shipping records. Restricted material removed: Damages and repairs correspondence. |
1956–1960 |
I.A.129 | The American Woodcut Today Italy: Publicity-Press Notices | 1957 |
I.A.130 | The American Woodcut Today Beirut: Publicity-General | 1957 |
I.A.131 | The American Woodcut Today Offers of Showings Correspondence related to offers of showings in Pakistan and Israel, with press releases. |
1957–1958 |
I.A.132 | The American Woodcut Today Oslo: Publicity | 1955 |
I.A.133 | The American Woodcut Today Norway: Publicity-Press Releases Exhibition outlines, itineraries and Norwegian press clippings with English translations. |
1955–1956 |
I.A.134 | The American Woodcut Today Oslo: Work Folder | 1955–1956 |
I.A.135 | The American Woodcut Today Beirut: Work Folder | 1956–1957 |
I.A.136 | The American Woodcut Today Work Folder Checklists, photograph requisition forms, correspondence and insurance forms. Restricted material removed: Damage and insurance claim documents. |
1953–1963 |
I.A.137 | The American Woodcut Today List of Photographs Available | circa 1954–1956 |
I.A.138 | The American Woodcut Today Publicity | 1954–1956 |
I.A.139 | The American Woodcut Today Austria: Work Folder | 1955–1956 |
I.A.140 | The American Woodcut Today Austria: Publicity-General Catalogue, brochure, opening invitations, publicity reports, and correspondence. |
1956 |
I.A.141 | The American Woodcut Today Salzburg: Work Folder | 1954–1956 |
I.A.142 | The American Woodcut Today Austria: Publicity-Press Notices | 1955–1956 |
I.A.143 | The American Woodcut Today Italy: Work Folder | 1956–1957 |
I.A.144 | The American Woodcut Today Yugoslavia: Publicity-Press Notices | 1956 |
I.A.145 | The American Woodcut Today Yugoslavia: Publicity | 1956 |
I.A.146 | The American Woodcut Today Italy: Publicity-General | 1956–1957 |
I.A.147 | The American Woodcut Today Greece: Publicity-Press Notices | 1958 |
I.A.148 | The American Woodcut Today Greece: Publicity-General | 1956–1958 |
I.A.149 | The American Woodcut Today Greece: Work Folder | 1957–1958 |
I.A.150 | The American Woodcut Today Yugoslavia: Work Folder Exhibition itinerary, box list and checklists, correspondence, catalogue, and press release. |
1956 |
I.A.151 | The American Woodcut Today Istanbul: Publicity-Press Notices | circa 1958 |
I.A.152 | The American Woodcut Today Press: Perspectives no. 12 | 1955 |
I.A.153 | The American Woodcut Today, Copy 1 Box and Checklist Box list, checklists, exhibition summaries, unpacking and packing instructions, and price list. |
1953 |
I.A.154 | The American Woodcut Today Work Folder | 1953–1960 |
I.A.155 | "Itinerary Lists for Traveling Exhibitions" | 1966, undated |
I.A.156 | "Itinerary Lists for Traveling Exhibitions" | 1961, undated |
ICE-F-18-53 |
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Copy 2. Forty prints by thirty artists. Circulated to Rio Piedras, Puerto Rico; St. Thomas, Virgin Islands; Rio de Janeiro, Pôrto Alegre, São Paulo, Belo Horizonte, Salvador, and Recife, Brazil; Montevideo, Uruguay; Lima, Peru; Santiago, Concepción, Valparaiso, and La Serena, Chile: February 1954–August 1960. Dispersed in 1960. See also ICE-F-7-53. |
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Folder | Title | Date |
I.A.157 | The American Woodcut Today: Itinerary and Checklist | |
I.A.158 | The American Woodcut Today: Photographs | |
I.A.159 | The American Woodcut Today Chile: Work Folder | 1957–1961 |
I.A.160 | The American Woodcut Today Puerto Rico: Work Folder | 1953–1963 |
I.A.161 | The American Woodcut Today Puerto Rico: Publicity | 1956 |
I.A.162 | The American Woodcut Today Puerto Rico: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and press clippings. |
1954 |
I.A.163 | The American Woodcut Today Argentina: Work Folder | 1957–1959 |
I.A.164 | American Woodcut Today Montevideo: Publicity-Press Notices | 1957 |
I.A.165 | The American Woodcut Today Brazil: Publicity | 1955–1957 |
I.A.166 | The American Woodcut Today Peru: Work Folder Correspondence, box list, memoranda, telegrams, and photograph requisition forms. |
1957–1958 |
I.A.167 | The American Woodcut Today Peru: Publicity-General | 1957–1958 |
I.A.168 | The American Woodcut Today Peru: Publicity-Press Notices Exhibition summary and outline, press clippings, and a publicity report. |
1958 |
I.A.169 | The American Woodcut Today Virgin Islands: Publicity-Press Notices | 1954 |
I.A.170 | The American Woodcut Today Rio de Janeiro: Work Folder Box lists, purchase orders and receipts, correspondence, and memoranda. |
1955–1957 |
I.A.171 | The American Woodcut Today St. Thomas, Virgin Islands: Work Folder | 1953–1954 |
I.A.172 | The American Woodcut Today Montevideo: Work Folder | 1957–1958 |
I.A.173 | The American Woodcut Today Montevideo: Publicity-General | 1957 |
I.A.174 | The American Woodcut Today Chile: Publicity-General | 1957–1960 |
I.A.175 | The American Woodcut Today Brazil: Publicity-Press Notices Exhibition pamphlets and summary, traveling exhibition outlines, and press clippings. |
1956–1957 |
I.A.176 | The American Woodcut Today, Copy 2 Box List Box lists, unpacking and packing instructions, exhibition summary, and a checklist. |
1957 |
I.A.177 | The American Woodcut Today Work Folder Checklists, shipping invoices, customs forms, correspondence, box lists, and bill of lading. |
1953–1960 |
ICE-F-8-53 |
||
Organized in 1953, circulated 1957–1960; twenty-five black and white prints by twenty-five artists selected by William S. Lieberman. Circulated to Rio Piedras, Puerto Rico; St. Thomas, Virgin Islands; Quezaltenango and Guatemala City, Guatemala; San Salvador, El Salvador; San José, Costa Rica; Panama City, Panama; Medellin and Bogotá, Colombia; Quito, Ecuador; Lima, Peru; Cochabamba and La Paz, Bolivia; Quayaquil, Quito, Cuenca, Riobamba, and Ambato, Ecuador: February 1957–January 1960. Dispersed in 1960. |
||
Folder | Title | Date |
I.A.178 | Twenty-Five American Prints: Itinerary and Checklist | 1953, 1957–1960 |
I.A.179 | Twenty-Five American Prints: Publicity | |
I.A.180 | Twenty-Five American Prints: Photographs | |
I.A.181 | Twenty-Five American Prints (Black and White) Handwritten and typed checklists, photographs of Lee Chesney engraving, with some correspondence. |
1953 |
I.A.182 | Twenty-Five American Prints (Black and White) Virgin Islands: Publicity-Press Notices Exhibition outline and itineraries, publicity report, press clippings, and catalogue for St. Thomas. |
1957 |
I.A.183 | Twenty-Five American Prints (Black and White) Costa Rica: Publicity-General | 1957 |
I.A.184 | Twenty-Five American Prints (Black and White) Costa Rica: Work Folder | 1957 |
I.A.185 | Twenty-Five American Prints (Black and White) Puerto Rico: Work Folder Shipping documents, box list, checklist, and correspondence. |
1957 |
I.A.186 | Twenty-Five American Prints (Black and White) Various Countries: Offering of Showings | 1957–1958 |
I.A.187 | Twenty-Five American Prints (Black and White) Puerto Rico: Publicity-General | 1957 |
I.A.188 | Twenty-Five American Prints (Black and White) Puerto Rico: Publicity-Notices Exhibition outline and itineraries, publicity report, invitation, and catalogue. |
1957 |
I.A.189 | Twenty-Five American Prints (Black and White) Virgin Islands: Work Folder | 1957 |
I.A.190 | Twenty-Five American Prints (Black and White) Virgin Islands: Publicity-General | 1957 |
I.A.191 | Twenty-Five American Prints (Black and White) Guatemala: Work Folder Checklist and box lists, shipping forms, and correspondence with itinerary. |
1957 |
I.A.192 | Twenty-Five American Prints (Black and White) Guatemala: Publicity-General | 1957 |
I.A.193 | Twenty-Five American Prints (Black and White) Guatemala: Publicity-Press Notices Exhibition outlines and itineraries, publicity reports, and Spanish language catalogue. |
1957 |
I.A.194 | Twenty-Five American Prints (Black and White) San Salvador: Publicity-Press Notices | 1957 |
I.A.195 | Twenty-Five American Prints (Black and White) San Salvador: Publicity-General | 1957 |
I.A.196 | Twenty-Five American Prints (Black and White) San Salvador: Work Folder | 1957 |
I.A.197 | Twenty-Five American Prints (Black and White) Costa Rica: Publicity-Press Notices | 1957 |
I.A.198 | Twenty-Five American Prints (Black and White) Panama: Publicity-Press Notices | 1957–1958 |
I.A.199 | Twenty-Five American Prints (Black and White) Panama: Publicity-General | 1957–1958 |
I.A.200 | Twenty-Five American Prints (Black and White) Panama: Work Folder Correspondence with shipping records and blank condition report. |
1957–1958 |
I.A.201 | Twenty-Five American Prints (Black and White) Medellín, Bogotá: Work Folder | 1957–1958 |
I.A.202 | Twenty-Five American Prints (Black and White) Colombia: Publicity-General | 1958 |
I.A.203 | Twenty-Five American Prints (Black and White) Colombia: Work Folder Checklists and box lists, shipping records, and correspondence. |
1958 |
I.A.204 | Twenty-Five American Prints (Black and White) Work Folder Spanish language catalogues, press release, check list, and photograph requisition forms. |
1958 |
I.A.205 | Twenty-Five American Prints (Black and White) Ecuador: Publicity-Press Notices Exhibition outline and itinerary, with Spanish language press clippings. |
1958–1960 |
I.A.206 | Twenty-Five American Prints (Black and White) Ecuador: Publicity-General | 1957 |
I.A.207 | Twenty-Five American Prints (Black and White) Ecuador: Work Folder | 1957–1959 |
I.A.208 | Twenty-Five American Prints (Black and White) Lima, Peru: Work Folder | 1958–1959 |
I.A.209 | Twenty-Five American Prints (Black and White) La Paz and Cochabamba, Bolivia: Publicity Correspondence, exhibition outlines, publicity reports, operations memorandum and newsclippings. |
1959 |
I.A.210 | Twenty-Five American Prints (Black and White) La Paz and Cochabamba, Bolivia: Work Folder | 1957–1959 |
I.A.211 | Twenty-Five American Prints (Black and White) Box and Checklist Checklists, unpacking and packing instructions, and box list. |
1954–1959 |
I.A.212 | Twenty-Five American Prints (Black and White) Puerto Rico: Work Folder | 1954–1957 |
ICE-F-9-53 |
||
Copy one. Sixteen photo panels, twenty text panels. Organized by William Alex. English with interchangeable French text. Circulated to Rio Piedras, Puerto Rico; Salzburg, Austria; Oslo and Trondheim, Norway; Edinburgh, Scotland; Paris, Lyon, Dunkirk, La Napoule, Arles, and Marseille, France; Beirut, Lebanon; Istanbul, Turkey; Tel Aviv and Jerusalem, Israel: November 1954–December 1957. Exhibition donated to the Zionist Organization of America (Z.O.A. House), Tel Aviv, Israel in 1958. Also circulated as ICE-F-25-54. |
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Folder | Title | Date |
I.A.213 | The Skyscraper U.S.A.: Checklist | 1954–1958 |
I.A.214 | The Skyscraper U.S.A.: Publicity | |
I.A.215 | The Skyscraper U.S.A.: Photographs | |
I.A.216 | The Skyscraper U.S.A.: Photographs | |
I.A.217 | The Skyscraper U.S.A.: Photographs | |
I.A.218 | The Skyscraper U.S.A.: Photographs | |
I.A.219 | The Skyscraper U.S.A.: Catalogue | |
I.A.220 | The Skyscraper Checklist Checklist identified in pencil as exhibition number ICE-D-7-53, likely erroneous. |
1955 |
I.A.221 | The Skyscraper U.S.A. France: Publicity-General | 1956–1957 |
I.A.222 | The Skyscraper U.S.A. Europe: Work Folder-International Circulating Exhibitions | 1952–1958 |
I.A.223 | The Skyscraper U.S.A. Proof of Text-International Circulating Exhibitions | circa 1953 |
I.A.224 | The Skyscraper U.S.A. Istanbul: Work Folder Exhibition outline and itinerary, correspondence, and packing and shipping documents. |
1955–1958 |
I.A.225 | The Skyscraper U.S.A. Various Countries: Publicity-Press Notices, Magazine Articles | 1953–1960 |
I.A.226 | The Skyscraper U.S.A. France: French Translation of Text | circa 1953 |
I.A.227 | The Skyscraper U.S.A. France: Work Folder | 1955–1957 |
I.A.228 | The Skyscraper U.S.A. Scotland: Press Notices Exhibition itineraries, correspondence, and press release for Edinburgh. |
1956–1957 |
I.A.229 | The Skyscraper U.S.A. Beirut: Work Folder | 1953–1957 |
I.A.230 | The Skyscraper U.S.A. Israel: Publicity-Press Notices | 1957 |
I.A.231 | The Skyscraper U.S.A. Israel: Publicity-General Brochures, invitations, correspondence, and list of publicity photos for Haifa. |
1957 |
I.A.232 | The Skyscraper U.S.A. Israel: Work Folder | 1957–1958 |
I.A.233 | The Skyscraper U.S.A. Edinburgh: Work Folder Correspondence, invoices, shipping waybill, telegrams, box lists, and checklist. |
1956 |
I.A.234 | The Skyscraper U.S.A. Oslo: Work Folder Correspondence and telegrams, including materials for ICE-F-7-53 and ICE-F-13-53. |
1955–1956 |
I.A.235 | The Skyscraper U.S.A. Oslo: Publicity Itinerary, two letters, and a note stating that press notices were moved to another folder. |
1955–1956 |
I.A.236 | The Skyscraper USA Norway: Publicity-Press Notices | 1955 |
I.A.237 | The Skyscraper, U.S.A. Salzburg: Work Folder | 1954–1956 |
I.A.238 | The Skyscraper U.S.A. Salzburg: Publicity Correspondence regarding public reaction in Salzburg to exhibitions ICE-F-9-53 and ICE-F-7-53. |
1955–1956 |
I.A.239 | The Skyscraper USA Austria: Publicity-Press Notices | 1955 |
I.A.240 | The Skyscraper USA Puerto Rico: Publicity-Press Notices | 1954 |
I.A.241 | The Skyscraper U.S.A. Puerto Rico: Work Folder | 1954 |
I.A.242 | The Skyscraper (European Edition) Vienna: Work Folder | 1955 |
I.A.243 | The Skyscraper U.S.A. German Translation Inter-office notes, along with exhibition catalogue text and German translation. |
undated |
I.A.244 | The Skyscraper U.S.A. Various Countries: Offers of Showing Correspondence with New Delhi, Tehran, Pakistan, and Athens. |
1956–1958 |
I.A.245 | The Skyscraper Box and Checklist Checklist, box list, and unpacking and packing instructions. |
1954 |
I.A.246 | The Skyscraper U.S.A.-Copy I French Catalogue Bound article by William Alex in Prospectus, in French and English. |
1954 |
I.A.247 | The Skyscraper: U.S.A Work Folder Checklist, correspondence, shipping invoices, box lists, and air waybills. |
1953–1957 |
ICE-F-25-54 |
||
Second version, Spanish edition: 26 photo-text panels. Circulated to Guatemala City, Guatemala; San José, Costa Rica; Panama City, Panama; Quito and Quayaquil, Ecuador; La Paz, Bolivia; Montevideo, Uruguay; Buenos Aires, Argentina: March 1957–December 1958. Dispersed in 1958. |
||
Folder | Title | Date |
I.A.248 | The Skyscraper U.S.A.: Itinerary and Checklist | |
I.A.249 | The Skyscraper U.S.A.: Installation and Event Photographs Two prints from Guatemala City, four prints from San José, and four prints from Ecuador. |
|
I.A.250 | The Skyscraper U.S.A. (Spanish Edition) South and Central America: Publicity-Press Notices Exhibition summary, traveling exhibition outlines, invitation, and publicity report. |
1957–1958 |
I.A.251 | The Skyscraper U.S.A. (Spanish Edition) Work Folder Correspondence regarding catalogue translation and photograph requisition forms. |
1954–1958 |
I.A.252 | The Skyscraper U.S.A. (Spanish Edition) Guatemala: Work Folder Checklist, exhibition catalogue, correspondence, memoranda, and box list. |
1953–1957 |
I.A.253 | The Skyscraper U.S.A. (Spanish Edition) Guatemala: Publicity-General | 1956–1957 |
I.A.254 | The Skyscraper U.S.A. (Spanish Edition) Guatemala: Publicity-Press Notices | 1957 |
I.A.255 | The Skyscraper U.S.A. (Spanish Edition) Costa Rica: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and exhibition catalogue. |
1957 |
I.A.256 | The Skyscraper U.S.A. (Spanish Edition) Costa Rica: Work Folder | 1957 |
I.A.257 | The Skyscraper U.S.A. (Spanish Edition) Costa Rica: Publicity-General | 1957 |
I.A.258 | The Skyscraper U.S.A. (Spanish Edition) Panama: Work Folder | 1957 |
I.A.259 | The Skyscraper U.S.A. (Spanish Edition) Panama: Publicity-Press Notices | 1957 |
I.A.260 | The Skyscraper U.S.A. (Spanish Edition) Panama: Publicity-General | 1957 |
I.A.261 | The Skyscraper U.S.A. (Spanish Edition) Quito: Publicity-General | 1957–1958 |
I.A.262 | The Skyscraper U.S.A. (Spanish Edition) Quito: Publicity-Press Notices Exhibition summary, traveling exhibition outlines, press clippings, and publicity reports. |
1957–1958 |
I.A.263 | The Skyscraper U.S.A. (Spanish Edition) Quito: Work Folder | 1957–1958 |
I.A.264 | The Skyscraper U.S.A. (Spanish Edition) La Paz, Bolivia: Work Folder Correspondence, shipping record, arrival notice, blank condition form, and box list. |
1957–1958 |
I.A.265 | The Skyscraper U.S.A. (Spanish Edition) Bolivia: Publicity-Press Notices Exhibition summary, traveling exhibition outline, press clippings, and publicity report. |
1958 |
I.A.266 | The Skyscraper U.S.A. (Spanish Edition) Montevideo: Publicity-General | 1957 |
I.A.267 | The Skyscraper U.S.A. (Spanish Edition) Montevideo: Publicity-Press Notices | 1958 |
I.A.268 | The Skyscraper U.S.A. (Spanish Edition) Montevideo: Work Folder Exhibition and shipping correspondence, along with routing slip. |
1957–1958 |
I.A.269 | The Skyscraper U.S.A. (Spanish Edition) Argentina: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and publicity report. |
1957–1958 |
I.A.270 | The Skyscraper U.S.A. (Spanish Edition) Buenos Aires: Work Folder Correspondence, customs and shipping receipt, bills of lading, blank condition form, and box list. |
1958–1959 |
I.A.271 | The Skyscraper U.S.A. (Spanish Edition) Buenos Aires: Publicity-General | undated |
I.A.272 | The Skyscraper U.S.A. (Spanish Edition) Spanish Text-Printer's Copy Three drafts of the catalogue text in Spanish and two reports on text corrections. |
1954 |
I.A.273 | The Skyscraper U.S.A. (Spanish Edition) Publicity-General | 1956–1958 |
I.A.274 | The Skyscraper: U.S.A. (Spanish Edition) Box and Checklists | 1954 |
I.A.275 | The Skyscraper U.S.A. Latin America: Import and Export | 1957–1959 |
ICE-F-10-53 |
||
English text, adapted from MoMA Exh. #528 January 20–March 15, 1953. Organized by Arthur Drexler and Henry-Russell Hitchcock. Originally shown at the Second Bienal do Museu de Arte Moderna, São Paulo, as ICE-F-12-53. Circulated to London, England; Dublin, Ireland; Stockholm, Göteborg, and Malmö, Sweden; Copenhagen, Denmark; Trondheim, Bergen, and Oslo, Norway; and Helsinki, Finland, October 1956–May 1958. Donated to Rakennustraiteen Museo (Finnish Architectural Museum) Helsinki, Finland in 1958. Also circulated as ICE-F-19-53, ICE-F-27-55, SP-ICE-9-55, and SP-ICE-20-57. |
||
Folder | Title | Date |
I.A.276 | Built in U.S.A.: Postwar Architecture: Itinerary and Checklists | 1957–1960 |
I.A.277 | Built in U.S.A.: Postwar Architecture: Publicity | |
I.A.278 | Built in U.S.A.: Postwar Architecture: Photographs One photograph of works in exhibition, four negatives, and three glass negatives. |
|
I.A.279 | Built in U.S.A.: Postwar Architecture: Photographs Eleven negatives showing works in exhibition not used in the ICE shows. |
|
I.A.280 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.281 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.282 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.283 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.284 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.285 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.286 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.287 | Built in U.S.A.: Postwar Architecture: Slides | |
I.A.288 | Built in U.S.A.: Postwar Architecture: Slides | |
I.A.289 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.290 | Built in U.S.A.: Postwar Architecture | |
I.A.291 | Built in U.S.A.: Postwar Architecture: Slides | |
I.A.292 | Built in U.S.A.: Postwar Architecture: Photographs Eight installation and event photographs from MoMA and three prints from Oslo. |
|
I.A.293 | Built in U.S.A.: Post-War Architecture Publicity: Press Notices Exhibition summary and outlines, along with exhibition pamphlet. |
1956–1958 |
I.A.294 | Built in U.S.A.: Post-War Architecture Sweden: Publicity-Press Notices | 1957 |
I.A.295 | Built in U.S.A.: Postwar Architecture London: Publicity Revised press release draft, correspondence, and press releases. |
1956–1958 |
I.A.296 | Built in U.S.A.: Post-War Architecture Dublin: Publicity | 1956–1957 |
I.A.297 | Built in U.S.A.: Post-War Architecture Dublin: Publicity-Press Notices Exhibition summary, operations memorandum from USIA, exhibition outline, and press clippings. |
1956–1957 |
I.A.298 | Built in U.S.A.: Post-War Architecture French Translation of Text Two letters from the USIS in France and translations for the exhibition text. |
1954 |
I.A.299 | Built in U.S.A.: Post-War Architecture Dublin: Work Folder | 1955–1957 |
I.A.300 | Built in U.S.A.: Post-War Architecture London: Publicity-Press Notices Exhibition summary, bulletin from USIS, and press clippings. |
1956–1957 |
I.A.301 | Built in U.S.A.: Post-war Architecture London: Work Folder | 1955–1958 |
I.A.302 | Built in U.S.A.: Post-War Architecture Norway: Work Folder | 1957–1959 |
I.A.303 | Built in U.S.A.: Post-War Architecture Finland: Publicity-General | 1957–1958 |
I.A.304 | Built in U.S.A.: Post-War Architecture Finland: Publicity-Press Notices Exhibition summary, publicity reports, press clippings, and exhibition catalogue. |
1958 |
I.A.305 | Built in U.S.A.: Post-War Architecture Finland: Work Folder Exhibition catalogue, correspondence, conditions forms, and shipping record. |
1957–1958 |
I.A.306 | Built in U.S.A.: Post-War Architecture Copenhagen: Work Folder | 1956–1958 |
I.A.307 | Built in U.S.A.: Post-War Architecture Copenhagen: Publicity-General | 1957 |
I.A.308 | Built in U.S.A.: Post-War Architecture Copenhagen: Publicity-Press Notices Exhibition summary and outline, publicity report, news clippings, and exhibition catalogue. |
1957–1958 |
I.A.309 | Built in U.S.A.: Post-War Architecture Requests for stereo-realist slides | 1956–1957 |
I.A.310 | Built in U.S.A.: Post-War Architecture Sweden: Publicity-General | 1957 |
I.A.311 | Built in U.S.A.: Post-War Architecture Sweden: Work Folder Exhibition catalogue, correspondence, shipping invoices, memoranda, and checklists. |
1956–1957 |
I.A.312 | Built in U.S.A.: Post-War Architecture Norway: Publicity-General Press release draft, correspondence, and summary of exhibition response. |
1957–1958 |
I.A.313 | Built in U.S.A.: Post-War Architecture Norway: Publicity-Press Notices Exhibition summary and outline, summary of exhibition response, and press clipping. |
1957–1958 |
I.A.314 | Built in U.S.A.: Post-War Architecture Europe: Work Folder | 1953–1958 |
I.A.315 | Built in U.S.A.: Postwar Architecture (English Text) Box and Checklists | 1953–1957 |
I.A.316 | Built in U.S.A.: Postwar Architecture Work Folder Checklists, correspondence, shipping invoices, and box list. |
1953–1958 |
ICE-F-19-53 |
||
Portuguese text. Forty-five photo panels, forty-three text panels, and fifty-six Stereo Realist slides, adapted from ICE-F-12-53. Text translated into Portuguese by Caspar Coelho. Shown in Rio de Janeiro, Brazil: April 22–May 7, 1954. Returned to New York in July 1954. |
||
Folder | Title | Date |
I.A.317 | Built in U.S.A.: Postwar Architecture: Itinerary | |
I.A.318 | Built in U.S.A.: Postwar Architecture: Photographs | |
I.A.319 | Built in U.S.A.:Postwar Architecture (Portuguese Text) Work Folder | 1955 |
I.A.320 | Built in U.S.A.: Post-War Architecture-Latin American Version Rio de Janeiro: Work Folder Checklists, packing instructions, shipping notes, memoranda, and correspondence. |
1953–1954 |
I.A.321 | Built in U.S.A.: Post-War Achitecture-Latin American Version Rio de Janeiro: Publicity Publicity summary, correspondence, memoranda, and an invitation. |
1956 |
I.A.322 | Built in U.S.A.: Post-War Architecture Portuguese Translation of Text | undated |
I.A.323 | Built in U.S.A.: Post-War Architecture-Latin American Verion Rio de Janeiro: Publicity-Press Notices Exhibition summary and outline, press release in Portuguese, and press clippings. |
1954 |
I.A.324 | Built in U.S.A.: Post-War Architecture-Latin American Version Il Bienal: Work Folder | 1953–1954 |
ICE-F-27-55 |
||
Spanish edition for South American circulation. Forty-five photo panels, forty-three text panels, and fifty-nine Stereo Realist slides; text panels translated from the Portuguese. Circulated to Mexico City, Monterrey, and Guadalajara, Mexico; Rio Piedras, Puerto Rico; Lima, Peru; Buenos Aires, Argentina: September 1956–November 1958. Dispersed in 1958. |
||
Folder | Title | Date |
I.A.325 | Built in U.S.A.: Postwar Architecture: Itinerary | |
I.A.326 | Built in U.S.A.: Postwar Architecture: Photographs Two prints from Puerto Rico, ten prints from Guadalajara, and nineteen prints from Mexico City. |
|
I.A.327 | Built in U.S.A.: Postwar Architecture: Brochures | |
I.A.328 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Chile: Work Folder | 1957–1958 |
I.A.329 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Chile: Publicity-General | 1958 |
I.A.330 | Built in U.S.A.: Post-War Architecture Argentina: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and publicity report. |
1958 |
I.A.331 | Built in U.S.A.: Post-War Architecture Peru: Work Folder | 1957–1958 |
I.A.332 | Built in U.S.A.: Post-War Architecture Introductory Label | undated |
I.A.333 | Built in U.S.A.: Post-War Architecture Argentina: Work Folder Condition report, correspondence, shipping receipts, box list, and invitation. Restricted material removed: Condition report. |
1958–1959 |
I.A.334 | Built in U.S.A.: Post-War Architecture Argentina: Publicity-General | 1958 |
I.A.335 | Built in U.S.A.: Post-War Architecture Mexico: Publicity-General | 1956–1957 |
I.A.336 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Work Folder Correspondence, memoranda, and photograph requisition forms. |
1954–1956 |
I.A.337 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Spanish Text: Galley Proof | undated |
I.A.338 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Spanish Translation of Text | 1955–1956 |
I.A.339 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Mexico: Publicity-Press Notices | 1955–1957 |
I.A.340 | Built in U.S.A.: Post-War Architecture Mexico: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and publicity report. |
1956 |
I.A.341 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Mexico: Publicity-Press Notices | 1956 |
I.A.342 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Puerto Rico: Publicity-Press Notices Exhibition summary, traveling exhibition outline, publicity report, and press clippings. |
1957 |
I.A.343 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Puerto Rico: Publicity-General | 1957–1958 |
I.A.344 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Puerto Rico: Work Folder | 1956–1958 |
I.A.345 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Peru: Publicity-General Exhibition catalogues, invitations, publicity report, draft of press release, and correspondence. |
1957–1958 |
I.A.346 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Peru: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and press clippings. |
1958 |
I.A.347 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Mexico: Work Folder | 1956–1958 |
I.A.348 | Built in U.S.A.: Post-War Architecture (Spanish Edition) Box and Checklist Box list, exhibition summary, unpacking and packing instructions, and checklist. |
1953–1956 |
I.A.349 | Built in U.S.A.: Postwar Architecture Spanish Edition: Imports and Exports Correspondence, shipping invoices, bills of lading, air waybill, and box list. |
1956–1959 |
ICE-F-34-57 |
||
English Text, Copy two. Canceled. |
||
Folder | Title | Date |
I.A.350 | Built in the U.S.A.: Postwar Architecture Temporary Folder | 1960 |
SP-ICE-9-55 |
||
Fifty-seven photo panels, forty-three text panels, and fifty-six Stereo Realist slides. Commissioned by the USIA for circulation in Italy. Italian text proofed by Margaret Scolari Barr. Circulated to Rome, Florence, Naples, Italy February–November 1956. Text translated into Polish by the USIA at the end of the Italian tour and circulated to Warsaw, Kraków, Gdańsk, and Pozna, Poland: April–May 1957. Also shown at the University of Warsaw, Poland after completion of Polish tour. Dispersed in 1957. |
||
Folder | Title | Date |
I.A.351 | Built in U.S.A.: Postwar Architecture: Itinerary | |
I.A.352 | Built in U.S.A.: Postwar Architecture: Photos | |
I.A.353 | Built In The U.S.A.: Post-War Architecture for the U.S.I.A. | 1955–1957 |
I.A.354 | Built In The U.S.A.: Post-War Architecture Translation of Italian Text | 1955 |
I.A.355 | Built In The U.S.A.: Post-War Architecture Catalogue | 1955 |
I.A.356 | Built In The U.S.A.: Post-War Architecture Italian Translation of Labels | 1955 |
I.A.357 | Built In The U.S.A.: Post-War Architecture Work Folder | 1947–1960 |
I.A.358 | Built In The U.S.A.: Post-War Architecture Publicity | 1956–1957 |
SP-ICE-20-57 |
||
Copy two, Romanian text. Second version of SP-ICE-9-55 consisting of fifty-seven photo panels, forty-three text panels, and fifty-nine Stereo Realist slides. Commissioned by the USIA and Circulated to Bucharest, Cluj, Subu, and Iasi, Romania; Athens and Salonika, Greece; Belgrade, Nish, Skopje, Subotica, and Titograd, Yugoslavia; and Brussels, Belgium: January 1958–October 1960. Dispersed in 1960. |
||
Folder | Title | Date |
I.A.359 | Built in U.S.A.: Postwar Architecture: Itinerary | |
I.A.360 | Built in U.S.A.: Postwar Architecture: Itinerary | |
I.A.361 | Built In U.S.A.: Post-War Architecture Catalogue-Romanian Text | 1957 |
I.A.362 | Built In U.S.A.: Post-War Architecture Work Folder | 1957–1963 |
I.A.363 | Built In U.S.A.: Post-War Architecture Publicity-Press Notices | 1958 |
I.A.364 | Built In U.S.A.: Post-War Architecture Publicity-General | 1958 |
I.A.365* | Built In U.S.A.: Post-War Architecture Publicity-General | 1958 |
ICE-F-12-53 |
||
A combination of three exhibitions: a retrospective showing of forty-five sculptures by Alexander Calder selected by Margaret Miller; twenty-five paintings and twenty drawings by fifteen artists selected by Margaret Miller and twelve prints selected by William S. Lieberman; and ICE-F-10-53 Built in U.S.A.: Postwar Architecture, selected by Arthur Drexler and Henry-Russell Hitchcock, the Portuguese version of MoMA Exh. #528, shown in São Paulo, Brazil December 12, 1953–February 28, 1954 and at the U.S. Embassy, Rio de Janeiro, April 22,–May 7, 1954 as ICE-F-19-53 following the closing of the Bienal. Dispersed in 1955. |
||
Folder | Title | Date |
I.A.366 | U.S. Representation, Il Bienal do Museu de Arte, São Paulo: Itinerary and Checklist | 1953–1954 |
I.A.367 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Publicity | |
I.A.368 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photographs | |
I.A.369 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photographs 107 photographs of works in exhibition and one contact sheet. |
|
I.A.370 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photographs | |
I.A.371 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Photographs | |
I.A.372 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo | |
I.A.373 | U.S. Representation, Ii Bienal do Museu de Arte, São Paulo: Catalogue | |
I.A.374 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Lenders | 1952–1954 |
I.A.375 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Lenders | 1953–1955 |
I.A.376* | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Lenders One drawing by Alexander Calder depicting the correct installation of the sculpture Ahab. |
1953 |
I.A.377 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Lenders
Entire folder restricted. |
1953 |
I.A.378 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Calder Installation | 1954 |
I.A.379 | II Bienal-Museu de Arts Moderna, São Paulo, Brazil Work Folder
Restricted material removed: Lists of works for sale. |
1953–1956 |
I.A.380 | II Bienal-Museu de Arts Moderna, São Paulo, Brazil Work Folder | 1953–1954 |
I.A.381 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Copies of Press Release | April 1953 |
I.A.382 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Regulations-Entry Forms | 1953 |
I.A.383 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Publicity | 1953–1956 |
I.A.384 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Publicity II-Press Notices and Articles Exhibition summary and outline, official bulletins, and press clippings with some translations. |
1953–1954 |
I.A.385 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Publicity II-Press Notices and Articles | 1953–1954 |
I.A.386 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Packing, Shipping, Photography
Restricted material removed: Price lists. |
1951–1957 |
I.A.387 | II Bienal-Museu de Arte Moderna, São Paulo, Brazil Packing, Shipping, Photography | 1953–1954 |
I.A.388 | U.S. Representation: II Bienal do Museu de Arte Moderna, São Paulo | 1953–1956 |
I.A.389 | U.S. Representation: II Bienal do Arte Moderna, São Paulo Receipts
Entire folder restricted. |
1952 |
I.A.390 | U.S. Representation: II Bienal do Museo de Arte Moderna, São Paulo Correspondence: O-Z | 1953–1955 |
I.A.391 | U.S. Representation: II Bienal do Museo de Arte Moderna, São Paulo Imports and Exports | 1953–1954 |
I.A.392 | U.S. Representation: II Bienal do Museo de Arte Moderna, São Paulo Memos | 1953–1954 |
I.A.393 | U.S. Representation: II Bienal do Museo de Arte Moderna, São Paulo Lists, Instructions, Etc. | 1953 |
I.A.394 | U.S. Representation: II Bienal do Museo de Arte Moderna, São Paulo Correspondence A-N | 1953–1954 |
ICE-F-13-53 |
||
Organized in 1953, circulated 1955–1956. 110 photographs by twenty-nine photographers selected by Edward Steichen; organized at the request of the National Museum of Modern Art, Tokyo, Japan, for inclusion in their exhibition Contemporary Photography: Japan and America. Shown in Tokyo and Osaka, Japan: August–October, 1953. Entire exhibition, with some additions and substitutions (ninety-one photographs) also included in ICE-F-24-54 Modern Art in the United States, photography section, and circulated to Paris, France; Zurich, Switzerland; the Hague, the Netherlands; Linz, Austria; Belgrade, Yugoslavia: March 1955–August 1956. Dispersed in 1956. |
||
Folder | Title | Date |
I.A.395 | Contemporary American Photography: Itinerary and Checklist | 1953, 1955–1956 |
I.A.396 | Contemporary American Photography: Publicity | |
I.A.397 | Contemporary American Photography: Catalogue | |
I.A.398 | Contemporary American Photography Tokyo: Work Folder | 1953–1954 |
I.A.399 | Contemporary American Photography Rangoon, Burma: Work Folder | 1953–1954 |
I.A.400 | Contemporary American Photographers Tokyo: Publicity | 1953–1954 |
I.A.401 | Contemporary American Photography Japan: Publicity-Press Notices | 1953 |
I.A.402 | Contemporary American Photography Sydney, New South Wales: Work Folder | 1954 |
I.A.403 | Contemporary American Photography Oslo: Work Folder Correspondence and telegram, checklists, and packing instructions. |
1955–1956 |
I.A.404 | Contemporary American Photography Box and Checklists Checklists, unpacking and packing instructions, and a box list. |
undated |
I.A.405 | Contemporary American Photography Work Folder | 1953–1957 |
ICE-F-20-53 |
||
Organized in 1953, circulated 1957–1960. Twenty-five prints by twenty-five artists selected by William S. Lieberman. Circulated to Honolulu, Hawaii; Manila, Philippines; Saigon, Vietnam; Singapore; Colombo and Kandy, Ceylon (Sri Lanka); Madras, Trivandrum, Bangalore, Hyderabad, Bombay, Ahmadabad, Baroda, New Delhi, and Lucknow, India; Lahore, Peshawar, Pakistan; Chinju City, Pusan, Seoul, Kwangju, and Taegu, Korea. Dispersed in 1960. |
||
Folder | Title | Date |
I.A.406 | Recent American Prints in Color: Itinerary and Checklist | 1953, 1957–1960 |
I.A.407 | Recent American Prints in Color: Photographs | |
I.A.408 | Recent American Prints in Color: Photographs | |
I.A.409 | Recent American Prints in Color Manila: Publicity-General | 1957 |
I.A.410 | Recent American Prints in Color Manila: Work Folder | 1956–1960 |
I.A.411 | Recent American Prints in Color Saigon: Publicity-Press Notices | 1957 |
I.A.412 | Recent American Prints in Color Saigon: Publicity-General | 1957 |
I.A.413 | Recent American Prints in Color Saigon: Work Folder | 1956–1957 |
I.A.414 | Recent American Prints in Color Singapore: Publicity-Press Notices | 1957 |
I.A.415 | Recent American Prints in Color Singapore: Work Folder | 1957 |
I.A.416 | Recent American Prints in Color Colombo: Publicity-General | 1958 |
I.A.417 | Recent American Prints in Color Colombo: Work Folder | 1957–1958 |
I.A.418 | Recent American Prints in Color Ceylon: Publicity Press Notices | 1958–1959 |
I.A.419 | Recent American Prints in Color India: Work Folder Correspondence, memoranda, list of works in exhibition, arrival notice, and condition reports. Restricted material removed: Condition reports. |
1957–1958 |
I.A.420 | Recent American Prints in Color Honolulu: Publicity | 1957 |
I.A.421 | Recent American Prints in Color Honolulu: Work Folder | 1956–1957 |
I.A.422 | Recent American Prints in Color Hawaii: Publicity-Press Notices | 1957 |
I.A.423 | Recent American Prints in Color Philippines: Publicity-Press Notices | 1957 |
I.A.424 | Recent American Prints in Color Work Folder | 1953–1957 |
I.A.425 | Recent American Prints in Color West Pakistan: Publicity Press Notices Exhibition summary and outlines, publicity report, exhibition catalogue, and an invitation. |
1958 |
I.A.426 | Recent American Prints in Color Korea: Publicity-General | 1959–1960 |
I.A.427 | Recent American Prints in Color Korea: Work Folder Correspondence, shipping records, bills of lading, and lists of artwork in exhibition. |
1959–1960 |
I.A.428 | Recent American Prints in Color India: Publicity Press Notices | 1958 |
I.A.429 | Recent American Prints in Color Pakistan: Work Folder Correspondence, telegrams, and a condition report. Restricted material removed: Condition report. |
1958–1959 |
I.A.430 | Recent American Prints in Color Hawaii, Philippines, Vietnam, India, Ceylon, and West Pakistan: Publicity Report | 1957–1958 |
I.A.431 | Recent American Prints in Color Box and Checklist Case list, checklists, list of artwork, and unpacking and packing instructions. |
1954 |
I.A.432 | Recent American Prints in Color Work Folder Checklists, correspondence, box list, shipping invoices, bill of lading, and museum pamphlet. |
1954–1960 |
ICE-F-21-54 |
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Folder | Title | Date |
I.A.433 | Good Design Selections-Anniversary Year Work Folder | 1953–1954 |
ICE-F-22-54 |
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Thirty-eight paintings, twenty-two drawings, and twelve prints selected by the International Program with the guidance of the widow of the artist, Sara Mazo. Sponsored by the National Museum of Modern Art, Tokyo and the Mainichi Newspapers. Circulated to Tokyo, Osaka and Nagoya, Japan: March 20–June 1954. Dispersed in 1954. |
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Folder | Title | Date |
I.A.434 | Yasuo Kuniyoshi Memorial Exhibition: Itinerary and Checklist Press release, publicity reports, and Japanese press reactions. |
1954 |
I.A.435 | Yasuo Kuniyoshi Memorial Exhibition: Photographs | |
I.A.436 | Yasuo Kuniyoshi Memorial Exhibition: Catalogues | |
I.A.437 | Kuniyoshi Memorial Exhibition Publicity: Press Notices Exhibition summary, traveling exhibition outlines, and press clippings. |
1954 |
I.A.438 | Kuniyoshi Memorial Exhibition Japan: Publicity | 1954–1956 |
I.A.439 | Kuniyoshi Memorial Exhibition Honolulu, Hawaii: Work Folder | 1954 |
I.A.440 | Kuniyoshi Memorial Exhibition Japan: Loans and Lenders
Restricted material removed: Loan forms. |
1953–1955 |
I.A.441 | Kuniyoshi Memorial Exhibition Japan: Work Folder
Restricted material removed: Correspondence regarding artwork damage. |
1953–1958 |
I.A.442 | Memorial Art Exhibition of the Works of Yasuo Kuniyoshi Correspondence: A-L Correspondence, transportation contracts, and packing lists. |
1953–1954, 1968 |
I.A.443 | Memorial Art Exhibition of the Works of Yasuo Kuniyoshi Correspondence: M-Z Correspondence, invoices, insurance policies, instructions for collection, and shipping contracts. |
1954 |
I.A.444 | Memorial Art Exhibition of the Works of Yasuo Kuniyoshi Imports and Exports Case lists, correspondence, invoices, shipping certificates, and bill of lading. |
1954 |
I.A.445 | Memorial Art Exhibition of the Works of Yasuo Kuniyoshi Memos, Lists | 1954 |
ICE-F-23-54 |
||
Included three exhibition sections: twenty-six paintings and one drawing by Willem de Kooning selected by Andrew C. Ritchie; thirty paintings and six drawings by Ben Shahn selected by James Thrall Soby; and one sculpture each by Gaston Lachaise, Ibram Lassaw, and David Smith selected by Andrew C. Ritchie. Exhibition organized by the International Program at the invitation of the XXVII Biennale di Venezia, Italy: June 19–October 17. 1954. |
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Folder | Title | Date |
I.A.446 | U.S. Representation, XXVII Biennale Di Venezia: Itinerary and Checklist | 1954 |
I.A.447 | U.S. Representation, XXVII Biennale Di Venezia: Publicity | |
I.A.448 | U.S. Representation, XXVII Biennale Di Venezia: Photographs | |
I.A.449 | U.S. Representation, XXVII Biennale Di Venezia: Photographs | |
I.A.450 | U.S. Representation, XXVII Biennale Di Venezia: Photographs | |
I.A.451* | U.S. Representation, XXVII Biennale Di Venezia: Floor Plans | |
I.A.452 | U.S. Representation, XXVII Biennale Di Venezia: Catalogue | |
I.A.453 | XXVII Venice Biennale American Section: Work Folder | 1954–1955 |
I.A.454 | XXVII Venice Biennale American Section: Work Folder Correspondence, photograph requisition forms, catalogue lists, and memoranda. |
1954–1955 |
I.A.455 | XXVII Venice Biennale U.S. Representation: Publicity-Press Releases | 1954 |
I.A.456 | XXVII Venice Biennale American Section: Loans and Lenders
Restricted material removed: Lender addresses. |
1954–1955 |
I.A.457 | XXVII Venice Biennale American Section: Packing, Shipping, Insurance, Damages, and Repairs
Restricted material removed: Damage reports. |
1954–1955 |
I.A.458 | XXVII Venice Biennale American Section: Preliminary Worksheets Exhibition notes, correspondence, memoranda, packing lists, drafts of box list, and press release. |
1954 |
I.A.459 | XXVII Venice Biennale American Section: Publicity | 1954, 1959 |
I.A.460 | XXVII Venice Biennale American Section: Pre-Release Publicity | 1954 |
I.A.461 | XXVII Venice Biennale American Section: Press Notices, Publicity Exhibition summary and press clippings in English, Italian, and German. |
1954,1957 |
I.A.462 | XXVII Venice Biennale American Section: Catalogue-English and Italian | 1954 |
I.A.463 | U.S. Representation: XXVII Biennale di Venezia Box List | 1954 |
I.A.464 | XXVII Biennale di Venezia | 1953–1955 |
I.A.465 | U.S. Representation: XXVII Biennale di Venezia Work Folder Invoices, box lists, correspondence, and shipping certificate. |
1954–1960 |
I.A.466 | U.S. Representation: XXVII Biennale di Venezia Memos, Lists
Restricted material removed: Condition records. |
1954–1955 |
I.A.467 | U.S. Representation: XXVII Biennale di Venezia Correspondence Correspondence, list of prints, shipping invoice, and transportation contracts. |
1954–1955 |
I.A.468 | U.S. Representation: XXVII Biennale di Venezia Photographs | circa 1954 |
ICE-F-24-54 |
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This exhibition consisted of seven sections, selected from the collection of the Museum of Modern Art with supplementary loans from museum trustees: 108 paintings and twenty-seven sculptures selected by Dorothy C. Miller; eighty-two prints selected by William S. Lieberman; seventeen buildings shown in photographic panels and forty-seven Stereo Realist slides and models selected by Arthur Drexler; 158 industrial design objects selected by Greta Daniel; seventy-one items of typographic design selected by Mildred Constantine; ninety-one photographs selected by Edward Steichen (adapted from ICE-F-13-53 Contemporary American Photography;) three film panels and five film programs selected by Richard Griffith. |
||
Shown in Paris, France as 50 Ans d'Art Aux États-Unis March 30–May 15, 1955. The painting, sculpture, and print sections, in combination with one or more of the other sections were shown thereafter as Modern Art in the United States: Selections from the Collections of the Museum of Modern Art and circulated to Zurich, Switzerland; Barcelona, Spain; Frankfurt, Germany; London, England; the Hague, the Netherlands; Vienna and Linz, Austria; and Belgrade, Yugoslavia July 1955–August 1956. Dispersed in 1956. |
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Folder | Title | Date |
I.A.469 | Modern Art in the United States | 1955–1956 |
I.A.470 | Modern Art in the United States: Publicity | |
I.A.471 | Modern Art in the United States: Catalogues | |
I.A.472 | Modern Art in the United States: Photographs | |
I.A.473 | Modern Art in the United States: Photographs | |
I.A.474 | Modern Art in the United States: Photographs | |
I.A.475 | Modern Art in the United States: Photographs | |
I.A.476 | Modern Art in the United States: Photographs | |
I.A.477 | Modern Art in the United States: Photographs Fourteen color transparencies showing works in exhibition, from painting and sculpture. |
|
I.A.478 | Modern Art in the United States: Photographs Twenty-two prints and eleven negatives showing works in exhibition, from sculpture. |
|
I.A.479 | Modern Art in the United States: Photographs | |
I.A.480 | Modern Art in the United States: Photographs | |
I.A.481 | Modern Art in the United States: Photographs Twenty-nine photographs of works in exhibition, from industrial and graphic design. |
|
I.A.482 | Modern Art in the United States: Photographs Twenty-eight negatives showing works in exhibition, from industrial and graphic design. |
|
I.A.483 | Modern Art in the United States: Photographs | |
I.A.484 | Modern Art in the United States: Photographs Six installation, event, and packing photographs from Zurich. |
|
I.A.485 | Modern Art in the United States: Photographs Installation, event, and packing photographs from Barcelona. |
|
I.A.486 | Modern Art in the United States: Photographs Forty-four installation, events, and packing photographs from Frankfurt and two glass slides. |
|
I.A.487 | Modern Art in the United States: Photographs Twenty-two installation, events, and packing photographs from London and twenty-two negatives. |
|
I.A.488 | Modern Art in the United States: Photographs Seventeen installation, event, and packing photographs from the Hague. |
|
I.A.489 | Modern Art in the United States: Photographs Forty-two installation, events, and packing photographs from Belgrade and floor plans. |
|
I.A.490 | Modern Art in the United States: Photographs Thirty-two installation, event, and packing photographs from Belgrade. |
|
I.A.491 | Modern Art in the United States: Photographs Installation, event, and packing photographs from Paris and floor plans. |
|
I.A.492* | Modern Art in the United States: Photographs Forty-seven installation, event, and packing photographs from Vienna. |
|
I.A.493 | Modern Art in the United States: Photographs Four glass installation, event, and packing negatives from London. |
|
I.A.494 | Modern Art in the United States: Photographs Nine installation and event glass slides from an unidentified location. |
|
I.A.495 | Modern Art in the United States: Film | |
I.A.496 | Modern Art in the United States: Film | |
I.A.497 | Modern Art in the United States: Film | |
I.A.498 | Modern Art in the USA Frankfurt List of works in exhibition, correspondence, and exhibition text in English and German. |
1955 |
I.A.499 | Modern Art in the USA Zurich: Publicity-Press Notices and Articles | 1955–1956 |
I.A.500 | Modern Art in the USA Vienna: Publicity-Press Notices Exhibition summary and outline, fact sheet, and press clippings with some translations. |
1956 |
I.A.501* | Modern Art in the USA Vienna: Publicity-Press Notices | 1956 |
I.A.502 | Modern Art in the U.S.A.Vienna: Work Folder | 1955–1956 |
I.A.503 | Modern Art in the USA Vienna: Publicity-General | 1956 |
I.A.504* | Modern Art in the USA Vienna: Publicity-General Envelope containing two exhibition posters, one for Vienna and the other for Linz. |
1956 |
I.A.505 | Modern Art in the USA Zurich | 1955–1956 |
I.A.506* | Modern Art in the USA Milan: Work Folder Envelope containing three blueprints of the Galleria d'arte Moderna in Milan. |
1955 |
I.A.507 | Modern Art in the USA Milan: Work Folder | 1955 |
I.A.508 | Modern Art in the USA Paris: Work Folder | 1954–1956 |
I.A.509 | Modern Art in the USA Paris: Work Folder
Restricted material removed: Loan forms and lender information. |
1954–1957 |
I.A.510 | Modern Art in the USA Paris: Work Folder
Restricted material removed: Condition reports. |
1955–1957 |
I.A.511 | Modern Art in the USA Paris: Work Folder | 1954–1957 |
I.A.512 | Modern Art in the USA Publicity | 1953–1955 |
I.A.513 | Modern Art in the USA Catalogue | 1956 |
I.A.514 | Modern Art in the USA the Hague: Publicity-Press Notices | 1956 |
I.A.515 | Modern Art in the USA the Hague: Work Folder | 1955–1956 |
I.A.516 | Modern Art in the USA Belgrade: Publicity-Press Notices | 1956 |
I.A.517 | Modern Art in the USA Belgrade: Publicity | 1955–1956 |
I.A.518 | Modern Art in the USA Belgrade: Work Folder | 1956–1957 |
I.A.519 | Modern Art in the USA Belgrade: Work Folder Shipping receipts, box lists, correspondence, and memoranda. |
1956–1957 |
I.A.520 | Modern Art in the USA Paris | 1955 |
I.A.521 | Modern Art in the USA Frankfurt: Publicity | 1955–1957 |
I.A.522 | Modern Art in the USA Frankfurt: Publicity | 1955–1956 |
I.A.523 | Modern Art in the USA Frankfurt: Work Folder | 1955–1956 |
I.A.524 | Modern Art in the USA Frankfurt: Work Folder | 1955–1956 |
I.A.525 | Modern Art in the USA Barcelona: Publicity | 1955–1956 |
I.A.526 | Modern Art in the USA Barcelona: Publicity | 1955–1956 |
I.A.527 | Modern Art in the USA Barcelona: Publicity-Press Notices and Posters Exhibition summary, press clippings with some translations, and exhibition pamphlet. |
1955 |
I.A.528 | Modern Art in the USA Barcelona | 1955 |
I.A.529 | Modern Art in the USA Barcelona | 1955–1956 |
I.A.530 | Modern Art in the USA Barcelona Correspondence, memoranda, box lists, and photograph requisition forms. |
1955–1956 |
I.A.531 | Modern Art in the USA London: Publicity | 1955–1957 |
I.A.532 | Modern Art in the USA London: Publicity | 1955–1957 |
I.A.533 | Modern Art in the USA London: Work Folder | 1955–1956 |
I.A.534 | Modern Art in the USA London: Work Folder Correspondence, memoranda, box lists, and photograph requisition forms. |
1955–1956 |
I.A.535 | Modern Art in the USA London: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and press clippings. |
1955–1957 |
I.A.536 | Modern Art in the USA London: Publicity Correspondence accepting or declining exhibition events at the Tate Gallery. |
