Michelle Kuo is The Marlene Hess Curator of Painting and Sculpture at MoMA, where her exhibitions include New Order: Art and Technology in the Twenty-First Century (2019), Artist’s Choice: Amy Sillman (2020), Amanda Williams: Embodied Sensations (2021), Refik Anadol: Unsupervised (2022), and Signals: How Video Transformed the World (2023, with Stuart Comer). In addition to helping conceive the Museum’s collection display and acquisitions program, Kuo co-leads initiatives on mid-century art history, and on digital art and blockchain technologies. She has written and lectured widely; her publications include More than Real: Art in the Digital Age (2018), Acting Out: The Ab-Ex Effect (2011), and a forthcoming volume on the postwar organization Experiments in Art and Technology. Kuo is currently a critic at the Yale School of Art and serves on the advisory board of the Museum Brandhorst, Munich. From 2010 to 2017 she was Editor-in-Chief of Artforum International. Kuo holds a PhD from Harvard University and an AB from Stanford University; from 2005 to 2007 she was the Wyeth Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art.