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Overview of the Collection |
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| Creator: | Sharp, Willoughby, 1936-2008 | |
| Creator: | Béar, Liza, 1942- | |
| Title: | Avalanche Magazine Archives | |
| Inclusive Dates: | 1968-2010 | |
| Bulk Dates: | 1968-1976 | |
| Quantity: | 85 linear feet 84 5" document boxes; 1 11x17" flat box; 15 13x20" flat boxes; 8 16x20" flat boxes; 4 23.5x31.5" flat boxes; 2 5x12" card storage boxes; 2 6x12" card storage boxes; 8x12" DVD boxes; 5 9x12" cassette boxes, 1 flat file. |
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| Abstract: | The materials contained within the Avalanche Magazine Archives document the development and operation of the New York-based art magazine, Avalanche, published thirteen times between 1970 and 1976. Issue mock-ups and page proofs, audio files, installation photographs, correspondence, edited interview typescripts, exhibition announcements, ephemera, subscriber mailing lists, and invoices present a holistic picture of the magazine's production, while bringing into view the surrounding artistic milieu from which the magazine emerged. | |
Arrangement |
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| The Archive is arranged into five series (I-V), with Series I divided into two sub-series (I.A and I.B). The collection was initially received in thirty record cartons (now series I.A-IV) and eight oversized flat boxes (now subseries I.B). The collection's final physical arrangement and corresponding series and subseries titles were established in consultation with the Chief of Archives, Michelle Elligott. | ||
| The archival principle of original order was adhered to during processing whenever possible, though most series did require moderate intervention by the project archivist. Series I: Issue Files and Series III: Audio Tapes are arranged chronologically. Series II: Artist Research and Subject Files is arranged alphabetically. Please refer to specific series' scope notes for more detailed descriptions of series arrangements. | ||
| The five series are as follows: | ||
| Series I: Magazine Issues Subseries I.A: Issue Files Subseries I.B: Mechanicals/Mock-ups/Layouts |
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| Series II: Artist Research and Subject Files | ||
| Series III: Audio Tapes | ||
| Series IV: Administrative and Financial Records | ||
| Series V: Avalanche Magazine Reprint | ||
Liza Béar: Béar (b. 1942) is a co-founder and co-editor of Avalanche with Willoughby Sharp. She was raised in both France and England and she studied Philosophy at the University of London. Béar began her career in magazines working in trade journalism on London's Fleet Street, but quickly transitioned into London's underground magazine subculture working as an editor and a translator. She moved to New York City in 1968 where she met Willoughby Sharp through a mutual artist friend. Soon thereafter they began working on the first issue of Avalanche. As co-editor, Béar took care of the magazine's editorial processes and oversaw most of its production operations. During the years of Avalanche's production (1970-1976) Béar became an important figure in the alternative art scene of New York's SoHo neighborhood. Béar continues to live New York where she works as a filmmaker and a writer.
Willoughby Sharp: Sharp (1936-2008) was a co-founder and co-editor of Avalanche with Liza Béar. Sharp was the magazine's principal designer and art director, responsible for its visual layout. Sharp was born and raised in New York City. He received his BA from Brown University in 1957. He obtained a Master's degree in art history from Columbia University in 1967, where he studied with Meyer Shapiro and wrote his thesis on kinetic art. Sharp also pursued graduate studies in art history at the University of Paris in 1957-58 and the University of Lausanne in 1958-59. Sharp was a notable figure in the New York art scene during the 1960s and 1970s. Self-proclaimed as a "proselytizer of the avant-garde," Sharp was a champion of the Earth, Conceptual, and performance art movements. Sharp befriended Joseph Beuys in Dusseldorf in 1958 and was intrumental in introducing Beuys to the American public. He was also a video and performance artist as well as an independent curator. In 1966, Sharp co-founded Kineticism Press with Paul Maenz, an independent publishing business registered in New York, which recieved an award from the New York Type Director's Club in 1967 for its Gunther Uecker monograph and nail relief multiple. Sharp indepently organized several important exhibitions, perhaps the most notable of these were Air Art (1968-69), Earth Art at the Andrew Dickson White Museum at Cornell University in 1969, and Pier 18 in February/March 1971. In Novemeber 1975, Sharp co-founded The Franklin Street Arts Center at 112 Franklin Street. He died of cancer in New York City in 2008 at the age of 72.
Avalanche was co-founded by Liza Béar and Willoughby Sharp in New York City in 1968. The impetus for the magazine's creation was to intentionally challenge the more critic-based, formalist-driven, art journals such as Art Forum. The mission of Avalanche was to give artists a voice, a space to discuss their works, their creative processes, and even their political opinions. Béar and Sharp focused their attention on those artists who circulated in avant-garde circles of the 1960s and 1970s, both in New York and internationally. They paid particular attention to those artists who considered themselves practitioners of Conceptual, Post-Minimalist, Earth, performance and video art, such as Jan Dibbets, Dennis Oppenheim, Joseph Beuys, Phillip Glass, Simone Forti, and Yvonne Rainer.
The promotional subscription flyer sent out before the publication of the first issue of Avalanche describes the magazine as "a photo journal devoted to new sculpture." With Avalanche Béar and Sharp produced a highly curated journal, a rich fusion of text and image. It was a magazine that was consciously and critically engaged with the relationship between printed matter and artwork at a moment when notions of the ephemeral and immaterial were being discussed and engaged with critically by a growing number of artists.
Béar and Sharp first met in New York City through a mutual friend in 1968. According to firsthand accounts given by both Sharp and Béar the two had an instant rapport and they quickly decided to start a magazine together. According to Béar: "We jumped right in and literally got down to work on the magazine's format, laying out early issues of Life and Dadaist publications on the floor. It never occurred to us to raise money first" (Béar and Sharp, The Early History of Avalanche).
Between 1968 and 1970 Béar and Sharp worked on the first issue out of Sharp's Gramercy Park apartment. It was on sale by the fall of 1970 and a portrait of performance and action artist par excellence, Joseph Beuys, graced the inaugural cover (certainly an intentional nod to Avalanche's international reach). After the publication of the second issue in April of 1971, Béar and Sharp received two grants that helped cover some production costs; one from the Coordinating Council for Literary Magazines and another from the J.M. Kaplan fund. In the same year they relocated Avalanche's operations to a 1,225 square foot loft at 93 Grand Street in New York's SoHo neighborhood. It took a year relocate to their new headquarters, but during this period of transition Béar and Sharp utilized the raw space by hosting performances by Vito Acconci, Bill Beckley, Terry Fox and William Wegman.
Though Béar and Sharp had initially intended to publish Avalanche quarterly, it came out infrequently over the next six years. Only one issue came out during the first year, the next year there were two, and the following year there were three. After 1973 an average of two a year were published and in 1974, after a spike in printing costs, Avalanche switched to a newspaper format (published on 50lb uncoated white paper). In the first five issues of Avalanche (1970-1972), Kineticism Press is identified on the masthead as the publisher. Throughout its tenure of production, the magazine was financed entirely by advertising, subscriptions, newsstand and bookstore sales, and grants. In April 1974 Béar and Sharp started the not-for profit organization, Center for New Art Activities, Inc. (CNAA), in order to receive more grant funding. The money awarded to CNAA was used to support Avalanche projects and various related endeavors, which included an Avalanche video project, Send/Receive Satellite Network, Collaborative Projects, Inc. and Bomb Magazine.
Avalanche presented the work of dozens of up-and-coming artists, often before they had solo exhibitions in physical galleries and museums. The pages of Avalanche served, in essence, as a two-dimensional exhibition space. Béar and Sharp introduced their readers to artists like Walter De Maria, George Trakas, Lowell Darling, Jannis Kounellis, Chris Burden, Barbara Dilley, Franz Erhard Walther, Vito Acconci, William Wegman, Jack Smith, Laurie Anderson, Rita Myers, and Meredith Monk. It is also worth noting that Avalanche intentionally featured a large number of women sculptors and performance artists, especially in the later issues. Notable women artists found in the pages of Avalanche include: Joan Jonas, Alice Aycock, Trisha Brown, Colleen Fitzgibbon, and Hanne Darboven.
Each issue included artist interviews, extensive photographic spreads, and textual documents of various artists' works. Additionally, each issue (except for issues no. 6 and no. 9) included a "Rumbles" section, which promoted and described current art world events as well as recent publications and artist messages. The magazine also exposed the social environment in which Avalanche artists circulated. For example, several issues include advertisements for popular watering holes and eateries for the growing New York art community. Downtown institutions like Max's Kansas City, Fanelli's, and FOOD, the cooperative conceptual art restaurant founded by Caroline Goodden, Tina Girouard, Suzanne Harris and Gordon Matta-Clark, all had an advertising presence in the magazine. Béar and Sharp also chose to include some political content in the pages of Avalanche. Questions surrounding artist rights and institutional practices were of particular concern. Issue number eight, for example, discussed its support of a 1973 union strike at The Museum of Modern Art.
The thirteenth and final issue of Avalanche was published in the summer of 1976. Production ceased largely due to finacial strains. Béar and Sharp were transparent about the magazine's economic troubles by choosing to reproduce a page of their ledger book on its final cover.
Bibliography for Biographical and Historical Notes
Allen, Gwen. "In on the ground floor: Avalanche and the SoHo Art Scene, 1970-1976." Artforum International 44, 3 (November 2005): 214-221.
Ballmer, Amy. "Avalanche Magazine: In the Words of the Artist." Art Documentation 30, 1(September 2011): 21-25.
Béar, Liza and Hans Haacke. "Artist in Residence: Liza Béar and Hans Haacke on Willoughby Sharp (1936-2008)." Artforum Internationa 47, 7 (March 2009): 57-60.
Béar, Liza and Willoughby Sharp. The Early History of Avalanche.(London: Chelsea Space 2005).
Le Feuvre, Lisa. "Avalanche." Art Monthly, 278 (August 2004): 7-10.
"The Business of Art: An Interview with Liza Béar." NYFACurrent (June 2010).
The collection offers a comprehensive view of all matters concerning the creation and production of Avalanche, a New York City-based avant-garde artist journal edited and published by Liza Béar and Willoughby Sharp. The collection spans the years 1968 to 1981, but the bulk of the collection's material dates from 1970-1976--the years of the magazine's publication. The materials contained within the collection vary in their media and format. They include: page layouts and mockups, original photography, negatives, slides, audio interviews, correspondence and correspondence art pieces, exhibition and performance announcements, instructions for and documentation of performance art pieces and actions, posters, press releases, newspaper clippings, edited interview typescripts, advertisement mechanicals, invoices, monthly bills, personal calendars and notebooks.
Avalanche is often considered a publication that straddled the line between artist's book and art journal and the materials in the collection offer researchers a detailed picture of what producing a small independent magazine of its kind entailed, both editorially and financially. The remastered audio tapes in Series III, as well as the edited interview typescripts found in Subseries I.A, document conversations between Béar and/or Sharp and featured artists such as Ed Ruscha, Yvonne Rainer, Steve Paxton, Jackie Winsor, Barry Le Va, Italo Scanga, William Wegman, Bruce McLean, Vito Acconci, Terry Fox, Sol LeWitt, Gordon Matta-Clark, Meredith Monk, Bruce Nauman, Richard Serra, and Lawrence Weiner. Béar and/or Sharp conducted all the interviews for Avalanche themseleves and edited them collaboratively with the artists. The recordings are some of the archive's richest resources. They are valuable historical documents that both capture the artist's voice and comment on the nature of the cooperative relationship between artist and editor(s). Related artist materials found in Series II, which mostly include photographs, exhibition announcements, artist statements, and correspondence, are similarly essential in that they contribute to the history of the early careers of these aforementioned artists.
Subscriber mailing lists and correspondence, which include addresses from Poland to Kansas, found in Series IV indicate wide readership of Avalanche (the initial print run was 5,000 copies; and circulation ranged from 4,000 to 6,250); while grant applications, monthly bills and budgets, and countless invoices suggest something of the financial demands involved with producing a magazine of this kind that lacked the resources of a major publishing house. The fiscal strains Avalanche endured are unapologetically acknowledged in the last issue, which reproduces the magazine's financial ledger as its cover image.
The Avalanche Magazine Archives are also a valuable tool for those researchers and scholars concerned with the development of the Conceptual, Earth, Post-Minimalist, performance and video art movements, all of which gained considerable traction in the 1960s and 1970s in the New York and international art scenes. For example, those files associated with the production of Avalanche issue no. 6 (Fall 1972), are devoted entirely to the work of Vito Acconci. In retrospect this issue acts as a sort of catalogue of Acconci's early work and the files that relate to the production of this issue include a substantial amount of photographic documentation and written notes for many of his early performances including: Performance Test (1969), Rubbing Piece (1970), and Control Box. (1971). Individual artists were continually paid homage in the pages of Avalanche. For example, a large portion of issue no.8 was dedicated to Robert Smithson after his tragic and sudden death in a plane crash in 1973.
There is also a significant amount of gallery related material and ephemera in both the Subseries I.A and Series II. These materials highlight the role of several art institutions, and 112 Greene St., The Kitchen, Paula Cooper Gallery, 98 Greene St. Loft, FOOD, and Reese Palley Gallery all appear as crucial alternative art spaces committed to the promotion of this developing avant-garde. When considered en masse the materials contained within the Avalanche Magazine Archives speak both to the daily operations of the magazine as well as to the general ambiance and scene from which it emerged.
Series V is comprised entirely of the Avalanche reprint, a box set that was produced and sold by Primary Information in 2010. Researchers who are particularly concerned with the aesthetics of the magazine--its photographs, page spreads, and typography--will find this a useful resource.
The records are open for research and contain few restricted materials.
The Avalanche Magazine Archives are the physical property of The Museum of Modern Art. Literary rights, including copyright belong to the authors or their legal heirs and assigns.
Index Terms |
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| This collection is indexed under the following headings in the library catalog of The Museum of Modern Art. Researchers desiring materials about related topics, persons, or places should search the catalog using these headings. | ||
| Subjects: | ||
| Avalanche -- History -- Sources | ||
| Document Types: | ||
| Correspondence | ||
| Interviews | ||
| Invoices | ||
| Mailing lists | ||
| Page proofs | ||
| Photographs | ||
| Printed ephemera | ||
| Proofs (Printing) | ||
| Sound recordings | ||
| Typescripts | ||
Several artists and institutions documented in the Avalanche Magazine Archives are also represented in other Museum Archive collections. Related collections include: the Gilbert and Lila Silverman Fluxus Collection Archives, the Seth Siegelaub Papers, Vito Acconci Notebooks, the Herman and Nicole Daled Papers, and the Kynaston McShine Information Exhibition Research files.
The Avalanche Magazine Index, which catalogues and locates advertisements, artists, artworks, and interviews within the pages of Avalanche, is also a useful digital tool for scholars and researchers. The website is hosted by the City University of New York's Lehman College. Additionally, the papers of Willoughby Sharp, co-founder of Avalanche, are held by The Getty Research Institute, Los Angeles, California.
Published citations should take the following form:
Long version: Avalanche Magazine Archives, [series.folder]. The Museum of Modern Art Archives, New York.
Short version: Avalanche, [series.folder]. MoMA Archives, NY.
The documents contained in the Avalanche Archives were originally collected and arranged by Avalanche's founders, Liza Béar and Willoughby Sharp. The collection was purchased by private collectors Gilbert and Lila Silverman (also the previous owners of MoMA's The Gilbert and Lila Silverman Fluxus Collection now in MoMA Archives). Under their ownership the collection was overseen by their curator and advisor, Jon Hendricks. With the help of Hendricks, the Archives were donated to The Museum of Modern Art Archives by the Silvermans in 2005. The materials came to the museum in thirty record cartons and eight oversize flat boxes.
Funding for processing the Avalanche Magazine Archives was provided by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation; The Contemporary Arts Council of The Museum of Modern Art; Philip E. Aarons and Shelley Fox Aarons; Emily Rauh Pulitzer; Kathleen Fuld; The Cowles Charitable Trust; Carol LeWitt; and Milton Dresner.
The bulk of the materials in the Archive are in good condition. However, the magazine mock-ups (subseries I.B) arrived at the museum in varying degrees of paper degradation. Additionally, most of the once-glued mechanical clippings on the mock-ups had become unattached and as such, these documents required extensive preservation work. Over the course of six months, Project Archivist, Cristiana Dobrzynski Grippe, along with intern, Jessica Camhi, carefully worked to reattach any unglued segments using an adhesive of wheat-paste and water.
Over one hundred and fifty audio recordings documenting conversations, presentations, interviews, phone calls, and radio programs also came in the original gift (now Series III). Many of these cassette tapes and audio reels were in fragile condition and were deemed unplayable. In order to provide continued and reliable access to the material contained on these tapes, they were conserved and digitally remastered with the financial assistance of MoMA's Wallis Annenberg Foundation for Innovation in Contemporary Art. Transcripts of these tapes were also created and are now included in the series.