1955–1956 |
I.A.537 | Modern Art in the USA Catalogue | 1956, 1965 |
I.A.538 | Modern Art in the USA Paris: Publicity-Press Notices Informations and Documents journal, press releases, and press clippings. |
1955–1956 |
I.A.539 | Modern Art in the USA Publicity: Checklists Lists of color slides, lists of color transparencies, and lists of photographs and negatives. |
1955–1956 |
I.A.540 | Modern Art in the USA Paris: Publicity | 1954–1955 |
I.A.541 | Modern Art in the USA Paris: Publicity Press clippings, photocopies of press clippings, and photostats of press clippings. |
1955 |
I.A.542 | Modern Art in the U.S.A. | 1955 |
I.A.543 | Modern Art in the U.S.A. Catalogue | 1954–1955 |
I.A.544 | Modern Art in the U.S.A. Catalogue | 1954–1955 |
I.A.545 | Modern Art in the U.S.A.Paris: Catalogue Lists | 1955 |
I.A.546 | Modern Art in the U.S.A. Paris: Catalogue Lists | 1955 |
I.A.547 | Modern Art in the U.S.A. Imports and Exports | 1955 |
I.A.548 | Modern Art in the U.S.A. Press Reviews | 1955–1956 |
I.A.549 | Modern Art in the U.S.A. Box Lists | 1953–1956 |
I.A.550 | Modern Art in the U.S.A. Correspondence: A-Z | 1955–1956 |
I.A.551 | Modern Art in the U.S.A. Memos | 1954–1957 |
I.A.552 | Modern Art in the U.S.A. Condition Record Sheets
Entire folder restricted. |
1956 |
I.A.553 | Modern Art in the U.S.A. Imports and Exports | 1956 |
ICE-F-26-55 |
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Eighteen paintings by six artists selected by Andrew C. Ritchie; sponsored by the Congress for Cultural Freedom. Circulated to Rome, Italy; Brussels, Belgium; Paris, France April–November 1955. Dispersed in 1955. |
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Folder | Title | Date |
I.A.554 | U.S. Representation International Exhibition of Painters Under 35: Itinerary and Checklist | 1955 |
I.A.555 | U.S. Representation International Exhibition of Painters Under 35: Photographs Fifteen prints and seven negatives showing works in exhibition and checklist. |
|
I.A.556 | Painters under Thirty-Five Publicity-Press Notices | 1955 |
I.A.557 | Painters under Thirty-Five Work Folder Correspondence, memoranda, box lists, and photograph requisition forms. |
1954–1956 |
I.A.558 | Painters under Thirty-Five Lenders Correspondence and loan receipts. Restricted material removed: Loan receipts. |
1955–1956 |
I.A.559 | Painters under Thirty-Five Publicity | 1955–1956 |
I.A.560 | Painters Under 35 Congress for Cultural Freedom | 1954–1956 |
I.A.561 | U.S. Representation: International Exhibition of Painters Under 35 Correspondence Box lists, correspondence, lists of artwork, notes, packing specifications, and shipping invoice. |
1955–1956 |
I.A.562 | U.S. Representation: International Exhibition of Painters Under 35 Imports and Exports | 1955 |
ICE-F-28-56 |
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Eighty works by forty-one artists selected by Dorothy C. Miller; sponsored and circulated by the Association Française d'Action Artistique to Laon, Saint-Quentin, Reims, Clermont-Ferrand, and Nice, France October 1956–June 1957. Dispersed in 1957. |
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Folder | Title | Date |
I.A.563 | Recent American Watercolorists: Itinerary and Checklist | 1956–1957 |
I.A.564 | Recent American Watercolorists: Photographs | |
I.A.565 | Recent American Watercolors France: Publicity-Press Notices | 1956–1957 |
I.A.566 | Recent American Watercolors France: Work Folder | 1956–1960 |
I.A.567 | Recent American Watercolors France: Work Folder
Restricted material removed: Loan forms and receipts. |
1956–1958 |
I.A.568 | Recent American Watercolors France: Publicity Exhibition correspondence and memoranda, press release, and two exhibition catalogues. |
1956–1957 |
I.A.569 | Recent American Watercolors Box and Checklist | 1956 |
I.A.570 | Recent American Watercolors Loans
Entire folder restricted. |
1956–1958 |
I.A.571 | Recent American Watercolors Correspondence Correspondence, Art Lending receipts, registrar forms, notes, and delivery receipts. |
1956–1960 |
I.A.572 | Recent American Watercolors Imports, Exports Correspondence, shipping invoices, customs forms, checklists, and box list. |
1956–1957 |
ICE-F-29-56 |
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One sculpture each by eleven artists selected by Andrew C. Ritchie and Porter A. McCray from a list of artists suggested by the Musée Rodin. Shown at the Musée Rodin, Paris, France. June–October 1956. |
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Folder | Title | Date |
I.A.573 | U.S. Representation: International Exhibition of Contemporary Sculptures: Itinerary and Checklist | 1956 |
I.A.574 | U.S. Representation: International Exhibition of Contemporary Sculptures: Photographs Thirteen photographs of works in exhibition and catalogue from Paris. |
|
I.A.575 | International Exhibition of Contemporary Sculpture Musée Rodin: Publicity-Press Notices Exhibition summary, traveling exhibition outline, and press clippings in French and English. |
1956 |
I.A.576 | International Exhibition of Contemporary Sculpture Publicity Correspondence to lenders and artists regarding catalogue distribution and general correspondence. |
1956 |
I.A.577 | International Exhibition of Contemporary Sculpture Publicity: Press | 1956 |
I.A.578 | International Exhibition of Contemporary Sculpture Work Folder
Restricted material removed: Conditions report and damage correspondence. |
1955–1957 |
I.A.579 | International Exhibition of Contemporary Sculpture Work Folder
Restricted material removed: Loan letters with lender and condition information. |
1956–1957 |
I.A.580 | U.S. Representation: International Exhibition of Contemporary Sculpture Checklist | 1956 |
I.A.581 | U.S. Representation: International Exhibition of Contemporary Sculpture Musée Rodin | 1955–1956 |
I.A.582 | U.S. Representation: International Exposition of Contemporary Sculpture Imports, Exports Correspondence, box list, shipping invoices, customs forms, and bill of lading. |
1956 |
I.A.583 | U.S. Representation: International Exposition of Contemporary Sculpture Correspondence Correspondence, condition photographs, lists of case dimensions, catalogue listing, and box list. Restricted material removed: Condition photographs and memoranda. |
1955–1957 |
I.A.584 | U.S. Representation: International Exposition of Contemporary Sculpture Sculpture at Rodin Museum Loan agreement forms and delivery receipt. Entire folder restricted. |
1956 |
ICE-F-30-56 |
||
Forty-five paintings by thirty-five artists selected by Katharine Kuh, organized by the Art Institute of Chicago at the invitation of MoMA for the American Pavilion in Venice, Italy June–October 1956. |
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Folder | Title | Date |
I.A.585 | U.S. Representation: XXVIII Biennale Di Venezia American Artists Paint the City Publicity | 1956 |
I.A.586 | XXVIII Venice Biennale (Art Institute of Chicago) Publicity | 1956–1957 |
I.A.587 | XXVIII Venice Biennale (Art Institute of Chicago) Publicity: Press Notices-Various Countries | 1955–1956 |
I.A.588 | XXVIII Venice Biennale (Art Institute of Chicago) Work Folder | 1954–1957 |
I.A.589 | XXVIII Venice Biennale (Art Institute of Chicago) Publicity: Press Notices-Provincial Cities, Italy | 1956–1957 |
I.A.590 | XXVIII Venice Biennale (Art Institute of Chicago) Publicity: Press Notices-Milan Press clippings and photocopies of press clippings, in Italian. |
1956 |
I.A.591 | XXVIII Venice Biennale (Art Institute of Chicago) Publicity: Press Notices-Milan, Rome, Venice | 1956 |
I.A.592 | Venice Biennale 1956 Purchase orders, correspondence, press excerpt brochures, press releases, and press clippings. |
1954–1957 |
I.A.593 | XXVIII Biennale di Venezia | 1955 |
ICE-F-32-57 |
||
Includes two exhibition sections: Jackson Pollock (1912–1956): thirty-four paintings and twenty-nine drawings by Jackson Pollock selected by Frank O'Hara and twenty-three paintings and fifteen sculptures by eight artists selected by Frank O'Hara, assisted by Porter A. McCray, James Thrall Soby, Dorothy C. Miller and Sam Hunter. Shown in São Paulo, Brazil September 22–December 31, 1957. Dispersed in 1957. See also ICE-F-35-57 |
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Folder | Title | Date |
I.A.594 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Itinerary and Checklists | 1957 |
I.A.595 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.596 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.597 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.598 | U.S. Representation: IV, São Paulo: Publicity | |
I.A.599 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity U.S. press clippings, from August 1957 through January 1958. |
|
I.A.600 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.601 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | July–August 1957 |
I.A.602 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | 9/1–9/17/1957 |
I.A.603 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | 9/18–9/21/1957 |
I.A.604 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | 9/22–9/25/1957 |
I.A.605 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | 9/26–9/30/1957 |
I.A.606 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity | October 1957 |
I.A.607 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Publicity Press clippings from Brazil, between November and December, 1957. |
November–December 1957 |
I.A.608 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs Thirty-four photographs of works in exhibition: "Volume I. Pollock Paintings". |
|
I.A.609 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs Twenty-eight photographs of works in exhibition: "Volume II. Pollock Drawings". |
|
I.A.610 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs | |
I.A.611 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs Thirty-eight condition photographs. Entire folder restricted. |
|
I.A.612 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs | |
I.A.613 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Photographs | |
I.A.614 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Catalogue | |
I.A.615 | U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo: Printed Matter | |
I.A.616 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Work Folder I | 1957–1958 |
I.A.617 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Work Folder I
Restricted material removed: Correspondence concerning conservation of works. |
1956–1958 |
I.A.618 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Work Folder II | 1957 |
I.A.619 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Packing and Shipping: Insurance, Damages and Repairs Shipping records, loan forms, correspondence, checklists, and box lists. Restricted material removed: Loan forms and damage memoranda. |
1957–1959 |
I.A.620 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Packing and Shipping: Insurance, Damages and Repairs | 1957–1959 |
I.A.621 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Loans and Lenders Lists of lenders, correspondence, and loan forms. Restricted material removed: List of lenders, loan forms. |
1957–1958 |
I.A.622 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Architecture and Theatre Arts Exhibitions | 1957–1958 |
I.A.623 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Publicity: General | 1957–1958 |
I.A.624* | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Publicity: General | undated |
I.A.625 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Publicity: General | 1957–1958 |
I.A.626 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Catalogues | 1957–1959 |
I.A.627 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Catalogues | 1957–1959 |
I.A.628 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Worksheets: Artists-I | 1957 |
I.A.629 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Worksheets: Artists-II Worksheets for Jackson Pollock paintings and drawings in exhibition. |
1957 |
I.A.630 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Catalogues: Page Proofs Page proofs for U.S. catalogue and Jackson Pollock catalogue. |
1957 |
I.A.631 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Box and Checklist | 1957 |
I.A.632 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Press Comments-Translations | 1957 |
I.A.633 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Press releases and correspondence. Restricted material removed: Loan records. |
1957 |
I.A.634 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Correspondence | 1957 |
I.A.635 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Drawings Checklist and loan agreement forms. Entire folder restricted. |
1956–1958 |
I.A.636 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Imports and Exports | 1957–1958 |
I.A.637 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Correspondence: A-O | 1957–1959 |
I.A.638 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Correspondence: P-Z Correspondence, transportation contracts, and shipping invoices. |
1957–1959 |
I.A.639 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Memos, Condition Registrar forms, correspondence, condition reports, and notes. Restricted material removed: Condition reports and damage correspondence. |
1957–1958 |
I.A.640 | IV Bienal do Museu de Arte Moderna, São Paulo, Brazil Condition Record Sheets
Entire folder restricted. |
undated |
I.A.641 | IV Bienal do Museu de Arte Moderna São Paulo, Sept.–Dec. 1957 | 1957 |
I.A.642 | IV Bienal do Museu de Arte Moderna São Paulo, Sept.–Dec. 1957 Separate exhibition catalogue for the simultaneous Pollock Retrospective, ICE-F-35-57. |
1957 |
ICE-F-33-57 |
||
Fifty-two photo panels, twenty-one photo-text panels, and forty-nine Stereo Realist slides representing forty-nine examples of architecture from eleven Central and Latin American countries, organized by Henry-Russell Hitchcock and Rosalie Thorne McKenna as a special survey exhibition commissioned by the International Program (MoMA Exh. #590 1955 November–1956 February) for the Museum's twenty-fifth anniversary. The original version (English text) circulated as ICE-D-6-54 1956–1957. The Spanish version circulated to Mexico City, Mexico; Havana, Cuba; and Caracas, Venezuela July 1957–July 1958. Dispersed in 1959. Also circulated nationally as ICE-D-10-56 (smaller panel version) 1957–1961. A planned C/E version, 56-11, was canceled. |
||
Folder | Title | Date |
I.A.643 | Latin American Architecture Since 1945: Itinerary and Checklist | 1955–1961 |
I.A.644 | Latin American Architecture Since 1945: Publicity | |
I.A.645 | Latin American Architecture Since 1945: Publicity | |
I.A.646 | Latin American Architecture Since 1945: Publicity | |
I.A.647 | Latin American Architecture Since 1945: Photographs | |
I.A.648 | Latin American Architecture Since 1945: Photographs | |
I.A.649* | Latin American Architecture Since 1945: Slides Fifty slides in box and thirty-seven slides in envelope depicting works in exhibition. |
|
I.A.650 | Latin American Architecture Since 1945: Photographs | |
I.A.651 | Latin American Architecture Since 1945: Photographs Forty-two negatives, text panels in exhibition, and plans, in English. |
|
I.A.652 | Latin American Architecture Since 1945: Photographs Forty-four negatives showing text panels in exhibition in English. |
|
I.A.653 | Latin American Architecture Since 1945: Photographs Eighty-three negatives showing text panels in exhibition, in Spanish. |
|
I.A.654 | Latin American Architecture Since 1945 | |
I.A.655 | Latin American Architecture Since 1945: Catalogues Includes one MoMA published catalogue, along with five brochures and one leaflet from Havana. |
|
I.A.656 | Latin American Architecture Since 1945 Permanent Record Sheet | Circa 1959 |
I.A.657 | Latin American Architecture Since 1945 General Work Folder | 1957–1960 |
I.A.658 | Latin American Architecture Since 1945 Caracas: Publicity-General | 1958 |
I.A.659 | Latin American Architecture Since 1945 Cuba: Work Folder | 1956–1958 |
I.A.660 | Latin American Architecture Since 1945 Caracas: Work Folder Correspondence, checklists and records of damage to photographs. |
1958–1959 |
I.A.661 | Latin American Architecture Since 1945 Mexico: Work Folder Correspondence, shipping records, checklists and photograph requisition forms. |
1956–1957 |
I.A.662 | Latin American Architecture Since 1945 Mexico: Work Folder | 1958 |
I.A.663 | Latin American Architecture Since 1945 Chicago: Work Folder | 1958–1959 |
I.A.664 | Latin American Architecture Since 1945 Dallas: Work Folder | 1959 |
I.A.665 | Latin American Architecture Since 1945 Work Folder | 1956–1961 |
I.A.666 | Latin American Architecture since 1945 Box and Checklist Exhibition summary, box list, unpacking and packing instructions, and checklists. |
1956–1957 |
I.A.667 | Latin American Architecture since 1945 Correspondence | 1955–1959 |
I.A.668 | Latin American Architecture since 1945 Imports and Exports | 1957–1958 |
ICE-D-6-54 |
||
Folder | Title | Date |
I.A.669 | Latin American Architecture Since 1945: Itinerary | |
I.A.670 | Latin American Architecture Since 1945 Text Conversion from English to Spanish | 1955–1958 |
I.A.671 | Latin American Architecture Since 1945 Work Folder Includes checklist, correspondence, insurance report, and invoices. |
1955–1956 |
ICE-D-10-56 |
||
Folder | Title | Date |
I.A.672 | Latin American Architecture Since 1945 Correspondence | 1960 |
ICE-F-35-57 |
||
An edition of the exhibition for Europe organized in 1957 and circulated 1958–1959. Thirty-one paintings and twenty drawings and watercolors selected by Frank O'Hara. Exhibition based on a retrospective shown as part of ICE-F-32-57 U.S. Representation: IV Bienal do Museu de Arte Moderna, São Paulo, 1957. Circulated to Rome, Italy; Basel, Switzerland; Amsterdam, the Netherlands; Hamburg and Berlin, Germany; London, England; Paris, France March 1958–February 1959. Also circulated concurrently with ICE-F-36-57 The New American Painting in Basel, Berlin and Paris. Dispersed in 1959. |
||
Folder | Title | Date |
I.A.673 | Jackson Pollock 1912–1956: Itinerary and Checklist Itinerary and checklist of which ICE exhibitions included works by Jackson Pollock. |
1958-1969 |
I.A.674 | Jackson Pollock: Publicity | |
I.A.675 | Jackson Pollock: Publicity | |
I.A.676 | Jackson Pollock: Publicity | |
I.A.677 | Jackson Pollock: Publicity | |
I.A.678 | Jackson Pollock: Publicity | |
I.A.679 | Jackson Pollock: Publicity | |
I.A.680 | Jackson Pollock: Publicity | |
I.A.681 | Jackson Pollock: Photographs | |
I.A.682 | Jackson Pollock: Photographs | |
I.A.683 | Jackson Pollock: Catalogues One catalogue each from London, Berlin, Basel, Hamburg, Paris, Amsterdam, and three from Rome. |
|
I.A.684 | Jackson Pollock, 1912–1956 Rome: Publicity-General | 1957–1960 |
I.A.685 | Jackson Pollock, 1912–1956 Rome: Loans and Lenders
Restricted material removed: Loan documents and lender correspondence concerning a legal dispute over ownership. |
1957–1959 |
I.A.686 | Jackson Pollock, 1912–1956 Rome: Catalogue | 1957–1959 |
I.A.687 | Jackson Pollock, 1912–1956 Sales | 1958–1959 |
I.A.688 | Jackson Pollock, 1912–1956 Press: LIFE Feature Story on Pollock | 1959 |
I.A.689 | Jackson Pollock, 1912–1956 Rome: Work Folder
Restricted material removed: Correspondence regarding damaged works and insurance claims. |
1957–1962 |
I.A.690 | Jackson Pollock, 1912–1956 Rome: Publicity-Press Notices | 1958 |
I.A.691 | Jackson Pollock, 1912–1956 Basel: Work Folder Correspondence, shipping records, drafts of catalogue text, and checklists in German and English. |
1956–1958 |
I.A.692 | Jackson Pollock, 1912–1956 Basel: Publicity-General Exhibition announcement, press release, correspondence and shipping record. |
1958 |
I.A.693 | Jackson Pollock, 1912–1956 Basel: Publicity-Press Notices | 1958 |
I.A.694 | Jackson Pollock, 1912–1956 Amsterdam: Publicity-General | 1958 |
I.A.695 | Jackson Pollock, 1912–1956 Amsterdam: Work Folder Correspondence, shipping records and drafts of catalogue text. |
1957–1958 |
I.A.696 | Jackson Pollock, 1912–1956 Critical Reviews and Quotes Correspondence, exhibition itinerary and document containing all critical reviews and quotes. |
1959 |
I.A.697 | Jackson Pollock, 1912–1956 General: Insurance-Damages and Repairs Photos and correspondence documentating damaged works, with box list. Restricted material removed: Condition documentation of damaged works. |
1959–1960 |
I.A.698 | Jackson Pollock, 1912–1956 General: Publicity-Showings | 1959 |
I.A.699 | Jackson Pollock, 1912–1956 Books and Monographs on Pollock Notes and correspondence on exhibition-related publications, with photograph requistion form. |
1959 |
I.A.700 | Jackson Pollock, 1912–1956 Amsterdam Showing | 1958 |
I.A.701 | Jackson Pollock and the New American Painting Paris | 1959 |
I.A.702 | Jackson Pollock 1912–1956 Berlin: Publicity-General | 1958 |
I.A.703 | Jackson Pollock 1912–1956 Berlin: Work Folder | 1958–1959 |
I.A.704 | Jackson Pollock 1912–1956 Hamburg: Publicity-General | 1959 |
I.A.705 | Jackson Pollock 1912–1956 Hamburg: Work Folder Correspondence, shipping records, and text of catalogue addenda. |
1958–1959 |
I.A.706 | Jackson Pollock 1912–1956 Hamburg: Publicity-Press Notices | 1958–1959 |
I.A.707 | Jackson Pollock 1912–1956 London: Publicity-Press Notices | 1957–1958 |
I.A.708 | Jackson Pollock 1912–1956 London: Work Folder | 1957–1959 |
I.A.709 | Jackson Pollock 1912–1956 Paris: Publicity-General | 1958–1959 |
I.A.710 | Jackson Pollock 1912–1956 Paris: Work Folder | 1958–1959 |
I.A.711 | Jackson Pollock 1912–1956 Paris: Catalogue | 1958 |
I.A.712 | Jackson Pollock 1912–1956 and The New American Painting | 1959 |
I.A.713 | Jackson Pollock 1912–1956 Whitechapel Art Gallery, London: 1958 | 1958 |
I.A.714 | Jackson Pollock Rome Showing | 1958 |
I.A.715 | Jackson Pollock 1912–1956 Kunstverein in Hamburg | 1958 |
I.A.716 | Jackson Pollock 1912–1956 Berlin | 1958 |
I.A.717 | Jackson Pollock: 1912–1956 Work Folder Exhibition summaries, catalogue illustration list, and box list. |
1958 |
I.A.718 | Jackson Pollock 1912–1956 | 1957–1959 |
I.A.719 | Jackson Pollock, 1912–1956 Correspondence | 1957–1959 |
I.A.720 | Jackson Pollock, 1912–1956 Imports and Exports | 1957–1959 |
I.A.721 | Jackson Pollock, 1912–1956 Imports and Exports Loan agreement forms, publication note, correspondence, lists of loans, notes, and checklist. Restricted material removed: Loan forms. |
1956–1957 |
ICE-F-36-57 |
||
Eighty-one paintings by seventeen artists selected by Dorothy C. Miller. Circulated to Basel, Switzerland; Milan, Italy; Madrid, Spain; Berlin, Germany; Amsterdam, the Netherlands; Brussels, Belgium; Paris, France; and London, England 1958 April–1959 March. Returned to U.S. for exhibition at MoMA as Exh. #645 May 26–September 8, 1959. Also circulated as Recent American Painting: 17 Abstract Expressionists, C/E 59-6 1959 with works selected from ICE-F-36-57. This exhibition and ICE-F-35-57 Jackson Pollock 1912–1956 were shown concurrently in Basel, Berlin, and Paris. |
||
Folder | Title | Date |
I.A.722 | The New American Painting: Itinerary | 1958–1959 |
I.A.723 | The New American Painting: Checklists | |
I.A.724 | The New American Painting: Publicity reports | |
I.A.725* | The New American Painting: Publicity | |
I.A.726 | The New American Painting: Publicity Summary of press reactions and press clippings regarding all venues. |
|
I.A.727 | The New American Painting: Publicity | |
I.A.728 | The New American Painting: Publicity | |
I.A.729 | The New American Painting: Publicity | |
I.A.730 | The New American Painting: Publicity | |
I.A.731 | The New American Painting: Publicity | |
I.A.732 | The New American Painting: Publicity | |
I.A.733 | The New American Painting: Publicity | |
I.A.734 | The New American Painting: Publicity Reports, press clippings, and USIS press release from London. |
|
I.A.735 | The New American Painting: Floor Plans | |
I.A.736 | The New American Painting: Floor Plans | |
I.A.737* | The New American Painting: Floor Plans | |
I.A.738 | The New American Painting: Photographs Photographs of works in exhibition alphabetically arranged by artist, from A through G. |
|
I.A.739 | The New American Painting: Photographs Photographs of works in exhibition alphabetically arranged by artist, from H through N. |
|
I.A.740 | The New American Painting: Photographs Photographs of works in exhibition alphabetically arranged by artist, from O through Z. |
|
I.A.741 | The New American Painting: Photographs Four negatives showing works in exhibition and four negatives of artists' portraits. |
|
I.A.742 | The New American Painting: Photographs Nine prints, eight negatives, and seven photostats of catalogue covers. |
|
I.A.743 | The New American Painting: Photographs | |
I.A.744 | The New American Painting: Photographs | |
I.A.745 | The New American Painting: Photographs Seventy-nine installation and event photographs from Basel and fifty-four photostats. |
|
I.A.746 | The New American Painting: Photographs | |
I.A.747 | The New American Painting: Photographs | |
I.A.748 | The New American Painting: Photographs Three installation and event photographs from Milan and one postcard. |
|
I.A.749 | The New American Painting: Photographs | |
I.A.750 | The New American Painting: Photographs | |
I.A.751 | The New American Painting: Photographs | |
I.A.752 | The New American Painting: Photographs Eleven duplicate installation and event photographs and unidentified negatives. |
|
I.A.753 | The New American Painting: Catalogue material | |
I.A.754 | The New American Painting: Catalogue material | |
I.A.755 | The New American Painting: Catalogue material | |
I.A.756 | The New American Painting: Catalogue material | |
I.A.757 | The New American Painting: Catalogue material | |
I.A.758 | The New American Painting: Catalogues One catalogue each from Basel, Berlin, Milan, Madrid, and MoMA, NY. |
|
I.A.759 | The New American Painting: Catalogues One catalogue each from London, Brussels, Paris, and two from Amsterdam. |
|
I.A.760 | The New American Painting: Printed Matter | |
I.A.761 | The New American Painting Whitney Exhibition | 1991 |
I.A.762 | The New American Painting Basel: Publicity | 1957–1959 |
I.A.763 | The New American Painting Basel: Work Folder | 1956–1958 |
I.A.764 | The New American Painting Basel: Insurance, Lists, Conditioning
Restricted material removed: Condition and conservation descriptions. |
1957–1959 |
I.A.765 | The New American Painting Basel: Catalogue | 1957–1958 |
I.A.766 | The New American Painting Milan: Catalogue | 1958–1959 |
I.A.767 | The New American Painting Berlin: Work Folder | 1956–1958 |
I.A.768 | The New American Painting Berlin: Work Folder | 1956–1959 |
I.A.769 | The New American Painting Berlin: General Publicity | 1958 |
I.A.770 | The New American Painting Berlin: Catalogue | 1958 |
I.A.771 | The New American Painting Brussels: Work Folder | 1958–1959 |
I.A.772 | The New American Painting Brussels: General Publicity Exhibition itinerary, correspondence, bibliography, and press release. |
1958–1959 |
I.A.773 | The New American Painting Amsterdam: Work Folder | 1958–1959 |
I.A.774 | The New American Painting Amsterdam: General Publicity Exhibition itinerary, list of lenders, correspondence, wall label, and press release in Dutch. |
1958 |
I.A.775 | The New American Painting Catalogue: Modern Art in the United States: A selection from the collections of The Museum of Modern Art | 1956 |
I.A.776 | The New American Painting London: General Publicity | 1959–1960 |
I.A.777 | The New American Painting London: Work Folder | 1958–1961 |
I.A.778 | The New American Painting Paris: Work Folder | 1958–1959 |
I.A.779 | The New American Painting Paris: General Publicity | 1959 |
I.A.780 | The New American Painting New York: Catalogue | 1958–1960 |
I.A.781 | The New American Painting New York: General Publicity | 1959 |
I.A.782 | The New American Painting New York: Work Folder
Restricted material removed: Condition records. |
1958–1959 |
I.A.783 | The New American Painting General Work Folder
Restricted material removed: Sale price list. |
1958–1961 |
I.A.784 | The New American Painting Publicity-General List of news coverage, newsclippings, press releases, correspondence, and memoranda. |
1959 |
I.A.785 | The New American Painting: Motherwell's Elegy for the Spanish Republic | 1958 |
I.A.786 | The New American Painting Basel: Loans and Lenders Exhibition itinerary, list of lenders, correspondence, memoranda, and shipping records. |
1958–1959 |
I.A.787 | The New American Painting Basel: Loans and Lenders Correspondence, including letter from Barnett Newman, and memoranda. |
1957–1959 |
I.A.788 | The New American Painting New York: Critical Commentary Reception invitee lists, International Program meeting report, and critical reviews. |
1959 |
I.A.789 | The New American Painting Loans and Lenders Receipts Correspondence, list of lenders, list of artists, draft letter to lenders, and loan receipts. Restricted material removed: Loan forms. |
1958–1959 |
I.A.790 | The New American Painting Milan: General Publicity | 1958–1959 |
I.A.791 | The New American Painting Milan: General Publicity | 1958 |
I.A.792 | The New American Painting V.P.'s Work Sheets | circa 1958 |
I.A.793 | The New American Painting Madrid: Work Folder | 1958–1959 |
I.A.794 | The New American Painting Madrid: General Publicity | 1958–1959 |
I.A.795 | The New American Painting Madrid: Catalogue | 1958 |
I.A.796 | The New American Painting Basel Showing | 1958 |
I.A.797 | The New American Painting Berlin Showing | 1958 |
I.A.798 | The New American Painting Madrid Showing | 1958 |
I.A.799 | The New American Painting New York Showing | 1959 |
I.A.800 | The New American Painting Milan Showing | 1958 |
I.A.801 | The New American Painting Box List Box list top sheets, box list, and unpacking and packing instructions. |
1958 |
I.A.802 | The New American Painting | 1958–1959 |
I.A.803 | The New American Painting Memos, Bills
Restricted material removed: Condition record sheets and artwork value lists. |
1957–1959 |
I.A.804 | The New American Painitng Correspondence | 1957–1959, 1962 |
I.A.805 | The New American Painting Imports and Exports | 1958–1962 |
I.A.806 | The New American Painting Loans Loan agreement forms, checklists, transparency forms, and correspondence. Entire folder restricted. |
1958–1959 |
I.A.807 | Memoranda on National and International Circulating Exhibitions Memoranda, notes, exhibition listings, project proposals, brochure and press releases. |
1960–1966 |
I.A.808 | Memoranda on National and International Circulating Exhibitions Exhibition listings, notes, project proposals, and proposed project lists. |
1960 |
I.A.809 | Memoranda on National and International Circulating Exhibitions | 1958–1960 |
ICE-F-37-58 |
||
Includes four exhibition sections: thirty-six paintings by Mark Tobey and 12 sculptures by Seymour Lipton selected by Frank O'Hara, and ten paintings by Mark Rothko and fourteen sculptures by David Smith selected by Sam Hunter. Shown in Venice, Italy June 14–September 19, 1958. Dispersed in 1958. |
||
Folder | Title | Date |
I.A.810 | XXIX Biennale di Venezia: Itinerary and Checklist | 1958 |
I.A.811 | XXIX Biennale di Venezia: Publicity | |
I.A.812 | XXIX Biennale di Venezia: Publicity | |
I.A.813 | XXIX Biennale di Venezia: Publicity Draft and final report, annotated reports, and summaries of press reactions by Kynaston McShine. |
|
I.A.814 | XXIX Biennale di Venezia: Printed Matter | |
I.A.815 | XXIX Biennale di Venezia: Publicity | |
I.A.816 | XXIX Biennale di Venezia: Publicity | |
I.A.817 | XXIX Biennale di Venezia: Photographs Seventy-one prints showing works in exhibition and one negative. |
|
I.A.818 | XXIX Biennale di Venezia: Photographs | |
I.A.819 | XXIX Biennale di Venezia: Catalogues Three Italian catalogues, including one with Frank O'Hara annotations. |
|
I.A.820 | U.S. Representation: XXIX Venice Biennale Work Folder | 1958–1960 |
I.A.821 | U.S. Representation: XXIX Venice Biennale Work Folder | 1956–1960 |
I.A.822 | U.S. Representation: XXIX Venice Biennale Publicity General | 1958 |
I.A.823 | U.S. Representation: XXIX Venice Biennale Publicity General | 1957–1959 |
I.A.824 | U.S. Representation: XXIX Venice Biennale Packing and Shipping
Restricted material removed: Documents conerning the condition and damage to works. |
1958–1959 |
I.A.825 | Lipton, Rothko, Smith, Tobey: XXIX Biennale Venezia 1958, Stati Uniti d'America | 1958 |
I.A.826 | U.S. Representation: XXIX Venice Biennale Annotated Box List for Repacking of Exhibition Box list, with annotated condition reports. Restricted material removed: Condition reports. |
1958 |
I.A.827 | U.S. Representation: XXIX Venice Biennale Sale of Work Correspondence, list of works for sale, and sale invoices. Entire folder restricted. |
1958–1959 |
I.A.828 | U.S. Representation: XXIX Venice Biennale Three Young Artists Drafts of catalogue text in Italian and English, with memoranda, and registrar records. |
1958 |
I.A.829 | U.S. Representation: XXIX Venice Biennale Publicity-Press Notices | 1956–1958 |
I.A.830 | U.S. Representation: XXIX Venice Biennale Publicity-Press Notices | 1958 |
I.A.831 | U.S. Representation: XXIX Venice Biennale Installation and Event Photos Installation and event photos featuring Porter McCray and Seymour Lipton. |
1958 |
I.A.832 | U.S. Representation: XXIX Venice Biennale Catalogue | 1956–1958 |
I.A.833 | U.S. Representation: XXIX Venice Biennale Loans and Lenders
Restricted material removed: Loan forms and list of lenders. |
1958–1959 |
I.A.834 | U.S. Representation: XXIX Venice Biennale Rules and Regulations, Biennale Staff | 1958 |
I.A.835 | U.S. Representation: XXIX Biennale di Venezia Checklists | undated |
I.A.836 | U.S. Representation: XXIX Biennale di Venezia Checklist | 1962 |
I.A.837 | U.S. Representation: XXIX Biennale di Venezia Box Lists | 1958 |
I.A.838 | Venice Biennale 1958 | 1958 |
I.A.839 | XXIX Venice Biennale Imports and Exports | 1958 |
I.A.840 | XXIX Venice Biennale Loans Checklist, inventory card, and loan forms. Restricted material removed: Loan forms and inventory card with condition notes. |
1958 |
I.A.841 | XXIX Venice Biennale Memoranda and Correspondence Condition record sheets, memoranda, correspondence, and registrar receipts. Restricted material removed: Condition records. |
1958–1959 |
I.A.842 | XXIX Venice Biennale Memoranda and Correspondence | 1958–1959 |
ICE-F-38-58 |
||
Thirty-eight paintings selected by James Thrall Soby and ninety-nine watercolors, prints, posters, and other graphics selected by Mildred Constantine. Circulated to Amsterdam, the Netherlands; Rome, Italy; Brussels, Belgium; and Vienna, Austria: December 1961–June 1962. Dispersed in 1963. Also circulated as a smaller version as ICE-F-68-61 Ben Shahn: Graphics. |
||
Folder | Title | Date |
I.A.843 | Ben Shahn Retrospective: Itinerary and Checklist | 1958 |
I.A.844 | Ben Shahn Retrospective: Publicity reports | |
I.A.845 | Ben Shahn Retrospective: Publicity reports | |
I.A.846 | Ben Shahn Retrospective: Photographs | |
I.A.847 | Ben Shahn Retrospective: Photographs Four prints from Amsterdam, twelve prints from Rome, and nine prints and one negative from Vienna. |
|
I.A.848 | Ben Shahn Retrospective: Catalogues One catalogue each from Jerusalem, Amsterdam, Vienna, and Brussels. |
|
I.A.849 | The Works of Ben Shahn Loans and Lenders: Folder II-Graphics Correspondence, shipping records, and loan forms. Restricted material removed: Loan documents and materials concerning conditions and insurance claims. |
1961–1964 |
I.A.850 | The Works of Ben Shahn Loans and Lenders: Folder I
Restricted material removed: Loan receipts. |
1961–1964 |
I.A.851 | The Works of Ben Shahn Amsterdam: Work Folder
Restricted material removed: Condition reports and insurance claim. |
1957–1966 |
I.A.852 | The Works of Ben Shahn Brussels: Work Folder Correspondence, gallery plan, publicity report, and draft of catalogue text in French. |
1961–1963 |
I.A.853 | The Works of Ben Shahn Brussels Showing | 1962 |
I.A.854 | The Works of Ben Shahn Rome Showing | 1962 |
I.A.855 | The Works of Ben Shahn Amsterdam Showing | 1962 |
I.A.856 | The Works of Ben Shahn Vienna Showing | 1962 |
I.A.857 | The Works of Ben Shahn Rome: Work Folder | 1962–1963 |
I.A.858 | The Works of Ben Shahn Vienna: Albertina Museum | 1962–1963 |
I.A.859 | The Works of Ben Shahn Catalogue Folder Correspondence, biographical notes, and catalogue checklists. |
1961–1962 |
I.A.860 | The Works of Ben Shahn Amsterdam: Work Folder | 1956–1961 |
I.A.861 | Ben Shahn Box List | 1961–1962 |
I.A.862 | Ben Shahn Memoranda and Correspondence A-M | 1959–1963 |
I.A.863 | Ben Shahn Correspondence N-Z and Condition Reports, Exports and Imports Correspondence, memoranda, box lists, and condition reports. Restricted material removed: Condition reports. |
1961–1963 |
I.A.864 | Ben Shahn Loans
Entire folder restricted. |
1961 |
ICE-F-68-61 |
||
Small version of ICE-F-38-58. 139 watercolors, gouaches, temperas, drawings, prints, books, posters, and greeting cards selected by Mildred Constantine. Circulated to Baden-Baden, Germany; Zagreb and Ljlubjana, Yugoslavia; Stockholm and Lund, Sweden; and Jerusalem, Israel: August 1962–June 1963. Dispersed in 1963. |
||
Folder | Title | Date |
I.A.865 | Ben Shahn: Graphics: Itinerary and Checklist | 1962–1963 |
I.A.866 | Ben Shahn: Graphics: Publicity | |
I.A.867 | Ben Shahn: Graphics: Publicity | |
I.A.868 | Ben Shahn: Graphics: Photographs | |
I.A.869 | Ben Shahn: Graphics: Catalogues | |
I.A.870 | Ben Shahn Graphics Work Folder
Restricted material removed: Condition report. |
1960–1964 |
I.A.871 | Ben Shahn Graphics Loans and Lenders List of lenders, correspondence, memoranda, and loan receipts. Entire folder restricted. |
1962–1964 |
I.A.872 | Ben Shahn Graphics Jerusalem: Work Folder | 1962–1963 |
I.A.873 | Ben Shahn Graphics Stockholm: Work Folder Correspondence, shipping records, condition report forms, publicity reports, and box list. |
1962–1963 |
I.A.874 | Ben Shahn Graphics Yugoslavia: Work Folder Correspondence, shipping records, condition report, and publicity report. |
1962–1964 |
I.A.875 | Ben Shahn Graphics Japan-Canceled: Work Folder | 1963 |
I.A.876 | Ben Shahn Graphics Jerusalem | 1963 |
I.A.877 | The Penguin Modern Painters: Ben Shahn | 1947 |
I.A.878 | Ben Shahn Graphics Zagreb | 1962 |
I.A.879 | Ben Shahn Graphics Baden-Baden | 1962 |
I.A.880* | Ben Shahn Graphics Stockholm | 1963 |
I.A.881 | Ben Shahn Box Lists and Checklists | 1961–1963 |
I.A.882 | The Graphic Work of Ben Shahn Loans Correspondence, German exhibition catalogue, and loan agreement forms. Restricted material removed: Loan forms. |
1962 |
I.A.883 | The Graphic Work of Ben Shahn Memoranda, Correspondence and Imports/Exports | 1962–1964 |
ICE-F-39-59 |
||
Eighty-eight works by twelve artists. Organized by Minneapolis Institute of Art at invitation of MoMA. Shown in São Paulo, Brazil, September–December, 1959. Dispersed in 1959. |
||
Folder | Title | Date |
I.A.884 | U.S. Representation: V Bienal do Museu de Arte Moderna, São Paulo, Brazil Work Folder | 1958–1960 |
I.A.885 | U.S. Representation: V Bienal do Museu de Arte Moderna, São Paulo, Brazil Printed Forms and Circulars | 1959 |
I.A.886 | U.S. Representation: V Bienal do Museu de Arte Moderna, São Paulo, Brazil Publicity-Press Notices Correspondence including letters from Sam Hunter, with press releases. |
1959 |
I.A.887 | V São Paulo Bienal Opening September 10, 1959 | 1957–1959 |
ICE-F-40-59 |
||
144 works by forty-four American artists including painting, sculpture, prints, and a retrospective exhibition of works by Jackson Pollock selected by Frank O'Hara and Porter A. McCray. Shown in Kassel, Germany: July 11–October 14, 1959. Dispersed in 1959. |
||
Folder | Title | Date |
I.A.888 | U.S. Representation: Documenta II, Kassel, Germany: Itinerary and Checklist | 1959 |
I.A.889 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | |
I.A.890 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | July 1959 |
I.A.891 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | August 1959 |
I.A.892 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | September 1959 |
I.A.893 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | October 1959 |
I.A.894 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | |
I.A.895* | U.S. Representation: Documenta II, Kassel, Germany: Publicity | |
I.A.896* | U.S. Representation: Documenta II, Kassel, Germany: Publicity | |
I.A.897 | U.S. Representation: Documenta II, Kassel, Germany: Printed Matter | |
I.A.898 | U.S. Representation: Documenta II, Kassel, Germany: Publicity | |
I.A.899 | U.S. Representation: Documenta II, Kassel, Germany: Photographs | |
I.A.900 | U.S. Representation: Documenta II, Kassel, Germany: Photographs | |
I.A.901 | U.S. Representation: Documenta II, Kassel, Germany: Photographs | |
I.A.902 | U.S. Representation: Documenta II, Kassel, Germany: Photographs | |
I.A.903 | U.S. Representation: Documenta II, Kassel, Germany: Printed Matter Five brochures from Germany and three brochures from Denmark. |
|
I.A.904 | U.S. Representation: Documenta II, Kassel, Germany: Catalogues | |
I.A.905 | U.S. Representation: Documenta II, Kassel, Germany Correspondence A-T Brochure, project proposal, correspondence, memoranda, checklist, and status reports. Restricted material removed: Condition photographs and damage documentation. |
1955–1963 |
I.A.906 | U.S. Representation: Documenta II, Kassel, Germany Correspondence U-Z Correspondence, the majority of which is between Rudolf Zwirner and Porter McCray, with checklists. |
1958–1960 |
I.A.907 | U.S. Representation: Documenta II, Kassel, Germany Publicity | 1958–1960 |
I.A.908 | U.S. Representation: Documenta II, Kassel, Germany Publicity-Press Notices Memoranda with issue of The Bulletin that mentions Documenta II. |
1959 |
I.A.909 | U.S. Representation: Documenta II, Kassel, Germany Work Folder | 1958–1961 |
I.A.910 | U.S. Representation: Documenta II, Louisiana Museum, Copenhagen Work Folder Brochure, correspondence, publicity report, shipping records, and checklist. |
1959 |
I.A.911 | U.S. Representation: Documenta II, Tachismus in Frankfurt Work Folder Correspondence, memoranda, invitation, publicity report, and German press clippings. |
1959 |
I.A.912 | U.S. Representation: Documenta II, Kassel, Germany Loan Forms Loan forms, with registrar forms. Entire folder restricted. |
1959 |
I.A.913 | U.S. Representation: Documenta II, Kassel, Germany Loans and Lenders | 1958–1960 |
I.A.914 | U.S. Representation: Documenta II, Kassel, Germany Loans and Lenders | 1959–1960 |
I.A.915 | U.S. Representation: Documenta II, Kassel, Germany Loans and Lenders Correspondence, including letter from Robert Beverly Hale, with memo from Frank O'Hara. |
1959–1960 |
I.A.916 | II. Documenta | 1959 |
I.A.917 | U.S. Representation: Documenta II, Kassel, Germany Catalogue | 1959–1961 |
I.A.918 | U.S. Representation: Documenta II, Kassel, Germany Catalogue Background material on artists, item listing, and correspondence. |
1959–1961 |
I.A.919 | U.S. Representation: Documenta II, Kassel, Germany Checklists and Box Lists | 1959 |
I.A.920 | Documenta II, 1959 | 1958–1960 |
I.A.921 | U.S. Representation: Documenta II Loans
Restricted material removed: Loan forms. |
1959 |
I.A.922 | U.S. Representation: Documenta II Lists and Memoranda Insurance, check list, condition reports, box list, correspondence, and memoranda. |
1959–1960 |
I.A.923 | U.S. Representation: Documenta II Imports and Exports | 1959 |
I.A.924 | U.S. Representation: Documenta II Correspondence A-M Correspondence, including handwritten letter from Alexander Calder and memoranda. |
1959–1961 |
I.A.925 | U.S. Representation: Documenta II Correspondence N-Z | 1959–1966 |
I.A.926 | U.S. Representation: Documenta II Correspondence N-Z | 1959–1961 |
I.A.927 | U.S. Representation: Documenta II July–October 1959: Loans
Entire folder restricted. |
1959 |
I.A.928 | U.S. Representation: Documenta II July–October 1959: Loans
Entire folder restricted. |
1959 |
I.A.929 | U.S. Representation: Documenta II Condition Record Sheets Entire folder restricted. |
1959 |
I.A.930 | U.S. Representation: Documenta II Kassel, Germany | 1959 |
ICE-F-41-59 |
||
Twenty-eight paintings and drawings by nine artists, three sculptures by one artist, and six prints by two artists, all between twenty and thirty-five years of age, selected by Peter Selz. Exhibition organized at the invitation of the French Government and sponsored by the French Ministry of Foreign Affairs and the City of Paris. Shown in Paris, France October 2–25, 1959. Dispersed in 1959. |
||
Folder | Title | Date |
I.A.931 | I Biennale de Paris: Itinerary and Checklist | 1959 |
I.A.932 | I Biennale de Paris: Publicity | |
I.A.933 | I Biennale de Paris: Photographs | |
I.A.934 | I Biennale de Paris: Photographs | |
I.A.935 | U.S. Representation: I Biennale de Paris Gallery contact list, lender list, correspondence, and loan forms. Restricted material removed: Loan forms. |
1959–1960 |
I.A.936 | U.S. Representation: I Biennale de Paris Packing and Shipping
Restricted material removed: Memoranda and photographs concerning damages. |
1958–1962 |
I.A.937 | U.S. Representation: I Biennale de Paris Work Folder | 1959 |
I.A.938 | U.S. Representation: I Biennale de Paris Publicity-General | 1959–1960 |
I.A.939 | U.S. Representation: I Biennale de Paris Work Folder Checklist, box list, and unpacking and packing instructions in English and French. |
1959 |
I.A.940 | Paris Biennale 1959 | 1959 |
I.A.941 | U.S. Representation: I Biennale de Paris Memoranda and Correspondence Correspondence, contact list, box list, and memoranda. Restricted material removed: Lender addresses. |
1959–1960 |
I.A.942 | U.S. Representation: I Biennale de Paris Condition Record Sheets
Entire folder restricted. |
1959 |
I.A.943 | U.S. Representation: I Biennale de Paris Imports and Exports | 1959 |
I.A.944 | U.S. Representation: I Biennale de Paris Loan Agreement Forms Loan forms, memoranda, box list, and checklist. Restricted material removed: Loan forms. |
1959 |
I.A.945 | U.S. Representation: I Biennale de Paris Slides of artwork, memoranda, catalogue text, and correspondence. |
1958–1960 |
I.A.946 | U.S. Representation: I Biennale de Paris Calendar, selection list, checklist, memoranda, registrar records, correspondence, and brochures. |
1959 |
I.A.947 | U.S. Representation: II Biennale de Paris | 1960 |
ICE-F-42-59 |
||
Included four exhibition sections: thirteen paintings by Philip Guston, thirteen paintings by Hans Hofmann, ten paintings by Franz Kline, and fourteen sculptures and drawings by Theodore Roszak selected by Adelyn D. Breeskin, director of the Baltimore Museum of Art, and assisted by Dr. Gertrude Rosenthal, curator at the Baltimore Museum of Art, at the invitation of MoMA. Shown in Venice, Italy June 18–October 16, 1960. |
||
Folder | Title | Date |
I.A.948 | XXX Biennale di Venezia | 1960 |
I.A.949 | U.S. Representation: XXX Venice Biennale 1960 Work Folder | 1959–1960 |
I.A.950 | U.S. Representation: XXX Biennale di Venezia Box List | 1960 |
I.A.951 | Venice Biennale, 1960 Attendance figures, press clippings, correspondence, memoranda, and budget allocation approvals. |
1959–1960 |
I.A.952 | XXX Biennale di Venezia | 1958 |
ICE-F-43-60 |
||
Donation of art publications to selected institutions in Poland selected by Bernard Karpel, MoMA librarian. |
||
Folder | Title | Date |
I.A.953 | Books for Poland Work Folder Project proposal, correspondence and memoranda, with label from XXX Venice Biennale 1960. |
1957–1961 |
ICE-F-44-60 |
||
Sixty-five drawings by forty-four artists selected by William S. Lieberman and Elaine Johnson for showing at the drawing and watercolor section of the Festival of Two Worlds, Spoleto, Italy June 5–July 16, 1961. Circulated also to Jerusalem, Israel; Athens, Greece; Helsinki, Finland; Göteborg, Sweden; Paris, France; London, England; and Bonn, Germany 1961–1962. Dispersed in 1962. See also SP-ICE-31-62 U. S. Representation: Sculptures in the City, Festival of Two Worlds, Spoleto, Italy. |
||
Folder | Title | Date |
I.A.954 | Modern American Drawings: Itinerary and Checklist | 1961–1962 |
I.A.955 | Modern American Drawings: Publicity | |
I.A.956 | Modern American Drawings: Publicity | |
I.A.957 | Modern American Drawings: Publicity | |
I.A.958 | Modern American Drawings: Artists' biographies | |
I.A.959 | Modern American Drawings: Floor Plans | |
I.A.960 | Modern American Drawings: Photographs | |
I.A.961 | Modern American Drawings: Photographs | |
I.A.962 | Modern American Drawings: Catalogues | |
I.A.963 | Modern American Drawings Spoleto: Correspondence and Shipping | 1960–1965 |
I.A.964 | Modern American Drawings Helsinki | 1962 |
I.A.965 | Modern American Drawings Städische Kustsammlungen, Bonn, Germany | 1962 |
I.A.966 | Modern American Drawings Spoleto | 1961 |
I.A.967 | Modern American Drawings Athens | 1962 |
I.A.968 | Modern American Drawings Paris | 1962 |
I.A.969 | Modern American Drawings Spoleto: Loans and Lenders Correspondence, memoranda, list of lenders, packing lists, and loan forms. |
1961–1963 |
I.A.970 | Modern American Drawings Spoleto: Loans and Lenders | 1960–1965 |
I.A.971 | Modern American Drawings Festival Foundation-Spoleto: Work Folder | 1958–1962 |
I.A.972 | Modern American Drawings Festival Foundation-Spoleto: Work Folder | 1960–1961 |
I.A.973 | Modern American Drawings Paris: Work Folder | 1961–1962 |
I.A.974 | Modern American Drawings London: Work Folder | 1962–1963 |
I.A.975 | Modern American Drawings Athens: Work Folder | 1961–1963 |
I.A.976 | Modern American Drawings Israel: Work Folder | 1961–1962 |
I.A.977 | Modern American Drawings Helsinki: Work Folder | 1961–1962 |
I.A.978 | Modern American Drawings Göteborg: Work Folder | 1962 |
I.A.979 | Modern American Drawings Bonn: Work Folder | 1961–1963 |
I.A.980 | Modern American Drawings Offerings | 1961–1962 |
I.A.981 | Modern American Drawings Checklists | 1961 |
I.A.982 | Modern American Drawings Loan Agreement Forms Checklist and loan agreement forms. Restricted material removed: Loan forms. |
1960 |
I.A.983 | Modern American Drawings Italian exhibition catalogue, memoranda, checklists, and condition records. Restricted material removed: Condition records. |
1961–1962 |
I.A.984 | Modern American Drawings Lender correspondence, memoranda, box list, and shipping records. |
1961–1964 |
ICE-F-45-60 |
||
Eighty works by twenty-eight artists selected by Dore Ashton. Circulated in Latin America: Caracas, Venezuela; Rio de Janiero and São Paulo, Brazil; Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile; Lima, Peru; Quayaquil and Quito, Ecuador; Bogotá, Colombia; Panama City, Panama; and Mexico City, Mexico: January 1962–May 1963. Dispersed in 1963. |
