MO musical objects from the Interlude
project
Jean-Louis Frechin (French, born 1962) and Uros
Petrevski (Serbian, born 1981) of nodesign.net
(France, est. 2001); Frédéric Bevilacqua (Swiss,
born 1967), Norbert Schnell (German, born 1967),
Nicolas Rasamimanana (French, born 1978), Emmanuel
Fléty (French, born 1975), and Côme Maestracci
(French, born 1987) of IRCAM (France, est. 1977);
Fabrice Guédy (French, born 1961) of Atelier
des Feuillantines (France, est. 1995); Bernard
Garabédian (French, born 1975) of DA FACT (France,
est. 2002); and Dominique Fober (French, born 1957)
of Grame (France, est. 1992)
2010
ABS, printed circuit board, and lithium-ion
battery
Dimensions variable
Although electronic music has made the manipulation of sound and rhythm ubiquitous, the interaction between physical movement and sonic elements remains mostly untapped. The goal of the Interlude Project is to “develop collaborative movement interfaces that make an expressive exploration of music possible” in real time, the designers say. MO musical objects respond to physical gestures with aural feedback. The bow-tie shaped central module contains motion sensors; other parts can be linked to everyday objects or musical instruments, allowing users to configure an orchestra out of any objects they like. The project was conducted by the Interlude Consortium, which was coordinated by Institut de Recherche et Coordination Acoustique/Musique (IRCAM) with support from the French National Research Agency (ANR) and Cap Digital, and which includes Grame (center for digital-music research and creation) and DA FACT (a musical instrument design company), Voxler (a company that focuses on vocal-interaction software), and Atelier des Feuillantines, Paris (an arts school).
Category: Double Entendre
Tags: Interfaces / Interactions / Visualizations