Bruce Conner. CROSSROADS (promotional still). 1976. 35mm film (black and white, sound), 37 min. Digitally restored 2013. Collection of The Museum of Modern Art, New York, and the San Francisco Museum of Modern Art (Accessions Committee Fund purchase), with the generous support of the New Art Trust. Courtesy Conner Family Trust. © 2016 Bruce Conner

BRUCE CONNER: IT’S ALL TRUE is the artist’s first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective of his 50-year career. It brings together over 250 objects, from film and video to painting, assemblage, drawing, prints, photography, photograms, and performance.

Bruce Conner (1933–2008) was one of the foremost American artists of the postwar era. Emerging from the California art scene, in which he worked for half a century, Conner’s work touches on various themes of postwar American society, from a rising consumer culture to the dread of nuclear apocalypse. Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black-and-white life-sized photograms called ANGELS. An early practitioner of found-object assemblage, his relief and free-standing sculptural objects, such as CHILD (1959) and LOOKING GLASS (1964), were widely recognized for their masterful compositions and daringly dark subject matter.

Equally a pioneer of avant-garde filmmaking, Conner developed a quick-cut method of editing that defined his oeuvre. Incorporating footage from a variety of sources—countdown leaders, training films, and newsreels—and adding later his own 16mm film footage, Conner’s films also focus on disturbing but utterly current themes. For their structural innovation and daring subject matter, films like A MOVIE (1958) and CROSSROADS (1976) have become landmarks of American experimental cinema.

The exhibition is organized by the San Francisco Museum of Modern Art.

Co-curated by Stuart Comer, Chief Curator, Department of Media and Performance Art, The Museum of Modern Art, New York; Laura Hoptman, Curator, Department of Painting and Sculpture, MoMA; Rudolf Frieling, Curator of Media Arts, SFMOMA; Gary Garrels, The Elise S. Haas Senior Curator of Painting and Sculpture, SFMOMA; with Rachel Federman, Assistant Curator, Painting and Sculpture, SFMOMA.

The exhibition at MoMA is made possible by Hyundai Card.

Generous funding is provided by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions and by The Walton Family Foundation.

Additional support is provided by the MoMA Annual Exhibition Fund.

MoMA Audio+ is supported by Bloomberg Philanthropies.

Past events

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