Just Above Midtown

Changing Spaces

Oct 9, 2022–Feb 18, 2023


Senga Nengudi performing Air Propo at Just Above Midtown, 1981. Courtesy Senga Nengudi
  • MoMA, Floor 3, 3 South The Edward Steichen Galleries

Just Above Midtown—or JAM—was an art gallery and self-described laboratory led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 until 1986, it was a place where Black art flourished and debate was cultivated. The gallery offered early opportunities for artists now recognized as pivotal figures in late-20th-century art, including David Hammons, Lawrence D. “Butch” Morris, Senga Nengudi, Lorraine O’Grady, and Howardena Pindell. Nengudi has described JAM’s energy as “vibrating,” a space where artists “were given carte blanche, and there were no restrictions.” This exhibition presents artists and artworks previously shown at JAM in a wide range of mediums, and archival material and artist interventions contextualize the experimental ethos that defined the gallery.

Animated by Goode Bryant’s belief in trying to “connect us to our innate ability to use what we have to create what we need,” the gallery took what was an expansive view at the time, embracing artists working with abstraction and inexpensive materials, video and performance, as well as self-taught and West Coast artists. It organized exhibitions that explored the idea of artistic and racial mixture, encouraged collaborations between artists, and, with a steady drumbeat, offered a platform for consistent critiques of the commercialization of art. As part of their mission to build relationships with the city’s art audiences, Goode Bryant and her collaborators incorporated talks and workshops into the gallery’s programming, including The Business of Being an Artist—aimed at artists’ professional development—and Brunch with JAM, a $5 lunch series featuring lectures by artists and museum curators. This exhibition will likewise include performances, screenings, and public programs, as well as a range of collaborations.

The exhibition also continues across New York City with Inside/Out, a series of artist commissions presented by Project EATS—Goode Bryant’s living installation that transforms vacant lots and rooftops into neighborhood-based farms. In the spirit of JAM, the series brings art from inside museums and galleries out into neighborhoods around the city. Learn more and find all Inside/Out locations by visiting Project EATS.

Organized by Thomas (T.) Jean Lax, Curator, with Lilia Rocio Taboada, Curatorial Assistant, Department of Media and Performance, in collaboration with Linda Goode Bryant and Marielle Ingram. With thanks to Amber Edmond, Curatorial Fellow, Brandon Eng, Curatorial Fellow, and Argyro Nicolau, former 12-Month Intern, Department of Media and Performance.

The exhibition is made possible by the Ralph Lauren Corporation.

Leadership funding is provided by the Leontine S. and Cornell G. Ebers Endowment Fund, the Jon Stryker Endowment, and The Black Arts Council of The Museum of Modern Art.

Generous support is provided by the Alice L. Walton Foundation.

Additional funding is provided by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.

The Bloomberg Connects digital experience is made possible through the support of Bloomberg Philanthropies.


  • Just Above Midtown: Changing Spaces Exhibition catalogue, Paperback, 184 pages
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Installation images

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