Series I: Magazine Issues 1968-1976 |
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Series I: Magazine Issues is broken up into two subseries: I.A: Issue Files and I.B: Mechanicals/Mock-ups/Layouts. |
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Subseries I.A: Issue Files 1968-1976 |
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The materials in subseries I.A provide documentary support for the production of Avalanche issues 1-13. There is an abundance of miscellaneous issue research and editorial material contained within this series, including editorial notes, black-and-white installation photographs, instruction for and documentation of performance pieces, advertisement mechanicals, artist biographies, correspondence, exhibition announcements, posters, and press releases. Researchers will be able to identify things that did not make it into the final version of the magazine; as such, these files will enable researchers to understand Avalanche's complete editorial process. |
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Items that might be of interest include: an announcement for live performances by Terry Fox, Vito Acconci, and Dennis Oppenheim at Reese Palley Gallery on January 15, 1971; a signed agreement between Vito Acconci, Sharp, and Béar from 1971 in which Acconci takes full responsibility for any damages caused by his performance piece, Claim; an edited transcript of Joseph Beuys's "Public Dialogue at the New School of Social Research" from January 11, 1974; black-and-white film stills from Nancy Holt's Pine Barrens; and a series of correspondence with Barbara Dilley. A complete printed run of Avalanche is also included in the subseries.The materials in subseries I.A were primarily found in boxes one through seven of the original gift and while they were arranged more or less chronologically, according to each issue, some reordering by the archivist was nevertheless necessary. Within each issue's materials, the files were arranged in no discernable order and were subsequently organized by the archivist according to the segment of the magazine in which they appeared, if identifiable. Various documents related to the production of specific issues were also found interspersed throughout the original gift. These materials were identified by the archivist and interfiled into the series where appropriate. |
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| Folder | Title | Date |
| I.A.1 | Issue No. 1: Rumbles-Buckminster Fuller World Game Report publication from the World Game Seminar at the New York Studio School. |
1969 |
| I.A.2 | Issue No. 1: Rumbles-Keith Arnatt Includes gallery announcements, correspondence, and fourteen black-and-white installation photos. |
1968-1969 |
| I.A.3 | Issue No. 1: Rumbles-E.A.T. Correspondence, announcements, and press releases related to the organization Experiments in Art and Technology Incorporated (E.A.T.). |
1969-1970 |
| I.A.4 | Issue No.1: Rumbles-Software Photographs and press releases for Software exhibition at the Jewish Museum. Also includes information on contributing artists such as John Baldessari and Les Levine. |
1970 |
| I.A.5* | Issue No.1 Rumbles-Luis Fernando Benedit Poster for Benedit at the XXXV Venice Biennale and architectural plan for his Proyecto "Biotron." |
1970 |
| I.A.6 | Issue No.1: Rumbles 1 of 4 folders. Miscellaneous materials for "Rumbles" section. Includes six black-and-white photographs. |
1969-1970 |
| I.A.7 | Issue No.1: Rumbles 2 of 4 folders. Miscellaneous materials for "Rumbles" section. Includes handwritten editorial notes. |
1969-1970 |
| I.A.8 | Issue No.1: Rumbles 3 of 4 folders. Miscellaneous materials for "Rumbles" section. Includes black-and-white photographs and gallery announcements for Carl Andre exhibition at Dwan in New York City (April 26-May 21, 1969), Sigmar Polke exhibition at Konrad Fischer in Düsseldorf (June 9-July 2, 1970) and Earth Art Exhibition(curated by Sharp) at Cornell University (February 11-March 16, 1969). |
1969-1970 |
| I.A.9 | Issue No.1: Rumbles 4 of 4 folders. Miscellaneous materials for "Rumbles" section. Includes press release for, and information on, Evidence on the Flight of Six Fugitives exhibition at The Museum for Contemporary Art, Chicago (show included the work of Dennis Oppenheim, Michael Heizer, Robert Smithson, and Walter de Maria). |
1969-1970 |
| I.A.10 | Issue No.1: Museums Galleries Photograph of the Cockettes performing Madame Butterfly at the Museum of Conceptual Art, San Francisco on May 18, 1970 (photo by Barry Klinger) and photograph of work by Terry Fox for his solo show at Reese Palley Gallery, San Francisco (1970). |
1970 |
| I.A.11 | Issue No.1: Interview-Jan Dibbets Includes draft of introduction text and six black-and-white installation photographs. |
1968-1970 |
| I.A.12 | Issue No.1: Interview-Carl Andre 1 of 3 folders. Edited interview typescript between Sharp, Béar, and Andre from December 10, 1968. |
1968 |
| I.A.13 | Issue No.1: Interview-Carl Andre 2 of 3 folders. Edited interview typescript marked "second copy." |
1968-1970 |
| I.A.14 | Issue No.1: Interview-Carl Andre 3 of 3 folders. Includes interview typescript and handwritten draft of introduction. |
1968-1970 |
| I.A.15 | Issue No.1: Retrospective-Richard Long Includes Long's biography/C.V. |
1968-1970 |
| I.A.16 | Issue No. 1: Bodyworks Materials related to Sharp's essay, "Body Works: A Pre-critical, Non-definitive Survey of Very Recent Works Using the Human Body or Parts Thereof." Also includes black-and-white photographs of Keith Sonnier's Head, Feet, and Hand, Terry Fox's Asbestos Tracking, and Bruce Nauman's Holograms (Making Faces). |
1968-1970 |
| I.A.17 | Issue No. 1: Discussions-Heizer, Oppenheim, and Smithson 1 of 5 folders. Edited typescript and gallery announcement for Dennis Oppenheim's Below Zero Snow Projects at John Gibson Gallery. |
1969-1970 |
| I.A.18 | Issue No.1: Discussions-Heizer, Oppenheim, and Smithson 2 of 5 folders. Edited typescript. |
1969-1970 |
| I.A.19 | Issue No.1: Discussions-Heizer, Oppenheim, and Smithson 3 of 5 folders. Edited typescript. |
1969-1970 |
| I.A.20 | Issue No.1: Discussions-Heizer, Oppenheim, and Smithson 4 of 5 folders. Edited typescript and handwritten editorial notes. |
1969-1970 |
| I.A.21 | Issue No.1: Discussions-Heizer, Oppenheim, and Smithson 5 of 5 folders. Four black-and-white photographs, including images of Oppenheim's Reverse Processing, Maze (Whitewater, WI), and Arm and Wire. |
1970 |
| I.A.22 | Issue No.1: Advertisements 1 of 4 folders. Miscellaneous editorial materials for advertisements. Includes photograph of Vito Acconci performing Learning Piece (used in ad for performances and activities held at John Gibson) and two invitations for the opening of Attitudes at the Brooklyn Museum (July 27-October 1, 1970). |
1970 |
| I.A.23 | Issue No.1: Advertisements 2 of 4 folders. Miscellaneous editorial materials for advertisements. Includes Avalanche/Kineticism Press subscription flyer and mechanicals for Graham gallery, J.Miller Printing and Litho, and Robert Elkon Gallery advertisements. |
1970 |
| I.A.24* | Issue No.1: Advertisements 3 of 4 folders. Includes advertisement mechanicals and sample subscription forms. |
1968-1970 |
| I.A.25* | Issue No.1: Advertisements 4 of 4 folders. Includes advertisement mechanicals and sample subscription forms. |
1968-1970 |
| I.A.26 | Issue No.1: Edited Typescript 1 of 3 folders. |
1968-1970 |
| I.A.27 | Issue No.1: Edited Typescript 2 of 3 folders. |
1968-1970 |
| I.A.28 | Issue No.1: Edited Typescript 3 of 3 folders. |
1968-1970 |
| I.A.29 | Issue No.1: Miscellaneous Editorial Documents 1 of 7 folders. |
1968-1970 |
| I.A.30 | Issue No.1: Miscellaneous Editorial Documents 2 of 7 folders. Includes draft of first masthead. |
1968-1970 |
| I.A.31 | Issue No.1: Miscellaneous Editorial Documents 3 of 7 folders. Eight unidentified black-and-white photographs. |
1968-1970 |
| I.A.32 | Issue No.1: Miscellaneous Editorial Documents 4 of 7 folders. Miscellaneous loose mechanicals and editorial clippings. |
1968-1970 |
| I.A.33* | Issue No.1: Miscellaneous Editorial Documents 5 of 7 folders. Includes advertisement mechanicals and black-and-white photographic negatives. |
1968-1970 |
| I.A.34* | Issue No.1: Miscellaneous Editorial Documents 6 of 7 folders. Includes page proofs and typography samples. |
1968-1970 |
| I.A.35* | Issue No.1: Miscellaneous Editorial Documents 7 of 7 folders. Includes mechanicals for advertisements and layouts. |
1968-1970 |
| I.A.36 | Issue No.1: Gallery and Museum Announcements 1 of 4 folders. Includes press release for Hannah Weiner at Her Job; program for a performance of Machine and Nature at The Museum of Modern Art (January 15 & 16, 1969); and an invitation to Hyperspaces by Raimund Abraham at the Architectural League of New York (February 6, 1969). |
1968-1970 |
| I.A.37 | Issue No.1: Gallery and Museum Announcements 2 of 4 folders. Includes announcements for John Baldessari exhibition at Eugenia Butler and Doris Totten Chase at Formes Gallery (March 16-20, 1970); postcard announcement for show of Ruth Vollmer's sculpture annotated with personal message from Vollmer to Sharp; and a flyer for Black & White Major Works at Sonnabend (November 1970). |
1968-1970 |
| I.A.38* | Issue No.1: Gallery and Museum Announcements 3 of 4 folders. Includes calendar of exhibitions at The Whitney Museum of American Art (Winter-Spring); a poster for Tom Dan's A Continuous World; poster for Two Evenings (Hans Breder, Marjorie Strider, and Scott Burton) at the University of Iowa; and poster for exhibitions at The Jewish Museum. |
1970 |
| I.A.39* | Issue No.1: Gallery and Museum Announcements 4 of 4 folders. Includes posters for Steve Kaltenbach at the Palley Cellar; Joel Glassman at the Palley Cellar; Wayne E. Campbell's Opening the Cellar at The Gallery Reese Palley; John C. Fernie at Reese Palley; Some New York Painting at Reese Palley; and an exhibition of Joseph Albers' silkscreens and lithographs at Visual Arts Gallery. |
1970 |
| I.A.40 | Issue No.1: West Coast Report Includes handwritten draft for "Introduction for California Air in Avalanche Magazine" by Oliver Andrews. |
1969-1970 |
| I.A.41 | Issue No.1: Miscellaneous Correspondence | 1969-1970 |
| I.A.42 | Issue No.1: Printed Issues One printed issue and one photocopied issue. |
1970 |
| I.A.43 | Issue No.1: Printed Issues Note: missing front and back cover; some pages unattached. |
1970 |
| I.A.44 | Issue No. 2: Rumbles-Jean Tinguely Black-and-white photographs documenting the 10th anniversary of Nouveau Réalisme in Milan including events, performances, and works by Jean Tinguely, Niki de Saint Phalle, Cesar, Christo, Daniel Spoerri, and Pierre Restany. |
1970 |
| I.A.45 | Issue No.2: Rumbles-John Perreault Edited text of Perreault 's "Rumbles" section; gallery and performance announcements for shows at Central Park, St. Mark's Church,Gramercy Art Theater, and Street Works; and six black-and-white photographs documenting various Perreault performances. |
1970-1971 |
| I.A.46 | Issue No.2: Issue No.2: Rumbles-Paul Kos Correspondence between Sharp and Kos; eight photographs of Kos' salt sculptures; and sixteen black-and-white photographs from Fish Fox Kos at the DeSaisset Museum and Art Gallery, University of Santa Clara. Note: some photographs removed for conservation treatment. |
1969-1970 |
| I.A.47* | Issue No.2: Issue No.2: Rumbles-Paul Kos Two posters from Fish Fox Kos at the DeSaisset Museum and Art Gallery, University of Santa Clara. |
1971 |
| I.A.48 | Issue No.2: Rumbles-Nova Scotia College of Art 1 of 5 folders. Includes index cards with artists' project submissions; color photographs documenting Mel Bochner's Phenomenology of a Room-Four Corners and Iain Baxter's Telex and Telecop; and a typed list of artists who visited the art school between 1969-1970. |
1968-1971 |
| I.A.49 | Issue No.2: Rumbles-Nova Scotia College of Art 2 of 5 folders. Includes flyer for The Halifax Conference (October 5-6, 1970). |
1970-1971 |
| I.A.50 | Issue No.2: Rumbles-Nova Scotia College of Art 3 of 5 folders. Includes materials related to the school's lithography workshop as well as black-and-white photographs documenting Richards Jarden's Five Shutter Speeds Empirically Determining my Blinking Speed. |
1970 |
| I.A.51 | Issue No.2: Rumbles-Nova Scotia College of Art 4 of 5 folders. Includes small mailing envelopes with index cards and photographs detailing works and happenings by Richards Jarden. Works mentioned include: Running in Place (Simulation), High Tide (Simulation), Sunset (Simulation), and Falling. |
1970 |
| I.A.52* | Issue No.2: Rumbles-Nova Scotia College of Art 5 of 5 folders. Poster with Richards Jarden and his Active and Passive States. |
1970 |
| I.A.53 | Issue No.2: Rumbles-9 Artists/9 Spaces Black-and-white photographs, correspondence, and reviews relating to the exhibition, 9 Artists/9 Spaces, at the Walker Art Center. |
1970 |
| I.A.54 | Issue No.2: Rumbles-Italo Scanga Includes installation and studio photographs as well as correspondence between Sharp and Scanga. |
1970 |
| I.A.55 | Issue No.2: Rumbles 1 of 6. folders. Miscellaneous materials for "Rumbles" section. Includes program of Yvonne Rainer's Continuous Project-Altered Reality at the Whitney Museum (March 31, April 1 & 2, 1971); Seth Siegelaub's Artist's Reserved Rights Sale Agreement; and black-and-white photograph of Christo's Valley Curtain. |
1970 |
| I.A.56 | Issue No.2: Rumbles 2 of 6 folders. Miscellaneous materials for "Rumbles" section. Includes black-and-white photographs and handwritten notes by Terry Fox on Actions (performed by Fox and Joseph Beuys). |
1970 |
| I.A.57 | Issue No.2: Rumbles 3 of 6 folders. Includes edited typescript. |
1970-1971 |
| I.A.58 | Issue No.2: Rumbles 4 of 6 folders. Includes edited typescripts. |
1970-1971 |
| I.A.59 | Issue No.2: Rumbles 5 of 6 folders. Edited typescript marked "completed." |
1970-1971 |
| I.A.60 | Issue No.2: Rumbles 6 of 6 folders. Edited typescript marked "completed." |
1970-1971 |
| I.A.61 | Issue No.2: Interview-Bruce Nauman 1 of 4 folders. Black-and-white photographs and contact sheets with images from "Stills from Eight of Bruce Nauman's Videotapes." |
1970 |
| I.A.62 | Issue No.2: Interview-Bruce Nauman 2 of 4 folders. Includes edited interview typescript and partial transcript of audio interview. |
1970 |
| I.A.63 | Issue No.2: Interview-Bruce Nauman 3 of 4 folders. Six black-and-white photographs of Nauman working by Gianfranco Gorgoni. |
1970 |
| I.A.64* | Issue No.2: Interview-Bruce Nauman 4 of 4 folders. Six black-and-white photographs of Nauman working by Gianfranco Gorgoni. |
1970 |
| I.A.65 | Issue No.2: Interview-Terry Fox 1 of 10 folders. Edited interview typescript. |
1970 |
| I.A.66 | Issue No.2: Interview-Terry Fox 2 of 10 folders. Edited interview typescript. |
1970 |
| I.A.67 | Issue No.2: Interview-Terry Fox 3 of 10 folders. Edited interview typescript. |
1970 |
| I.A.68 | Issue No.2: Interview-Terry Fox 4 of 10 folders. Includes handwritten biography by the artist. |
1970-1971 |
| I.A.69 | Issue No.2: Interview-Terry Fox 5 of 10 folders. Includes descriptions of Fox's work and performances, including Fire Piece, Bird Piece, Push Wall Piece, and Liquid Smoke; and an edited text of Sharp's essay on Fox, "Elemental Gestures." |
1970-1971 |
| I.A.70 | Issue No.2: Interview-Terry Fox 6 of 10 folders. Seven black-and-white photographs documenting Fox's work including images of Hand Sculpture Series. |
1970 |
| I.A.71 | Issue No.2: Interview-Terry Fox 7 of 10 folders. Black-and-white photographs of Fox's work orginally marked "rejects." Includes thirteen photographs documenting Fox's Isolation Unit, performed at the Kunstacademie, Düsseldorf, November 24, 1970 (in collaboration with Joseph Beuys). |
1970 |
| I.A.72 | Issue No.2: Interview-Terry Fox 8 of 10 folders. Thirteen black-and-white photographs of Fox's work originally marked "rejects." |
1970 |
| I.A.73 | Issue No.2: Interview-Terry Fox 9 of 10 folders. Numerous correspondence between Fox, Béar, and Sharp. |
1970 |
| I.A.74* | Issue No.2: Interview-Terry Fox 10 of 10 folders. "Elemental Gestures: Terry Fox" from Arts Magazine (May 1970). |
1970 |
| I.A.75 | Issue No.2: Drifts and Conversations-Vito Acconci Includes edited text. |
1970-1971 |
| I.A.76 | Issue No.2: Retrospective-Klaus Rinke Includes black-and-white photographs of Rinke's Sun/Sand/Body (1960) and Relations Between People (1969). |
1970-1971 |
| I.A.77 | Issue No.2: A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenheim 1 of 3 folders. Photographs by Shunk-Kender. |
1970-1971 |
| I.A.78 | Issue No.2: A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenheim 2 of 3 folders. Includes black-and-white photographs of Fox's Hand Held Sheet and an announcement for live performances by Fox, Acconci, and Oppenheim at Reese Palley Gallery on January 15, 1971. |
1970-1971 |
| I.A.79 | Issue No.2: A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenheim 3 of 3 folders. Edited typescripts. |
1970-1971 |
| I.A.80 | Issue No.2: 112 Greene Street-An Interview with Alan Saret and Jeffrey Lew. 1 of 3 folders. Nine black-and-white photographs by Miguel Rio Branco from works executed during the first exhibition at 112 Greene Street (October-December 1970). Includes reproductions of works by Alan Saret, Bill Beckley, Barry Le Va, Lee Jaffe, George Trakas, and Gordon Matta-Clark. |
1970 |
| I.A.81 | Issue No.2: 112 Greene Street-An Interview with Alan Saret and Jeffrey Lew. 2 of 3 folders. Audio transcript of interview with Alan Saret and Jeffrey Lew. |
1970 |
| I.A.82* | No.2: 112 Greene Street-An Interview with Alan Saret and Jeffrey Lew. 3 of 3 folders. Audio transcript of interview with Alan Saret and Jeffrey Lew. |
1970 |
| I.A.83 | Issue No.2: Documents-Richard Serra 1 of 2 folders. Description of Serra's films. |
1971 |
| I.A.84* | Issue No.2: Documents-Richard Serra 2 of 2 folders. |
1971 |
| I.A.85 | Issue No.2: Documents-John Van Saun Includes black-and-white photographs of Van Saun's Horizontal Test in Flight. |
1971 |
| I.A.86 | Issue No.2: Documents-Dennis Oppenheim Includes edited text and contact sheet of stills from Stomach X-Ray(1970). |
1970-1971 |
| I.A.87 | Issue No.2: King for a Day by Bruce McLean 1 of 3 folders. |
1970-1971 |
| I.A.88 | Issue No.2: King for a Day by Bruce McLean 2 of 3 folders. Includes photo documentation of Walk about/carry piece, Run Jump, Stand Piece, and Barnes Pond Area. |
1970-1971 |
| I.A.89 | Issue No.2: King for a Day by Bruce McLean 3 of 3 folders. Includes photographs used in "King for a Day" spread. |
1970-1971 |
| I.A.90 | Issue No.2: Mrs. Burke, I thought you were dead by William Wegman 1 of 5 folders. Eleven black-and-white photographs. |
1970-1971 |
| I.A.91 | Issue No.2: Mrs. Burke, I thought you were dead by William Wegman 2 of 5 folders. Nine black-and-white photographs and typed text of "Bad News." |
1970-1971 |
| I.A.92 | Issue No.2: Mrs. Burke, I thought you were dead by William Wegman 3 of 5 folders. Edited typescript of interview between Sharp and Wegman and a list of Wegman videotapes. |
1970-1971 |
| I.A.93 | Issue No.2: Mrs. Burke, I thought you were dead by William Wegman 4 of 5 folders. Includes edited typescript of interview between Sharp and Wegman and six color slides. |
1970-1971 |
| I.A.94* | Issue No.2: Mrs. Burke, I thought you were dead by William Wegman 5 of 5 folders. Includes two black-and-white photographs of Wegman's head in a coal pile. |
1970-1971 |
| I.A.95 | Issue No.2: Advertisements 1 of 4 folders. Five photographs used in advertisements. |
1970-1971 |
| I.A.96 | Issue No.2: Advertisements 2 of 4 folders. Correspondence, check lists, editorial notes, and sketches. |
1970-1971 |
| I.A.97 | Issue No.2: Advertisements 3 of 4 folders. |
1970-1971 |
| I.A.98* | Issue No.2: Advertisements 4 of 4 folders. Black-and-white photograph used in advertisement for Harry N. Abrams, Inc. and Milgo Art Systems (image of Richard Serra's Moe). |
1970-1971 |
| I.A.99 | Issue No.2: Edited Typescript 1 of 2 folders. |
1970-1971 |
| I.A.100 | Issue No.2: Edited Typescript 2 of 2 folders. |
1970-1971 |
| I.A.101 | Issue No.2: Miscellaneous Editorial Documents 2 of 2 folders. |
1970-1971 |
| I.A.102 | Issue No.2: Miscellaneous Editorial Documents 2 of 2 folders. |
1970-1971 |
| I.A.103 | Issue No.2: Miscellaneous Editorial Documents 3 of 4 folders. Miscellaneous loose mechanicals and editorial clippings. |
1970-1971 |
| I.A.104* | Issue No.2: Miscellaneous Editorial Documents 4 of 4 folders. |
1970-1971 |
| I.A.105 | Issue No.2: Miscellaneous Correspondence | 1970-1971 |
| I.A.106 | Issue No.2: Printed Issues 1 of 3 folders. Photocopy of issue. |
1971 |
| I.A.107 | Issue No.2: Printed Issues 2 of 3 folders. |
1971 |
| I.A.108 | Issue No.2: Printed Issues 3 of 3 folders. |
1971 |
| I.A.109 | Issue No.3: Rumbles-Max Neuhaus Includes correspondence between Béar and Neuhaus, contact sheets, and five black-and-white photographs. |
1971 |
| I.A.110 | Issue No.3: Rumbles-Terry Fox 1 of 2 folders. Includes correspondence between Fox and Sharp, contact sheets, and five black-and-white film stills of Turgescent Sex. |
1971 |
| I.A.111 | Issue No.3: Rumbles-Terry Fox 2 of 2 folders. Stills Fox's film, Turgescent Sex (filmed by Georges Bolling at the San Francisco Rose Street Studio). |
1971 |
| I.A.112 | Issue No.3: Rumbles-A Space Press releases, correspondence, and newsletters detailing happenings and performances held at A Space (Toronto). |
1971 |
| I.A.113 | Issue No.3: Rumbles-Audrey Hemenway Correspondence, artist's statement, and photographs. |
1971 |
| I.A.114 | Issue No.3: Rumbles: Alan Sondheim 1 of 2 folders. Includes correspondence and writing samples of Sondheim's Various Titles and Ellipse Injection into Active Visual Field: Stages. |
1971 |
| I.A.115 | Issue No.3: Rumbles: Alan Sondheim 2 of 2 folders. Includes a sampling of Sonheim's science fiction writing such as: "The Attributes of an Unnamed Planet," "Contributions to a Musical Aesthetics," and "Invisible Children." |
1971 |
| I.A.116 | Issue No.3: Rumbles: Rafael Ferrer Includes typescript of an interview between Rafael Ferrer and Stephen Prokopoff and installation photographs from an exhibition at The Institute of Contemporary Art at The University of Pennsylvania. |
1971 |
| I.A.117 | Issue No.3: Rumbles 1 of 3 folders. Includes flyer for a Phillip Glass concert at the Whitney Museum of Art; a black-and-white photograph of Jackie Winsor and her Double Bound Circle; and a black-and-white photograph of Alan Saret's Delhi Ramp. |
1971 |
| I.A.118 | Issue No.3: Rumbles 2 of 3 folders. Includes edited "Rumbles" text; an untitled photograph by Allen Ruppersberg; a photograph documenting Gilbert & George's "Singing Sculpture," Underneath the Arches, at the Sonnabend Gallery (September 25, 1971); and a signed agreement between Vito Acconci, Sharp and Béar in which Acconci takes full responsibility for any damages caused by his piece, Claim. |
1971 |
| I.A.119 | Issue No.3: Rumbles 3 of 3 folders. Edited typescript of "Rumbles" section. |
1971 |
| I.A.120 | Issue No.3: Jacks by Gordon Matta Clark | 1971 |
| I.A.121 | Issue No.3: The Art of Searching: An Interview with David Tremlett 1 of 5 folders. Includes correspondence between Sharp and Tremlett and edited interview typescript. |
1971 |
| I.A.122 | Issue No.3: The Art of Searching: An Interview with David Tremlett 2 of 5 folders. Includes eleven black-and-white photographs by David Bratfield of Tremlett's The Art of Searching; Reconditioning the Horizon. |
1971 |
| I.A.123 | Issue No.3: The Art of Searching: An Interview with David Tremlett 3 of 5 folders. Edited interview typescripts. |
1971 |
| I.A.124 | Issue No.3: The Art of Searching: An Interview with David Tremlett 4 of 5 folders. Interview typescript. |
1971 |
| I.A.125 | Issue No.3: The Art of Searching: An Interview with David Tremlett 5 of 5 folders. Twenty-three black-and-white photographs, including images of Tremlett's The Art of Searching and Reconditioning the Horizon. |
1971 |
| I.A.126 | Issue No. 3: A Metal Ring Encircling a Tree: An Interview with Ulrich Rückriem 1 of 2 folders. Edited typescript. |
1971 |
| I.A.127 | Issue No. 3: A Metal Ring Encircling a Tree: An Interview with Ulrich Rückriem 2 of 2 folders. Twelve black-and-white photographs documenting Rückriem's A Metal Ring Encircling a Tree; Beyond Lawn and Order. |
1971 |
| I.A.128 | Issue No.3: Discussions with Barry Le Va 1 of 11 folders. Artist research and notes. |
1971 |
| I.A.129 | Issue No.3: Discussions with Barry Le Va 2 of 11 folders. Includes handwritten prepatory interview notes and edited interview typescript marked "Part One…June 8, 1971." |
1971 |
| I.A.130 | Issue No.3: Discussions with Barry Le Va 3 of 11 folders. Edited interview typescript marked "Part One…June 8, 1971." |
1971 |
| I.A.131 | Issue No.3: Discussions with Barry Le Va 4 of 11 folders. Edited interview typescript marked "Second Part August 2, 1971." |
1971 |
| I.A.132 | Issue No.3: Discussions with Barry Le Va 5 of 11 folders. Edited interview typescript. |
1971 |
| I.A.133 | Issue No.3: Discussions with Barry Le Va 6 of 11 folders. Edited typescript. |
1971 |
| I.A.134 | Issue No.3: Discussions with Barry Le Va 7 of 11 folders. Includes correspondence between Sharp, Béar, and Le Va; description of Le Va's works including Rattle Snake Dance and Danger Zone Pieces (Slow Death Zones); and a copy of Process and Imagination: Design Quarterly, 74/74. |
1971 |
| I.A.135 | Issue No.3: Discussions with Barry Le Va 8 of 11 folders. Edited interview transcript. |
1971 |
| I.A.136 | Issue No.3: Discussions with Barry Le Va 9 of 11 folders. Twelve black-and-white photographs. |
1971 |
| I.A.137 | Issue No.3: Discussions with Barry Le Va 10 of 11 folders. Twenty-two black-and-white photographs. |
1971 |
| I.A.138 | Issue No.3: Discussions with Barry Le Va 11 of 11 folders. Seventeen black-and-white photographs. |
1971 |
| I.A.139 | Issue No.3: Ululations by Bill Beckley 1 of 2 folders. Includes edited text, correspondence, contact sheets, and black-and-white photographs. |
1971 |
| I.A.140 | Issue No.3: Ululations by Bill Beckley 2 of 2 folders. Twelve black-and-white photographs. |
1971 |
| I.A.141 | Issue No.3: Christ Pythagoras by Italo Scanga 1 of 5 folders. Includes numerous correspondence between Sharp, Béar, and Scanga, black-and-white photographs, and edited text. |
1971 |
| I.A.142 | Issue No.3: Christ Pythagoras by Italo Scanga 2 of 5 folders. Negatives and contact sheets. |
1971 |
| I.A.143 | Issue No.3: Christ Pythagoras by Italo Scanga 3 of 5 folders. Eleven black-and-white photographs of Scanga making Christ & Pythagoras. |
1971 |
| I.A.144 | Issue No.3: Christ Pythagoras by Italo Scanga 4 of 5 folders. Thirteen black-and-white photographs of Scanga making Christ & Pythagoras. |
1971 |
| I.A.145 | Issue No.3: Christ Pythagoras by Italo Scanga 5 of 5 folders. Ten black-and-white photographs of Scanga making Christ & Pythagoras. |
1971 |
| I.A.146 | Issue No.3: Observatory by Robert Morris Includes draft of section layout and six black-and-white photographs. |
1971 |
| I.A.147 | Issue No.3: Outcrops by George Trakas 1 of 3 folders. |
1971 |
| I.A.148* | Issue No.3: Outcrops by George Trakas 2 of 3 folders. Mechanicals showing text layout and black-and-white photographs and sketches from Trakas' notebooks. |
1971 |
| I.A.149* | Issue No.3: Outcrops by George Trakas 3 of 3 folders. Mechanicals, black-and-white photographs, and sketches from Trakas' notebooks. |
1971 |
| I.A.150 | Issue No.3: Soap 1 of 2 folders. Includes sixteen black-and-white photographs documenting Joel Fisher making soap out of butter. |
1971 |
| I.A.151* | Issue No.3: Soap 2 of 2 folders. |
1971 |
| I.A.152 | Issue No.3: Advertisements 1 of 5 folders. |
1971 |
| I.A.153 | Issue No.3: Advertisements 2 of 5 folders. |
1971 |
| I.A.154 | Issue No.3: Advertisements 3 of 5 folders. Includes photographs and advertisement layouts. |
1971 |
| I.A.155 | Issue No.3: Advertisements 4 of 5 folders. |
1971 |
| I.A.156* | Issue No.3: Advertisements 5 of 5 folders. Black-and-white photograph for Gerald Byerley advertisement. |
1971 |
| I.A.157 | Issue No.3: Miscellaneous Editorial Documents 1 of 4 folders. |
1971 |
| I.A.158 | Issue No.3: Miscellaneous Editorial Documents 2 of 4 folders. Includes thirteen black-and-white photographs. |
1971 |
| I.A.159 | Issue No.3: Miscellaneous Editorial Documents 3 of 4 folders. Materials relating to font and typeset. |
1971 |
| I.A.160* | Issue No.3: Miscellaneous Editorial Documents 4 of 4 folders. Includes black-and-white photographs from front and back covers, page layout sketch, and page proof of Robert Morris' Observatory. |
1971 |
| I.A.161 | Issue No.3: Miscellaneous Correspondence Includes correspondence between Béar and Paul Rotterdam. |
1971 |
| I.A.162 | Issue No.3: Printed Issue 1 of 2 folders. Includes two issues. Note: one issue missing first and last three pages. |
1971 |
| I.A.162 | Issue No.3: Printed Issue 1 of 2 folders. Includes two issues. Note: one issue missing first and last three pages. |
1971 |
| I.A.163 | Issue No.3: Printed Issue 2 of 2 folders. Photocopy of issue. |
1971 |
| I.A.164 | Issue No.4: Rumbles 1 of 2 folders. Includes nine black-and-white photographs. |
1971-1972 |
| I.A.165* | Issue No.4: Rumbles 2 of 2 folders. Poster for Bill Beckley at 98 Greene Street Loft. |
1971-1972 |
| I.A.166 | Issue No.4: An Interview with Jackie Winsor 1 of 5 folders. Includes handwritten notes and descriptions of Winsor's work as well as edited interview tape transcript. |
1971-1972 |
| I.A.167 | Issue No.4: An Interview with Jackie Winsor 2 of 5 folders. Edited interview typescript. |
1971-1972 |
| I.A.168 | Issue No.4: An Interview with Jackie Winsor 3 of 5 folders. Edited interview typescript. |
1971-1972 |
| I.A.169 | Issue No.4: An Interview with Jackie Winsor 4 of 5 folders. Edited interview typescript. |
1971-1972 |
| I.A.170 | Issue No.4: An Interview with Jackie Winsor 5 of 5 folders. Contact sheets and twenty-five black-and-white installation photographs. |
1971-1972 |
| I.A.171 | Issue No.4: Issue No.4: Lawrence Weiner at Amsterdam 1 of 3 folders. Includes correspondence, edited interview typescript, and contact sheets. |
1971 |
| I.A.172 | No.4: Issue No.4: Lawrence Weiner at Amsterdam 2 of 3 folders. Edited interview typescript. |
1971 |
| I.A.173* | No.4: Issue No.4: Lawrence Weiner at Amsterdam 3 of 3 folders. Includes black-and-white photographs. |
1971 |
| I.A.174 | Issue No.4: Howard Fried: The Cheshire Cat 1 of 2 folders. Interview typescript. |
1971 |
| I.A.175* | Issue No.4: Howard Fried: The Cheshire Cat 2 of 2 folders. Mock-ups for Fried's The Cheshire Cat-Part I. |
1971 |
| I.A.176 | Issue No.4: Franz Erhard Walther: First Workset Fourteen black-and-white photographs of Walther's First Workset. Photos by Timm Rautert. |
1971 |
| I.A.177 | Issue No.4: Alice Aycock Four 36-38 Exposures Three contact sheets. |
1971-1972 |
| I.A.178* | Issue No.4: Hanne Darboven Words | 1971 |
| I.A.179 | Issue No.4: Miscellaneous Correspondence Three contact sheets. |
1971 |
| I.A.180 | Issue No.4: Advertisements 1 of 2 folders. Includes photographs for advertisements. |
1972 |
| I.A.181* | Issue No.4: Advertisements 2 of 2 folders. Advertisement mechanicals. |
1972 |
| I.A.182 | Issue No.4: Miscellaneous Editorial Documents 1 of 2 folders. Includes mechanical clippings and heads. |
1972 |
| I.A.183 | Issue No.4: Miscellaneous Editorial Documents 2 of 2 folders. Includes edited typescript. |
1972 |
| I.A.184 | Issue No.4: Printed Issues 1 of 5 folders. |
1972 |
| I.A.185 | Issue No.4: Printed Issues 2 of 5 folders. |
1972 |
| I.A.186 | Issue No.4: Printed Issues 3 of 5 folders. |
1972 |
| I.A.187 | Issue No.4: Printed Issues 4 of 5 folders. Note preexisting water damage. |
1972 |
| I.A.188 | Issue No.4: Printed Issues 5 of 5 folders. |
1972 |
| I.A.189 | IIssue No.5: Rumbles-Hiro Kosaka Includes editors' notes, edited text, and correspondence. |
1972 |
| I.A.190 | Issue No.5: Rumbles-Trisha Brown 1 of 2 folders. Includes edited text and photographs. |
1972 |
| I.A.191* | Issue No.5: Rumbles-Trisha Brown 2 of 2 folders. Two black-and-white photographs of Brown preforming Accumulation. |
1972 |
| I.A.192 | Issue No.5: Rumbles-Neil Evans Includes correspondence between Béar and Evans; descriptions of Evan's work; and twelve black-and-white photographs. |
1972 |
| I.A.193 | Issue No.5: Rumbles-Bruce McLean Correspondence between McLean and Béar. |
1972 |
| I.A.194 | Issue No.5: Rumbles-David Tremlett Includes correspondence between Sharp, Béar, and Tremlett. |
1972 |
| I.A.195 | Issue No.5: Rumbles 1 of 4 folders. |
1972 |
| I.A.196 | Issue No.5: Rumbles 2 of 4 folders. Includes edited typescript of section. |
1972 |
| I.A.197 | Issue No.5: Rumbles 3 of 4 folders. Includes edited typescript of section. |
1972 |
| I.A.198* | Issue No.5: Rumbles 4 of 4 folders. Two exhibition posters for Dennis Oppenheim's Continuous Projections Outdoors at Sonnabend Gallery and two black-and-white photographs documenting a performance by Tina Girouard, Carol Gooden, Suzanne Harris, and Rachel Lew. |
1972 |
| I.A.199 | Issue No.5: Direkte Demokratie: Joseph Beuys Rapping at Documenta 5 Includes edited text and two black-and-white photographs. |
1972 |
| I.A.200 | Issue No.5: Braco Dimitrijević, Casual Passers-by I Met | 1972 |
| I.A.201 | Issue No.5: Structure and Sensibility: An Interview with Jannis Kounellis | 1972 |
| I.A.202 | Issue No.5: Phil Glass: An Interview in Two Parts 1 of 3 folders. Includes handwritten editorial notes and edited introduction text. |
1972 |
| I.A.203 | Issue No.5: Phil Glass: An Interview in Two Parts 2 of 3 folders. Includes edited interview typescript. |
1972 |
| I.A.204 | Issue No.5: Phil Glass: An Interview in Two Parts 3 of 3 folders. Includes edited interview typescript marked "Phil Glass Rome." |
1972 |
| I.A.205 | Issue No.5: Illustrated Time-Proscenium II Edited text of performance, which occurred on July 3, 1972 at the Stadt Theatre Kassel, Germany. Performance involved Keith Sonnier, Tina Girouard, Suzanne Harris, Richard Landry, and Kurt Munkasci. |
1972 |
| I.A.206 | Issue No.5: Yvonne Rainer 1 of 5 folders. Edited interview typescript. |
1972 |
| I.A.207 | Issue No.5: Yvonne Rainer 2 of 5 folders. Includes artist research and edited interview typescript. Also includes descriptions of works by Rainer such as: Continuous Project-Altered Daily (1970), Grand Union Dreams (1971), and Walk she Said (1972). |
1972 |
| I.A.208 | Issue No.5: Yvonne Rainer 3 of 5 folders. Interview typescript. |
1972 |
| I.A.209 | Issue No.5: Yvonne Rainer 4 of 5 folders. Includes edited interview typescript. |
1972 |
| I.A.210* | Issue No.5: Yvonne Rainer 5 of 5 folders. Poster for Yvonne Rainer and John Erdman at the Festival D'Automne a Paris 1972. |
1972 |
| I.A.211 | Issue No.5: Advertisements Includes three black-and-white photographs. |
1972 |
| I.A.212 | Issue No.5: Miscellaneous Editorial Documents Includes masthead and photo credits. |
1972 |
| I.A.213 | Issue No.5: Printed Issues 1 of 2 folders. Includes one issue. Note: preexisting water damage. |
1972 |
| I.A.214 | Issue No.5: Printed Issues 2 of 2 folders. Photocopy of issue. |
1972 |
| I.A.215 | Issue No.6: Early Work: Movement Over a Page Three black-and-white photographs. |
1971-1972 |
| I.A.216 | Issue No.6: Body as Place - Moving in on Myself, Performing Myself Includes edited descriptions of Vito Acconci performance pieces as well as photographs of Centers, Step Piece, Passes, Openings, Conversions, and Room Piece. |
1971-1972 |
| I.A.217 | Issue No.6: Peopled Space - Performing Myself Through Another Agent Includes descriptions, sketches, and black-and-white photographs documenting Vito Acconci's Sounding Board (preformed at A Space, Toronto, July 1971), Runoff, Security Zone, Learning Piece, and Following Piece. |
1971 |
| I.A.218 | Issue No.6: Powerfield - Exchange Points - Transformations Includes black-and-white photographs of Vito Acconci's Cross-Fronts, Fitting Rooms I & II, Cross-Fronts, Seedbed, Compensation/Displacement Area, and an audio transcript of Memory Box III (Vanishing Point). |
1971-1972 |
| I.A.219 | Issue No.6: Concentration - Container - Assimilation Includes black-and-white images of Vito Acconci's Association Area, Supply Room and Private Property. |
1971-1972 |
| I.A.220 | Issue No.6: Occupied Zone - Moving In, Performing on Another Agent Descriptions and photographs of Pull, Control Box, Performance Test, and Broadjump 71. |
1971 |
| I.A.221 | Issue No.6: Excerpts from Tapes with Liza Béar 1 of 4 folders. Includes edited interview typescript marked "first draught" and edited interview text inserts. |
1971-1972 |
| I.A.222 | Issue No.6: Excerpts from Tapes with Liza Béar 2 of 4 folders. Edited interview typescript. |
1971-1972 |
| I.A.223 | Issue No.6: Excerpts from Tapes with Liza Béar 3 of 4 folders. Edited interview typescript. |
1972 |
| I.A.224 | Issue No.6: Excerpts from Tapes with Liza Béar 4 of 4 folders. Edited interview typescript. |
1972 |
| I.A.225 | Issue No.6: Interview between Willoughby Sharp and Vito Acconci 1 of 2 folders. Edited interview typescript. |
1971 |
| I.A.226 | Issue No.6: Interview between Willoughby Sharp and Vito Acconci 2 of 2 folders. Edited interview typescript. |
1971 |
| I.A.227 | Issue No.6: Bibliography | 1972 |
| I.A.228 | Issue No.6: Index | 1972 |
| I.A.229 | Issue No.6: Descriptions of Vito Acconci Pieces 1 of 2 folders. Edited descriptions of works by Acconci included in issue no. 6. Original folder marked "old." |
1972 |
| I.A.230 | Issue No.6: Descriptions of Vito Acconci Pieces 2 of 2 folders. Edited descriptions of Acconci's pieces included in issue no. 6. Marked "old." |
1972 |
| I.A.231 | Issue No.6: Edited Issue Typescripts 1 of 12 folders. Originally marked "draft." |
1972 |
| I.A.232 | Issue No.6: Edited Issue Typescripts 2 of 12 folders. Originally marked "draft." |
1972 |
| I.A.233 | Issue No.6: Edited Issue Typescripts 3 of 12 folders. Originally marked "draft." Includes handwritten text inserts. |
1972 |
| I.A.234 | Issue No.6: Edited Issue Typescripts 4 of 12 folders. Originally marked "draft." Includes handwritten text inserts. |
1972 |
| I.A.235 | Issue No.6: Edited Issue Typescripts 5 of 12 folders. Originally marked "draft." Includes handwritten text inserts. |
1972 |
| I.A.236 | Issue No.6: Edited Issue Typescripts 6 of 12 folders. Originally marked "draft." Includes handwritten text inserts. |
1972 |
| I.A.237 | Issue No.6: Edited Issue Typescripts 7 of 12 folders. |
|
| I.A.238 | Issue No.6: Edited Issue Typescripts 8 of 12 folders. |
1972 |
| I.A.239 | Issue No.6: Edited Issue Typescripts 9 of 12 folders. |
1972 |
| I.A.240 | Issue No.6: Edited Issue Typescripts 10 of 12 folders. |
1972 |
| I.A.241 | Issue No.6: Edited Issue Typescripts 11 of 12 folders. |
1972 |
| I.A.242 | Issue No.6: Edited Issue Typescripts 12 of 12 folders. |
1972 |
| I.A.243 | Issue No.6: Typescript | 1972 |
| I.A.244 | Issue No.6: Miscellaneous Editorial Documents Includes interview notes and questions, table of contents layout, and photo credits. |
1972 |
| I.A.245 | Issue No.6: Advertisements Includes black-and-white photographs for CTL Electronics Inc. advertisement. |
1972 |
| I.A.246 | Issue No.6: Miscellaneous Correspondence Includes gallery announcement for Vito Acconci show, Behavior Fields--Transaction Arenas--Training Grounds--Maneuver Positions, at Sonnabend Gallery. |
1972 |
| I.A.247 | Issue No. 6: Miscellaneous Photographs 1 of 5 folders. |
1972 |
| I.A.248 | Issue No. 6: Miscellaneous Photographs 2 of 5 folders. |
1972 |
| I.A.249 | Issue No. 6: Miscellaneous Photographs 3 of 5 folders. |
1972 |
| I.A.250 | Issue No. 6: Miscellaneous Photographs 4 of 5 folders. |
1972 |
| I.A.251 | Issue No. 6: Miscellaneous Photographs 5 of 5 folders. |
1972 |
| I.A.252 | Issue No.6: Printed Issues 1 of 3 folders. Note: preexisting water damage and ripped cover. |
1972 |
| I.A.253 | Issue No.6: Printed Issues 2 of 3 folders. |
1972 |
| I.A.254 | Issue No.6: Printed Issues 3 of 3 folders. Photocopy of issue. |
1972 |
| I.A.255 | Issue No.7: Rumbles-Informació d'Art Concepte 1973 a Banyoles Includes two Grup de Treball catalogues. |
1973 |
| I.A.256 | Issue No.7: Rumbles-Mary Miss Includes "Rumbles" text on Mary Miss; a gallery announcement for show at 55 Mercer St.; and a press release from The Museum of Modern Art for Seven. |
|
| I.A.257 | Issue No.7: Rumbles-Urs Lüthi Includes correspondence and artist biography. |
1973 |
| I.A.258 | Issue No.7: Rumbles-Paul McMahon Includes correspondence, edited "Rumbles" text, performance flyers, and announcements. |
1973 |
| I.A.259 | Issue No.7: Rumbles-Tania Mouraud Includes artist biography, gallery catalogue from the Centro Apollinaire (Milan), and black-and-white photographs of Can I Be Something That I Possess?, Is a Name Given to a Form?, Is a Name Given to a Function? |
1973 |
| I.A.260 | Issue No.7: Rumbles-Tim Johnson Includes correspondence, twenty-two black-and-white photographs, and edited text of "Rumbles" section. |
1973 |
| I.A.261 | Issue No.7: Rumbles-Publications Includes Alan Sondheim's Typed Glossolalia: Computer Analysis of Determinism in Man (1972). |
1973 |
| I.A.262 | Issue No.7: Rumbles-Video News Includes two black-and-white photographs/stills from Juan Downey's Plato Now and a press release for Marien Lewis' Marien's Media Bed. |
1973 |
| I.A.263 | Issue No.7: Rumbles 1 of 9 folders. Miscellaneous materials for "Rumbles" section. Includes announcement for Act III, a performance by Daniel Buren at the New Theatre; an announcement for Jared Bark at 112 Greene Street; and a press release for Projects: Robert Whitman at The Museum of Modern Art. |
1973 |
| I.A.264 | Issue No.7: Rumbles 2 of 9 folders. Miscellaneous materials for "Rumbles" section; originally marked "Messages." Includes pamphlet for the John Bull Puncture Repair Kit: "Stampa 2" newsletter; and an announcement for Ray Johnson's new book Cannibal, Piss. |
1973 |
| I.A.265 | Issue No.7: Rumbles 3 of 9 folders. Miscellaneous materials for "Rumbles" section. Includes correspondence from Duff Schweninger; gallery announcement for David Tremlett show at Harold Rivkin (Washington, D.C.); a press release for Tremlett exhibition at The Museum of Modern Art; and a description of Bill Beirng's Circle Piece. |
1973 |
| I.A.266 | Issue No.7: Rumbles 4 of 9 folders. Miscellaneous materials for "Rumbles" section. Includes photographs and descriptions of work by Goran Trbuljak. |
1973 |
| I.A.267 | Issue No.7: Rumbles 5 of 9 folders. Miscellaneous materials for "Rumbles" section. Includes press release for Diane Arbus show at The Museum of Modern Art; flyer and calendar for The Grand Union; and exhibition flyer for performances by Dickie Landry, Mabou Mines, and Eads Hill at The Kitchen. |
1973 |
| I.A.268 | Issue No. 7: Rumbles 6 of 9 folders. Edited section typescript. |
1973 |
| I.A.269 | Issue No. 7: Rumbles 7 of 9 folders. Edited section typescript. |
1973 |
| I.A.270* | Issue No. 7: Rumbles 8 of 9 folders. Includes cover of The New York Post from September 9, 1972; flyer for the Second Annual Video Arts Festival at The Kitchen; poster detailing upcoming exhibitions at the Utah Museum of Fine Arts; and a poster with calendar of events at Everson Museum of Art (poster includes film stills of television interview between Frank Gillette and Sharp on April 1973). |
1972-1973 |
| I.A.271* | Issue No. 7: Rumbles 9 of 9 folders. Mechanicals for "Rumbles" section; includes sketches. |
1973 |
| I.A.272 | Issue No.7: Rumbles-Marked "Rejects" 1 of 2 folders. Includes the first two chapters of Cynthia Bickley's book, A Small Coloring Book of Sound Poems (with visuals) and a small brown paper bag from Ecart gallery (Geneva) with miscellaneous ephemera. |
1973 |
| I.A.273 | Issue No.7: Rumbles-Marked "Rejects" 2 of 2 folders. Includes announcement for Suzanne Harris' first one woman exhibition at 112 Greene Gallery, correspondence, and eleven black-and-white photographs, including images of Alighiero Boetti's Untitled (Victoria Boogie-Woogie), and Untitled (Map of the World Hand Woven In Afghanistan). |
1972-1973 |
| I.A.274 | Issue No.7: The Gold-diggers of '84: An Interview with General Idea 1 of 2 folders. Includes correspondence between General Idea's Marcel Idea (Michael Morris), Béar, and Sharp; four black-and-white photographs documenting Marcel Idea and the Miss General Idea Pavilion, AA Bronson at the Miss General Idea Pageant (1971), and Miss Tina setting her General Idea gown on fire. Also includes a portrait of Ms. Tina marked: "Toronto contestant for the 1971 Miss General Idea Pageant, tantalizes Willoughby Sharp." |
1971-1973 |
| I.A.275 | Issue No.7: The Gold-diggers of '84: An Interview with General Idea 2 of 2 folders. Edited interview typescript. |
1973 |
| I.A.276 | Issue No.7: Different Strokes for Different Folks: An Interview with Van Schley 1 of 5 folders. Edited interview typescript. |
1972-1973 |
| I.A.277 | Issue No.7: Different Strokes for Different Folks: An Interview with Van Schley 2 of 5 folders. Edited interview typescript. |
1972-1973 |
| I.A.278 | Issue No.7: Different Strokes for Different Folks: An Interview with Van Schley 3 of 5 folders. Edited interview typescript. |
1972-1973 |
| I.A.279 | Issue No.7: Different Strokes for Different Folks: An Interview with Van Schley 4 of 5 folders. Includes black-and-white photographs and contact sheet clippings. |
1972-1973 |
| I.A.280 | Issue No.7: Different Strokes for Different Folks: An Interview with Van Schley 5 of 5 folders. Includes black-and-white photographs and a color poster of Los Angeles Lakers player, Jerry West. |
1972-1973 |
| I.A.281 | Issue No.7: Shuck Jive (Interview with Lowell Darling) 1 of 5 folders. Edited interview typescript. |
1973 |
| I.A.282 | Issue No.7: Shuck Jive (Interview with Lowell Darling) 2 of 5 folders. Edited interview typescript. |
1973 |
| I.A.283 | Issue No.7: Shuck Jive (Interview with Lowell Darling) 3 of 5 folders. Includes collages, pamphlets, and writings. |
1971-1973 |
| I.A.284 | Issue No.7: Shuck Jive (Interview with Lowell Darling) 4 of 5 folders. Includes series of correspondence on The Association for the Study of Hippos and The Carbondale Nail Project and four black-and-white photographs. |
1969-1973 |
| I.A.285* | Issue No.7: Shuck Jive (Interview with Lowell Darling) 5 of 5 folders. Four black-and-white photographs. |
|
| I.A.286 | Issue No.7: Man Ray, Do You Want To… An Interview with William Wegman 1 of 3 folders. Includes correspondence, edited photograph captions, and an interview typescript. |
1973 |
| I.A.287 | Issue No.7: Man Ray, Do You Want To… An Interview with William Wegman 2 of 3 folders. Edited interview typescript. |
1973 |
| I.A.288 | Issue No.7: Man Ray, Do You Want To… An Interview with William Wegman 3 of 3 folders. Includes twenty black-and-white stills from Wegman's Man Ray, Do You Want To…, Spelling Lesson, Same Old Shirt, Straw and String and Emperor and Dish and a press release from the Los Angeles County Museum of Art. |
1972-1973 |
| I.A.289 | Issue No.7: "… a Kind of a Huh?" An Interview with Edward Ruscha by Willoughby Sharp 1 of 4 folders. Edited interview typescript. |
1973 |
| I.A.290 | Issue No.7: "… a Kind of a Huh?" An Interview with Edward Ruscha by Willoughby Sharp 2 of 4 folders. Edited interview typescript. |
1973 |
| I.A.291 | Issue No.7: "… a Kind of a Huh?" An Interview with Edward Ruscha by Willoughby Sharp 3 of 4 folders. Edited interview typescript. |
1973 |
| I.A.292 | Issue No.7: "… a Kind of a Huh?" An Interview with Edward Ruscha by Willoughby Sharp 4 of 4 folders. Eleven black-and-white photographs of Ruscha by Carol Mersereau and contact sheets. |
1973 |
| I.A.293 | Issue No.7: Advertisements 1 of 2 folders. Includes advertisement checklist, correspondence, miscellaneous postcards, and Avalanche subscription cards. |
1973 |
| I.A.294 | Issue No.7: Advertisements 2 of 2 folders. Includes gallery announcement for Vito Acconci performance at Modern Art Agency (Naples, Italy); correspondence between Sharp and Marilena Bonomo; and a black-and-white photograph of Robert Wade's Criminal Wall at the Tyler Museum of Art. |
1972-1973 |
| I.A.295 | Issue No.7: Miscellaneous Editorial Documents 1 of 3 folders. Miscellaneous editorial and production materials. Includes handwritten notes, sketches of issue layout, edited table of contents, and masthead details. |
1973 |
| I.A.296 | Issue No.7: Miscellaneous Editorial Documents 2 of 3 folders. Includes announcement for an architecture show at 112 Greene St. and correspondence from Gordon MattaClark to Béar. |
1973 |
| I.A.297* | Issue No.7: Miscellaneous Editorial Documents 3 of 3 folders. Copy of Interview from April 1973 with editorial sketches and notes for Avalanche on front and back cover. |
1973 |
| I.A.298 | Issue No.7: Printed Issues 1 of 2 folders. |
1973 |
| I.A.299 | Issue No.7: Printed Issues 2 of 3 folders. |
1973 |
| I.A.300 | Issue No.7: Printed Issues 3 of 3 folders. |
1973 |
| I.A.301 | Issue No.8: Rumbles-Maria Nordman Includes correspondence between Nordman and Béar. Note: Some in fragile condition. |
1973 |
| I.A.302 | Issue No.8: Rumbles-Publications Includes editorial notes and edited section typescript. |
1973 |
| I.A.303 | Issue No.8: Rumbles 1 of 6 folders. Includes press release for the publication of Ellsworth Kelly by E.C. Goossen and the Ellsworth Kelly Retrospective at The Museum of Modern Art. Also includes fundraising letter from Angela Davis and the National Legal Defense Fund. |
1973 |
| I.A.304 | Issue No.8: Rumbles 2 of 6 folders. Includes gallery announcements from the Texas Gallery; exhibition announcement for Gilbert & George's Reclining Drunk (An Ash Tray/Collapsed Bottle Sculpture) at Nigel Greenwood Gallery; The Westbaydadaist (no.5); correspondence between Béar and Suzy Lake; seven black-and-white photographs including a portrait of Phillip Glass; and a press release for Twentieth Century Illustrated Books at Emily Lowe Gallery. |
1973 |
| I.A.305 | Issue No.8: Rumbles 3 of 6 folders. Includes press release for "Museum Workers Call Support Demonstration for Museum of Modern Art Strikers Wednesday November 14, 12-2" and a fact sheet for The Professional and Administrative Staff Association of The Museum of Modern Art (PASTA). Also includes press release announcing Barry Flanagan's postponement of exhibition at The Museum of Modern Art in support of PASTA strike. |
1973 |
| I.A.306 | Issue No.8: Rumbles 4 of 6 folders. Includes letter from Ray Johnson and edited section typescript. |
1972-1973 |
| I.A.307 | Issue No.8-Rumbles 5 of 6 folders. Marked "possible." Includes Audio Art pamphlet and a copy of A World Without…What Our Presidents Didn't Know by Jerome Agel. |
1972-1973 |
| I.A.308* | Issue No.8-Rumbles 6 of 6 folders. Includes Angela Davis' "We Are Here to Build a United Organization" from World Magazine; "PASTA MOMA, or the strike-bound MoMA" by Jeannie Weiffenbach; and a poster for 11 From Washington at 55 Mercer. |
1973 |
| I.A.309 | Issue No.8: A Drinking Sculpture by Gilbert George | 1973 |
| I.A.310 | Issue No.8: Business as Usual at the Western Front (Interview) 1 of 2 folders. Includes edited interview typescript. |
1973 |
| I.A.311 | Issue No.8: Business as Usual at the Western Front (Interview) 2 of 2 folders. Includes edited interview typescript. |
1973 |
| I.A.312 | Issue No.8: The Grand Union 'There Were Some Good Moments… 1 of 2 folders. Includes sixteen black-and-white photographs. |
1973 |
| I.A.313 | Issue No.8: The Grand Union 'There Were Some Good Moments… 2 of 2 folders. Includes edited text and six photographs. |
1973 |
| I.A.314 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 1 of 5 folders. Includes editorial notes, photo captions, artist biography, and an announcement for The Bridge Proposal (a series of workshops, lectures, dialogues, and performances between Barbara Lloyd and Tina Girouard). |
1973 |
| I.A.315 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 2 of 8 folders. Edited interview typescript. |
1973 |
| I.A.316 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 3 of 8 folders. Edited interview typescript. |
1973 |
| I.A.317 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 4 of 8 folders. Edited interview typescript. |
1973 |
| I.A.318 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 5 of 8 folders. Edited interview typescripts. |
1973 |
| I.A.319 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 6 of 8 folders. Includes fifteen black-and-white photographs. |
1973 |
| I.A.320 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 7 of 8 folders. Edited interview typescript. |
1973 |
| I.A.321 | Issue No. 8: Tina Girouard 'If I'm Lyin' I'm Dyin' On the Road to Catahoula: A Dialogue with Liza Béar 8 of 8 folders. Includes postcards, black-and-white photographs, and contact sheets. |
1973 |
| I.A.322 | Issue No.8: Chris Burden-The Church of Human Energy. An Interview with Willoughby Sharp and Liza Béar 1 of 2 folders. Includes black-and-white photographs documenting Bed Piece, Icarus, Prelude to 220, or 110 and 747. |
1973 |
| I.A.323 | Issue No.8: Chris Burden-The Church of Human Energy. An Interview with Willoughby Sharp and Liza Béar 2 of 2 folders. Includes edited interview typescript. |
1973 |
| I.A.324 | Issue No.8: Exchange '73: From a Videotape by Robert Morris Twenty-two black-and-white photographs by Gwenn Thomas. |
|
| I.A.325 | Issue No.8: Advertisements 1 of 2 folders. Includes seven black-and-white photographs used in advertisements; a mock-up for advertisement for Suzy Lake at Vehicule; and a black-and-white transparency for a Max's Kansas City advertisement. |
1973 |
| I.A.326 | Issue No.8: Advertisements 2 of 2 folders. Includes advertisement check-lists, drafts of advertisement text, and six black-and-white photographs. |
1973 |
| I.A.327* | Issue No.8: Advertisements 3 of 3 folders. Three black-and-white photographs. |
1973 |
| I.A.328 | Issue No.8: Edited Typescript | 1973 |
| I.A.329 | Issue No.8: Miscellaneous Editorial Documents 1 of 2 folders. Includes Robert Smithson biography produced by Dwan Gallery; three black-and-white photographs; letter between Sharp and Smithson; and sketch for front cover. |
1973 |
| I.A.330 | Issue No.8: Miscellaneous Editorial Documents 2 of 2 folders. |
1973 |
| I.A.331 | Issue No.8: Printed Issues 1 of 5 folders. Note: issues have preexisting water damage. |
1973 |
| I.A.332 | Issue No.8: Printed Issues 2 of 5 folders. Note: issues have preexisting water damage. |
1973 |
| I.A.333 | Issue No.8: Printed Issues 3 of 5 folders. Note: issues have preexisting water damage. |
1973 |
| I.A.334 | Issue No.8: Printed Issues 4 of 5 folders. Note: issues have preexisting water damage. |
1973 |
| I.A.335 | Issue No.8: Printed Issues 5 of 5 folders. Includes printed issue (without water damage) and photocopy of issue. |
1973 |
| I.A.336 | Issue No.9: Rumbles-Publications | 1974 |
| I.A.337 | Issue No.9: Rumbles 1 of 3 folders. Originally marked "rejects." Miscellaneous documents relating to Les Petites Bon Bons including certificates for "Poetic License" and the "Iggy Pop School of Teenage Rebellion." |
1974 |
| I.A.338 | Issue No.9: Rumbles 2 of 3 folders. Originally marked "rejects." Twenty-three black-and-white photographs documenting Prop and Throwing Clay. |
1974 |
| I.A.339 | Issue No.9: Rumbles 3 of 3 folders. Marked "rejects." Includes "Some Information on the Documentary Film Being Produced by Peter Kennedy"; Barbara Smith's The Longest Day of Night; three related black-and-white photographs with one photograph marked "Mystery Photo" by Geoff Hendricks. |
1974 |
| I.A.340* | Issue No.9: Rumbles | 1974 |
| I.A.341 | Issue No.9: Willoughby Sharp…Help 1 of 2 folders. Includes notes and sketches on Sharp's video performances, Great Body, Women, Untitled, Tina Where Are You?, Feel, and Help. Also includes edited interview typescript. |
1974 |
| I.A.342 | Issue No.9: Willoughby Sharp…Help 2 of 2 folders. Edited typescript. |
1974 |
| I.A.343 | Issue No.9: Chris Burden…Back to You Edited interview typescript. |
1974 |
| I.A.344 | Issue No.9: Richard Serra Robert Bell…Prisoner's Dilemma 1 of 2 folders. Edited typescript of Bell portion of the interview. |
1974 |
| I.A.345 | Issue No.9: Richard Serra Robert Bell…Prisoner's Dilemma 2 of 2 folders. Includes captions for Serra photographs and edited typescript of Serra portion of the interview. |
1974 |
| I.A.346 | Issue No.9: Joseph Beuys…A Public Dialogue Edited transcript from Beuys's "Public Dialogue" at the New School of Social Research on Jan. 11, 1974 |
1974 |
| I.A.347 | Issue No.9: Some Moments at 112 Includes edited typescript of interview between Charles Hill and Béar. |
1974 |
| I.A.348 | Issue No.9: Vito Acconci…Command Performance 1 of 5 folders. Includes handwritten notes and interview transcript. |
1974 |
| I.A.349 | Issue No.9: Vito Acconci…Command Performance 2 of 5 folders. Written descriptions and transcripts for various Acconci performances, including Stanza, Line-Up, Ballroom, Public Domain. |
1972-1974 |
| I.A.350 | Issue No.9: Vito Acconci…Command Performance 3 of 5 folders. Written descriptions and transcripts for various Acconci performances, including Stop-Over and Air-Time. |
1972-1974 |
| I.A.351 | Issue No.9: Vito Acconci…Command Performance 4 of 5 folders. Edited interview typescript. |
1974 |
| I.A.352 | Issue No.9: Vito Acconci…Command Performance 5 of 5 folders. Edited interview typescript. |
1974 |
| I.A.353 | Issue No.9: Keith Sonnier…New York-L.A. Hook-up Edited interview typescript. |
1974 |
| I.A.354 | Issue No.9: William Wegman…Pathetic Readings Edited transcript of Wegman's audiotape from his Video Performance at 112 Greene on January 14, 1974. |
1974 |
| I.A.355 | Issue No.9: Edited Typescript 1 of 2 folders. |
1974 |
| I.A.356 | Issue No.9: Edited Typescript 2 of 2 folders. |
1974 |
| I.A.357 | Issue No.9: Miscellaneous Editorial Documents Includes letter and text by Ulrike Rosenbach and thirteen black-and-white photographs, including film still of Joseph Beuys. |
1974 |
| I.A.358* | Issue No.9: Miscellaneous Editorial Documents Printed, full-size, issue page proofs with handwritten edits and notations. |
1974 |
| I.A.359 | Issue No.9: Advertisements | 1974 |
| I.A.360* | Issue No.9: Advertisements Includes list of videotapes and films available through the Leo Castelli Gallery. |
1974 |
| I.A.361* | Issue No.9: Printed Issue | 1974 |
| I.A.362 | Issue No.10: Rumbles 1 of 2 folders. Includes edited draft of "Messages"; letter to Sharp from J.O. Mallender; announcement for Juxtaposed Contained Revealed (Barbara Dilley and Tina Girouard) at The Kitchen; and a copy of Brunno Locci's Full Time (published by Flash Art Edizioni). |
1974 |
| I.A.363 | Issue No.10: Rumbles 2 of 2 folders. Includes black-and-white photograph/announcement for a reading by William Burroughs at the Pacific Cinematiheque Pacifique; black-and-white photograph of Father Guido Sarducci with Kathleen and Lowell Darling; and an edited section typescript. |
1974 |
| I.A.364 | Issue No.10: Stephen Laub's Projections 1 of 3 folders. Includes exhibition announcement for Laub's Perfect Strangers at the Fort Worth Art Museum.; five black-and-white photographs; correspondence; and an edited interview typescript. |
1974 |
| I.A.365 | Issue No.10: Stephen Laub's Projections 2 of 3 folders. Edited interview typescript. |
1974 |
| I.A.366 | Issue No.10: Stephen Laub's Projections 3 of 3 folders. Six black-and-white photographs of Laub's My Father and a Friend From School. |
1973 |
| I.A.367 | Issue No.10: Terry Fox-Children's Videotapes 1 of 3 folders. Includes edited interview typescript and contact sheet with film stills. |
1974 |
| I.A.368 | Issue No.10: Terry Fox-Childrens' Videotapes 2 of 2 folders. Includes twenty-two black-and-white film stills from Fox's Childrens' Videotapes. |
1974 |
| I.A.369* | Issue No.10: Terry Fox-Childrens' Videotapes 3 of 3 folders. Poster for Childrens' Videotapes at Everson Museum of Art. |
1974 |
| I.A.370 | Issue No.10: Gordon Matta-Clark-Splitting (The Humphrey Street Building) 1 of 5 folders. Includes printed and bound copy of Splitting (note: preexisting water damage) and nine black-and-white photographs of the Humphrey Street Building during and after Matta-Clark's interventions. |
1974 |
| I.A.371 | Issue No.10: Gordon Matta-Clark-Splitting (The Humphrey Street Building) 2 of 5 folders. Includes typescript and sketches for Splitting. |
1974 |
| I.A.372 | Issue No.10: Gordon Matta-Clark-Splitting (The Humphrey Street Building) 3 of 5 folders. Edited interview typescripts. |
1974 |
| I.A.373 | Issue No.10: Gordon Matta-Clark-Splitting (The Humphrey Street Building) 4 of 5 folders. Edited interview typescript. |
1974 |
| I.A.374 | Issue No.10: Gordon Matta-Clark-Splitting (The Humphrey Street Building) 5 of 5 folders. Edited interview typescript. |
1974 |
| I.A.375 | Issue No. 10: The Phil Glass Ensemble-Music in Twelve Parts 1 of 5 folders. Edited interview typescript |
1974 |
| I.A.376 | Issue No. 10: The Phil Glass Ensemble-Music in Twelve Parts 2 of 5 folders. Includes photocopied music articles from The SoHo Weekly and an edited interview typescript. |
1974 |
| I.A.377 | Issue No. 10: The Phil Glass Ensemble-Music in Twelve Parts 3 of 5 folders. Edited interview typescript. |
1974 |
| I.A.378 | Issue No. 10: The Phil Glass Ensemble-Music in Twelve Parts 4 of 5 folders. Edited interview typescript. |
1974 |
| I.A.379 | Issue No. 10: The Phil Glass Ensemble-Music in Twelve Parts 5 of 5 folders. Twenty-seven black-and-white portraits by Gwenn Thomas. |
1974 |
| I.A.380 | Issue No.10: Daniel Buren-Kunst Bleibt Politik 1 of 3 folders. Includes partial interview transcript (note: cut in pieces), a contact sheet, correspondence (note: in French) and eight black-and-white photographs from Kunst Bleibt Politik. |
1974 |
| I.A.381 | Issue No.10: Daniel Buren-Kunst Bleibt Politik 2 of 3 folders. Includes handwritten interview transcript (note: in French), editorial notes, and "J'ATTAQUE: Cologne--Project 74--'Kunst Bleibt Kunst." |
1974 |
| I.A.382 | Issue No.10: Daniel Buren-Kunst Bleibt Politik 3 of 3 folders. Edited interview typescript. |
1974 |
| I.A.383 | Issue No.10: Joel Fisher-As Strong as a Spider's Web 1 of 5 folders. Includes thirteen black-and-white photographs. |
1974 |
| I.A.384 | Issue No.10: Joel Fisher-As Strong as a Spider's Web 2 of 5 folders. Includes correspondence and edited interview typescript. |
1974 |
| I.A.385 | Issue No.10: Joel Fisher-As Strong as a Spider's Web 3 of 5 folders. Includes correspondence and edited interview typescript. |
1974 |
| I.A.386 | Issue No.10: Joel Fisher-As Strong as a Spider's Web 4 of 5 folders. Includes edited interview typescript. |
1974 |
| I.A.387* | Issue No.10: Joel Fisher-As Strong as a Spider's Web 5 of 5 folders. "Joel Fisher Berliner...Künstlerprogramm (DAAD)." |
1974 |
| I.A.388 | Issue No.10: Hans Haacke-Manet/Projekt '74 Includes Haacke's "On the Wallraf-Richartz-Museum's Censorship of My Work for Project '74" and edited article text. |
1974 |
| I.A.389 | Issue No. 10: Jack Smith-Fear Ritual of Shark Museum 1 of 2 folders. Includes nine black-and-white photographs, contact sheets, and edited interview typescript. |
1974 |
| I.A.390* | Issue No. 10: Jack Smith-Fear Ritual of Shark Museum 2 of 2 folders. Two black-and-white photographs. |
1974 |
| I.A.391 | Issue No.10: Simone Forti-Dancing at the Fence Includes edited interview transcript and draft of essay by Forti in which she writes about her process of studying and creating movement by watching animals "dance" at the zoo. |
1974 |
| I.A.392 | Issue No.10: Schley/Adler-World Run Includes seven black-and-white photographs of World Run a global art piece by Van Schley and Billy Adler. Also includes a short description of the project. |
1974 |
| I.A.393 | Issue No.10: Miscellaneous Editorial 1 of 2 folders. |
1974 |
| I.A.394* | Issue No.10: Miscellaneous Editorial 2 of 2 folders. Includes mechanicals with black-and-white photographs and page layout sketches. |
1974 |
| I.A.395 | Issue No.10: Advertisements 1 of 2 folders. Includes eight black-and-white photographs. |
1974 |
| I.A.396* | Issue No.10: Advertisements 2 of 2 folders. Advertisement mechanicals. |
1974 |
| I.A.397* | Issue No.10: Printed Issues | 1974 |
| I.A.398 | Issue No. 11: Rumbles 1 of 5 folders. Includes edited typescript of "Films" section; edited description and film stills of Mary Miss's film Cut-Off (1974-75); edited description of Virginia Piersol's film Left-Hand Throw(1973) |
1975 |
| I.A.399 | Issue No. 11: Rumbles 2 of 5 folders. Includes gallery announcements for Richard Long at Galerie Yvon Lambert; Peter Downsbrough's Two Lines; Helen Douglas and Telfer Stokes's book Loophole (Weproductions); black-and-white film stills of Nancy Holt's Pine Barrens; and black-and-white film stills of Mary Miss's Cut-Off. |
1975 |
| I.A.400 | Issue No. 11: Rumbles 3 of 5 folders. Women in Photography: A Historical Survey catalogue from exhibition at The San Francisco Museum of Art (April 18-June 15, 1975). |
1975 |
| I.A.401 | Issue No. 11: Rumbles 4 of 5 folders. Includes edited section typescript. |
1975 |
| I.A.402 | Issue No. 11: Rumbles 5 of 5 folders. Includes edited typescript of "Messages" and "Publications" sections. |
1975 |
| I.A.403 | Issue No.11: Joel Shapiro-Torquing 1 of 8 folders. Includes edited interview typescript. |
1975 |
| I.A.404 | Issue No.11: Joel Shapiro-Torquing 2 of 8 folders. Includes edited interview typescript. |
1975 |
| I.A.405 | Issue No.11: Joel Shapiro-Torquing 3 of 8 folders. Edited interview typescript. |
1975 |
| I.A.406 | Issue No.11: Joel Shapiro-Torquing 4 of 8 folders. Includes edited interview typescript and sixteen black-and-white photographs documenting Shapiro's Ladder, Untitled (coffin), Untitled (house), Untitled (horse), Bird and other works. |
1973-1975 |
| I.A.407 | Issue No.11: Joel Shapiro-Torquing 5 of 8 folders. Includes black-and-white photographs and contact sheets by Gwenn Thomas, which document Shapiro working in studios at 54 Leonard Street, 93 Grand Street, and a foundry in Greenpoint, Brooklyn. |
1975 |
| I.A.408 | Issue No.11: Joel Shapiro-Torquing 6 of 8 folders. Handwritten editorial notes and edited interview typescript. |
1975 |
| I.A.409 | Issue No.11: Joel Shapiro-Torquing 7 of 8 folders. Edited interview typescript. |
1975 |
| I.A.410 | Issue No.11: Joel Shapiro-Torquing 8 of 8 folders. Edited interview typescript. |
1975 |
| I.A.411 | Issue No.11: Darcy Lange Videography: Work 1 of 3 folders. Edited interview typescript. |
1975 |
| I.A.412 | Issue No.11: Darcy Lange Videography: Work 2 of 3 folders. Includes edited interview typescript and contact sheets. |
1975 |
| I.A.413 | Issue No.11: Darcy Lange Videography: Work 3 of 3 folders. Includes eight black-and-white photographs, correspondence, and an artist's biography. |
1975 |
| I.A.414 | Issue No.11: Alan Saret-Installation for Man, a Conversation with Willoughby Sharp 1 of 2 folders. Includes edited interview typescript; the poem (W)hole - The Opening of a Temple of Ale, along with corresponding black-and-white photographs by Lisa Kahane; black-and-white photograph of Saret's Stair; and a contact sheet with images of Saret working. |
1975 |
| I.A.415 | Issue No.11: Alan Saret-Installation for Man, a Conversation with Willoughby Sharp 2 of 2 folders. Interview typescript. |
1975 |
| I.A.416 | Issue No.11: Steve Paxton-Like the Famous Tree 1 of 8 folders. Includes edited artist chronology and interview typescript. |
1975 |
| I.A.417 | Issue No.11: Steve Paxton-Like the Famous Tree 2 of 8 folders. Edited interview typescript. |
1975 |
| I.A.418 | Issue No.11: Steve Paxton-Like the Famous Tree 3 of 8 folders. Edited interview typescript. |
1975 |
| I.A.419 | Issue No.11: Steve Paxton-Like the Famous Tree 4 of 8 folders. Edited interview typescript. |
1975 |
| I.A.420 | Issue No.11: Steve Paxton-Like the Famous Tree 5 of 8 folders. Includes handwritten Paxton chronology and photo captions and credits. |
1975 |
| I.A.421 | Issue No.11: Steve Paxton-Like the Famous Tree 6 of 8 folders. Edited interview typescript. Originally marked "Tape 6." |
1975 |
| I.A.422 | Issue No.11: Steve Paxton-Like the Famous Tree 7 of 8 folders. Includes several black-and-white photographs documenting Paxton's performances, such as State (Dedicated to Doris Humphrey), performed at the Whitney Museum of American Art in 1970, and First: for Elaine(1964). |
1964-1975 |
| I.A.423 | Issue No.11: Steve Paxton-Like the Famous Tree 8 of 8 folders. Seven black-and-white photographs documenting performances by Paxton, including Section of a New Unfinished Work (1965). Three photographs stamped on back: R.Rauschenberg 381 Lafayette St. New York, NY 10003. |
1975 |
| I.A.424 | Issue No.11: Contact Improvisation 1 of 3 folders. Includes press release from The Kitchen from March 6, 1975 and numerous contact sheets with images by Gwenn Thomas. |
1975 |
| I.A.425 | Issue No.11: Contact Improvisation 2 of 3 folders. Includes flyer for Contact Marathon at Natural Dance Studio, handwritten excerpts from interview, and black-and-white film still of Contact Improvisation at the Weber Gallery by Nancy Smith. |
1972-1975 |
| I.A.426 | Issue No.11: Contact Improvisation 3 of 3 folders. Includes postcard to Béar and Sharp announcing a performance of Contact Improvisation at The Kitchen on April 5-6, 1975. Also includes editorial notes, artist quotations, and a contact sheet. |
1975 |
| I.A.427 | Issue No.11: Laurie Anderson-Confessions of a Street Talker Includes edited essay typescript and announcements for Anderson's performances at Artists Space and Samangallery. |
1975 |
| I.A.428 | Issue No.11: Miscellaneous Editorial 1 of 2 folders. |
1975 |
| I.A.429* | Issue No.11: Miscellaneous Editorial 2 of 2 folders. |
1975 |
| I.A.430 | Issue No.11: Advertisements Includes advertisement checklist and thirteen black-and-white photographs. |
1975 |
| I.A.431* | Issue No.11: Advertisements | 1975 |
| I.A.432* | Issue No.11: Printed Issue Two issues; one incomplete. |
1975 |
| I.A.433 | Issue No.12: Rumbles-Hardu Keck Eight black-and-white photographs including one of Keck's Fireman's Fountain. Also includes a letter from Sharp to Keck. |
1975 |
| I.A.434 | Issue No.12: Rumbles 1 of 2 folders. Includes edited typescript; correspondence between Béar and Tania Mouraud; and a black-and-white photograph of Mouraud's Initiation Room No.2. |
1975 |
| I.A.435 | Issue No.12: Rumbles 2 of 2 folders. Includes gallery announcement for an exhibition of sculpture and film by Mary Miss at Rosa Esman. Also includes a photographic detail of Chris Burden's B-Car (1975) marked "engine and differential." |
1975 |
| I.A.436 | Issue No.12: Robin Winters "Fairly Regular Hours" 1 of 4 folders. Includes edited interview typescript and an exhibition announcement for Winters' show, Tunnel Space, at Konrad Fischer's. |
1975 |
| I.A.437 | Issue No.12: Robin Winters "Fairly Regular Hours" 2 of 4 folders. Edited interview typescript. |
1975 |
| I.A.438 | Issue No.12: Robin Winters "Fairly Regular Hours" 3 of 4 folders. Nine black-and-white photographs of Winters's performances including The Secret Life of Bob-E or Bob-E Behind the Veil (1974); W.B. Bearman Bags a Job or Diary of a Dreamer (1975);Your Scene…My Scene…Three Elements of Performance: Boredom…Tension…Surprise (July 1975); and Tracks and Traces, A Day at the Races, the Unconscious Before Sleep |
1975 |
| I.A.439* | Issue No.12: Robin Winters "Fairly Regular Hours" 4 of 4 folders. Page layout mechanicals. |
1975 |
| I.A.440 | Issue No.12: Robert Wilson and Christopher Knowles-"Because Why." A Stereo Dialogue with Willoughby Sharp and Liza Béar 1 of 3 folders. Edited interview typescript. |
1975 |
| I.A.441 | Issue No.12: Robert Wilson and Christopher Knowles-"Because Why." A Stereo Dialogue with Willoughby Sharp and Liza Béar. 2 of 3 folders. Includes edited interview typescript, black-and-white negatives, and a flyer for Robert Wilson's, The Life and Times of Joseph Stalin, presented by The Byrd Hoffman School of the Byrds at the Brooklyn Academy of Music. |
1975 |
| I.A.442 | Issue No.12: Robert Wilson and Christopher Knowles-"Because Why." A Stereo Dialogue with Willoughby Sharp and Liza Béar. 3 of 3 folders. Interview tape transcript and numerous small black-and-white photographs. (Note: several pages removed for conservation treatment). |
1975 |
| I.A.443 | No. 12: Rita Myers "… a remote intimacy" 1 of 5 folders. Ten black-and-white photographs documenting Myers performances, including Sleep Performance, Slow Squeeze I, Vein Extension, Tilt 1 and Tilt 2, Flex, and Crawl Piece. |
1975 |
| I.A.444 | No. 12: Rita Myers "… a remote intimacy" 2 of 5 folders. Includes edited interview typescript and two black-and-white photographs. |
1975 |
| I.A.445 | No. 12: Rita Myers "… a remote intimacy" 3 of 5 folders. Edited interview typescript. |
1975 |
| I.A.446 | No. 12: Rita Myers "… a remote intimacy" 4 of 5 folders. Edited interview typescript marked "Side Two." |
1975 |
| I.A.447 | No. 12: Rita Myers "… a remote intimacy" 5 of 5 folders. Includes press release for an Alice Aycock and Rita Myers exhibition at Walters Hall Art Gallery at Douglass College (Rutgers University). Also includes a partial edited typescript. |
1975 |
| I.A.448 | No. 12: Barbara Dilley Dancing-A Picture Autobiography 1 of 6 folders. Includes correspondence and edited interview typescript. |
1975 |
| I.A.449 | No. 12: Barbara Dilley Dancing-A Picture Autobiography 2 of 6 folders. Includes two black-and-white photographs, photograph captions, correspondence, and a flyer for a Dilley performance at the Naropa Institute (Boulder, CO). |
1975 |
| I.A.450 | No. 12: Barbara Dilley Dancing-A Picture Autobiography 3 of 6 folders. Includes index cards with handwritten descriptions of several Dilley performances. |
1975 |
| I.A.451 | No. 12: Barbara Dilley Dancing-A Picture Autobiography 4 of 6 folders. Edited interview typescript. |
1975 |
| I.A.452 | No. 12: Barbara Dilley Dancing-A Picture Autobiography 5 of 6 folders. Fifteen black-and-white photographs documenting performances by Dilley, including Never Fall in Love with a Samari. |
1975 |
| I.A.453* | No. 12: Barbara Dilley Dancing-A Picture Autobiography 6 of 6 folders. Includes black-and-white portrait of Dilley used on cover of Avalanche no. 12. |
1975 |
| I.A.454 | No.12: Alexis Smith-Anteroom/Anti-Room 1 of 2 folders. Includes correspondence; gallery announcement for Smith's Anteroom at CARP (Los Angeles); text for issue no. 12 centerfold: and a film still of Fred Astaire dancing in Royal Wedding. |
1975 |
| I.A.455* | No.12: Alexis Smith-Anteroom/Anti-Room 2 of 2 folders. |
1975 |
| I.A.456 | No.12: Mumbo Jumbo-A Situation Comedy by Michael McClard Includes numerous small black-and-white photographs and a layout sketch. |
1975 |
| I.A.457 | No.12: Advertisements Includes final ad copy; a gallery announcement for Richard Tuttle at the Galleroa Marilena Bonomo (Bari, Italy); a letter from Marilena Bonomo to Sharp; miscellaneous correspondence; and four black-and-white photographs. |
1975 |
| I.A.458* | No.12: Advertisements | 1975 |
| I.A.459 | No.12: Miscellaneous Editorial Documents Includes photo captions and table of contents layout. |
1975 |
| I.A.460* | No.12: Miscellaneous Editorial Documents | 1975 |
| I.A.461* | No.12: Printed Issues | 1975 |
| I.A.462 | No.13: Rumbles-Barbara Smith Includes Smith's resume, correspondence, and a flyer for Sometimes You Don't Have to Do Anything at Logiudice Gallery. |
1975-1976 |
| I.A.463 | No.13:Rumbles-Bob Wade Includes black-and-white photograph of Funeral Wagon and a still from Jakalope depicting "Wade and Waco Friends with Automatic Weapons"; and materials related to Wade's Map of America. |
1976 |
| I.A.464 | No.13: Rumbles-Publications 1 of 2 folders. Includes correspondence; handwritten notes; a postcard from the Philadelphia Film Cooperative, a copy of Art Power 19 (on the work of Kurt von Ballmoos); and Soft Art Press, no.3. |
1974-1976 |
| I.A.465 | No.13: Rumbles-Publications 2 of 2 folders. Includes a postcard announcing the publication of Lawrence Weiner: Relative to Hanging; a flyer for Control magazine, no.9; correspondence; and miscellaneous art publisher announcements. |
1976 |
| I.A.466 | No.13: Rumbles 1 of 6 folders. Includes gallery announcements for Anne Frye exhibition at V.P.I (Blacksburg, Va.) and Enzo Esposito at Pasquale Trisorio (Naples); black-and-white photographs of Berill Peterson's Two Part Inventio; and a copy of Susan Grieger's Friends/Artists. |
1976 |
| I.A.467 | No.13: Rumbles 2 of 6 folders. Includes postcard to Béar from Susan Mogul with a stamp reading: "Mogul is Mobil." Also includes black-and-white photographs of William Leavitt's A Proof of Infinity, Gilbert and George's The Red Sculpture "Cherry Blossom," and Mary Schaffer's Keep off Sidewalks. |
1976 |
| I.A.468 | No.13: Rumbles 3 of 6 folders. Includes edited section text as well as announcements from Gallery Werk. |
1974-1976 |
| I.A.469 | No.13: Rumbles 4 of 6 folders. Original folder "possible." Includes fourteen black-and-white installation photographs of a video art exhibition; miscellaneous gallery announcements; and an invitation for a benefit "to re-open and re-name Public School One 'Project Studio One'." |
1976 |
| I.A.470 | No.13: Rumbles 5 of 6 folders. Original folder marked "Possible." Includes a 1976 List of Exhibitions at the Walker Art Center; a pamphlet for public events sponsored by the Summer Institute in the Making and Understanding of Film and Media; exhibition announcement for Gordon Matta-Clark exhibition, Film Projects and Underground Dailies, at the Holly Solomon Gallery. |
1976 |
| I.A.471* | No.13: Rumbles 6 of 6 folders. Includes a poster for Jeffrey Lohn's Mimetikos performance at Gallery M; a poster for Lucinda Child's Dance Concert at Washington Square Methodist Church; a page from the May 2, 1976 The New York Times reviewing the Venice Biennale; and a black-and-white photograph from Barbara Smith's performance A Week in the Life of… |
1976 |
| I.A.472 | No.13: Bleecker-On-The-Bowery: Fitzgibbon, Coleen 1 of 2 folders. Edited interview typescript and five black-and-white photographs. |
1976 |
| I.A.473 | No.13: Bleecker-On-The-Bowery: Fitzgibbon, Coleen 2 of 2 folders. Includes edited interview typescript. |
1976 |
| I.A.474 | No.13: Reiner Ruthenbeck "Eclipse" 1 of 5 folders. Includes correspondence, editorial notes, and edited interview typescript. Note: in both German and English. |
1976 |
| I.A.475 | No.13: Reiner Ruthenbeck "Eclipse" 2 of 5 folders. Includes correspondence (note: in German), and handwritten interview inserts. |
1976 |
| I.A.476 | No.13: Reiner Ruthenbeck "Eclipse" 3 of 5 folders. Edited interview typescript. Note: in German and English. |
1976 |
| I.A.477 | No.13: Reiner Ruthenbeck "Eclipse" 4 of 5 folders. Edited interview typescript. |
1976 |
| I.A.478 | No.13: Reiner Ruthenbeck "Eclipse" 5 of 5 folders. Black-and-white photographs of Ruthenbeck's work and page mechanicals. |
1976 |
| I.A.479 | No.13: Straight Razor-Jim Roche Talks to Willoughby Sharp 1 of 4 folders. Includes correspondence; transcript of Roche's audio performances, Nineteen Sixty-One Cadillac Piece, Fight it Out Piece, and Power Poles Piece; and nine black-and-white photographs. |
1973-1976 |
| I.A.480 | No.13: Straight Razor-Jim Roche Talks to Willoughby Sharp 2 of 3 folders. Edited interview typescript. |
1976 |
| I.A.481 | No.13: Straight Razor-Jim Roche Talks to Willoughby Sharp 3 of 4 folders. Includes correspondence, transcript of Roche's audio performance, Straight Razor Piece, photographic negatives, and edited "blurbs." |
1972-1976 |
| I.A.482* | No.13: Straight Razor-Jim Roche Talks to Willoughby Sharp 4 of 4 folders. One black-and-white photograph. |
1976 |
| I.A.483 | No.13: Bas Jan Ader "In Search of the Miraculous" Includes edited interview typescript and black-and-white photographs. |
1976 |
| I.A.484 | No.13: Diego Cortez an Obvious Kind of Eyesore 1 of 3 folders. Includes two edited interview typescripts. |
1976 |
| I.A.485 | No.13: Diego Cortez an Obvious Kind of Eyesore 2 of 3 folders. Includes clippings for page mechanicals. |
1976 |
| I.A.486* | No.13: Diego Cortez an Obvious Kind of Eyesore 3 of 3 folders. |
1976 |
| I.A.487 | No.13: Bryan Jones-Interview Includes four black-and-white pictures, correspondence, and edited interview typescript. |
1976 |
| I.A.488 | No.13: Meredith Monk-Invocation/Evocation a Dialogue with Liza Béar 1 of 4 folders. Includes edited photo captions and interview typescript. |
1976 |
| I.A.489 | No.13: Meredith Monk-Invocation/Evocation a Dialogue with Liza Béar 2 of 4 folders. Edited interview typescript. |
1976 |
| I.A.490 | No.13: Meredith Monk-Invocation/Evocation a Dialogue with Liza Béar 3 of 4 folders. Includes artist research materials; a list of Monk's works; "Notes on the Voice"; and a flyer for Monk's opera, Quarry, at La Mama Annex. |
1976 |
| I.A.491 | No.13: Meredith Monk-Invocation/Evocation a Dialogue with Liza Béar 4 of 4 folders. Twenty-seven black-and-white photographs, several of which document Vessel and Juice: A Theatre Cantata in Three Parts. |
1972-1976 |
| I.A.492 | No.13: Advertisements 1 of 6 folders. Includes correspondence; drafts of advertisement layouts; press release for the exhibition, The Evening Curious George Died, a narrative installation by Terry Allen at the Claire Copley Gallery, Inc.; and an advertisement mechanical for John Gibson Gallery, Inc. |
1976 |
| I.A.493 | No.13: Advertisements 2 of 6 folders. Nine black-and-white photographs. |
1976 |
| I.A.494 | No.13: Advertisements 3 of 6 folders. Original folder marked "possible." Includes correspondence, press releases, and gallery announcements for Diego Cortez at Pasquale Trisoro (Naples), Dorthea Rockburne at Galleria Schema (Florence), Susan Rothenberg at Sable-Castelli Gallery (Toronto), Joseph Kosuth at Lia Rumma/Studio d'arte, and Michelangelo Pistoletto at Christian Stein (Turin). |
1976 |
| I.A.495 | No.13: Advertisements 4 of 6 folders. Original folder marked "possible." Includes exhibition announcements for Ugo Carrega at Multimedia Arte Contemporanea (Brescia) and Gina Pane at Galerie Stadler (Paris). Both annotated with a personal messages from the artists to Béar. |
1976 |
| I.A.496* | No.13: Advertisements 5 of 6 folders. Includes advertisement mechanicals. |
1976 |
| I.A.497* | No.13: Advertisements 6 of 6 folders. Includes advertisement check list. |
1976 |
| I.A.498 | No.13: Miscellaneous Editorial Documents 1 of 7 folders. |
1976 |
| I.A.499 | No.13: Miscellaneous Editorial Documents 2 of 7 folders. |
1976 |
| I.A.500 | No.13: Miscellaneous Editorial Documents 3 of 7 folders. Includes ten black-and-white photographs and contact sheets. |
1976 |
| I.A.501 | No.13: Miscellaneous Editorial Documents 4 of 7 folders. Ten black-and-white photographs including images with Vito Acconci. |
1976 |
| I.A.502 | No.13: Miscellaneous Editorial Documents 5 of 7 folders. Includes thirteen unidentified black-and-white issue photographs. |
1976 |
| I.A.503 | No.13: Miscellaneous Editorial Documents 6 of 7 folders. |
1976 |
| I.A.504* | No.13: Miscellaneous Editorial Documents 7 of 7 folders. Includes twenty pages of page mechanicals with handwritten notes and sketches. |
1976 |
| I.A.505 | No.13: Miscellaneous Correspondence | 1976 |
| I.A.506* | No.13: Printed Issues | 1976 |
| I.A.507* | Unidentified Issue Materials Includes black-and-white photographs of Jannis Kounellis' Porta Murata (1969). |
|
| I.A.508 | Unidentified Issue Materials | 1970-1976 |
| I.A.509 | Unidentified Issue Materials Black-and-white photographs. |
1970-1976 |
| I.A.510 | Miscellaneous Issue Heads and Mechanicals | 1970-1976 |
| I.A.511* | Miscellaneous Issue Heads and Mechanicals | 1970-1976 |
Subseries I.B: Mechanicals/Mock-Ups/Layouts 1968-1976 |
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|
Subseries I.B: Mechanicals/Mock-Ups/Layouts display the final page proofs for twelve of Avalanche's thirteen issues. The mock-ups for issue six ("the Acconci issue") were lost before the Archives came into the Museum's possession in 2005. Nearly all the materials in this subseries are oversized measuring 12 7/8 x 20" (32.7 x 50.8 cm). The large, flat format of these documents is noteworthy in that it explicitly reveals how carefully and consciously Béar and Sharp curated each two-page spread of the magazine. |
||
|
The mock-ups received significant preservation and conservation work by project archivist, Christiana Dobrzynki Grippe and supplemental materials--predominately photographic material--that were not determined to be part of the original magazine mock-ups were subsequently integrated into Subseries I.A by the archivist. |
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| Folder | Title | Date |
| I.B.1* | Issue no. 1 | 1968-1970 |
| I.B.2* | Issue no. 2 | 1970-1971 |
| I.B.3* | Issue no. 3 | 1971 |
| I.B.4* | Issue no. 4 | 1971-1972 |
| I.B.5* | Issue no. 5 | 1972 |
| I.B.6* | Issue no. 7 | 1972-1973 |
| I.B.7* | Issue no. 8 | 1973 |
| I.B.8* | Issue no. 9 | 1973-1974 |
| I.B.9* | Issue no. 10 | 1974 |
| I.B.10* | Issue no. 11 | 1975 |
| I.B.11* | Issue no. 12 | 1975 |
| I.B.12* | Issue no. 13 | 1976 |
| I.B.13* | Assorted mock-ups | 1968-1976 |
| I.B.14* | Assorted mock-ups | 1968-1976 |
| I.B.15* | Assorted mock-ups Note: restricted for preservation purposes. |
1968-1976 |
|
|
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Series II: Artist Research and Subject Files 1965-2003 |
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Series II: Artist Research and Subject Files contain photographs, exhibition announcements and catalogues, correspondence, press clippings, posters and other related ephemera on artists, institutions, and events (e.g. exhibitions, performances, and book signings). While many of these files reflect the people and places that were in some way associated with Avalanche, it should also be noted that a substantial portion of the material contained within this series was probably unsolicited--sent to the magazine's office by interested artists, readers, and art-related intuitions from across the world. These files came to the museum arranged alphabetically (last names first) and the current series arrangement reflects this original order. For preservation purposes, many newspaper clippings have been photocopied and the originals have been marked as restricted to avoid excessive handling and further decay. Researchers should note that there is some overlap in content with Series I.
Series highlights include: a statement regarding the removal of Takis' Electromagnetic Sculpture from The Museum of Modern Art's The Machine at the End of the Mechanical Age (1969); a postcard to Béar and Sharp from John Baldessari; an invitation for Lowell and Kathleen Darling's divorce; a flyer for Gilbert and George's Underneath the Arches; correspondence with Image Bank's Marcel Idea; and a transcript of a conversation between Béar and Nam June Paik. A file titled "Junk Mail," which included correspondence art pieces by Ray Johnson and the Hoo Hoo Archive, was originally filed with the Series IV: Administrative and Financial Records materials. It was removed at the discretion of the archivist and filed in this series. The folder's title remains "Junk Mail." |
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| Folder | Title | Date |
| II.1 | 3D into 2D Exhibition press release. |
1972 |
| II.2 | 3 Mercer Store | 1975-1976 |
| II.3 | 28 Greene St. | undated |
| II.4 | 7th Annual Art Invitational | 1973 |
| II.5 | 10 Bleecker | |
| II.6 | 17,5 x 25 No. 11, June 1972. Note: in Italian. |
1972 |
| II.7 | 112 Greene Street | undated |
| II.8* | A.I.R. Includes poster for exhibition opening at A.I.R. (97 Wooster Street). Show included works by Judith Bernstein, Maude Boltz, Rachel bas-Cohain, Daria Dorosh, Loretta Dunkelman, Laurence James, Nancy Kitchel, Rosemary Mayer, Patsy Norvell and Nancy Spero. |
undated |
| II.9 | Abbott, John Includes correspondence between Abbott and Béar and Abbott and Norman Fisher. |
1974-1975 |
| II.10 | Acciari, Paul | 1972 |
| II.11 | Acconci, Vito 1 of 2 folders. Includes "Some Notes on Activity and Performance" from John Gibson Commissions, Inc.; extensive documentation on several of Acconci's performances from the 1970s; text for Supply Room; four black-and-white photographs; and a postcard from Acconci to Béar from Paris. |
|
| II.12 | Acconci, Vito 2 of 2 folders. Photographs, written description and diagram for Acconci's Venice Belongs to Us (Venezia Ci Appartiene). |
1976 |
| II.13 | Adair, Lee | undated |
| II.14 | Adams, Mac 1 of 2 folders. Thirteen black-and-white photographs. |
undated |
| II.15* | Adams, Mac 2 of 2 folders. |
undated |
| II.16 | Air Art and Earth Art Exhibitions Includes correspondence between Sharp and various museum curators and administrators. |
1968-1970 |
| II.17 | Akston, Joseph James Press release for exhibition of recent oils by Akston at The New York Cultural Center. |
undated |
| II.18 | Alexander, Susan Includes black-and-white photograph of Alexander performing at Denison University. |
1972 |
| II.19 | Allan, Bill | 1971 |
| II.20 | American Federation of The Arts Press release for Haitian Painting: The Native Tradition. |
1973 |
| II.21 | and/or Includes exhibition announcements for C.7,5000 and a showorganized by Lucy Lippard. |
1974-1975 |
| II.22 | Andre, Carl 1 of 3 folders. catalogues from exhibitions at the Haags Gemeentenmuesum and the Solomon R. Guggenheim Museum. |
1969-1970 |
| II.23 | Andre, Carl 2 of 3 folders. Includes numerous gallery announcements (for shows at Konrad Fischer, Wide White Space, Dwan, and John Weber Gallery); black-and-white photographs of Andre's 'Sorts, Three Piece Sort, and Hexagon; handwritten notes on Andre's life and work; and an transcript from,"Exchange." an interview between Andre and Dan Graham. |
1969-1972 |
| II.24* | Andre, Carl 3 of 3 folders. Includes posters from group show at Bykert Gallery and solo show at Dwan Gallery. |
1968-1970 |
| II.25 | Andrews, Oliver Includes black-and-white photographs and press release. |
1971 |
| II.26 | Anselmo, Giovanni Miscellaneous gallery ephemera. |
1972-1974 |
| II.27 | Antin, Eleanor Includes exhibition announcements, press releases, and correspondence. |
1972 |
| II.28 | Arbus, Diane Press release for Arbus photographs on view at The Museum of Modern Art. |
1972 |
| II.29 | Arcelli Comini | 1973 |
| II.30 | Arman Exhibition invitation. |
undated |
| II.31* | Arnaldi, Charles Poster for show at the Texas Gallery. |
undated |
| II.32 | Art Aktuell Includes numerous newsletters. |
1972-1974 |
| II.33 | Art and Language | undated |
| II.34 | Art and Project | 1971-1972 |
| II.35 | Art Basel Includes price lists, art fair pamphlet (note: in German), and several "Le Bulletin des Arts." |
1973-1974 |
| II.36 | Art Contracts Includes art transfer agreement. |
undated |
| II.37 | Art Now Includes copy of Art Now: New York (Vol. 3, no. 3); and six gallery guides. |
1971-1973 |
| II.38 | Art Services | undated |
| II.39 | Art Strike 1 of 2 folders. Includes Art Strike Committee agendas; "International Cultural Revolutionary Forces" document; "New York Artists' Strike: Against Racism, Sexism, Repression and WAR" document; flyer for Artists United meeting --"A Call to Action in Defense of the Black Panther Party." |
1970 |
| II.40* | Art Strike 2 of 2 folders. "CRISIS" poster announcing a city-wide work stoppage rally and Black Panther Party newspaper. |
1970 |
| II.41 | Art Workers Coalition 1 of 4 folders. Includes statement regarding the removal of Takis' Electromagnetic Sculpture from The Museum of Modern Art's The Machine at the End of the Mechanical Age exhibition (1969); edited draft of statement titled "proposals to be made to the Modern"; series of edited statements and progress reports; and a copy of Ramparts (November 17, 1968). |
1968-1969 |
| II.42 | Art Workers Coalition 2 of 4 folders. Includes numerous correspondence between MoMA Director, Bates Lowry, and the coalition (which included Sharp, Gregory Battcock, Farman, Hans Haacke, Tom Lloyd, John Perrault, Takis and Wen-Ying Tsai); meeting notes; press clippings; "Newsletter of the North American Congress on Latin America" (NACLA); "Manifesto For The Guerrilla Art Action Group" (Group included Jon Hendricks, Poppy Johnson, and Jean Toche); and directions for actions conducted by the Guerrilla Art Action Group. |
1969 |
| II.43 | Art Workers Coalition 3 of 4 folders. Includes directions for actions conducted by the Guerrilla Art Action Group; correspondence between Sharp and MoMA director, Bates Lowry; handwritten notes; press clipping from The New York Times (January 4, 1969) discussing Takis removal if his sculpture from The Machine exhibition at The Museum of Modern Art. |
1969 |
| II.44 | Art Workers Coalition 4 of 4 folders. "Open Hearing" transcript. "An open public hearing on the subject: what should the program of the art workers regarding museum reform and to establish the program of an open art workers coalition." Event held at the School of the Visual Arts on April 10, 1969. |
1969 |
| II.45* | Arte Informa No. 7, July 1971. |
1971 |
| II.46 | Arte Visuales | 1978 |
| II.47 | Artists' Space | 1974 |
| II.48 | Artpark | 1978 |
| II.49 | Artweisers Exhibition announcement for Artweisers Live. |
undated |
| II.50 | Asher, Michael Exhibition announcements and black-and-white installation photograph of Untitled at Documenta 5. |
1971-1973 |
| II.51 | Askevold, David Includes correspondence between Sharp and Askevold; exhibition announcements; and edited interview typescript between Askevold and Richards Jarden. |
1971 |
| II.52 | Askew, Edward Includes fourteen black-and-white photographs and press clippings. |
1971 |
| II.53 | Askman, Tom | 1973 |
| II.54* | A Space 1 of 2 folders. Flyer for Missing Associates at A Space. |
1973-174 |
| II.55 | A Space 2 of 2 folders. |
1973 |
| II.56* | Ateliers Copy of Ateliers: Musée d'art contemporain. |
1973 |
| II.57 | Atget, Eugène Press release for an exhibition of Atget's photographs at The Museum of Modern Art. |
1972 |
| II.58 | Attalai, Gabor Includes correspondence from Gabor to Sharp and Béar; document titled, "An Interview by Me. With me --for the Avalanche--on two languages from Budapest, 5 Oct. 1972"; black-and-white photographs documenting Process of Baldly, A Discipline for the Art, and Living Decoration. |
1970-1973 |
| II.59 | L'attico | 1974 |
| II.60 | Aubertin, Bernard Includes nine black-and-white photographs, exhibition catalogueand handwritten letter from Aubertin to Sharp (note: in French). |
1968-1972 |
| II.61 | Auping, Michael Includes interview transcripts between Auping and David Ross and Auping and Robert Cumming. |
1976 |
| II.62 | Aycock, Alice Includes eight black-and-white photographs of Maze and a copy of "An Ongoing Essay." |
1969-1975 |
| II.63 | Azizass | undated |
| II.64 | Baden, Mowry | 1969-1970 |
| II.65 | Baer, Jo | 1974 |
| II.66 | Bakaty, Mike | undated |
| II.67 | Baldessari, John Includes postcard from Baldessari to Sharp and Béar and twenty-one color slides. |
1969 |
| II.68 | Banana, Ann | undated |
| II.69 | Barni, Roberto | undated |
| II.70 | Barré, Marin | 1973 |
| II.71 | Barry, Robert Includes art & project, bulletin 37. |
1972 |
| II.72 | Barth, James | undated |
| II.73 | Battcock, Gregory Includes "Flying: A Dialogue With Gregory Battcock." |
1975 |
| II.74 | Baumann, Jim Includes portfolio of recent work and Highway Communications Systems: Circuit - #1. |
1972-1973 |
| II.75 | Bauermeister, René | undated |
| II.76 | Bay, Didier | 1973 |
| II.77 | Beach, Al Includes John Bull Puncture Repair Kit. |
1973 |
| II.78 | Beal, Jack and Sandra | 1972 |
| II.79* | Beaver, Robert | 1971 |
| II.80 | Becher, Bernd and Hilla Exhibition flyer for show at Sonnabend Gallery. |
1972-1974 |
| II.81 | Beckley, Bill Includes black-and-white photographic portrait of Beckleydressed as George Washington. |
1974-1975 |
| II.82 | Bell, Larry Pamphlet from exhibition, The 1969 Terminal Series of Boxes, at The Pace Gallery. |
1969 |
| II.83 | Benglis, Lynda 1 of 2 folders. |
1971-1972 |
| II.84* | Benglis, Lynda 2 of 2 folders. Poster for Benglis' exhibition/performance, Polyurethane Foam 2-Component System, at MIT's Hayden Gallery. |
undated |
| II.85 | Beuys, Joseph 1 of 2 folders. Includes interview transcript of "A Score by Joseph Beuys: We are the Revolution" (between Beuys and Achille Bonito Oliva); "An Encounter with Beuys" by Filiberto Menna; an invitation to meet Beuys at 112 Greene Street; and a photograph of Beuys at a panel in Heidelberg in September 1971. |
1971-1975 |
| II.86* | Beuys, Joseph 2 of 2 folders. Poster from Documenta 5. L'Eroe da camera. Tutte le parole dal silenzio di Duchamp al rumore di Beuys/ The Hero chamber. All the words from the silence of Duchamp to the Noise of Beuys. |
1972 |
| II.87 | Biard, Ida | 1973 |
| II.88 | Bickley, Cynthia Includes correspondence. |
1972-1973 |
| II.89 | Biennale de Paris | 1973 |
| II.90 | Billingsley, Scott Flyer for an induction at the Whitney Museum Resource Center. |
undated |
| II.91 | Bladen, Ronald | 1972 |
| II.92 | Bochner, Mel Includes announcement for Bochner's 3 Ideas + 7 Procedures at The Museum of Modern Art; "Notes on Theory"; and announcement for the publication of 11 Excerpt. |
1971-1972 |
| II.93 | Bodolai, Joe Includes correspondence and numerous documents related to the Cliché Guild of Canada. |
1972-1973 |
| II.94 | Boetti, Alighiero | 1973 |
| II.95 | Bollinger, Bill Black-and-white photograph documenting Bollinger working at Riche Gallery, Cologne. |
1968 |
| II.96 | Boltanski, Christian Includes interview transcript. |
1971-1973 |
| II.97 | Borgeaud, Bernard | undated |
| II.98 | Boyle, Mark | 1971 |
| II.99 | Bradshaw, David | 1971 |
| II.100 | Brainard, Joe | 1973 |
| II.101 | Braunstein, Terry Includes press release from the Washington Project for the Arts and two black-and-white photographs. |
1974-1976 |
| II.102 | Brecht, George | 1968 |
| II.103 | Breer, Robert | 1970 |
| II.104 | Breloh, Heinz Lepidopterum, a small book of black-and-white photographs. |
undated |
| II.105 | Brikcius, Eugen Includes four black-and-white photographs by Helena Pospíšilová documenting the creation of Brikcius' The Sun Dial. |
1969-1970 |
| II.106 | Broodthaers, Marcel Includes gallery announcements for shows at Galerie Yvon Lambert and Galerie Rudolf Zwirner. |
1972-1973 |
| II.107 | Brouwn, Stanley | 1972 |
| II.108 | Brown, Robert Delford | 1972 |
| II.109 | Brown, Trisha | undated |
| II.110 | Brus, Günter Correspondence between Sharp and Brus. |
1971 |
| II.111 | Bryant, Barry 1 of 2 folders. Black-and-white photograph of a woman wearing a political poncho designed by Bryant. |
1970 |
| II.112* | Bryant, Barry 2 of 2 folders. Copy of Milieu Protektion from September 1971. |
1971 |
| II.113* | Bumbershoot | 1973 |
| II.114 | Burden, Chris 1 of 4 folders. Includes correspondence, exhibition announcements, and interview transcript. |
1971-1975 |
| II.115 | Burden, Chris 2 of 4 folders. Includes correspondence, black-and-white photographs, exhibition announcements, and an unpublished interview transcript titled "White Heat White Light" (March, 2, 1975). |
1973-1975 |
| II.116 | Burden, Chris 3 of 4 folders. Two reels of 8 mm color film. |
1976 |
| II.117* | Burden, Chris 4 of 4 folders. Poster for Artist's Performances at Pomona College Art Gallery. |
undated |
| II.118 | Buren, Daniel Includes black-and-white photograph by Bernard Boyer. |
1972 |
| II.119 | Burgess, Lowry Includes press release for What is a Galactic Light Pond at Massachusetts Institute of Technology. |
1974 |
| II.120 | Burgin, Victor | 1971 |
| II.121 | Burgy, Donald | undated |
| II.122 | Burns, Jim | undated |
| II.123 | Burton, Peter | undated |
| II.124 | Bury, Pol Material's relating to Pol's Mixer. |
1972 |
| II.125 | Bushman, Naomi | undated |
| II.126 | Byerley, Gerald | 1973 |
| II.127 | Bykert Gallery Miscellaneous exhibition announcements. |
1971-1983 |
| II.128 | Byrd Hoffman Studio Press release including information on the release of Robert Wilson's A Letter for Queen Victoria. |
1975 |
| II.129 | C. 7,500 Includes exhibition announcement, press release, and press clippings. |
1973 |
| II.130 | Cage, John Announcement for a performance of Cage's Musicircus at Roadhouse in London. |
undated |
| II.131 | California Includes correspondence, newsletter from The Los Angeles Institute of Contemporary Art, and exhibition performance announcements. |
1976 |
| II.132 | California Air Marked "rejects." Includes seven black-and-white photographs, two of which document Sam Francis' and James Turrell's sky drawing, Air Work. |
1969 |
| II.133 | Calzolari, Pier Paolo Exhibition announcements. |
1971-1973 |
| II.134 | C.A.M. Organization | 1974-1976 |
| II.135 | Campbell, Wayne E. Includes black-and-white photographs of Campbell's Skin and Burden Equalizing My Weight. |
1970 |
| II.136 | Campus, Peter | 1972 |
| II.137 | The Creative Artists Public Service Program (CAPS) Includes numerous press releases and a copy of CAPS' mission statement, "Of the Artist, By the Artist, For the People." |
1973-1974 |
| II.138 | Caro, Anthony Exhibition catalogue for New Sculpture, at André Emmerich Gallery, Inc. Note: catalogue has preexisting water damage and pages partially stuck together. |
1972 |
| II.139 | Carr, Ron | 1972 |
| II.140 | Carrot, Charlie 1 of 2 folders. |
1972 |
| II.141* | Carrot, Charlie 2 of 2 folders. Includes copy of cArRoT newspaper (Issue no. 1). |
1971 |
| II.142 | Carson, Karen Hansen | undated |
| II.143 | Cartier-Bresson, Henri Catalogue for Cartier-Bresson exhibition, Fotografías, at the Centro de Arte y Comunicación (Buenos Aires). |
undated |
| II.144 | CAYC (Centro de Arte y Comunicación) Includes copy of Hacia un Perfil del Arte Latinoamericano; a plastic shopping bag with a circular chart titled: "Comparación entre dos tipos de sociedades," and Fotovision and Video Arte catalogues. |
1973-1977 |
| II.145* | Center for New Music Event calendar for December 1972. |
1972 |
| II.146 | Chamberlain, John Chamberlain exhibition announcement with a hologram image of Jean-François Millet 's The Gleaners. |
undated |
| II.147 | Charlton, Alan | 1972 |
| II.148 | Children's Art Carnival Includes press release and an interim report for the Children's Art Carnival (created and sponsored by The Museum of Modern Art). |
1973 |
| II.149 | Christo Includes exhibition flyer for The Valley Curtain Project: Some Documents, Drawings and Photographs at the Allan Frumkin Gallery. |
1971-1972 |
| II.150 | Clemente, Francesco | 1952 |
| II.I51 | Clés | 1972 |
| II.152 | Close, Chuck Includes two film strips from Close's Bob. |
1970 |
| II.153 | Cohen, Maxi Includes correspondence, a description of Cohen's My Bubi, My Zada (performed at The Kitchen October 14-18, 1975), and two black-and-white photographs. |
1976 |
| II.154* | Cole, George Poster for Cole exhibition at The Whitney Museum Art Resource Center. |
1973 |
| II.155 | College Art Association | 1978 |
| II.156 | Collins, James Includes Collins' newsletter "Postal" (nos. 1-5). |
1970-1971 |
| II.157 | Colonna, Kerry | undated |
| II.158 | Colombo, Gianni | 1972 |
| II.159 | Colvin, Bruce Includes samples of Colvin's writing. |
1973 |
| II.160 | Community for Action | 1971 |
| II.161 | Concerned Doctors Forever | 1973 |
| II.162 | Continuing Education (New York University) | 1971 |
| II.163 | The Condition of Sculpture | 1975 |
| II.164 | Cook, Christopher C. Includes A Book of Instants and Possibles. |
1971 |
| II.165 | Copp, Fletcher | 1972 |
| II.166 | Corcoran Gallery of Art | 1972 |
| II.167 | Corrigan, Donald 1 of 2 folders. Includes three black-and-white photographs. |
1969-1971 |
| II.168* | Corrigan, Donald 2 of 2 folders. Poster for Corrigan show at Max Protetch Gallery. |
undated |
| II.169 | Cortez, Diego | 1976 |
| II.170 | Cosmic Consciousness and Artistic Vision Newsletter published by the Department of Art, Florida Technological University. |
1972 |
| II.171 | Cote, Alan | 1972 |
| II.172 | Croce, Giancarlo Includes catalogue from Studio Maddalena Carioni (Milan), two black-and-white photographs, and correspondence. |
1971-1973 |
| II.173 | Cumming, Robert 1 of 3 folder. Includes black-and-white photographs of California Couples, Watermelon/Bread, 3 Faucets, Sentence Starters, 32 Abandoned/Lost Gloves, Armadillo -- Off Angeles Canyon Highway, Sparse Towel Covering, Full Towel Covering, and Hand-Snail Writing Ingion Cement. |
1969-1972 |
| II.174 | Cumming, Robert 2 of 3 folders. Includes correspondence and eleven black-and-white photographs from Cumming's show at John Gibson Gallery. |
1971-1973 |
| II.175 | Cumming, Robert 3 of 3 folders. Includes correspondence and interview transcript between Cumming and Béar. |
1975 |
| II.176 | Cutforth, Roger Includes artist statement and black-and-white installation images of Cutforth's The Non-Art Project in the London Underground. |
1970 |
| II.177 | Danieli, Fidel | 1972-1978 |
| II.178 | Darboven, Hanne | undated |
| II.179 | Davidovich, Jaime | undated |
| II.180 | Darling, Lowell 1 of 2 folders. Includes correspondence, invitation for Lowell Darling and Kathleen Darlings divorce, and interview typescript. |
1971-1975 |
| II.181* | Darling, Lowell 2 of 2 folders. Poster for a Darling performance at V U Gallery. |
undated |
| II.182 | Davis, D.M. Includes correspondence and several black-and-white photographs related to Davis' See Throughs. |
undated |
| II.183 | Davis, Douglas 1 of 2 folders. Includes correspondence, exhibition announcements, press releases, and black-and-white photographs of Sequence/Night Video, Images from the Present Tense I, and Images from Present Tense II. |
1971 |
| II.184* | Davis, Douglas 2 of 2 folders. Includes press clipping from This World(October 2, 1972) and a poster for Images from the Present Tense I at Reese Pally Gallery. |
1973 |
| II.185 | Davis, Dustin Includes documentation and black-and-white photographs of Toast. |
1972 |
| II.186 | Davis, Gene 1 of 2 folders. Includes black-and-white stills of 12 Roofing Nails, Video Puzzle, and Time and Pain. |
1971 |
| II.187* | Davis, Gene 2 of 2 folders. Includes press clipping from The Washington Post (December 16, 1971) and exhibition poster for show at Max Protetch Gallery. |
1971 |
| II.188 | Davis, Ron | 1971 |
| II.189 | Deal, Joseph | 1973 |
| II.190 | De Dominicis, Gino | 1972 |
| II.191 | Dee-Dee and The Artistics Includes "Souvenir Hanky." |
undated |
| II.192 | De Filippi, Ferruccio Includes exhibition catalogue from Galleria La Salita. |
1970 |
| II.193 | De Jong, Constance | undated |
| II.194 | Dekkers, Ger | 1973 |
| II.195 | De Maria, Walter | undated |
| II.196 | Demartini, Hugo Includes a dozen black-and-white photographs. |
1967-1969 |
| II.197 | Denes, Agnes Includes Denes' resume, project descriptions, artist assessment booklet, and a copy of "Dialectic Triangulation." |
1972 |
| II.198 | Denner, William Includes seventeen black-and-white photographs of Denner's work that appeared in the exhibition New Sculpture: Washington, Baltimore, Richmond at the Corcoran Gallery of Art (November 1970). |
1970 |
| II.199* | Department of Fine Art, University of Rhode Island | undated |
| II.200 | Dias, Antonio | 1971 |
| II.201 | Dibbets, Jan Includes exhibition announcements, museumjournal 13/4, correspondence and interview typescript. |
1969-1973 |
| II.202 | Dilley, Barbara Includes eighteen black-and-white photographs, performance flyers, and interview transcript. |
1976 |
| II.203 | Dimitrejevic, Braco Includes exhibition announcements, an interview typescript, and three black-and-white photographs of performance and installation works by Sanja Iveković, Dalibor Martinis, and Gorki Žuvela in the exhibition "Mogućnosti za 1971" (Possibilities for '71) at the City Gallery of Contemporary Art, Zagreb. |
1971-1972 |
| II.204 | Distel, Herbert | 1975 |
| II.205 | Dixon, Richard Richard Dixon I.D. card. |
undated |
| II.206 | Documenta 5 Includes invitation, fair information booklet and three black-and-white photographs of works by Paul Thek, Jud Fine, and Joel Fisher. |
1972 |
| II.207 | Dogmatic, Irene Includes correspondence, postcards, and zines. |
1974 |
| II.208 | Downey, Juan 1 of 2 folders. |
1971-1973 |
| II.209* | Downey, Juan 2 of 2 folders. Includes poster for exhibition at Everson Museum of Art. |
1971 |
| II.210 | Downsbrough, Peter | 1973 |
| II.211 | Doyle, Tom | 1971 |
| II.212 | Druks, Michael | 1973 |
| II.213 | Drysdale, Tom | undated |
| II.214 | Duff, John Black-and-white installation photograph of Duff's Tie Piece. |
1970 |
| II.215 | Dunn, Douglas | undated |
| II.216 | Dupuy, Jean | 1972 |
| II.217 | Duchamp, Marcel Sketch for Avalanche advertisement for Ronald Feldman Fine Arts. |
undated |
| II.218 | E.A.T. (Experiments in Art and Technology, Incorporated) 1 of 2 folders. |
1971 |
| II.219* | E.A.T. (Experiments in Art and Technology, Incorporated) 2 of 2 folders. Exhibition poster for Projects Outside Art at Automation House. |
1970 |
| II.220 | Edelson, Mary Beth | 1973 |
| II.221 | Edson, Jim | undated |
| II.222 | Eins, Stefan | 1974 |
| II.223 | Erdman, Jerry Copy of The Daily Planet (no. 8, April 11, 1973). |
1973 |
| II.224 | Escher, Fred Includes correspondence and fifteen black-and-white photographs. |
1973 |
| II.225 | Evans, Neil | 1972 |
| II.226 | Event Structure Research Group | 1969-1971 |
| II.227 | Fabro, Luciano 1 of 2 folders. Includes nineteen black-and-white photographs. |
1964-1969 |
| II.228* | Fabro, Luciano 2 of 2 folders. Includes black-and-white installation photograph from the Venice Biennale (1972) and press clipping from Flash Art. |
1966-1972 |
| II.229 | Fanzini (The John Dowd Fan Club) Includes mail art and zines by the John Dowd Fan Club. |
1972-1973 |
| II.230 | Fassbinder, Rainer Werner Includes numerous photocopies of reviews and articles on Fassbinder and his films. Also includes a program and an artist's biography from The Fourteenth New York Film Festival. |
1971-1976 |
| II.231 | Feldmann, Hans-Peter | undated |
| II.232 | Fernie, John C. | 1970-1972 |
| II.233 | Fernsehgalerie Gerry Schum | 1970 |
| II.234 | Ferrara, Jackie | 1973 |
| II.235 | File Mock-up for potential advertisement in Avalanche. |
1973 |
| II.236 | Film 1 of 4 folders. Includes press releases, newspaper clippings, and calendars of events. |
1971-1976 |
| II.237 | Film 2 of 4 folders. Includes announcement for Vito Acconci: Film and Video Retrospective at Anthology Film Archive; black-and-white film stills from the 14th New York Film Festival; and various press releases and calendars of events. |
1976-1977 |
| II.238 | Film 3 of 4 folders. Includes numerous "Film and Video Makers Travel Sheet" and press release for Michael Snow's Rameau's Nephew… at The Whitney Museum of American Art. |
1977-1979 |
| II.239* | Film 4 of 4 folders. Includes posters for A History of the American Avant-Garde Cinema; The Museum of Modern Art and the Festival of Women's Films; Film Forum; and newspaper clippings. |
undated |
| II.240 | Film Forum | 1974 |
| II.241 | Fine, Jud | undated |
| II.242 | Fischer, Hervé | undated |
| II.243 | Fisher, Joel | 1971 |
| II.244 | Flavin, Dan Exhibition announcement for Fluorescent Light with Diagrams from Dan Flavin at The John Weber Gallery. |
1971 |
| II.245 | Food Includes January menu. |
undated |
| II.246 | Foreman, Richard | 1973 |
| II.247 | Forest, Fred | 1966-1973 |
| II.248 | Forman, Milos | 1973-1974 |
| II.249 | Forti, Simone | 1975 |
| II.250 | Foundation for the Advance of Dance | 1973 |
| II.251 | Fox, Terry Includes correspondence, artist statement from exhibition at Reese Palley Gallery, three black-and-white installation photographs and instructions for Biting Off Red Hot Iron, and Burning Brimstone. |
1970 |
| II.252 | Frazier, Charles Includes twenty slides and corresponding descriptions. |
undated |
| II.253 | Frameworks Journal | undated |
| II.254 | Frampton, Hollis | undated |
| II.255 | Franklin Mint | 1972 |
| II.256 | French, Steve | 1971 |
| II.257 | Fricke, Larry Includes color photographs documenting Birds In Flight and Last Licks. |
1971 |
| II.258 | Fried, Howard 1 of 2 folders. Includes correspondence and edited interview typescript. |
1971 |
| II.259 | Fried, Howard 2 of 2 folders. Includes black-and-white photographs of The Harlequin: Approach-Audience II, The Harlequin: Approach-Audience III, Fuck You Purdue, and partial interview transcript. |
1971 |
| II.260 | Fugate-Wilcox, Jerry | 1971 |
| II.261 | Fulton, Hamish Includes correspondence (in French) and black-and-white photographs. |
1971-1972 |
| II.262 | Galerie 3 | 1972 |
| II.263 | Galerie Daniel Templon | 1971 |
| II.264 | Galerie Ricke | 1970 |
| II.265 | Galerie Rudolf Zwirner | 1973 |
| II.266 | Galeriehaus Köln | 1971 |
| II.267 | Galleria la Bertesca | 1967 |
| II.268 | Galleries 1 of 2 folders. |
1971-1973 |
| II.269* | Galleries 2 of 2 folders Poster for Natalia at Galeria Permafo (Wrocław, Poland) and Lip Service at The Portland Art Museum. |
1973 |
| II.270 | Gallery A-402 | 1972 |
| II.271 | Gallery House London | 1973 |
| II.272 | Galligan, J.A.N. | 1973 |
| II.273 | Gatewood, Charles Includes three black-and-white photographs of images included in Gatewood's exhibition at Light Gallery. |
undated |
| II.274 | Gazzetta Ufficiale di Luca Patella | 1975 |
| II.275 | Gehrke, Michael | undated |
| II.276 | Gerchman, Rubens catalogue from exhibition at Jack Misrachi Gallery (includes silkscreen inserts). |
1968 |
| II.277 | German Institute | 1972 |
| II.278 | German Language Press Releases and Announcements | 1973-1979 |
| II.279 | Gerstner, Karl Gerstner's Do-it-yourself-Bilder. |
1970 |
| II.280 | Gheerbrant, Gilles [Éditions Gilles Gheerbrant] Includes 1+1 (no. 5, January 1973). |
1973 |
| II.281 | Gibson, John [John Gibson Gallery] | undated |
| II.282 | Gibson, Jon | 1973 |
| II.283 | Gilbert and George Includes flyer for Underneath the Arches, correspondence, handwritten notes, black-and-white photographs, and press clippings (including copy of The Sunday Times from January 10, 1971). |
1971-1973 |
| II.284 | Gilhooly, David | 1973 |
| II.285 | Gilroy Art Foundation | undated |
| II.286 | Gilula, Stan | undated |
| II.287 | Gimpel Weitzenhoffer, ltd. | undated |
| II.288 | Girouard, Tina 1 of 3 folders. Includes announcements for Juxtaposed Contained Revealed, a concert with Girouard and Barbara Dilley at The Kitchen, black-and-white performance photographs, and a valentine from Girouard from 1975. |
1976 |
| II.289 | Girouard, Tina 2 of 3 folders. Includes edited interview typescript between Béar and Girouard titled "Two Trees in the Forest." |
1975-1976 |
| II.290* | Girouard, Tina 3 of 3 folders. Poster for "The Natural History of the American Dancer: Lesser Known Species." |
undated |
| II.291 | Glass, Philip Includes concert schedules for performances at 10 Bleecker Street and Salvatore ala Via Mameli. |
1971-1974 |
| II.292 | Glassman, Joel 1 of 2 folders. Includes correspondence and twenty-two black-and-white photographs. |
1972 |
| II.293 | Gnazzo, Anthony 1 of 2 folders. |
1970 |
| II.294* | Gnazzo, Anthony 2 of 2 folders. Includes poster for Anthony Gnazzo and Friends' "Go Two: An Impossible Concert." |
1970 |
| II.295 | Goede, Paul | undated |
| II.296 | Goeritz, Mathias | 1971 |
| II.297 | Go Group Includes performance programs; news clippings; black-and-white photographs and description of Willie Walker's Captain…Could You Tell Me The Real Time?; and various artist statements. |
1970 |
| II.298 | Go Group Includes film stills from Edna Walker - A Series of Thursdays. |
undated |
| II.299 | Go Group Includes series of writings by Nancy Vanek and an interview transcript between Richard Roderick Schmidt and John Nichols. |
1968-1970 |
| II.300 | Goldstein, Jack | 1971 |
| II.301 | Goodden, Carol Includes edited interview typescript between Goodden and Béar. |
1973 |
| II.302 | Goodyear, John Personal postcard from Goodyear to Sharp about his upcoming exhibition, Earth Curve, at The Museum of Modern Art. |
1972 |
| II.303 | Gorchov, Ron Includes exhibition announcements, seven black-and-white photographs, and edited interview typescript between Grochov and Béar at Dave's Corner. |
1971-1975 |
| II.304 | Gordon, David | undated |
| II.305 | Goroshko, Valentin | 1974 |
| II.306 | Gourfain, Peter | 1971 |
| II.307 | Graham, Dan 1 of 2 folders. Includes correspondence, performance announcements, press clippings, a copy of Graham's publication, Performance, and essay "Photographing Movement." |
1969-1972 |
| II.308 | Graham, Dan 2 of 2 folders. Includes project and performance descriptions, black-and-white photograph of Binocular Zoom (Parallax, Distance Between the Eyes, 'Distance') and a copy of "Place and Process: 'Trips'." |
1967-1969 |
| II.309 | Grand Union Dance Company Includes numerous contact sheets, performance programs, and handwritten notes. |
1973 |
| II.310 | Graves, Nancy Includes press release and draft of "Rumbles" section on Graves' Aves: Magnificent Bird, Great Flamingo. |
1973 |
| II.311 | Great Balls of Fire | undated |
| II.312 | Green, Cynthia Bickley Includes installation images of Every Cloud, Peeler, Earth Kite, Bart's Piece, and Chicken Little (Aurora) Sky piece. |
1971 |
| II.313 | Green, Tom | undated |
| II.314 | Greenbaum, Marty | undated |
| II.315 | Groh, Klaus Includes International Artist's Cooperation (zine). |
1972 |
| II.316 | Group Shows 1 of 2 folders. Includes a catalogue for Photographers: Midwest Invitational at the Walker Art Center; an invitation to the opening of Futurism: A Modern Focus at the Solomon R. Guggenheim Museum; and an exhibition announcement for Aktionen Von: Acconci, Fox, Hutchinson, Oppenheim, Rinke, Wegman at Drucksache. |
1973 |
| II.317* | Group Shows 2 of 2 folders. Includes pamphlet for the exhibition, Language & Structure in North America and a poster for an event at Massachusetts College of Art. |
1971-1975 |
| II.318 | Guerrilla Art Action Group | 1973 |
| II.319 | Guerrero, Raul | 1974 |
| II.320 | Haacke, Hans Includes memo from Haacke on the cancellation of his one-man exhibition at the Solomon R. Guggenheim Museum. |
1971 |
| II.321 | Haas, Bob | undated |
| II.322 | Haber, Ira Joel | 1972 |
| II.323 | Hale, William Bruce | 1972 |
| II.324 | Hallock, Don | 1971 |
| II.325 | Hallwalls Gallery Includes mock-up of flyer for Buffalo (featuring Béar); Vol. 1, no. 1 of Hallwalls, and handwritten notes. |
1975 |
| II.326 | Hardy, Jon Includes description for Air Art Pneumatic Workshop. |
undated |
| II.327 | Harris, Suzanne | undated |
| II.328 | Harris, William W. | 1971 |
| II.329 | Hartnett, Elaine | 1975 |
| II.330 | Haslanger, Martha | 1977 |
| II.331 | Haus-Rucker-Co Includes correspondence, press releases, and a catalogue from exhibition, Cover, at Museum Haus Lange. |
1971-1973 |
| II.332 | Hay, Deborah | 1973 |
| II.333 | Hayes, Gerald Includes statement and certificate of "Termination of Friendship 1969-70" (friendship terminated with Robert Cumming, William Mahan, William Wegman, and their respective wives), and black-and-white photographs of Water Safety is of Utmost Importance and 15 Circular Objects From My Studio (1971). |
1970-1971 |
| II.334 | Hee, Ed Includes correspondence and video footage. |
undated |
| II.335 | Hemsworth, Gerard | 1973 |
| II.336 | Henderson, Mel | 1971 |
| II.337 | Hendricks, Geoffrey | 1972 |
| II.338 | Herold, Rick | 1972 |
| II.339 | Hesse, Eva Includes newspaper clipping of Hesse's obituary. |
1970 |
| II.340 | Higgins, Dick | 1971 |
| II.341 | Highstein, Jene | 1973 |
| II.342 | Hill, Charles Christopher Includes four black-and-white photographs. |
1973 |
| II.343 | Hilliard, John | 1972 |
| II.344 | Hödicke, K.H. | 1972 |
| II.345 | Hofstra (Twentieth Century Art Research Collection of Hofstra Library) | 1973 |
| II.346 | Hollo, Anslem Hollo's Gee Apollinaire. |
1970 |
| II.347 | Holt, Nancy 1 of 2 folders. Includes description of Holt's Sun Tunnels and exhibition announcements. |
1974-1975 |
| II.348* | Holt, Nancy 2 of 2 folders. Posters for Holt's exhibitions Outdoors-Indoors ( at The Fine Arts Center at The University of Rhode Island) and Missoula Ranch Locators-Vision Encompassed, 1972. |
1972 |
| II.349 | Horton, Lyn | 1974 |
| II.350 | Horwitz, Channa Davis Includes color slides, black-and-white photographs, and interview transcript between Ann Mcloy and Horwitz. |
1974 |
| II.351 | Houweling, Nicolaas | 1973 |
| II.352 | Hovagymyan, Gerry Three black-and-white photographs. |
undated |
| II.353 | Huebler, Douglas 1 of 2 folders. Includes page proofs, black-and-white performance photographs and a description of Variable Piece #60. |
1971 |
| II.354 | Huebler, Douglas 2 of 2 folders. Includes written descriptions of Variable Piece #4, Duration Piece #9, Variable Piece #5, Duration Piece #15, Location Piece #10, an interview transcript, and an exhibition catalogue from The Addison Gallery of American Art. |
1969-1970 |
| II.355 | Hunt, C.B. | undated |
| II.356 | Huntington, Jim Exhibtion announcement for show at Max Hutchinson Gallery. |
1973 |
| II.357 | Hutchinson, Peter Exhibition announcement for Paricutin Volcano at John Gibson Commissions, Inc. |
undated |
| II.358 | Icaro, Paolo | 1972 |
| II.359 | Identite/Identifications/Identi Group show catalogue. |
1976 |
| II.360 | Iimura, Taka Flyer for video screening at The Kitchen. Note: preexisting tears. |
1972 |
| II.361 | Image Bank 1 of 2 folders. Includes correspondence, "Protoype Fanzini," flyer for The Marcel Duchamp Fan Club, transcript of interview between Sharp and Marcel Idea (from Avalanche no. 8), black-and-white photographs and mail art from the New York Corres-Sponge Dance School of Vancouver. |
1972-1974 |
| II.362* | Image Bank 2 of 2 folders. |
1972-1974 |
| II.363 | Incontri Internazionali d'Arte | 1972 |
| II.364 | Indiana, Robert Exhibition announcement for Decade at the New York Cultural Center. |
1973 |
| II.365 | Infinity Vol. 20, nos. 10 and 11. (Note: slight water damage on no. 11). |
1971 |
| II.366 | Insley, Will Six black-and-white photographsand notebook selections. |
1968-1969 |
| II.367 | Institute for Art and Urban Resources, Inc. Press releases. |
1973-1974 |
| II.368 | Institute of Contemporary Art (Boston) Press release, black-and-white photograph, and newspaper articles. |
1971 |
| II.369 | Institute of Contemporary Art (London) September and October issues of, ICASM, ICA Magazine. |
1972 |
| II.370 | Institute of Contemporary Art (Philadelphia) 1 of 2 folders. Includes press releases and catalogue and invititation for the opening of Grids. |
1972 |
| II.371* | Institute of Contemporary Art (Philadelphia) 2 of 2 folders. Poster for Six Visions. |
undated |
| II.372 | Insurrection Art Company 1 of 2 folders. Includes correspondence, black-and-white photographs, and a catalogue for The Ninety-First Annual Exhibition at The Royal Canadian Academy of Arts. |
1972 |
| II.373* | Insurrection Art Company 2 of 2 folders. |
1972 |
| II.374 | Interfunktionen | 1974 |
| II.375 | International Experimental Film Competition | 1975 |
| II.376 | Interview Copy for Avalanche advertisement in Interview and Interview subscription cards. |
undated |
| II.377 | Interview! | 1971 |
| II.378* | Jacquet, Alan Braille booklet. |
undated |
| II.379 | Jaffe, Lee Includes contact sheets and negatives. |
1970 |
| II.380 | Jarden, Richard Includes numerous postcards. |
1971-1972 |
| II.381 | Jenney, Neil Includes sketches and black-and-white installation photographs. |
1969 |
| II.382 | Jean Freeman Gallery | 1970-1972 |
| II.383 | [The] Jewish Museum Press release for Software. |
1970 |
| II.384 | Johnson, Ray Includes "Report of the Marcel Duchamp Club." |
1971 |
| II.385* | Johnson, Ray Poster for Johnson exhibition at Jacobs Ladder Gallery (Washington, D.C.) |
1972 |
| II.386 | Johnson, Terrence | 1973 |
| II.387 | Jonas, Joan | 1974 |
| II.388 | Jones, Kim Includes eight black-and-white photographs documenting Jones' performances. |
1975-1976 |
| II.389 | Judd, Donald | 1974 |
| II.390 | Jump Cut: A Review of Contemporary Cinema | 1975 |
| II.391 | Junk Mail 1 of 2 folders. Includes mail art collages by Ray Johnson; ephemera and mailings from the Hoo Hoo Archives; and press release for New York Correspondence School Postcard Show at Mostly Flowers Gallery. Note: removed from Administrative Files. |
1973 |
| II.392* | Junk Mail 2 of 2 folders. Includes poster for The Urban Drive In, a "presentation of urban landscaping concepts by Haus-Rucker-Co." Note: Removed from Administrative Files. |
1973 |
| II.393* | Kahlen, Wolf Poster for screening of Reversible Prozesse. |
1971 |
| II.394 | Kalkmann, Hans-Werner | 1972 |
| II.395 | Kaltenback, Stephen James | undated |
| II.396 | Katz, Alex | 1971 |
| II.397 | Katz, Leandro | 1971 |
| II.398 | Katzen, Lila 1 of 2 folders. Includes black-and-white photographs of Liquid Tunnel (1970), Light-Floors (1968), and The Universe as Environments--Moon Markers. (1969). |
1968-1970 |
| II.399 | Katzen, Lila 2 of 2 folders. Includes exhibition catalogues for Explorations at the Center for Visual Studies (MIT), and Options at the Milwaukee Art Center. |
1968-1970 |
| II.400 | Kawara, On | 1973-1975 |
| II.401 | Keller, Pierre | 1972 |
| II.402 | Kennedy, Peter | 1973 |
| II.403 | Kineticism Press | 1969 |
| II.404 | King Kong International Issue no. 2 (June 1972). Note: In Italian. |
1972 |
| II.405 | Kinmont, Bob Includes correspondence; four black-and-white photographs; and catalogue from Bob Kinmont: Sculpture, Photographs, Films at Reese Palley San Francisco. |
1971 |
| II.406 | Kitchel, Nancy (Nancy Wilson-Pajic) Includes black-and-white photographs documenting Kitchel's Covering My Face: My Grandmother's Gestures, Exorcism, Intruders (Memory Figures), and The Marriage and Death of Jeannie Diaz. |
1973-1974 |
| II.407 | [The] Kitchen | 1975 |
| II.408 | Kmentova, Eva Includes correspondence and several black-and-white installation photographs. |
1968-1971 |
| II.409 | Knight, John | 1973 |
| II.410 | Knoebel, W. | 1971 |
| II.411 | Koetsier, Hans Includes twenty-three black-and-white photographs. |
1968-1969 |
| II.412 | Kölnischer Kunstverein Includes exhibition design drawing and correspondence. |
1972 |
| II.413 | Komives, Ralph | 1974 |
| II.414 | Konfrontation | 1966 |
| II.415 | Kos, Paul 1 of 3 folders. Includes correspondence, drawings and descriptions of works; and black-and-white photographs of Salt Pillar. |
1968 |
| Il.416 | Kos, Paul 2 of 3 folders. Includes correspondence; black-and-white photographs relating to Kos' rEVOLUTION; and film stills from Mirage of the Artist and Roping Boar's Tusk. |
1971 |
| II.417* | Kos, Paul 3 of 3. Photocopy of drawing for Cast Salt Spheres - 3 Stages of Erosion (Controlled). |
undated |
| II.418 | Kosuth, Joseph | 1971 |
| II.419 | Kounellis, Jannis 1 of 2 folder. Includes gallery announcements. |
1972 |
| II.420* | Kounellis, Jannis 2 of 2 folders. Includes black-and-white installation photographs. |
1969-1970 |
| II.421 | Kriesche, R. Catalogue from exhibition at The Galerie Beim Minoritensaal. |
1971 |
| II.422 | Krims, Les | 1972 |
| II.423 | Kulik, Sharon | 1973 |
| II.424 | Kunst Bleibt Kunst Includes pamphlet, city map of Cologne, and black-and-white photographs. Photographs include portraits of Steve Paxton and images of Alfred J. Barr Jr. celebrating his seventieth birthday. |
1974 |
| II.425 | Kushner, Robert | 1973 |
| II.426 | Kwate, Larry | 1972 |
| II.427 | La Jolla Museum of Contemporary Art | 1973 |
| II.428 | L.A. Artists' Publications 1 of 2 folders. Includes numerous documents related to the work of Fidel Danieli. |
1970-1972 |
| II.429* | L.A. Artists' Publications 2 of 2 folders. Posters for Judith Von Euer's Licorice Suite. |
1972 |
| II.430 | Lambert, Yvon | 1973 |
| II.431 | Landscape Architecture 1 of 2 folders. |
1971 |
| II.432* | Landscape Architecture 2 of 2 folders. Earth Day poster from Landscape Architecture's insert, "Scape." |
1971-1972 |
| II.433 | Landscapes and Living Spaces | undated |
| II.434 | Lassus, Bernard | undated |
| II.435 | Laudry, Richard | undated |
| II.436 | Leavitt, William Includes art & project, bulletin 80. |
1971-1974 |
| II.437 | Leeds Art Collection | 1971 |
| II.438 | Le Gac, Jean Imitation of Jean Le Gacby J.M. (translated by Vivien Gordon). Note: Pages uncut. |
1973 |
| II.439 | Leisgen, Barbara and Michael | 1970 |
| II.440 | Lennon, John and Yoko Ono Press release from The National Committee for John and Yoko for the "Hightower to Head Lennon Anti-Deportation Group." |
undated |
| II.441 | Lesieur, Pierre | 1974 |
| II.442 | Le Va, Barry Includes exhibition announcements. |
1971-1974 |
| II.443 | Les Levine 1 of 2 folders. Includes numerous correspondence, press releases, exhibition and film-screening announcements, press clippings, project proposal for Cornflakes, and black-and-white photographs documenting Public Art Hearings--4 Hour Video Tape. |
1968-1971 |
| II.444* | Les Levine 2 of 2 folders. Poster designed by Les Levine for Johnny Guitar by John Giorno and press clippings from The New York Times. |
1966 |
| II.445 | Levinson, Mon | 1972 |
| II.446 | Lewitt, