The Contenders 2021

Through Jan 22, 2022

MoMA, Online

Spencer. 2021. Great Britain/USA. Directed by Pablo Larraín. Courtesy NEON
  • Online
  • MoMA, Floor T2/T1, Film Center The Debra and Leon Black Family Film Center

Proof of vaccination is required for on-site film screenings. Learn more about visiting us safely. Virtual Cinema screenings are available exclusively to MoMA members. Not a member? Join today and start streaming.

Tickets for in-person films are available to members at the Explore category and above beginning two weeks before each screening. Additional tickets will be released, to members as well as the general public, one week before each screening.

Every year there are films that resonate far beyond a theatrical release—if they manage to find their way to a commercial screen at all—or film festival appearance. Their significance can be attributed to a variety of factors, from structure to subject matter to language, but these films are united in their lasting impact on the cinematic art form.

For this annual series, the Department of Film combs through major studio releases and the top film festivals in the world, selecting influential, innovative films made in the past 12 months that we believe will stand the test of time. Whether bound for awards glory or destined to become a cult classic, each of these films is a contender for lasting historical significance, and any true cinephile will want to catch them on the big screen.

Organized by the Department of Film.

  • This film series is part of The Contenders and Virtual Cinema.
  • Film at MoMA is made possible by CHANEL.

    Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.

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