||
Folder | Title | Date |
I.A.985 | Abstract Watercolors and Drawings: U.S.A.: Itinerary and Checklist | 1962–1963 |
I.A.986 | Abstract Watercolors and Drawings: U.S.A.: Publicity | |
I.A.987 | Abstract Watercolors and Drawings: U.S.A.: Publicity | |
I.A.988 | Abstract Watercolors and Drawings: U.S.A.: Artists' biographies | |
I.A.989 | Abstract Watercolors and Drawings: U.S.A.: Phototraphs | |
I.A.990 | Abstract Watercolors and Drawings: U.S.A.: Photographs | |
I.A.991 | Abstract Watercolors and Drawings: U.S.A.: Catalogues | |
I.A.992 | Abstract Drawings and Watercolors: U.S.A. Museo de Bellas Artes, Caracas, Venezuela | 1962 |
I.A.993 | Abstract Drawings and Watercolors: U.S.A. Museu de Arte Moderna, São Paulo, Brazil | 1962 |
I.A.994 | Abstract Drawings and Watercolors: U.S.A. Instituto Nacional de Bellas Artes (Museo Nacional de Arte Moderno), Mexico City | 1963 |
I.A.995 | Abstract Drawings and Watercolors: U.S.A. Instituto Panameño de Arte, Panama City, Panama | 1963 |
I.A.996 | Abstract Drawings and Watercolors: U.S.A. Salon of the Municipal Government of Montevideo, Montevideo, Uruguay | 1962 |
I.A.997 | Abstract Drawings and Watercolors: U.S.A. Reifschneider Gallery, Santiago, Chile | 1962 |
I.A.998 | Abstract Drawings and Watercolors: U.S.A. Bogotá: Work Folder | 1962–1963 |
I.A.999 | Abstract Drawings and Watercolors: U.S.A. Buenos Aires: Work Folder | 1962–1963 |
I.A.1000 | Abstract Drawings and Watercolors: U.S.A. Montevideo: Work Folder | 1962 |
I.A.1001 | Abstract Drawings and Watercolors: U.S.A. Santiago: Work Folder Correspondence, with condition reports, and publicity report. Restricted material removed: Condition reports. |
1962 |
I.A.1002 | Abstract Drawings and Watercolors: U.S.A. Lima: Work Folder | 1962 |
I.A.1003 | Abstract Drawings and Watercolors: U.S.A. Panama: Work Folder Correspondence, shipping records, condition report, publicity report, brochure, and invitation. Restricted material removed: Conditions report. |
1962–1963 |
I.A.1004 | Abstract Drawings and Watercolors: U.S.A. Guayaquil and Quito, Ecuador: Work Folder | 1962 |
I.A.1005 | Abstract Drawings and Watercolors: U.S.A. Mexico City: Work Folder | 1962–1963 |
I.A.1006 | Abstract Drawings and Watercolors: U.S.A. Latin America: Loans and Lenders
Restricted material removed: Restoration report, loan forms, and condition and damage correspondence. |
1961–1965 |
I.A.1007 | Abstract Drawings and Watercolors: U.S.A. Caracas, Venezuela: Work Folder
Restricted material removed: Condition report. |
1960–1965 |
I.A.1008 | Abstract Drawings and Watercolors: U.S.A. Latin America: Work Folder Letter from H.W. Burch to Waldo Rasmussen regarding exhibition catalogue. |
1961 |
I.A.1009 | Abstract Drawings and Watercolors: U.S.A. Rio de Janeiro and São Paulo, Brazil: Work Folder | 1960–1962 |
I.A.1010 | Abstract Drawings and Watercolors: U.S.A. Panama City | 1963 |
I.A.1011 | Abstract Drawings and Watercolors: U.S.A. Latin America | 1961 |
I.A.1012 | Abstract Drawings and Watercolors: U.S.A. Memoranda, Imports and Exports Registrar records, memoranda, shipping records, checklist, correspondence, and box list. |
1961–1964 |
I.A.1013 | Abstract Drawings and Watercolors: U.S.A. Correspondence Correspondence, memoranda, loan forms, condition reports, and shipping records. Restricted material removed: Loan records and condition reports. |
1961–1964 |
I.A.1014 | Abstract Drawings and Watercolors: U.S.A. Loans
Entire folder restricted. |
1961 |
I.A.1015 | Abstract Drawings and Watercolors: U.S.A. Framing Record Reports | 1961–1964 |
I.A.1016 | Abstract Drawings and Watercolors: U.S.A. For Latin America | 1961 |
ICE-F-46-60 |
||
Folder | Title | Date |
I.A.1017 | U.S. Representation: II Bienal Interamericana de Mexico: Itinerary and Checklist | 1960 |
I.A.1018 | U.S. Representation: II Bienal Interamericana de Mexico: Publicity | |
I.A.1019 | U.S. Representation: II Bienal Interamericana de Mexico: Photographs | |
I.A.1020 | U.S. Representation: II Bienal Interamericana de Mexico: Photographs | |
I.A.1021 | II Bienal Interamericana de Mexico Publicity-General Correspondence, exhibition catalogues, memoranda, exhibition report in Spanish and press releases. |
1960–1961 |
I.A.1022 | II Bienal Interamericana de Mexico Work Folder | 1960–1961 |
I.A.1023 | U.S. Representational: Il Bienal Interamericana de Mexico Box Lists and Checklist | 1960 |
I.A.1024 | II Bienal Interamericana de Mexico Shipping records, box list, memoranda, correspondence and press release. |
1960–1961 |
ICE-F-47-60 |
||
One painting each by Franz Kline, Willem de Kooning, Jackson Pollock, and Mark Tobey selected by Frank O'Hara. Shown in Buenos Aires, Argentina November 11–December 11, 1960. Dispersed in 1960. |
||
Folder | Title | Date |
I.A.1025 | U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Itinerary and Checklist | 1960 |
I.A.1026 | U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Publicity | |
I.A.1027 | U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Photographs | |
I.A.1028 | U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Photographs | |
I.A.1029 | U.S. Representation: I International Exhibition of Modern Art, Buenos Aires, Argentina: Catalogue | |
I.A.1030 | I International Exhibition of Modern Art, Museu de Arte Moderno, Buenos Aires Work Folder | 1960–1961 |
I.A.1031 | U.S. Representational: International Exhibition of Modern Art, Buenos Aires Box List | 1960 |
I.A.1032 | I International Exibition of Modern Art Buenos Aires: Loans
Entire folder restricted. |
1960 |
I.A.1033 | I International Exibition of Modern Art Buenos Aires: Correspondence | 1960–1961 |
ICE-F-48-61 |
||
Twnety-five sculptures, thirty-six drawings, and twelve prints selected by Peter Selz. Circulated to Rotterdam, the Netherlands; Berlin, Germany; and Paris, France: May–December 1961. Dispersed in 1961. |
||
Folder | Title | Date |
I.A.1034 | Leonard Baskin: Itinerary and Checklist | 1961 |
I.A.1035 | Leonard Baskin: Publicity Press release and English translation of critical reviews from the Netherlands. |
|
I.A.1036 | Leonard Baskin: Publicity | |
I.A.1037 | Leonard Baskin: Catalogue material | |
I.A.1038 | Leonard Baskin: Shipping Documentation | |
I.A.1039 | Leonard Baskin: Photographs | |
I.A.1040 | Leonard Baskin: Photographs | |
I.A.1041 | Leonard Baskin: Installation Photographs Five prints from Rotterdam, seven prints from Berlin, and six prints from Paris. |
|
I.A.1042 | Leonard Baskin: Catalogues | |
I.A.1043 | Leonard Baskin Loans and Lenders N-Z Correspondence, list of lenders, loan receipts, and memoranda. Entire folder restricted. |
1961–1962 |
I.A.1044 | Leonard Baskin Catalogue Folder | 1961 |
I.A.1045 | Leonard Baskin Berlin: Work Folder Memoranda, correspondence, shipping records, publicity report, press release, with catalogue. |
1961–1962 |
I.A.1046 | Leonard Baskin Paris: Work Folder Correspondence, shipping records, invitations, and press release. |
1961–1962 |
I.A.1047 | Leonard Baskin Framing Record Reports Framing records, with pedestal dimensions lists, memoranda, and registrar records. |
1961 |
I.A.1048 | Leonard Baskin Paris | 1961 |
I.A.1049 | Leonard Baskin Work Folder | 1960–1962 |
I.A.1050 | Leonard Baskin Publicity-General Correspondence, press release, bulletin announcing exhibition in Rotterdam, with publicity report. |
1961–1967 |
I.A.1051 | Leonard Baskin Loans and Lenders A-M Correspondence, list of lenders, memoranda, and loan records. Entire folder restricted. |
1961–1963 |
I.A.1052 | Leonard Baskin Checklist and Box List | 1961 |
I.A.1053 | Leonard Baskin Loan Agreement Forms
Restricted material removed: Loan forms. |
1961 |
I.A.1054 | Leonard Baskin Correspondence A-L | 1961–1962 |
I.A.1055 | Leonard Baskin Correspondence M-Z Memoranda, correspondence, and condition reports. Restricted material removed: Condition reports. |
1961–1962 |
I.A.1056 | Leonard Baskin Memoranda and Lists, Imports and Exports, Condition Records Shipping records, memoranda, correspondence, checklists, box lists, and condition record sheets. Restricted material removed: Condition records. |
1961–1962 |
I.A.1057 | Leonard Baskin | 1960–1961 |
ICE-F-49-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1058 | What is Modern Architecture Work Folder | 1960–1961 |
ICE-F-50-61 |
||
Copy one. Seventy-four photo-text panels showing forty-five projects by thirty architects from 1916 to the present selected by Arthur Drexler. Adapted from MoMA Exh. #670 September 28–December 4, 1960. First version circulated to Baden-Baden, Berlin, Munich, Frankfurt, and Dortmund, Germany; Delft, the Netherlands; Edinburgh, Scotland; London, England; Oslo and Trondheim, Norway; Göteborg and Stockholm, Sweden; Vienna, Austria; Zagreb and Belgrade, Yugoslavia; Florence, Italy; Jerusalem, Tel Aviv, and Haifa, Israel; Humlebaek , Denmark; Landskrona, Sweden; Aarhus, Denmark: September 1961–1965 April. Dispersed in 1965. Also circulated as ICE-F-69-62 and ICE-F-103-65. |
||
Folder | Title | Date |
I.A.1059 | Visionary Architecture: Itinerary and Checklist | 1961–1965 |
I.A.1060 | Visionary Architecture: Publicity | |
I.A.1061 | Visionary Architecture: Publicity | |
I.A.1062 | Visionary Architecture: Publicity | |
I.A.1063 | Visionary Architecture: Photographs | |
I.A.1064 | Visionary Architecture: Catalogue material | |
I.A.1065 | Visionary Architecture: Catalogue | |
I.A.1066 | Visionary Architecture: Printed Matter | |
I.A.1067 | Visionary Architecture Baden-Baden: Work Folder | 1960–1967 |
I.A.1068 | Visionary Architecture Frankfurt, Berlin, Munich and Dortmund: Work Folder Correspondence, brochures, shipping records, and publicity reports. |
1961–1962 |
I.A.1069 | Visionary Architecture the Netherlands: Work Folder | 1961–1962 |
I.A.1070 | Visionary Architecture London, Edinburgh and Great Britain: Work Folder | 1961–1963 |
I.A.1071 | Visionary Architecture European Showings: Correspondence and Shipping Documents | 1962–1964 |
I.A.1072 | Visionary Architecture Lebanon and Israel: Work Folder | 1963–1964 |
I.A.1073 | Visionary Architecture Scandinavia: Work Folder Correspondence, publicity reports, shipping records, and condition reports. |
1961–1965 |
I.A.1074 | Visionary Architecture VIII Bienal: São Paulo | 1961–1964 |
I.A.1075 | Visionary Architecture Venezuela | 1966 |
I.A.1076 | Visionary Architecture Manila | 1963 |
I.A.1077 | Visionary Architecture Guayaquil, Ecuador | 1967 |
I.A.1078 | Visionary Architecture Musej za Umjetnost i Obrt, Zagreb, Yugoslavia | 1963 |
I.A.1079 | Visionary Architecture Louisiana Museum Louisiana Revy, October, 1964; with illustrations from the exhibition. |
1964 |
ICE-F-69-62 |
||
Second copy of ICE-F-50-61. Circulated to Sydney and Brisbane, Australia; Christchurch and Auckland, New Zealand; Singapore; Manila, Philippines; and Tokyo, Chiba, Kitakyushu, Kumamoto, Nagoya, and Shizuoka, Japan: May 1962–December 1964. Dispersed in 1964. |
||
Folder | Title | Date |
I.A.1080 | Visionary Architecture Itinerary | |
I.A.1081 | Visionary Architecture Publicity | |
I.A.1082 | Visionary Architecture Photographs | |
I.A.1083 | Visionary Architecture Catalogues | |
I.A.1084 | Visionary Architecture Australia and the Far East: Work Folder | 1961–1965 |
I.A.1085 | Visionary Architecture Far East | 1962 |
ICE-F-103-65 |
||
Third copy of ICE-F-50-61. Shown in Brazil at the Museu de Arte Moderna, São Paulo, September 4–November 28, 1965; Museu de Arte Moderna, Rio de Janeiro, January 6–23, 1966; Museu da Prefeitura, Belo Horizonte, March 25–April 16, 1966; Recife, USIS, June 1–July, 1966; in Venezuela, at the Universidad Central, Caracas, October 28–November 19, 1966; in Colombia at the Centro Colombo Americano, Bogotá, January 16–31, 1967; Medellín, Centro Colombo Americano, Feb–Mar; Universidad del Valle, Cali, March, 1967; in Ecuador at the College of Architecture, Quito, March 30–April 6, 1967; Bi-National Center, Cuenca, April 10–18, 1967; Riobamba Fair, Riobamba, April 22–25, 1967; Universidad de Guayaquil, Guayaquil, May 2–10, 1967; in Peru at the Instituto de Arte Contemporáneo, Lima, July 4–August 10, 1967; in Chile at the Viña del Mar, December 1968; University Center, Concepción, January 23–31, 1969; Museo de Arte Contemporáneo, Universidad de Chile, Santiago, 1969. Returned to U.S. in 1969. |
||
Folder | Title | Date |
I.A.1086 | Visionary Architecture Itinerary and Checklist | |
I.A.1087 | Visionary Architecture Publicity | |
I.A.1088 | Visionary Architecture Publicity | |
I.A.1089 | Visionary Architecture: Catalogue material | |
I.A.1090 | Visionary Architecture: Catalogue material | |
I.A.1091 | Visionary Architecture: Installation and Event Photographs | |
I.A.1092 | Visionary Architecture: Catalogues Two catalogues for Belo Horizonte, one for Guayaquil, one for Quito, and an invitation. |
|
I.A.1093 | Visionary Architecture Latin America: Work Folder Exhibition itinerary, correspondence, shipping records, and publicity reports. |
1965–1970 |
I.A.1094 | Visionary Architecture Latin America: Work Folder Correspondence, shipping records, memoranda, box lists, and draft of catalogue text in Spanish. |
1964–1969 |
I.A.1095 | Visionary Architecture Checklist and Box Lists | 1963–1967 |
I.A.1096 | Visionary Architecture Box list, checklist, correspondence, list of damages for photo panels, and notes. |
1966–1969 |
ICE-F-52-61 |
||
Includes four exhibition sections: thirty-four paintings and drawings by Robert Motherwell and forty-eight sculptures and drawings by Reuben Nakian selected by Frank O'Hara; twenty-three paintings by eleven artists, a group show selected by William C. Seitz; and twelve prints by Leonard Baskin selected by William S. Lieberman. Shown in São Paulo, Brazil: September 10–December 31, 1961. Dispersed in 1961. |
||
Folder | Title | Date |
I.A.1097 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Publicity | 1961 |
I.A.1098 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.1099 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Publicity | |
I.A.1100 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Motherwell Photographs | |
I.A.1101 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Nakian Photographs | |
I.A.1102 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Other Artists Photographs | |
I.A.1103 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photographs | |
I.A.1104 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Photographs | |
I.A.1105 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo: Catalogues | |
I.A.1106 | U.S. Representation: VI Bienal, São Paulo Publicity-General | 1961 |
I.A.1107 | U.S. Representation: VI Bienal, São Paulo Catalogue-Work Folder | 1961–1964 |
I.A.1108 | U.S. Representation: VI Bienal, São Paulo Work Folder
Restricted material removed: Condition report and memoranda regarding damages. |
1961–1962 |
I.A.1109 | U.S. Representation, VI Bienal, São Paulo Loans and Lenders List of lenders, catalogue distribution list, correspondence, memoranda, and loan records. |
1961–1964 |
I.A.1110 | U.S. Representation, VI Bienal, São Paulo Correspondence | 1960–1964 |
I.A.1111 | VI Bienal do Museu de Arte Moderna Box List | 1961 |
I.A.1112 | VI São Paulo Bienal Opening September 10, 1961 | 1961 |
I.A.1113 | VI Bienal do Museu de Arte Moderna, São Paulo Loans Checklists and loan agreement forms. Restricted material removed: Loan forms. |
1961 |
I.A.1114 | VI Bienal do Museu de Arte Moderna, São Paulo | 1961–1964 |
I.A.1115 | VI Bienal do Museu de Arte Moderna, São Paulo Condition reports, correspondence, memoranda, and shipping records. Restricted material removed: Condition reports. |
1961–1962 |
I.A.1116 | U.S. Representation: VI Bienal do Museu de Arte Moderna, São Paulo | 1961–1962 |
I.A.1117 | "Information Cards": Franz Kline, XXXI Venice Biennale, VI Säo Paulo Bienal | 1961–1963 |
I.A.1118 | "Information Cards": Robert Motherwell, David Smith, Abstract Watercolors by Fourteen Americans | 1963–1967 |
ICE-F-53-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1119 | Recent Painting: U.S.A. Latin America: Work Folder Project proposal, budget estimate, memorandum, and correspondence. |
1958 |
I.A.1120 | Exhibition for South America (proposed) 1961 | 1961 |
ICE-F-55-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1121 | Recent Printmaking: U.S.A. Work Folder | 1960 |
ICE-F-59-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1122 | Masterworks of Photography Work Folder | 1958–1960 |
ICE-F-60-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1123 | The Art of the Shakers Work Folder | 1958–1959 |
ICE-F-61-61 |
||
Forty-five panels and one drum map selected by Bernard Rudofsky in collaboration with Arthur Drexler and adapted from MoMA Exh. #691 August 14–September 17, 1961. Circulated domestically as C/E 61-36 1961–64. Circulated to Guatemala City, Guatemala (2 showings); San Salvador, El Salvador; San José, Costa Rica; and Bogotá, Colombia: April 1964–July 1965. Dispersed in 1965. |
||
Folder | Title | Date |
I.A.1124 | Roads: Itinerary and Checklist | 1964–1965 |
I.A.1125 | Roads: Publicity | |
I.A.1126 | Roads: Catalogue material | |
I.A.1127 | Roads Work Folder Project proposal, correspondence, memoranda, and shipping records. |
1961–1967 |
I.A.1128 | Roads Work Folder | 1961–1967 |
I.A.1129 | Roads Financial Photograph Requisitions | 1963–1968 |
I.A.1130 | Roads Checklist and Box List | 1966 |
ICE-F-64-61 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1131 | 100 Master Drawings from the MoMA Collection Work Folder | 1960–1966 |
ICE-F-65-61 |
||
Fifty-nine watercolors, drawings, and prints selected by William S. Lieberman and Elaine Johnson. Circulated domestically as C/E 60-4 1962–63. Circulated to Berlin and Dortmund, Germany. Returned to U.S. for showing at MoMA as Exh. #717 January 16–March 10, 1963. Later circulated to Vienna, Austria; Stockholm, Sweden; Edinburgh, Scotland; York and Manchester, England; Aberdeen, Scotland; Belfast, Northern Ireland; Zagreb and Belgrade, Yugoslavia; Biel and Berne, Switzerland April 1962–June 1965. Dispersed in 1965. |
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Folder | Title | Date |
I.A.1132 | The Intimate World of Lyonel Feininger: Itinerary and Checklist | 1962–1965 |
I.A.1133 | The Intimate World of Lyonel Feininger: Publicity | |
I.A.1134 | The Intimate World of Lyonel Feininger: Publicity | |
I.A.1135 | The Intimate World of Lyonel Feininger: Photos Two prints from MoMA, NY, and four event prints from Berlin. |
|
I.A.1136 | The Intimate World of Lyonel Feininger: Catalogues One catalogue each from Vienna, Stockholm, Scotland/England/Ireland, Zagreb, and Switzerland. |
|
I.A.1137 | The Intimate World of Lyonel Feininger European Showings | 1962–1965 |
I.A.1138 | The Intimate World of Lyonel Feininger Work Folder
Restricted material removed: Condition records and loan records. |
1960–1965 |
I.A.1139 | The Intimate World of Lyonel Feininger Loans and Lenders
Restricted material removed: Loan records. |
1962–1966 |
I.A.1140 | The Intimate World of Lyonel Feininger U.S.I.A. Contract Agreement | 1962 |
I.A.1141 | The Intimate World of Lyonel Feininger Galerije Suvremene Umjetnosti, Zagreb, Yugoslavia | 1965 |
I.A.1142 | The Intimate World of Lyonel Feininger Moderna Museet, Stockholm, Sweden | 1964 |
I.A.1143 | The Intimate World of Lyonel Feininger Museum am Ostwall, Dortmund, Germany | 1962 |
I.A.1144 | The Intimate World of Lyonel Feininger Graphische Sammlung Albertina | 1964 |
I.A.1145 | The Intimate World of Lyonel Feininger Cultural Center, Belgrade, Yugoslavia | 1965 |
I.A.1146 | The Intimate World of Lyonel Feininger Switzerland | 1965 |
I.A.1147 | The Intimate World of Lyonel Feininger Checklist and Box List | 1962–1964 |
I.A.1148 | The Intimate World of Lyonel Feininger Lists Checklists, list of gifts, itinerary, box list, and packing and unpacking instructions. |
1961–1963 |
I.A.1149 | The Intimate World of Lyonel Feininger Memoranda Memoranda, checklist, registrar records, and condition records. Restricted material removed: Condition memoranda. |
1962–1966 |
I.A.1150 | The Intimate World of Lyonel Feininger Correspondence and Import/Export | 1962–1966 |
I.A.1151 | The Intimate World of Lyonel Feininger First Version
Entire folder restricted. |
1962 |
ICE-F-66-61 |
||
Forty-eight paintings selected by Peter Selz and shown in New York as MoMA Exh. #679 January 18–March 12, 1961. Circulated to London, England; Amsterdam, the Netherlands; Brussels, Belgium; Basel, Switzerland; Rome, Italy; Paris, France October 1961–January 1963. Dispersed in 1963. |
||
Folder | Title | Date |
I.A.1152 | Mark Rothko: Itinerary and Checklist | 1961–1963 |
I.A.1153 | Mark Rothko: Publicity | |
I.A.1154 | Mark Rothko: Publicity | |
I.A.1155 | Mark Rothko: Publicity | |
I.A.1156 | Mark Rothko: Publicity | |
I.A.1157 | Mark Rothko: Floor Plans | |
I.A.1158 | Mark Rothko: Photographs | |
I.A.1159 | Mark Rothko: Installation Photographs | |
I.A.1160 | Mark Rothko: Event Photographs | |
I.A.1161 | Mark Rothko: Catalogues One catalogue each from MoMA, London, Rome, Basel, Amsterdam, Brussels, and Paris. |
|
I.A.1162 | Mark Rothko Kunsthalle, Basel, Switzerland | 1962 |
I.A.1163 | Mark Rothko Whitechapel Art Gallery, London | 1961 |
I.A.1164 | Mark Rothko Editorial | 1961 |
I.A.1165 | Mark Rothko Musée d'Art Moderne de la Ville de Paris | 1962 |
I.A.1166 | Mark Rothko Galleria Nazionale d'Arte Moderna, Rome | 1962 |
I.A.1167 | Mark Rothko Stedelijk Museum, Amsterdam, Netherlands | 1961 |
I.A.1168 | Mark Rothko Palais des Beaux-Arts, Brussels | 1962 |
I.A.1169 | Mark Rothko London-Whitechapel Art Gallery: Work Folder
Restricted material removed: Condition reports. |
1961–1965 |
I.A.1170 | Mark Rothko Publicity-General Correspondence, draft of press release, critical reviews, and publicity report. |
1961 |
I.A.1171 | Mark Rothko Amsterdam: Work Folder | 1961–1963 |
I.A.1172 | Mark Rothko Brussels: Work Folder | 1961–1963 |
I.A.1173 | Mark Rothko Basel: Work Folder | 1961–1963 |
I.A.1174 | Mark Rothko Rome: Work Folder | 1961–1963 |
I.A.1175 | Mark Rothko Paris: Work Folder | 1961–1965 |
I.A.1176 | Mark Rothko Paris: Work Folder | 1962–1963 |
I.A.1177* | Mark Rothko Paris: Work Folder | 1962 |
I.A.1178 | Mark Rothko Offerings | 1961–1962 |
I.A.1179 | Mark Rothko Catalogue Folder | 1961–1963 |
I.A.1180 | Mark Rothko Loans and Lenders List of lenders, correspondence, and loan receipts. Entire folder restricted. |
1961–1966 |
I.A.1181 | Mark Rothko Checklist | 1961 |
I.A.1182 | Mark Rothko Box List | 1961 |
I.A.1183 | Mark Rothko
Restricted material removed: Condition records and loan records. |
1961–1974 |
I.A.1184 | Mark Rothko | 1961–1966 |
I.A.1185 | Mark Rothko Loans Loan agreement forms and condition reports. Entire folder restricted. |
1961–1963 |
I.A.1186 | Mark Rothko Exhibitions listing, memoranda, correspondence, condition records, and lender list. Restricted material removed: Lender list and condition records. |
1960–1964 |
ICE-F-67-61 |
||
Includes three exhibition sections: twenty-four paintings by Loren MacIver selected by James Thrall Soby; thirteen paintings by Jan Müller and three sculptures by Dmitri Hadzi selected by Peter Selz; and two rooms of wood constructions by Louise Nevelson selected by Dorothy C. Miller. Shown in Venice, Italy June 16–October 7, 1962. Dispersed in 1962. |
||
Folder | Title | Date |
I.A.1187 | U.S. Representation: XXXI Biennale di Venezia: Itinerary and Checklist | 1962 |
I.A.1188 | U.S. Representation: XXXI Biennale di Venezia: Publicity Correspondence regarding MoMA participation and American Pavilion in Venice 1962-1963. |
|
I.A.1189 | U.S. Representation: XXXI Biennale di Venezia: Publicity | |
I.A.1190 | U.S. Representation: XXXI Biennale di Venezia: Publicity | |
I.A.1191 | U.S. Representation: XXXI Biennale di Venezia: Publicity | |
I.A.1192 | U.S. Representation: XXXI Biennale di Venezia: Photographs | |
I.A.1193 | U.S. Representation: XXXI Biennale di Venezia: Photographs | |
I.A.1194 | U.S. Representation: XXXI Biennale di Venezia: Photographs | |
I.A.1195 | U.S. Representation: XXXI Biennale di Venezia: Photographs | |
I.A.1196 | U.S. Representation: XXXI Biennale di Venezia: Catalogue Italian catalogue and English translation of text regarding Louise Nevelson. |
|
I.A.1197 | U.S. Representation: XXXI Biennale di Venezia: Printed Matter | |
I.A.1198 | U.S. Representation: XXXI Biennale di Venezia: Printed Matter | |
I.A.1199 | XXXI Venice Biennale Work Folder
Restricted material removed: Condition reports, restoration correspondence, and conservation notes. |
1961–1963 |
I.A.1200 | XXXI Venice Biennale Catalogue Folder | 1962–1963 |
I.A.1201 | XXXI Venice Biennale Correspondence Correspondence, including letters from Dody Müller, wife of Jan Müller. |
1961–1963 |
I.A.1202 | XXXI Venice Biennale Loans and Lenders
Restricted material removed: Loan receipts. |
1962–1964 |
I.A.1203 | XXXI Venice Biennale Publicity Critical reviews, memoranda, correspondence, and press releases in French and Italian. |
1962 |
I.A.1204 | U.S. Representation: XXXI Biennale di Venezia Box List | 1962 |
I.A.1205 | Venice Biennale Attendance | 1962–1965 |
I.A.1206 | XXXI Biennale di Venezia Memoranda and Lists Memoranda, shipping records, selection list, correspondence, and condition record sheets. Restricted material removed: Condition reports. |
1962–1963 |
I.A.1207 | XXXI Biennale di Venezia Loans Loan agreement forms and condition record sheets. Entire folder restricted. |
1962 |
I.A.1208 | XXXI Biennale di Venezia Memoranda and Import/Export Memoranda, checklists, correspondence, shipping records, and box list. |
1962–1964 |
I.A.1209 | XXXI Biennale di Venezia Press releases, correspondence, memoranda and selection list. |
1959–1963 |
ICE-F-70-62 |
||
Copy one. 122 photographs and text panels adapted from MoMA Exh. #752 November 11, 1964–February 7, 1965, selected by Bernard Rudofsky, consultant to the Museum's Department of Architecture and Design. Circulated to Auckland, Wellington, Christchurch, Wanganui, and Napier, New Zealand; and Launceston, Adelaide, and Sydney, Australia: July 1966–March 1967. Exhibition returned to U.S as C/E 62-9 1965–73 (small version). A second version also circulated as ICE-F-113-67. |
||
Folder | Title | |
I.A.1210 | Architecture without Architects: Itinerary and Checklists; Publicity | |
I.A.1211 | Architecture without Architects: Photographs | |
I.A.1212 | Architecture without Architects: Photographs | |
ICE-F-113-67 |
||
Second version. Circulated to Amsterdam, the Netherlands; Brussels, Belgium; Lausanne, Switzerland; Munich, Germany; Madrid and Seville, Spain; Paris, France; Bielefeld, Berlin, Düsseldorf, and Hamburg, Germany; Vienna, Austria; Humlebaek , Denmark; Zurich, Switzerland; Stockholm and Lund, Sweden; Oslo, Norway; Helsinki, Finland; and Prague, Brno, and Bratislava, Czechoslovakia February 1968–March 1971. Dispersed in 1971. Returned to New York and refurbished for circulation to London, Exeter, York, Billingham, Chester, Welwyn Garden City, Carlisle, Sheffield, Huddersfield, Birmingham, and Peterborough, England September 1974–November 1975. Dispersed in 1975. |
||
Folder | Title | Date |
I.A.1213 | Architecture without Architects Itinerary | |
I.A.1214 | Architecture without Architects Checklists | |
I.A.1215 | Architecture without Architects Publicity | |
I.A.1216 | Architecture without Architects Publicity Radio script from Munich and BBC, excerpts of critical reviews, and press clippings. |
|
I.A.1217 | Architecture without Architects Publicity | |
I.A.1218 | Architecture without Architects Publicity | |
I.A.1219 | Architecture without Architects: Photographs | |
I.A.1220 | Architecture without Architects Catalogues Catalogues for Prague and Madrid, with printed matter in Spanish. |
|
I.A.1221 | Architecture without Architects Work Folder | 1969–1976 |
I.A.1222 | Architecture without Architects Work Folder | 1967–1971 |
I.A.1223 | Architecture without Architects Catalogue | 1970 |
I.A.1224 | Architecture without Architects Work Folder | 1964–1969 |
I.A.1225 | Architecture without Architects Work Folder | 1965–1969 |
I.A.1226 | Architecture without Architects Work Folder | 1962–1969 |
I.A.1227 | Architecture without Architects Work Folder Blank condition reports, arrival notices, publicity reports, and exhibition correspondence. |
1966–1976 |
I.A.1228 | Architecture without Architects Work Folder | 1964–1979 |
I.A.1229 | Architecture without Architects Work Folder | 1967–1975 |
I.A.1230 | Architecture without Architects Correspondence Correspondence, shipping record, box list top sheet, and shipping invoice. |
1971–1976 |
I.A.1231 | Architecture without Architects Memoranda, Imports, Exports Memoranda, notes, shipping invoices, box list, correspondence, and customs forms. |
1971–1978 |
ICE-F-71-62 |
||
Fifty-five drawings selected by Frank O'Hara from works of Gorky's estate. Circulated to Tokyo, Japan. Returned to U.S. as C/E 61-14 1962–64. Then circulated to Karlsruhe, Hamburg, Berlin, and Essen, Germany; York, London, Nottingham, and Bristol, England; Edinburgh, Scotland; Brussels, Belgium; Rotterdam, the Netherlands; Vienna, Austria; Lisbon, Portugal; Oslo, Norway; Lund, Sweden; Basel, Switzerland; Zagreb and Belgrade, Yugoslavia; and Rome, Italy July 1963–May 1967. Shown concurrently with ICE-F-112-67 Robert Motherwell: Works on Paper in Buenos Aires, Argentina; Caracas, Venezuela; Bogotá, Colombia; and Mexico City, Mexico November 1967–June 1968. Dispersed in 1968. |
||
Folder | Title | Date |
I.A.1232 | Drawings by Arshile Gorky: Itinerary and Checklist | 1962–1968 |
I.A.1233 | Drawings by Arshile Gorky: Publicity | |
I.A.1234 | Drawings by Arshile Gorky: Publicity | |
I.A.1235 | Drawings by Arshile Gorky: Publicity | |
I.A.1236 | Drawings by Arshile Gorky: Publicity | |
I.A.1237 | Drawings by Arshile Gorky: Floor Plans | |
I.A.1238 | Drawings by Arshile Gorky: Photographs | |
I.A.1239 | Drawings by Arshile Gorky: Photographs Eleven color installation prints from Rome and one print from Lisbon. |
|
I.A.1240 | Drawings by Arshile Gorky: Catalogue Material | |
I.A.1241 | Drawings by Arshile Gorky: Catalogues | |
I.A.1242 | Drawings by Arshile Gorky Japan: Work Folder
Restricted material removed: Condition reports. |
1963–1969 |
I.A.1243 | Drawings by Arshile Gorky Japan: Work Folder
Restricted material removed: Loan records. |
1963–1969 |
I.A.1244 | Drawings by Arshile Gorky Lunds Konsthalle, Lund, Sweden | 1966 |
I.A.1245 | Drawings by Arshile Gorky Seibu Department Store, Tokyo, Japan | 1963 |
I.A.1246 | Drawings by Arshile Gorky European Showings: Correspondence, Reports-Shipping Correspondence, publicity report, shipping records, and condition reports. Restricted material removed: Condition reports. |
1963–1968 |
I.A.1247 | Drawings by Arshile Gorky European Showings: Correspondence, Reports-Shipping Correspondence, shipping records, condition reports, publicity reports, box lists, memoranda. |
1963–1966 |
I.A.1248 | Drawings by Arshile Gorky Museum des 20 Jarhunderts, Vienna, Austria | 1965 |
I.A.1249 | Drawings by Arshile Gorky Museum of Modern Art | 1962 |
I.A.1250 | Drawings by Arshile Gorky Sociedade Nacional de Belas Artes, Lisbon, Portugal | 1965 |
I.A.1251 | Drawings by Arshile Gorky Germany | 1964 |
I.A.1252 | Drawings by Arshile Gorky United Kingdom and New York | 1964 |
I.A.1253 | Drawings by Arshile Gorky Basel, Switzerland | 1966 |
I.A.1254 | Drawings by Arshile Gorky Palais de Beaux Arts, Brussels, Belgium | 1965 |
I.A.1255 | Drawings by Arshile Gorky Museum Boymans van Beuningen, Rotterdam, Netherlands | 1965 |
I.A.1256 | Drawings by Arshile Gorky South America: Work Folder | 1967–1968 |
I.A.1257 | Works of Arshile Gorky and Robert Motherwell Museo Universitario de Ciencas y Arte, México | 1968 |
I.A.1258 | Works of Arshile Gorky and Robert Motherwell Buenos Aires, Argentina | 1967 |
I.A.1259 | Drawings by Arshile Gorky Checklist and Box Lists | 1962–1968 |
ICE-F-72-62 |
||
162 photographs selected by Edward Steichen and adapted from MoMA Exh. #682 March 28–May 30, 1961; circulated domestically as C/E 61-45 1961–63. Shown in : Cologne, Frankfurt, Hamburg, and Munich, Germany; Luxembourg, Luxembourg; Berlin, Germany; Vienna and Linz, Austria; Zurich, Switzerland; Turin, Italy; Paris, France; Genoa, Novi Ligure, Naples, Genoa, Taranto, Trieste, Rome, Pisa, Bagnoli (Naples), and Piombino, Italy; Zagreb and Belgrade, Yugoslavia; Salonika and Athens, Greece; Jerusalem, Israel; Nicosia (Greek and Turkish sections), Cyprus; Prague, Brno, and Banská Bystrica, Czekoslovakia; Budapest, Hungary; Bucharest, Arad, Timisoara, and Iasi, Romania; and Lód, Cracow, Wroclaw, Koszalin, and Warsaw, Poland: March 1963–March 1970. Dispersed in 1970. |
||
Folder | Title | Date |
I.A.1260 | Steichen the Photographer: Itinerary and Checklist | 1963–1970 |
I.A.1261 | Steichen the Photographer: Publicity | |
I.A.1262 | Steichen the Photographer: Publicity | |
I.A.1263 | Steichen the Photographer: Publicity | |
I.A.1264 | Steichen the Photographer: Publicity | |
I.A.1265 | Steichen the Photographer: Catalogue material | |
I.A.1266 | Steichen the Photographer: Photographs | |
I.A.1267 | Steichen the Photographer: Catalogues | |
I.A.1268 | Steichen the Photographer Work Folder | 1961–1968 |
I.A.1269 | Steichen the Photographer Work Folder
Restricted material removed: Loan receipts. |
1961–1969 |
I.A.1270 | Steichen the Photographer European Showings: Correspondence and Reports
Restricted material removed: Condition reports. |
1962–1967 |
I.A.1271 | Steichen the Photographer European Showings: Correspondence and Reports | 1963–1966 |
I.A.1272 | Steichen the Photographer East European Tour | 1962–1970 |
I.A.1273 | Steichen the Photographer East European Tour
Restricted material removed: Insurance claims. |
1962–1969 |
I.A.1274 | Steichen the Photographer Musej za Umjetnost y Obrt, Zagreb, Yugoslavia | 1966 |
I.A.1275 | Steichen the Photographer Tour of German Cities | 1963 |
I.A.1276 | Steichen the Photographer Kunstgewerbemuseum, Zurich, Switzerland | 1963 |
I.A.1277 | Steichen the Photographer U.S. Embassy Gallery, London, U.K. | 1964 |
I.A.1278 | Steichen the Photographer Galerie D, Prague | 1964 |
I.A.1279 | Steichen the Photographer Work Folder | 1962–1968 |
I.A.1280 | Steichen the Photographer Checklists, loan list, loan amendments, and loan agreement forms. Restricted material removed: Loan forms. |
1962–1965 |
I.A.1281 | Steichen the Photographer | 1962–1974 |
ICE-F-73-62 |
||
For Japan. Canceled. |
||
Folder | Title | Date |
I.A.1282 | International Painting and Sculpture Japan: Work Folder Exhibition floor plan, exhibition summary, project proposal, and memoranda. |
1962 |
I.A.1283 | International Exhibition for Japan: U.S. Section | 1962–1963 |
ICE-F-74-62 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1284 | Mark Tobey Work Folder | 1962–1964 |
I.A.1285 | Mark Tobey | 1962–1963 |
ICE-F-75-62 |
||
Paintings, drawings, collages, and gouaches selected by Frank O'Hara. Circulated to Amsterdam, the Netherlands; Turin, Italy; Brussels, Belgium; Basel, Switzerland; Vienna, Austria; London, England; Paris, France September 1963–September 1964. Dispersed in 1964. |
||
Folder | Title | Date |
I.A.1286 | Franz Kline: Itinerary and Checklist | 1963–1964 |
I.A.1287 | Franz Kline: Publicity Draft release, summary of critical reviews, invitations, and posters. |
|
I.A.1288 | Franz Kline: Publicity Press clippings from Amsterdam, Brussels, Basel, London, and Vienna. |
|
I.A.1289 | Franz Kline: Publicity | |
I.A.1290 | Franz Kline: Publicity | |
I.A.1291 | Franz Kline: Photographs | |
I.A.1292 | Franz Kline: Photographs Fifty-one condition photograph prints. Entire folder restricted. |
|
I.A.1293 | Franz Kline: Photographs | |
I.A.1294 | Franz Kline: Photographs | |
I.A.1295 | Franz Kline: Catalogues One catalogue each from Amsterdam, Basel, Vienna, London, Brussels, and Paris. |
|
I.A.1296 | Franz Kline Amsterdam: Work Folder
Restricted material removed: Condition records. |
1963–1965 |
I.A.1297 | Franz Kline Amsterdam: Work Folder
Restricted material removed: Condition reports. |
1962–1964 |
I.A.1298 | Franz Kline Musée d'Arte Moderne de la Ville de Paris | 1964 |
I.A.1299 | Franz Kline Kusthalle, Basel, Switzerland | 1964 |
I.A.1300 | Franz Kline Palais des Beaux Arts, Brussels, Belgium | 1963 |
I.A.1301 | Franz Kline Museum des 20ten Jahrhunderts, Vienna, Austria | 1964 |
I.A.1302 | Franz Kline Correspondence and Reports-Other European Showings Critical reviews, press release, correspondence, shipping records, and condition reports. |
1962–1966 |
I.A.1303 | Franz Kline Correspondence and Reports-Other European Showings | 1962–1968 |
I.A.1304 | Franz Kline Loans and Lenders A-M
Restricted material removed: Lender list. |
1963–1966 |
I.A.1305 | Franz Kline Loans and Lenders M-Z Correspondence, insurance records, and loan records. Restricted material removed: Loan records. |
1963–1965 |
I.A.1306 | Franz Kline Financial-Photograph Requisitions | 1962–1965 |
I.A.1307 | Franz Kline Catalogue Folder | 1963–1967 |
I.A.1308 | Franz Kline Memoranda and Imports/Exports | 1963–1964 |
I.A.1309 | Franz Kline Correspondence Checklist, memoranda, lender lists, critical reviews, and correspondence. Restricted material removed: Loan forms. |
1962–1966 |
I.A.1310 | Franz Kline Correspondence | 1963–1975 |
I.A.1311 | Franz Kline Loans and Framing Records Loan agreement forms and framing record sheets. Restricted material removed: Loan forms. |
1962 |
I.A.1312 | Franz Kline Object Cards Made
Restricted material removed: Loan forms. |
1962 |
ICE-F-76-63 |
||
U.S. section comprised twenty sculptures by twenty artists selected by Peter Selz and William C. Seitz. Shown in London, England May–September, 1963. Dispersed in 1963. |
||
Folder | Title | Date |
I.A.1313 | Sculpture in the Open Air, Battersea Park, London: Itinerary and Checklist | 1963 |
I.A.1314 | Sculpture in the Open Air, Battersea Park, London: Publicity | |
I.A.1315 | Sculpture in the Open Air, Battersea Park, London: Publicity | |
I.A.1316 | Sculpture in the Open Air, Battersea Park, London: Publicity | |
I.A.1317 | Sculpture in the Open Air, Battersea Park, London: Publicity | |
I.A.1318 | Sculpture in the Open Air, Battersea Park, London: Photographs | |
I.A.1319 | Sculpture in the Open Air, Battersea Park, London: Photographs | |
I.A.1320 | Sculpture in the Open Air, Battersea Park, London Photographs | |
I.A.1321 | Sculpture in the Open Air, Battersea Park, London Catalogue | |
I.A.1322 | Sculpture in the Open Air, Battersea Park, London Loans and Lenders Brochure, memoranda, list of lenders, correspondence, loan records, and shipping records. Entire folder restricted. |
1962–1964 |
I.A.1323 | Sculpture in the Open Air, Battersea Park, London Work Folders
Restricted material removed: Condition reports and sales lists with prices. |
1962–1965 |
I.A.1324 | Sculpture in the Open Air, Battersea Park, London | 1963 |
I.A.1325 | Battersea Park-Exhibition 1963 Correspondence, invitation lists, and artist list. Restricted material removed: Lender addresses. |
1963 |
I.A.1326 | Sculpture in the Open Air, Battersea Park Correspondence, Memoranda and Lists
Restricted material removed: Loan forms and condition records. |
1963–1964 |
I.A.1327 | Sculpture in the Open Air, Battersea Park Loans
Entire folder restricted. |
1963 |
I.A.1328 | Sculpture in the Open Air, Battersea Park, London
Restricted material removed: Loan records. |
1963 |
ICE-F-77-63 |
||
Fifty-four works by fourteen artists selected by Frank O'Hara. Circulated to London, England. Returned to U.S. as C/E 62-13 1963–1964. Later circulated to Belgrade, Rijeka, Maribor, and Ljubljana, Yugoslavia; Athens, Greece; Bombay, Trivandrum, Madras, New Delhi, Lucknow, Ahmadabad, Calcutta, and Patna, India; Colombo, Ceylon (Sri Lanka); Sydney, Newcastle, Melbourne, and Perth, Australia; Christchurch and Auckland, New Zealand June 1963–1966 June. Dispersed in 1966. |
||
Folder | Title | Date |
I.A.1329 | Abstract Watercolors by Fourteen Americans Itinerary and Checklist | 1963–1966 |
I.A.1330 | Abstract Watercolors by Fourteen Americans Publicity Press releases, excerpts of critical reviews, and sample invitations. |
|
I.A.1331 | Abstract Watercolors by Fourteen Americans Publicity | |
I.A.1332 | Abstract Watercolors by Fourteen Americans Photographs | |
I.A.1333 | Abstract Watercolors by Fourteen Americans Installation Photographs | |
I.A.1334 | Abstract Watercolors by Fourteen Americans Catalogue material Introductory text panel by Frank O'Hara, with artists' biographies. |
|
I.A.1335 | Abstract Watercolors by Fourteen Americans Catalogues Catalogues for London, Australian tour, Athens, and Indian tour. |
|
I.A.1336 | Abstract Watercolors by Fourteen Americans | 1963–1964 |
I.A.1337 | Abstract Watercolors by Fourteen Americans Financial-Photograph Requisitions Photograph requisition forms, purchase orders, shipping records, and correspondence. |
1963 |
I.A.1338 | Abstract Watercolors by Fourteen Americans Europe: Work Folder
Restricted material removed: Condition records, loan records, and sale records. |
1963–1968 |
I.A.1339 | Abstract Watercolors by Fourteen Americans Middle East Showings: Work Folder
Restricted material removed: Condition reports and photographs and damage checklist. |
1963–1967 |
I.A.1340 | Abstract Watercolors by Fourteen Americans Middle East Showings: Work Folder Correspondence, publicity reports, condition reports, and shipping records. |
1964–1966 |
I.A.1341 | Abstract Watercolors by Fourteen Americans Tour of India | 1963 |
I.A.1342 | Abstract Watercolors by Fourteen Americans Galerija Kulturnog Centra Beograda, Belgrade, Yugoslavia | 1964 |
I.A.1343 | Abstract Watercolors by Fourteen Americans Hellenic American Union, Athens, Greece | 1965 |
I.A.1344 | Abstract Watercolors by Fourteen Americans USIS Gallery, American Embassy, London, England | 1963 |
I.A.1345 | Abstract Watercolors by Fourteen Americans Australia | 1965 |
I.A.1346 | Abstract Watercolors by Fourteen Americans Work Folder List of lenders, checklist, artists' biographies, exhibition description, and box list. |
|
I.A.1347 | Abstract Watercolors by Fourteen Americans Loans
Entire folder restricted. |
1963 |
I.A.1348 | Abstract Watercolors by Fourteen Americans
Restricted material removed: Condition reports. |
1962–1968 |
ICE-F-78-63 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1349 | Twenty Modern Sculptors: Small Sculptures and Studies Work Folder | 1963 |
ICE-F-79-63 |
||
Forty paintings selected by William C. Seitz. Originally shown as MoMA Exh. # 727 September 11–December 1, 1963. Circulated to Buenos Aires, Argentina; Caracas, Venezuela; Amsterdam, the Netherlands; Turin, Italy; Stuttgart, Hamburg and Bielefeld, Germany: September 1964–October 1965. Dispersed in 1965. |
||
Folder | Title | Date |
I.A.1350 | Hans Hofmann Itinerary and Checklist | 1964–1965 |
I.A.1351 | Hans Hofmann Publicity | |
I.A.1352 | Hans Hofmann Publicity | |
I.A.1353 | Hans Hofmann Photographs | |
I.A.1354 | Hans Hofmann Photographs Thirty-nine condition photographs. Entire folder restricted. |
|
I.A.1355 | Hans Hofmann Photographs Five prints from Amsterdam, five prints from Turin, and four transparencies from Hamburg. |
|
I.A.1356 | Hans Hofmann Catalogues | |
I.A.1357 | Hans Hoffmann Financial-Photograph Requisitions | 1963–1966 |
I.A.1358 | Hans Hoffmann Loans and Lenders
Entire folder restricted. |
1960–1970 |
I.A.1359 | Hans Hoffmann Buenos Aires and Caracas: Work Folder
Restricted material removed: Condition report. |
1963–1967 |
I.A.1360 | Hans Hoffmann Europe: Work Folder
Restricted material removed: Condition reports. |
1964–1966 |
I.A.1361 | Hans Hoffmann Europe: Work Folder | 1963–1965 |
I.A.1362 | Hans Hoffmann Germany | 1965 |
I.A.1363 | Hans Hoffmann Museo de Bellas Artes, Caracas, Venezuela | 1964 |
I.A.1364 | Hans Hoffmann Galleria Civica d'Arte Moderna, Turin, Italy | 1965 |
I.A.1365 | Hans Hoffmann Stedelijk Museum, Amsterdam | 1965 |
I.A.1366 | Hans Hofmann
Restricted material removed: Condition reports and loan forms. |
1963–1967 |
I.A.1367 | Hans Hofmann Loan Forms Checklist, loan agreement forms, and condition report. Restricted material removed: Condition report and loan forms. |
1963–1966 |
ICE-F-80-63 |
||
158 bronze sculptures selected by the artist from his collection, assisted by Renée Sabatello Neu. Circulated domestically as C/E 63-4 1963–64. Shown in Buenos Aires, Argentina; Santiago, Chile; Caracas, Venezuela; Lima, Peru; Melbourne, Australia; and Auckland and Wellington, New Zealand September 1964–March 1966. Dispersed in 1966. |
||
Folder | Title | Date |
I.A.1368 | Jacques Lipchitz: Bronze Sketches I Itinerary and Checklist | 1912–1962, 1964-1966 |
I.A.1369 | Jacques Lipchitz: Bronze Sketches I Publicity Foreword by Lipchitz, correspondence, reports, invitations, and press clippings. |
|
I.A.1370 | Jacques Lipchitz: Bronze Sketches I Photographs | |
I.A.1371 | Jacques Lipchitz: Bronze Sketches I: Photographs | |
I.A.1372 | Jacques Lipchitz: Bronze Sketches I Catalogues Catalogues for Melbourne, Santiago, Buenos Aires, Caracas, and two brochures for Detroit. |
|
I.A.1373 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Buenos Aires: Work Folder
Restricted material removed: Condition reports, insurance claims, and loan records. |
1963–1967 |
I.A.1374 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Publicity | 1963 |
I.A.1375 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Various Latin American Showings: Correspondence Exhibition itinerary, correspondence, shipping records, condition reports, and publicity reports. Restricted material removed: Condition reports. |
1963–1966 |
I.A.1376 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Financial-Photo Requests Distribution ledgers, photograph requistion forms, shipping records, memoranda, and correspondence. |
1963–1966 |
I.A.1377 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Museo de Arte Contemporaneo de la Universidad de Chile, Santiago, Chile | 1964 |
I.A.1378 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Centro de Artes Visuales Instituto Torcuato de Tella, Buenos Aires, Argentina | 1964 |
I.A.1379 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Museo de Bellas Artes, Caracas, Venezuela | 1965 |
I.A.1380 | Jacques Lipchitz: Bronze Sketches, 1912–1962 | 1964 |
I.A.1381 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Work Folder Box lists, checklist, installation list, and exhibition note. |
1963–1965 |
I.A.1382 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Loans
Restricted material removed: Loan forms. |
1964 |
I.A.1383 | Jacques Lipchitz: Bronze Sketches, 1912–1962 Memoranda Checklist, memoranda, condition record sheets, correspondence, and box list. Restricted material removed: Condition records. |
1964–1967 |
I.A.1384 | Museo de Arte Contemporaneo Universidad de Chile, Santiago | circa 1963 |
I.A.1385 | Anton Heyboer, Etchings by Sol Lewitt, Henry Moore's "Elephant Skull" Press | 1973–1974 |
I.A.1386 | Art in Embassies, the Artist in His Studio, Umberto Boccioni: His Graphic Art, the Bitter Years: 1935–1941, Architecture without Architects, Art Israel, the Art of the Real Slides | 1964–1970 |
I.A.1387 | Architecture without Architects, Joseph Albers: Homage to the Square, American Collages, American Prints: 1913–1963 Slides | 1965–1970, 1976 |
ICE-F-82-63 |
||
Forty-eight sculptures selected by Frank O'Hara. Circulated to Otterlo, the Netherlands; London, England; Basel, Switzerland; and Nuremberg and Duisburg, Germany: May 1966–May 1967. Dispersed in 1967. |
||
Folder | Title | Date |
I.A.1388 | David Smith Itinerary and Checklists | 1966–1967 |
I.A.1389 | David Smith Publicity Press release, excerpts of critical reviews, invitations, and guest list. |
|
I.A.1390 | David Smith Publicity | |
I.A.1391 | David Smith Publicity | |
I.A.1392 | David Smith Publicity | |
I.A.1393 | David Smith Printed Matter | |
I.A.1394 | David Smith Photographs | |
I.A.1395 | David Smith Installation and Event Photographs | |
I.A.1396 | David Smith Catalogue Material | |
I.A.1397 | David Smith Catalogues | |
I.A.1398 | David Smith Condition Record Sheets
Entire folder restricted. |
1963 |
I.A.1399 | David Smith Condition Record Sheets Condition reports, loan records, box lists, and checklist. Entire folder restricted. |
1963 |
I.A.1400 | David Smith Rijksmuseum Kröller-Müller, Otterlo: Work Folder
Restricted material removed: Insurance claim and condition records. |
1966–1968 |
I.A.1401 | David Smith Rijksmuseum Kröller-Müller, Otterlo: Work Folder | 1963–1968 |
I.A.1402 | David Smith Kunsthalle, Basel, Switzerland | 1966 |
I.A.1403 | David Smith Rijksmuseum Kröller-Müller, Otterlo, Netherlands | 1966 |
I.A.1404 | David Smith Tate Gallery, London | 1966 |
I.A.1405 | David Smith European Showings and Offering: Work Folder
Restricted material removed: Condition report and loan records. |
1963–1969 |
I.A.1406 | David Smith European Showings and Offering: Work Folder Correspondence, drafts of catalogue text, invitations, and publicity report. |
1963–1968 |
I.A.1407 | David Smith Loans and Lenders-Receipts Correspondence, insurance records, checklist, list of lenders, and loan records. Restricted material removed: Loan receipts. |
1963–1968 |
I.A.1408 | David Smith Box Lists and Checklist | 1966 |
I.A.1409 | David Smith 1965–1966 | 1958–1959 |
I.A.1410 | David Smith Checklist, packing and unpacking instructions, box lists, correspondence, memoranda and lender list. Restricted material removed: Conditions memoranda. |
1966–1967 |
I.A.1411 | David Smith Condition Record Sheets
Entire folder restricted. |
1966–1967 |
I.A.1412 | David Smith Loan Forms
Entire folder restricted. |
1967 |
I.A.1413 | David Smith Correspondence A-L | 1965–1967 |
I.A.1414 | David Smith Correspondence M-Z | 1966–1967 |
I.A.1415 | David Smith | 1965 |
ICE-F-83-63 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1416 | New American Painters as Lithographers Work Folder | 1963 |
I.A.1417 | New American Painters as Lithographers Financial | 1963–1964 |
ICE-F-84-63 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1418 | Jackson Pollock: Drawings Work Folder | 1966–1967 |
ICE-F-85-63 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1419 | Martha Graham Work Folder | 1963 |
ICE-F-87-63 |
||
Thirty-six paintings selected by Kynaston McShine. Circulated to Caracas, Venezuela; Montevideo, Uruguay; Buenos Aires, Argentina; Lima, Peru; Rio de Janeiro and São Paulo, Brazil; Quayaquil and Quito, Ecuador; Bogotá, Colombia; Santiago, Chile; and Mexico City, Mexico: March 1964–August 1965. Returned to U.S. as C/E 63-6 1965–67. Dispersed in 1966. |
||
Folder | Title | Date |
I.A.1420 | Josef Albers, Homage to the Square Itinerary and Checklist | 1964–1965 |
I.A.1421 | Josef Albers, Homage to the Square Publicity | |
I.A.1422 | Josef Albers, Homage to the Square Publicity | |
I.A.1423 | Josef Albers, Homage to the Square Photographs | |
I.A.1424 | Josef Albers, Homage to the Square Photographs | |
I.A.1425 | Josef Albers, Homage to the Square Catalogues | |
I.A.1426 | Josef Albers: Homage to the Square Latin America: Work Folder | 1963–1967 |
I.A.1427 | Josef Albers: Homage to the Square Work Folder Shipping records, memoranda, publicity reports, condition reports, correspondence, and box list. |
1963–1965 |
I.A.1428 | Josef Albers: Homage to the Square Caracas: Work Folder | 1963–1967 |
I.A.1429 | Josef Albers: Homage to the Square Caracas: Work Folder
Restricted material removed: Loan records and damage correspondence. |
1963–1967 |
I.A.1430 | Josef Albers: Homage to the Square Binational Center, Bogotá, Colombia | 1965 |
I.A.1431 | Josef Albers: Homage to the Square Latin American tour | 1964 |
I.A.1432 | Josef Albers: Homage to the Square Sala Camilio Egas, Quito, Ecuador | 1965 |
I.A.1433 | Josef Albers: Homage to the Square Box List and Checklist | 1964 |
ICE-F-88-63 |
||
Sixty-four paintings, sculptures, drawings, prints and graphic works by forty-one artists, including anonymous artists, selected by Mildred Constantine. Originally circulated as a smaller domestic version Lettering by Hand, C/E 63-5 1962–64. Circulated to Rio Piedras, Puerto Rico; Buenos Aires and La Plata, Argentina; Rio de Janeiro, Brazil; Lima, Peru; Santiago, Chile; and Caracas, Venezuela: May 1965–June 1967. Dispersed in 1967. |
||
Folder | Title | Date |
I.A.1434 | Lettering by Modern Artists Itinerary and Checklist | 1965–66 |
I.A.1435 | Lettering by Modern Artists Publicity | |
I.A.1436 | Lettering by Modern Artists Photographs | |
I.A.1437 | Lettering by Modern Artists Installation and Event Photographs | |
I.A.1438 | Lettering by Modern Artists Catalogues Catalogues for Buenos Aires, with brochures for Rio de Janeiro, Lima, and Santiago. |
|
I.A.1439 | Lettering by Modern Artists | 1968 |
I.A.1440 | Lettering by Modern Artists Offerings and Requests | 1965–1967 |
I.A.1441 | Lettering by Modern Artists Offerings and Requests Correspondence, condition reports, shipping records, memoranda, and publicity report. Restricted material removed: Condition reports. |
1965–1966 |
I.A.1442 | Lettering by Modern Artists Work Folder
Restricted material removed: Condition report. |
1964–1968 |
I.A.1443 | Lettering by Modern Artists Work Folder List of lenders, correspondence, loan records, memoranda, and framing records. Entire folder restricted. |
1965–1968 |
I.A.1444 | Lettering by Modern Artists Galeria I.B.E.U., Rio de Janeiro | 1965 |
I.A.1445 | Lettering by Modern Artists Centro de Artes Visuales del Instituto Torcuato di Tella, Buenos Aires, Argentina | 1965 |
I.A.1446 | Lettering by Modern Artists Checklist and Box List | 1965 |
I.A.1447 | Lettering by Modern Artists Loans Loan agreement forms with framing record sheets. Entire folder restricted. |
1966 |
I.A.1448 | Lettering by Modern Artists Correspondence and Memoranda Checklists, memoranda, correspondence, packing and unpacking instructions, and box list. |
1963–1968 |
ICE-F-89-63 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1449 | Walker Evans Financial | 1965 |
ICE-F-92-63 |
||
Folder | Title | Date |
I.A.1450 | British Sculpture Financial | 1963 |
I.A.1451 | British Sculpture Work Folder | 1963–1965 |
ICE-F-93-63 |
||
See C/E-63-9 for the showing in the U.S. |
||
Folder | Title | Date |
I.A.1452 | Fifteen Canadian Artists Financial-Photograph Requisitions Memoranda, invoices, correspondence, shipping records, and photograph requisition form. |
1964 |
I.A.1453 | Fifteen Canadian Artists | 1963 |
I.A.1454 | Fifteen Canadian Artists Work Folder | 1963–1964 |
ICE-F-95-63 |
||
103 paintings, collages and drawings selected by Frank O'Hara; adapted from MoMA Exh. #776 October 1–November 28, 1965. Circulated as C/E 64-11 1965–1967. Shown in Amsterdam, the Netherlands; England; Brussels, Belgium; Essen, Germany; and Turin, Italy: January–October 1966. Dispersed in 1966. Also circulated as a smaller version as ICE-F-112-67, touring with ICE-F-71-62. |
||
Folder | Title | Date |
I.A.1455 | Robert Motherwell: Works On Paper Itinerary and Checklist | 1966 |
I.A.1456 | Robert Motherwell: Works on Paper Publicity | |
I.A.1457 | Robert Motherwell: Works on Paper Publicity | |
I.A.1458 | Robert Motherwell: Works on Paper: Photographs | |
I.A.1459 | Robert Motherwell: Works on Paper Photographs | |
I.A.1460 | Robert Motherwell: Works on Paper Photographs Seventy-five condition photographs. Entire folder restricted. |
|
I.A.1461 | Robert Motherwell: Works on Paper Installation and Event Photographs | |
I.A.1462 | Robert Motherwell: Works on Paper Catalogues | |
I.A.1463 | Robert Motherwell Condition Record Sheets Condition reports, box list, checklist, and worksheet. Restricted material removed: Condition reports. |
1965 |
I.A.1464 | Robert Motherwell Amsterdam: Work Folder | 1964–1967 |
I.A.1465 | Robert Motherwell Amsterdam: Work Folder | 1965–1969 |
I.A.1466 | Robert Motherwell Condition Record Sheets Condition record sheets and worksheet. Entire folder restricted. |
circa 1965 |
I.A.1467 | Robert Motherwell Condition Record Sheets Condition record sheets and worksheet. Entire folder restricted. |
circa 1965 |
I.A.1468 | Robert Motherwell Framing Record Sheets | 1965 |
I.A.1469 | Robert Motherwell Other European Showings and Offerings: Work Folder | 1964–1971 |
I.A.1470 | Robert Motherwell Loans and Lenders
Restricted material removed: Condition report drawing showing damages. |
1964–1968 |
I.A.1471 | Robert Motherwell Loans and Lenders
Restricted material removed: Loan receipts. |
1965–1967 |
I.A.1472 | Robert Motherwell Museum Folkwang, Essen, Germany | 1966 |
I.A.1473 | Robert Motherwell Amsterdam | 1966 |
I.A.1474 | Robert Motherwell Galleria Civica d'Arte Moderna, Turin, Italy | 1966 |
I.A.1475 | Robert Motherwell Checklist and Box List | 1965 |
I.A.1476 | Robert Motherwell Condition Record Sheets
Entire folder restricted. |
1966 |
I.A.1477 | Robert Motherwell Correspondence A-L | 1965–1968 |
I.A.1478 | Robert Motherwell Correspondence M-Z | 1965–1971 |
I.A.1479 | Robert Motherwell Loans A-L
Entire folder restricted. |
1965–1966 |
I.A.1480 | Robert Motherwell Loans: M-Z
Entire folder restricted. |
1964–1965 |
I.A.1481 | Robert Motherwell
Restricted material removed: Loan forms and condition records. |
1964–1967 |
ICE-F-112-67 |
||
Thirty-nine works selected by Renée Sabatello Neu; a revised version of MoMA Exh. #776, October 1–November 28, 1965. Circulated domestically as C/E 64-11 1965–67. Shown in Buenos Aires, Argentina; Caracas, Venezuela; Bogotá, Colombia; and Mexico City, Mexico: November 1967–June 1968. Shown simultaneously with ICE-F-71-62. |
||
Folder | Title | Date |
I.A.1482 | Robert Motherwell: Works on Paper Itinerary and Checklist | |
I.A.1483 | Robert Motherwell: Works on Paper Publicity | |
I.A.1484 | Robert Motherwell: Works on Paper Publicity | |
I.A.1485 | Robert Motherwell: Works on Paper Publicity | |
I.A.1486 | Robert Motherwell: Works on Paper Photographs | |
I.A.1487 | Robert Motherwell: Works on Paper Photographs | |
I.A.1488 | Robert Motherwell: Works on Paper Photographs | |
I.A.1489 | Robert Motherwell: Works on Paper Catalogue Material | |
I.A.1490 | Robert Motherwell: Works on Paper Catalogues | |
I.A.1491 | Robert Motherwell: Works on Paper Record Sheets | 1967 |
I.A.1492 | Robert Motherwell: Works on Paper Work Folder
Restricted material removed: Condition reports. |
1967–1971 |
I.A.1493 | Robert Motherwell: Works on Paper Work Folder
Restricted material removed: Condition reports and loan forms. |
1967–1968 |
I.A.1494 | Robert Motherwell: Works on Paper Checklists and Box List | 1965–1967 |
I.A.1495 | Robert Motherwell: Works on Paper Work Folder
Restricted material removed: Condition report. |
1967–1968 |
ICE-F-96-63 |
||
Musée Rodin and German showings. Seventy-one works by twenty-two sculptors selected by René d'Harnoncourt and Frank O'Hara. Circulated to Paris, France; and Berlin and Baden-Baden, Germany: June 1965–April 1966. Dispersed in 1966. |
||
Folder | Title | Date |
I.A.1496 | Modern Sculpture: U.S.A Itinerary and Checklists | 1965–1966 |
I.A.1497 | Modern Sculpture: U.S.A Publicity Draft release, correspondence, memoranda, and French articles with English translation. |
|
I.A.1498 | Modern Sculpture: U.S.A Publicity | |
I.A.1499 | Modern Sculpture: U.S.A Publicity | |
I.A.1500 | Modern Sculpture: U.S.A Publicity | |
I.A.1501 | Modern Sculpture: U.S.A Photographs | |
I.A.1502 | Modern Sculpture: U.S.A Photographs | |
I.A.1503 | Modern Sculpture: U.S.A Photographs | |
I.A.1504 | Modern Sculpture: U.S.A Photographs | |
I.A.1505 | Modern Sculpture: U.S.A Installation Photographs | |
I.A.1506 | Modern Sculpture: U.S.A Catalogue Material | |
I.A.1507 | Modern Sculpture: U.S.A Paris Catalogue | |
I.A.1508 | Modern Sculpture: U.S.A. Photograph Requisitions | 1965–1966 |
I.A.1509 | Modern Sculpture: U.S.A. Musée Rodin, Paris: Loans and Lenders
Restricted material removed: Lender lists. |
1965–1969 |
I.A.1510 | Modern Sculpture: U.S.A. Musée Rodin, Paris: Loans and Lenders
Restricted material removed: Loan receipts. |
1965–1966 |
I.A.1511 | Modern Sculpture: U.S.A. Musée Rodin, Paris: Work Folder
Restricted material removed: Condition reports and photographs. |
1960–1968 |
I.A.1512 | Modern Sculpture: U.S.A. European Showings: Work Folder Correspondence, memoranda, shipping records, publicity report, condition report, and gallery plan. Restricted material removed: Condition report. |
1964–1967 |
I.A.1513 | Modern Sculpture: U.S.A. European Showings: Work Folder | 1964–1965 |
I.A.1514 | Modern Sculpture: U.S.A. Staadliche Kunsthalle, Baden-Baden, Germany | 1966 |
I.A.1515 | Modern Sculpture: U.S.A. Box Lists | 1965 |
I.A.1516 | Modern Sculpture: U.S.A. Correspondence: A-M Includes itinerary, correspondence, condition records, shipping invoice, and insurance statements. Restricted material removed: Damages correspondence and condition reports. |
1965–1966 |
I.A.1517 | Modern Sculpture: U.S.A. Correspondence: N-Z Correspondence, shipping receipts, insurance certificate, loan approval, and delivery receipt. |
1965–1966 |
I.A.1518 | Modern Sculpture: U.S.A. Memos and Lists, Imports and Exports
Restricted material removed: Condition reports and damage correspondence. |
1963–1967 |
I.A.1519 | Modern Sculpture: U.S.A. Loans: A-M Checklists, loan agreements, loan record forms, notes, and photocopies of artwork images. Entire folder restricted. |
1965 |
I.A.1520 | Modern Sculpture: U.S.A. Loans: N-Z
Entire folder restricted. |
1965 |
I.A.1521 | Modern Sculpture: U.S.A. Slides | 1965 |
ICE-F-97-64 |
||
Thirty-four drawings selected by William S. Lieberman. Circulated to London (two showings), Newcastle upon Tyne, and Cambridge, England; Vienna and Graz, Austria; Krefeld, Dortmund, Hamburg, Stuttgart, and Berlin, Germany; Oslo, Norway; Stockholm, Sweden; Helsinki, Finland; Amsterdam, the Netherlands; Belgrade, Llubjana, and Maribor, Yugoslavia; and Brussels, Belgium February 1964–October 1965. Returned to the U.S. as Rauschenberg: 34 Drawings for Dante's Inferno, [MoMA Exh. #785 December 21, 1965–March 22, 1966.] Also circulated as C/E 66-4 1966–68. Plans for showing as C/E 61-1 were canceled. |
||
Folder | Title | Date |
I.A.1522 | Rauschenberg: Illustrations forDante's Inferno Itinerary and Checklist | 1964–1966 |
I.A.1523 | Rauschenberg: Illustrations for Dante's Inferno Publicity | |
I.A.1524 | Rauschenberg: Illustrations for Dante's Inferno Publicity | |
I.A.1525 | Rauschenberg: Illustrations for Dante's Inferno Publicity | |
I.A.1526 | Rauschenberg: Illustrations for Dante's Inferno Photographs | |
I.A.1527 | Rauschenberg: Illustrations for Dante's Inferno Photostats | |
I.A.1528 | Rauschenberg: Illustrations for Dante's Inferno Catalogues | |
I.A.1529 | Rauschenberg: Illustrations for Dante's Inferno London, Newcastle, Cambridge, Oxford: Work Folder
Restricted material removed: Loan and insurance records. |
1964–1966 |
I.A.1530 | Rauschenberg: Illustrations for Dante's Inferno European Showing: Work Folder | 1964–1967 |
I.A.1531 | Rauschenberg: Illustrations for Dante's Inferno European Showing: Work Folder Correspondence, shipping records, condition reports, and publicity reports. |
1964–1965 |
I.A.1532 | Rauschenberg: Illustrations for Dante's Inferno Financial | 1965 |
I.A.1533 | Rauschenberg: Illustrations for Dante's Inferno Kunstnernes Hus, Oslo, Norway | 1965 |
I.A.1534 | Rauschenberg: Illustrations for Dante's Inferno German Tour | 1964 |
I.A.1535 | Rauschenberg: Illustrations for Dante's Inferno Amsterdam | 1965 |
ICE-F-98-64 |
||
Fifty-five studies for the mural An Epic of American Civilization commissioned by Dartmouth College for its library and completed in 1934. Selected by Elaine Johnson and adapted from MoMA Exh. #698 November 22, 1961–January 21, 1962. Circulated domesticaly as C/E 61-46 1962–64. Circulated to Helsinki and Lahti, Finland; Oslo and Alesund, Norway; and Göteborg, Sweden September 1964–February 1965. Dispersed in 1965. |
||
Folder | Title | Date |
I.A.1536 | Orozco: Studies for a Mural Itinerary and Checklist | 1964–1965 |
I.A.1537 | Orozco: Studies forA Mural Publicity | |
I.A.1538 | Orozco: Studies forA Mural Catalogue | |
I.A.1539 | Orozco: Studies For a Mural Kunstnernes Hus, Oslo, Norway | 1964 |
I.A.1540 | Orozco: Studies For a Mural Work Folder Exhibition summary and itinerary, press release, correspondence, and memoranda. |
1964–1968 |
I.A.1541 | Orozco: Studies For a Mural Work Folder | 1964–1966 |
I.A.1542 | Orozco: Studies For a Mural Financial-Photograph Requisitions | 1964–1965 |
I.A.1543 | Orozco: Studies for a Mural Box List | 1964 |
I.A.1544 | Orozco: Studeis for a Mural Loans Delivery receipts, loan agreements, condition record sheets, loan amendment form, and checklists. Entire folder restricted. |
1961–1963 |
I.A.1545 | Orozco: Studeis for a Mural Work Folder | 1964–1969 |
ICE-F-99-64 |
||
Eighty-two prints by fifty-two artists selected by Elaine Johnson. Adapted from MoMA Exh. #747 September 15–October 24, 1964; Circulated domestically as C/E 64-12 1965. Shown in Buenos Aires, Argentina; Montevideo, Uruguay; Santiago, Chile; La Paz and Oruro, Bolivia; Lima, Peru; Quayaquil, Quito and Cuenca, Ecuador; Bogotá and Barranquilla, Colombia; Caracas, Venezuela; Panama City, Panama; San José, Costa Rica; Tegucigalpa, Honduras; Managua, Nicaragua; and San Juan, Puerto Rico April 1966–June 1968. Dispersed in 1968. |
||
Folder | Title | Date |
I.A.1546 | Contemporary Painters and Sculptors as Printmakers Itinerary and Checklist | 1966–1968 |
I.A.1547 | Contemporary Painters and Sculptors as Printmakers Publicity Press release, publicity reports, translations of critical reviews, correspondence, and invitations. |
|
I.A.1548 | Contemporary Painters and Sculptors as Printmakers Publicity Press clippings for Managua, San José, San Juan, Tegucigalpa, Panama City, and Caracas. |
|
I.A.1549 | Contemporary Painters and Sculptors as Printmakers Publicity Press clippings for Bogotá, Barranquilla, Cuenca, Quito, Lima, and Oruro. |
|
I.A.1550 | Contemporary Painters and Sculptors as Printmakers Publicity Press clippings for La Paz, Santiago, Montevideo, and Buenos Aires. |
|
I.A.1551 | Contemporary Painters and Sculptors as Printmakers Publicity Press clippings for other countries of South America and U.S.A. |
|
I.A.1552 | Contemporary Painters and Sculptors as Printmakers Installation Photographs | |
I.A.1553 | Contemporary Painters and Sculptors as Printmakers Catalogues | |
I.A.1554 | Contemporary Painters and Sculptors as Printmakers Buenos Aires, Argentina: Work Folder
Restricted material removed: Condition reports and loan records. |
1964–1968 |
I.A.1555 | Contemporary Painters and Sculptors as Printmakers Other Latin American Showings Correspondence, condition reports, checklist, and exhibition catalogue. Restricted material removed: Conditions reports. |
1965–1969 |
I.A.1556 | Contemporary Painters and Sculptors as Printmakers Other Latin American Showings Shipping records, correspondence, opening invitation, condition reports and publicity report. |
1965–1969 |
I.A.1557 | Contemporary Painters and Sculptors as Printmakers Latin American Showings Correspondence, box list, publicity reports, condition report, and shipping records. |
1965–1968 |
I.A.1558 | Contemporary Painters and Sculptors as Printmakers Latin American Showings | 1966–1968 |
I.A.1559 | Contemporary Painters and Sculptors as Printmakers Framing Record Sheets | 1965 |
I.A.1560 | Contemporary Painters and Sculptors as Printmakers Press Clipping | 1967 |
I.A.1561 | Contemporary Painters and Sculptors as Printmakers Checklist and Box Lists | 1965–1967 |
I.A.1562 | Contemporary Painters and Sculptors as Printmakers Loans | 1967 |
ICE-F-100-65 |
||
Thirty-two works by nine painters selected by Frank O'Hara. Originally circulated as Recent Landscapes by Eight Americans, small version, C/E 64-1 1964–66. Shown at the Festival Of Two Worlds, Spoleto, Italy June 24–July 18, 1965. Returned to U.S. for continued domestic circulation in 1965. |
||
Folder | Title | Date |
I.A.1563 | Recent Landscapes by Nine Americans Itinerary, Checklist, and Box List | 1965 |
I.A.1564 | Recent Landscapes by Nine Americans Publicity | |
I.A.1565 | Recent Landscapes by Nine Americans Artists' Biographies | |
I.A.1566 | Recent Landscapes by Nine Americans Photographs | |
I.A.1567 | Recent Landscapes by Nine Americans Photographs | |
I.A.1568 | Recent Landscapes by Nine Americans Catalogue | |
I.A.1569 | Recent Landscapes by Nine Americans Festival of Two Worlds, Spoleto, Italy: Work Folder
Restricted material removed: Loan receipts. |
1965–1967 |
I.A.1570 | Recent Landscapes by Nine Americans Shipping and Loans | 1965–1966 |
ICE-F-101-65 |
||
202 mounted photographs with forty-eight labels selected by Edward Steichen and adapted from MoMA Exh. #711 October 18–November 25, 1962. Circulated domestically as C/E 62-14 1963–65. Shown in Umeå, Luleå, Gävle, and Sundsvall, Sweden; Amsterdam, the Netherlands; Lund, Sweden; and Oslo, Norway January–October 1966. Exhibition donated to the State of Luxembourg in May 1967, at Steichen's request, for permanent display at the Château de Clervaux along with SP-ICE-10-55 The Family Of Man. |
||
Folder | Title | Date |
I.A.1571 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Itinerary and Checklists | 1966 |
I.A.1572 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Publicity | |
I.A.1573 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Photographs | |
I.A.1574 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Photographs | |
I.A.1575 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Catalogue Material | |
I.A.1576 | The Bitter Years, 1935–1941: Rural America Seen by the Photographers of the Farm Security Administration Printed Matter | |
I.A.1577 | The Bitter Years: 1935–1941 Swedish Tour: Work Folder Memoranda, correspondence, publicity reports, shipping records, box list, and checklist. |
1965–1968 |
I.A.1578 | The Bitter Years: 1935–1941 Correspondence, checklists, box lists, packing instructions, and press releases. |
1965–1989 |
I.A.1579 | The Bitter Years: 1935–1941 Work Folder Checklist, installation list, box list, and unpacking and packing instructions. |
1963–1965 |
ICE-F-102-65 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1580 | Modern Architecture: U.S.A. Work Folder Exhibition brochure, correspondence, catalogue text, and checklist. |
1965–1968 |
ICE-F-104-65 |
||
Photographs and plans of 148 projects in twenty-eight countries selected by Arthur Drexler and adapted from MoMA Exh. #744 June 30–September 13, 1964. Circulated domestically as C/E 65-2 1965–71. Shown in Paris, Le Havre, Le Mans, and Strasbourg, France; Milan, Italy; Munich, Frankfurt, Stuttgart, Dortmund, and Berlin, Germany (under the auspices of the USIS); Copenhagen and Aarhus, Denmark; Trondheim and Oslo, Norway; Göteborg, Lund, and Stockholm, Sweden; Vienna, Austria; Brussels, Belgium; Madrid, Valencia, and Barcelona, Spain; Bratislava and Prague, Czechoslovakia; Belgrade, Zagreb, and Ljubljana, Yugoslavia; Athens, Greece; and Tehran, Iran November 1966–November 1974. Exhibition dismantled in India in 1975 without being shown, due to poor condition of panels upon arrival in New Delhi. |
||
Folder | Title | Date |
I.A.1581 | Twentieth Century Engineering Itinerary, Checklist, and Box List with Packing Instructions | 1966–1974 |
I.A.1582 | Twentieth Century Engineering Publicity | |
I.A.1583 | Twentieth Century Engineering Publicity | |
I.A.1584 | Twentieth Century Engineering Photographs | |
I.A.1585 | Twentieth Century Engineering Installation and Event Photographs | |
I.A.1586 | Twentieth Century Engineering Catalogue material | |
I.A.1587 | Twentieth Century Engineering Catalogues | |
I.A.1588 | Twentieth Century Engineering Sweden | 1965 |
I.A.1589 | Twentieth Century Engineering | 1969–1974 |
I.A.1590 | Twentieth Century Engineering | 1967–1974 |
I.A.1591 | Twentieth Century Engineering Work Folder
Restricted material removed: Condition reports. |
1967–1970 |
I.A.1592 | Twentieth Century Engineering Work Folder | 1965–1969 |
I.A.1593 | Twentieth Century Engineering | 1967–1976 |
I.A.1594 | Twentieth Century Engineering | 1970–1975 |
I.A.1595 | Twentieth Century Engineering Muzej Savremene Umetnosti, Belgrade, Yugoslavia | 1973 |
I.A.1596 | Twentieth Century Engineering Náprstkovo Museum, Prague, Czechoslovakia | 1972 |
I.A.1597 | Twentieth Century Engineering Utvar Hlavého Architektura Mesta, Bratislava, Czechoslovakia | 1972 |
I.A.1598 | Twentieth Century Engineering Work Folder | 1971 |
ICE-F-105-66 |
||
Fifty-three works by fourteen artists selected by Kynaston McShine; adapted from MoMA Exh. #766 May 11–July 25, 1965 and circulated domestically as C/E 64-2 1965–66. Circulated to Rotterdam and Groningen, the Netherlands; Copenhagen, Denmark; Oslo, Norway; Helsinki, Finland; and Stockholm, Sweden September 1966–June 1967. Dispersed in 1967. |
||
Folder | Title | Date |
I.A.1599 | American Collages Itinerary and Checklist | 1966–1967 |
I.A.1600 | American Collages Publicity MoMA press releases, publicity reports, excerpts of critical reviews, and invitations. |
|
I.A.1601 | American Collages Publicity | |
I.A.1602 | American Collages Photographs | |
I.A.1603 | American Collages Photographs Two color prints from Rotterdam and two prints from Helsinki. |
|
I.A.1604 | American Collages Catalogue Material | |
I.A.1605 | American Collages Wall Label Proofs | |
I.A.1606 | American Collages Catalogues | |
I.A.1607 | American Collages Copenhagen | 1966 |
I.A.1608 | American Collages Rotterdam | 1966 |
I.A.1609 | American Collages Rotterdam: Work Folder
Restricted material removed: Condition reports. |
1966–1969 |
I.A.1610 | American Collages Rotterdam: Work Folder Correspondence, publicity report, memoranda, checklists, and framing record sheets. |
1966–1967 |
I.A.1611 | American Collages | 1966–1967 |
I.A.1612 | American Collages Box Lists and Checklists Unpacking and packing instructions, box lists, and checklists. |
1966 |
I.A.1613 | American Collages Work Folder Checklist, correspondence, box lists, and insurance certificate. |
1964–1969 |
I.A.1614 | The Photographer's Eye Correspondence | 1964–1971 |
I.A.1615 | The Photographer's Eye Imports and Exports Shipping invoices, air waybill, correspondence, box list, and delivery receipts. |
1964–1973 |
I.A.1616 | The Photographer's Eye Memos/Lists | 1964–1977 |
ICE-F-106-66 |
||
140 photographs selected by John Szarkowski; adapted from MoMA Exh. #741 May 27–August 23, 1964 and circulated domestically as C/E 64-6 1964–66. Later installed at MoMA as part of the thirty-fifth Anniversary exhibition Art In A Changing World: 1884–1964. Circulated to Auckland, Wellington, Christchurch, and Dunedin, New Zealand; Newcastle, Perth, Adelaide, Melbourne, Shepparton, Ballarat, Bendigo, Mildura, Castlemaine, and Geelong, Australia. Returned to U.S. for refurbishing, then circulated to Honolulu, Hawaii; Manila, Philippines; Madras, Bombay, Calcutta, and New Delhi, India; Eindhoven, the Netherlands; Bonn, Germany; Lausanne, Switzerland; Düsseldorf; Germany; Grenoble and Saint-Etienne, France; and Helsinki, Finland: July 1967–January 1972. Dispersed in 1973. |
||
Folder | Title | Date |
I.A.1617 | The Photographer's Eye Itinerary and Checklist | 1967–1972 |
I.A.1618 | The Photographer's Eye Publicity | |
I.A.1619 | The Photographer's Eye Publicity | |
I.A.1620 | The Photographer's Eye Installation and Event Photographs Fourteen prints and floor plan from Wellington and one print from Madras. |
|
I.A.1621 | The Photographer's Eye Brochures | |
I.A.1622 | The Photographer's Eye Work Folder | 1966–1969 |
I.A.1623 | The Photographer's Eye Work Folder | 1967–1969 |
I.A.1624 | The Photographer's Eye | 1967–1972 |
I.A.1625 | The Photographer's Eye Correspondence, shipping records, condition reports, and publicity reports. Restricted material removed: Condition reports. |
1967–1972 |
I.A.1626 | The Photographer's Eye Work Folder
Restricted material removed: Condition reports. |
1967–1972 |
I.A.1627 | The Photographer's Eye Work Folder Black and white photographs, draft of press release, checklists, box lists, and descriptive sheet. |
1967–1970 |
I.A.1628 | The Photographer's Eye Work Folder Correspondence, form letters, loan amendment forms, and checklist. Restricted material removed: Loan forms and lender correspondence. |
1968 |
ICE-F-107-66 |
||
Forty prints by twenty-five artists selected by William S. Lieberman; adapted from MoMA Exh. #739 May 27–July 29, 1964. Plans for domestic circulation as C/E 63-13 1963–64 and ICE-F-83-63 were canceled. Shown in Africa under the auspices of Mrs. George A. Morgan, wife of the U.S. Ambassador to the Ivory Coast, with the cooperation of American Embassies in Africa. Circulated to Abidjan, Côte D'Ivoire; Cotonou, Dahomey (Benin); Lomé, Togo; Accra and Kumasi, Ghana; Cairo, Egypt. Monrovia, Liberia; Ouagadougou, Upper Volta (Burkina Faso); Abidjan and Bouaké, Côte D'Ivoire; Kampala, Uganda; Nairobi, Kenya; Dar El Salaam, Tanzania; Mogadiscio, Somalia: March 1967–September 1970. Dispersed in 1970. |
||
Folder | Title | Date |
I.A.1629 | Twenty-Five Contemporary American Artists as Printmakers Itinerary, Checklist, and Box List | 1967–1970 |
I.A.1630 | Twenty-Five Contemporary American Artists as Printmakers Publicity Press releases, reports, correspondence, memorandum, guest list, invitations, and press clippings. |
|
I.A.1631 | Twenty-Five Contemporary American Artists as Printmakers Photographs | |
I.A.1632 | Twenty-Five Contemporary American Artists as Printmakers Photographs | |
I.A.1633 | Twenty-Five Contemporary American Artists as Printmakers Brochures | |
I.A.1634 | Twenty-Five Contemporary American Artists as Printmakers Work Folder
Restricted material removed: Loan forms and condition reports. |
1966–1971 |
I.A.1635 | Twenty-Five Contemporary American Artists as Printmakers Work Folder | 1966–1967 |
I.A.1636 | Twenty-Five Contemporary American Artists as Printmakers Work Folder
Restricted material removed: Loan forms and condition report. |
1966–1973 |
I.A.1637 | Twenty-Five Contemporary American Artists as Printmakers Work Folder | 1966–1973 |
I.A.1638 | Twenty-Five Contemporary American Artists as Printmakers Print Show for Africa | 1966–1968 |
I.A.1639 | Twenty-Five Contemporary American Artists as Printmakers African Tour | undated |
I.A.1640 | Twenty-Five Contemporary American Artists as Printmakers Box List | 1966 |
ICE-F-108-66 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1641 | The New Decade in Europe and U.S.A. Work Folder | 1966 |
I.A.1642 | The New Decade in Europe and U.S.A. Correspondence | 1966 |
ICE-F-109-66 |
||
147 paintings and drawings selected by Thomas B. Hess. Circulated to Amsterdam, the Netherlands and London, England September 1968–January 1969. Returned to the U.S. for exhibition at MoMA as Willem de Kooning [MoMA Exh. #884, March 5—April 26, 1969]. Also circulated to the Art Institute of Chicago May 16–July 6, 1969 and the Los Angeles County Museum of Art July 28–September 14, 1969. Dispersed in 1969. |
||
Folder | Title | Date |
I.A.1643 | Willem de Kooning Itinerary and Checklist | 1968–1969 |
I.A.1644 | Willem de Kooning Publicity | |
I.A.1645 | Willem de Kooning Publicity | |
I.A.1646 | Willem de Kooning Publicity | |
I.A.1647 | Willem de Kooning Publicity | |
I.A.1648 | Willem de Kooning Photographs | |
I.A.1649 | Willem de Kooning Catalogues | |
I.A.1650 | Willem de Kooning Work Folder
Entire folder restricted. |
1967–1969 |
I.A.1651 | Willem de Kooning Work Folder
Entire folder restricted. |
1967–1969 |
I.A.1652 | Willem de Kooning Work Folder Shipping invoices, box list, condition report, and exhibition correspondence. Restricted material removed: Condition report. |
1967–1970 |
I.A.1653 | Willem de Kooning Work Folder | 1966–1969 |
I.A.1654 | Willem de Kooning Work Folder
Restricted material removed: Condition report. |
1967–1970 |
I.A.1655 | Willem de Kooning Work Folder
Restricted material removed: Condition reports. |
1968–1969 |
I.A.1656 | Willem de Kooning Loans, receipts, returns, thank yous Thank you letters, along with return forms and correspondence. |
1969–1970 |
I.A.1657 | Willem de Kooning Loans, Receipts, Returns, Thank Yous Loan agreements and loan receipts. Entire folder restricted. |
1968–1969 |
I.A.1658 | Willem de Kooning Box Lists and Checklists | 1968 |
I.A.1659 | Willem de Kooning Lists | 1969 |
I.A.1660 | Willem de Kooning Memos Memoranda, lists of artwork, condition reports, registrar forms, and press release. Restricted material removed: Condition reports and memoranda. |
1961, 1967–1970 |
I.A.1661 | Willem de Kooning Loans: A-Be | 1967–1970 |
I.A.1662 | Willem de Kooning Loans: Bl-Bu
Restricted material removed: Loan form. |
1968–1970 |
I.A.1663 | Willem de Kooning Loans: C-J | 1967–1970 |
I.A.1664 | Willem de Kooning Loans: Ka-Lon | 1966–1970 |
I.A.1665 | Willem de Kooning Loans: Los-N
Restricted material removed: Loan form. |
1961, 1967–1970 |
I.A.1666 | Willem de Kooning Loans: O-S | 1967–1969 |
I.A.1667 | Willem de Kooning Loans: T-Z | 1967–1970 |
I.A.1668 | Willem de Kooning Imports and Exports | 1969–1970 |
I.A.1669 | Willem de Kooning Checklist | undated |
I.A.1670 | Willem de Kooning Work Folder Price lists, list of artwork dimensions, exhibition catalogue text, and checklists. Restricted material removed: Price lists. |
undated |
I.A.1671 | Willem de Kooning Work Folder
Restricted material removed: Condition reports. |
1968–1971 |
I.A.1672 | Willem de Kooning Photograph Requisition | 1967–1968 |
I.A.1673 | Willem de Kooning Lists Box list, packing list notes, checklists, and correspondence. |
1968–1969 |
I.A.1674 | Willem de Kooning Work Folder | 1968 |
I.A.1675 | Willem de Kooning Work Folder | 1968 |
I.A.1676 | Willem de Kooning Correspondence
Entire folder restricted. |
1966–1968 |
I.A.1677 | Willem de Kooning Framing Record Sheet | undated |
I.A.1678 | Willem de Kooning Framing Record Sheet | 1968 |
I.A.1679 | Willem de Kooning Work Folder | 1968–1969 |
I.A.1680 | Willem de Kooning Work Folder | 1968–1969 |
I.A.1681 | Willem de Kooning Work Folder
Restricted material removed: Loan forms. |
1966–1969 |
I.A.1682 | Willem de Kooning Work Folder Correspondence, loan agreements, condition reports, work order, and checklist. Restricted material removed: Loan forms and condition reports. |
1968–1969 |
I.A.1683 | Willem de Kooning Work Folder | 1967–1969 |
I.A.1684 | Willem de Kooning Checklist, Condition Checklist and condition report sheets. Restricted material removed: Condition reports. |
1968–1969 |
I.A.1685 | Willem de Kooning Correspondence Correspondence, return shipment lists, notes, and box lists. |
1968–1969 |
I.A.1686 | Willem de Kooning Price List, Checklist | 1968–1969 |
I.A.1687 | Willem de Kooning Checklist | undated |
I.A.1688 | Willem de Kooning Loans Checklist, loan record sheets with condition notes, wall labels, and condition report. Restricted material removed: Loan forms and condition reports. |
1968–1969 |
I.A.1689 | Willem de Kooning Loans Loan record sheets with condition reports, checklist, correspondence, and notes. Restricted material removed: Loan forms and condition reports. |
1968 |
I.A.1690 | Willem de Kooning Work Folder
Restricted material removed: Condition photographs and loan forms. |
1969–1970 |
I.A.1691 | Willem de Kooning Work Folder Conversation with lender form, correspondence, notes, and invoice. |
1969 |
ICE-F-110-66 |
||
109 pieces by seventy-one artists selected by Renée Sabatello Neu. Circulated to Darmstadt, Germany; Rotterdam, the Netherlands May –August 1967. Dispersed in 1969. |
||
Folder | Title | Date |
I.A.1692 | Jewelry by Contemporary Painters and Sculptors Itinerary and Checklist | 1967 |
I.A.1693 | Jewelry by Contemporary Painters and Sculptors Publicity Rotterdam publicity report and press clippings, with some translations. |
|
I.A.1694 | Jewelry by Contemporary Painters and Sculptors Photographs | |
I.A.1695 | Jewelry by Contemporary Painters and Sculptors Photographs | |
I.A.1696 | Jewelry by Contemporary Painters and Sculptors Photographs | |
I.A.1697 | Jewelry by Contemporary Painters and Sculptors Photographs | |
I.A.1698 | Jewelry by Contemporary Painters and Sculptors Catalogue Catalogues in German, Dutch, and English, with brochure for Darmstadt. |
|
I.A.1699 | Jewelry by Contemporary Painters and Sculptors Box List | undated |
I.A.1700 | Jewelry by Contemporary Painters and Sculptors Correspondence: A-G Correspondence, condition report, and insurance certificate. Restricted material removed: Condition report. |
1966–1968 |
I.A.1701 | Jewelry by Contemporary Painters and Sculptors Correspondence: H-Q Correspondence and loan agreement, with a letter written by Man Ray and Meret Oppenheim. Restricted material removed: Loan form. |
1967–1968 |
I.A.1702 | Jewelry by Contemporary Painters and Sculptors Correspondence: R-Z Correspondence, receipts, and insurance certificates with a letter from Meret Oppenheim. |
1967–1970 |
I.A.1703 | Jewelry by Contemporary Painters and Sculptors Imports | 1967–1968 |
I.A.1704 | Jewelry by Contemporary Painters and Sculptors Exports | 1967–1969 |
I.A.1705 | Jewelry by Contemporary Painters and Sculptors Lists, Memos | 1966–1969 |
ICE-F-111-67 |
||
Fifty-six paintings by forty-three artists selected by Monroe Wheeler. Circulated to Buenos Aires, Argentina; Santiago, Chile; and Caracas, Venezuela: May–August, 1968. Dispersed in 1968. |
||
Folder | Title | Date |
I.A.1706 | Cézanne to Miró Itinerary and Checklists | 1968 |
I.A.1707 | Cézanne to Miró Publicity | |
I.A.1708 | Cézanne to Miró Publicity | |
I.A.1709 | Cézanne to Miró Publicity Press clippings from Venezuela, other countries from South America, U.S.A., and Spain. |
|
I.A.1710 | Cézanne to Miró Publicity Press clippings, and publicity reports from Buenos Aires, Caracas, and New York. |
|
I.A.1711 | Cézanne to Miró Publicity | |
I.A.1712 | Cézanne to Miró Publicity | |
I.A.1713 | Cézanne to Miró Floor Plans Floor plans for Chile, Caracas, Buenos Aires, and an unidentified location. |
|
I.A.1714 | Cézanne to Miró Photographs | |
I.A.1715 | Cézanne to Miró Photographs | |
I.A.1716 | Cézanne to Miró Catalogue Material | |
I.A.1717 | Cézanne to Miró Catalogues | |
I.A.1718 | Cézanne to Miró Work Folder
Entire folder restricted. |
1967–1968 |
I.A.1719 | Cézanne to Miró Work Folder | 1967–1968 |
I.A.1720 | Cézanne to Miró Work Folder | 1965–1973 |
I.A.1721 | Cézanne to Miró Work Folder | 1967–1968 |
I.A.1722 | Cézanne to Miró Catalogue | 1968 |
I.A.1723 | Cézanne to Miró South America Correspondence and memoranda for exhibitions in Caracas and Santiago, along with publicity report. |
1967–1969 |
I.A.1724 | Cézanne to Miró South America | 1967–1969 |
I.A.1725 | Cézanne to Miró Work Folder Insurance certificates, box list, checklists, shipping invoices, release forms, and correspondence. |
1967–1969 |
I.A.1726 | Cézanne to Miró Work Folder | 1967–1969 |
I.A.1727 | Cézanne to Miró Work Folder
Restricted material removed: Condition and conservation reports. |
1967–1968 |
I.A.1728 | Cézanne to Miró Work Folder | 1967–1969 |
I.A.1729 | Cézanne to Miró Loans Loan amendment forms and loan correspondence. Entire folder restricted. |
1968 |
I.A.1730 | Cézanne to Miró Artwork Index cards for individual artwork for exhibition. Entire folder restricted. |
1967 |
I.A.1731 | Cézanne to Miró Box List | 1968 |
I.A.1732 | Cézanne to Miró Memos, Lists
Restricted material removed: Condition report and condition correspondence. |
1967–1968 |
I.A.1733 | Cézanne to Miró Correspondence: A-K | 1967–1968 |
I.A.1734 | Cézanne to Miró Correspondence: L-Z
Restricted material removed: Condition reports. |
1967–1968 |
I.A.1735 | Cézanne to Miró Correspondence: S-Z, Import and Export
Restricted material removed: Lender correspondence. |
1967–1970 |
ICE-F-114-67 |
||
Fifty-six paintings and sculptures by thirty-three artists selected by guest curator Eugene C. Goossen, adapted from MoMA Exh. #862 July 3–September 8, 1968. Circulated to Paris, France; Zurich, Switzerland; and London, England: November 1968–June 1969. Dispersed in 1969. |
||
Folder | Title | Date |
I.A.1736 | The Art of the Real Itinerary and Checklist | 1968–1969 |
I.A.1737 | The Art of the Real Publicity | |
I.A.1738 | The Art of the Real Publicity | |
I.A.1739 | The Art of the Real Photographs Six installation photographs from Paris, fourteen from Zurich, and ten from London. |
|
I.A.1740 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1966–1971 |
I.A.1741 | The Art of the Real: U.S.A. 1948–1969 Work Folder
Restricted material removed: Price list. |
1968–1969 |
I.A.1742 | The Art of the Real: U.S.A. 1948–1969 Work Folder
Entire folder restricted. |
1968–1970 |
I.A.1743 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1967–1968 |
I.A.1744 | The Art of the Real: U.S.A. 1948–1969 Catalogue Three exhibition catalogues for exhibitions in Zurich, Paris, and London. |
1968–1969 |
I.A.1745 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1968–1969 |
I.A.1746 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1966–1969 |
I.A.1747 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1966–1969 |
I.A.1748 | The Art of the Real: U.S.A. 1948–1969 Work Folder | 1966–1968 |
I.A.1749 | The Art of the Real: U.S.A. 1948–1969 Work Folder
Restricted material removed: Lender list and loan correspondence. |
1967–1970 |
I.A.1750 | The Art of the Real: U.S.A. 1948–1969 Work Folder
Restricted material removed: Loan forms. |
1967–1969 |
I.A.1751 | The Art of the Real: U.S.A. 1948–1968 Box Lists and Checklists | 1968 |
I.A.1752 | The Art of the Real: U.S.A. 1948–1969 Correspondence, memoranda, checklists and research materials. |
1968–1969 |
I.A.1753 | The Art of the Real: U.S.A. 1948–1969 Registrar, Conditions, Installation Memoranda, condition reports, correspondence, loan records, and registrar records. Restricted material removed: Condition records. |
1968–1970 |
I.A.1754 | The Art of the Real: U.S.A. 1948–1969 Installation | 1968 |
I.A.1755 | The Art of the Real: U.S.A.: 1948–1968 Fine Arts Photographs | 1968–1969 |
ICE-F-115-67 |
||
103 paintings and sculptures by three generations of twentieth century artists selected by Betsy B. Jones. The collection was given to MoMA in 1967. Exhibition adapted from MoMA Exh. #848 January 17–March 4, 1968. Also circulated domestically as C/E 1968–1970. Circulated to Basel, Switzerland; London, England; Berlin, Nuremberg, and Stuttgart, Germany; Brussels, Belgium; and Cologne, Germany: February 1970–April 1971. Dispersed in 1971. |
||
Folder | Title | Date |
I.A.1756 | The Sidney and Harriet Janis Collection Itinerary and Checklist | 1970 |
I.A.1757 | The Sidney and Harriet Janis Collection Publicity | |
I.A.1758 | The Sidney and Harriet Janis Collection Photographs Two installation photographs from Berlin, with catalogue from Basel, Berlin, and Nuremberg. |
|
I.A.1759 | The Sidney and Harriet Janis Collection Work Folder
Restricted material removed: Loan receipts. |
1968–1973 |
I.A.1760 | The Sidney and Harriet Janis Collection Work Folder Packing list, condition report, catalogue text, appraisal of Janis collection, and correspondence. Restricted material removed: Condition report and collection appraisal. |
1967–1970 |
I.A.1761 | The Sidney and Harriet Janis Collection Work Folder
Restricted material removed: Condition report. |
1968–1974 |
I.A.1762 | The Sidney and Harriet Janis Collection Work Folder
Restricted material removed: Condition reports. |
1969–1971 |
I.A.1763 | The Sidney and Harriet Janis Collection Work Folder
Restricted material removed: Condition reports. |
1968–1971 |
I.A.1764 | The Sidney and Harriet Janis Collection Catalogues Four exhibition catalogues, for shows in Germany and Switzerland. |
1970–1971 |
I.A.1765 | The Sidney and Harriet Janis Collection Work Folder | 1968–1971 |
I.A.1766 | "Indian-Singalese Tour of Museum of Modern Art Experimental Film Show" One memorandum regarding tour of an unidentified exhibition. |
1968 |
ICE-F-116-68 |
||
Retrospective of forty-two paintings selected by guest curator Eugene C. Goossen. Organized by the International Council in collaboration with the Whitney Museum of American Art and shown at the Whitney Museum, New York February–April 1969. Circulated to London, England; and Hanover and Berlin, Germany May–October 1969. Dispersed in 1969. |
||
Folder | Title | Date |
I.A.1767 | Helen Frankenthaler Itinerary and Checklist | 1969 |
I.A.1768 | Helen Frankenthaler Publicity | |
I.A.1769 | Helen Frankenthaler Photographs | |
I.A.1770 | Helen Frankenthaler Photographs Nineteen color transparencies of installation images from unidentified location. |
|
I.A.1771 | Helen Frankenthaler Catalogues | |
I.A.1772 | Helen Frankenthaler Catalogue | 1960–1961 |
I.A.1773 | Helen Frankenthaler Work Folder | 1969–1971 |
I.A.1774 | Helen Frankenthaler Work Folder | 1968–1970 |
I.A.1775 | Helen Frankenthaler Work Folder | 1968–1969 |
I.A.1776 | Helen Frankenthaler Work Folder Two exhibition catalogues from Berlin and New York shows and printed copies of press clippings. |
1969 |
I.A.1777 | Helen Frankenthaler Work Folder | 1969–1971 |
I.A.1778 | Helen Frankenthaler Work Folder
Restricted material removed: Condition reports. |
1968–1970 |
I.A.1779 | Helen Frankenthaler Work Folder Loan correspondence, loan receipts, and loan agreements. Restricted material removed: Loan forms. |
1968–1970 |
I.A.1780 | Helen Frankenthaler Work Folder Photocopies of press clippings and installation photographs. |
1969 |
I.A.1781 | Helen Frankenthaler Work Folder | undated |
I.A.1782 | Helen Frankenthaler Correspondence: A-L | 1968–1971 |
I.A.1783 | Helen Frankenthaler Memos, Lists, Imports, Exports | 1968–1971 |
I.A.1784 | Helen Frankenthaler Correspondence: M-Z Correspondence, insurance certificates, loan receipts, and bill of lading. |
1968–1971 |
I.A.1785 | Helen Frankenthaler Framing Record Sheets | undated |
I.A.1786 | Helen Frankenthaler Checklists | 1969 |
I.A.1787 | Helen Frankenthaler Work Folder | 1969 |
I.A.1788 | Helen Frankenthaler Work Folder Checklists, box list, price list, packing estimate, and work order. |
1969 |
I.A.1789 | Helen Frankenthaler Articles Artwork description text, notes, and photocopies of articles about Helen Frankenthaler. |
1965 |
I.A.1790 | Helen Frankenthaler Work Folder
Restricted material removed: Loan forms and condition reports. |
1969–1971 |
I.A.1791 | Helen Frankenthaler Work Folder
Restricted material removed: Conditions memorandum. |
1969–1971 |
I.A.1792 | Helen Frankenthaler Work Folder | undated |
I.A.1793 | Helen Frankenthaler Work Folder
Restricted material removed: Loan forms. |
1968–1969 |
I.A.1794 | Helen Frankenthaler Work Folder Loan agreements, correspondence, and black and white condition photographs. Entire folder restricted. |
1968–1969 |
I.A.1795 | Helen Frankenthaler Work Folder Black and white condition photographs. Entire folder restricted. |
undated |
ICE-F-117-68 |
||
Forty-one paintings and nineteen drawings selected by William S. Rubin adapted from MoMA Exh. #922 March 24–June 2, 1970. Circulated to London, England and Amsterdam, the Netherlands July–November 1970. Returned to the U.S. for circulation to Pasadena, California and Toronto, Canada January–May 1971. |
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Folder | Title | Date |
I.A.1796 | Frank Stella Publicity and Itinerary | 1970 |
I.A.1797 | Frank Stella Publicity and Itinerary | |
I.A.1798 | Frank Stella Work Folder | 1968–1971 |
I.A.1799 | Frank Stella Work Folder | 1968–1971 |
I.A.1800 | Frank Stella Work Folder
Restricted material removed: Loan form. |
1968–1972 |
I.A.1801 | Frank Stella Catalogue Two exhibition catalogues for shows in London and Amsterdam. |
1970 |
I.A.1802 | Frank Stella Work Folder Box lists, checklists, unpacking and packing instructions, and exhibition pamphlet. |
1970 |
I.A.1803 | Frank Stella Memos | 1969–1972 |
I.A.1804 | Frank Stella Correspondence: A-C | 1968–1971 |
I.A.1805 | Frank Stella Correspondence: D-L | 1969–1972 |
I.A.1806 | Frank Stella Correspondence: M-R
Restricted material removed: Condition report and lender correspondence with damage information. |
1969–1972 |
I.A.1807 | Frank Stella Correspondence: S-Z
Restricted material removed: Condition memorandum. |
1967–1972 |
I.A.1808 | Frank Stella Imports, Exports | 1970–1971 |
I.A.1809 | Frank Stella Lists | 1969–1970 |
ICE-F-118-68 |
||
121 objects and drawings selected by Alicia Legg, a reduced version of MoMA Exh. #902 September 23–November 30, 1969. Circulated to Amsterdam, the Netherlands; Düsseldorf, Germany; and London, England January–August 1970. Dispersed in 1970. |
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Folder | Title | Date |
I.A.1810 | Claes Oldenburg Box List | 1969–70 |
I.A.1811 | Claes Oldenburg Publicity | |
I.A.1812 | Claes Oldenburg Publicity: England | |
I.A.1813 | Claes Oldenburg Publicity | |
I.A.1814* | Claes Oldenburg Publicity | |
I.A.1815 | Claes Oldenburg Catalogue | |
I.A.1816 | Claes Oldenburg Work Folder
Restricted material removed: Lender list. |
1969–1970 |
I.A.1817 | Claes Oldenburg Work Folder
Restricted material removed: Loan forms. |
1959, 1968–1970 |
I.A.1818 | Claes Oldenburg Work Folder Itinerary, invoices, lists of artwork for exhibition, list of loan requests, and correspondence. |
1968–1972 |
I.A.1819 | Claes Oldenburg Work Folder | 1968–1972 |
I.A.1820 | Claes Oldenburg Work Folder
Restricted material removed: Condition report. |
1969–1971 |
I.A.1821 | Claes Oldenburg Box Lists | 1969 |
ICE-F-119-68 |
||
Canceled. |
||
Folder | Title | Date |
I.A.1822 | Ellsworth Kelly Work Folder | 1967–1973 |
ICE-F-120-68 |
||
Thirty works selected by Virginia Allen. Circulated to Kassel,Germany for Documenta IV June 27–October 6, 1968; Humlebaek , Denmark; Basel, Switzerland; Llubjana and Belgrade, Yugoslavia; Prague, Czekoslovakia; Lódź, Poland; Bucharest, Romania: June 1968–September 1970. Shown simultaneously with Antonio Tàpies' Lithographs (organized by the Galerie Maeght and The Museum of Modern Art, Belgrade) in Lódź, Poland in 1970. Dispersed in 1971. |
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Folder | Title | Date |
I.A.1823 | Jasper Johns: Lithographer Itinerary and Checklist | 1969–1970 |
I.A.1824 | Jasper Johns: Lithographer Publicity: Basel | |
I.A.1825 | Jasper Johns: Lithographer Catalogues | |
I.A.1826 | Jasper Johns: Lithographer Work Folder
Restricted material removed: Condition reports and loan forms. |
1968–1970 |
I.A.1827 | Jasper Johns: Lithographer Work Folder | 1968–1971, 1982 |
I.A.1828 | Jasper Johns: Lithographer Work Folder | 1967–1972 |
I.A.1829 | Jasper Johns: Lithographer Catalogues Two exhibition catalogues, for exhibitions in Bucharest and Łódź. |
1970 |
I.A.1830 | Jasper Johns: Lithographer Work Folder Draft of press release, black and white photographs, box list, and checklist. |
1968 |
I.A.1831 | Jasper Johns: Lithographer Lists and Memos, Correspondence, Imports and Exports | 1968–1971 |
ICE-F-121-68 |
||
Seventy-three posters selected by Mildred Constantine adapted from Word and Image: Posters and Typography from the Graphic Design Collection of the Museum of Modern Art 1879–1967 [MoMA Exh. #850, January 25–March 10, 1968]. Also circulated domestically as C/E 68-13 1968–70. A slightly modified version of this exhibition was shown at the Museo Universitario, Mexico City, during the Olympic Games July 4–August 10, 1968. Circulated to Prague, Czechoslovakia; Humlebaek Fredensborg Municipality), Denmark; Wilanowie, Poland; Belgrade, Yugoslavia; Parma, Italy; San Sebastian, Spain; and Lisbon, Portugal February 1971–January 1973. The show then circulated to Belo Horizonte, São Paulo, Pôrto Alegre, Rio de Janeiro, Recife, Salvador, and Brasilia, Brazil: July 1973–February 1974. The exhibition returned to New York for refurbishing and then resumed a tour in Latin America circulating to Buenos Aires and Santa Fe, Argentina; Montevideo, Uruguay; Lima, Peru; Cali, Medellin, Pereira, and Bogotá, Colombia; and Caracas and Maracaibo, Venezuela: May 1974–October 1975. Dispersed in 1976. |
||
Folder | Title | Date |
I.A.1832 | Word and Image Itinerary and Checklists | 1971–1975 |
I.A.1833 | Word and Image Publicity: Brazil Publicity reports, condition and shipping reports, posters, and invitations. Restricted material removed: Condition records. |
|
I.A.1834 | Word and Image Publicity: Brazil | |
I.A.1835 | Word and Image Publicity: Latin America Press releases in English and Spanish, publicity reports, correspondence, posters, and invitations. |
|
I.A.1836 | Word and Image Publicity: Latin America | |
I.A.1837 | Word and Image Photographs | |
I.A.1838 | Word and Image Photographs | |
I.A.1839 | Word and Image Catalogues for Europe Catalogue for Prague, Humlebaek, Warsaw, Belgrade, and San Sebastian. |
|
I.A.1840 | Word and Image Catalogues for South America | |
I.A.1841 | Word and Image Work Folder
Restricted material removed: Loan forms. |
1970–1980 |
I.A.1842 | Word and Image Latin America: Work Folder | 1970–1977 |
I.A.1843 | Word and Image Latin America: Work Folder | 1970–1974 |
I.A.1844 | Word and Image Latin America: Work Folder | 1974–1980 |
I.A.1845 | Word and Image Latin America: Work Folder | 1973–1976 |
I.A.1846 | Word and Image Work Folder | 1968–1969 |
I.A.1847 | Word and Image Work Folder Box list, checklists, USIA correspondence, wall label text, and floor plans. |
1968–1969 |
I.A.1848 | Word and Image Work Folder | 1968–1976 |
I.A.1849 | Word and Image Europe: Work Folder | 1970–1972 |
I.A.1850 | Word and Image Europe: Work Folder
Restricted material removed: Loan forms. |
1969–1975 |
I.A.1851 | Word and Image Europe: Work Folder | 1969–1973 |
I.A.1852 | Word and Image Catalogue | 1973 |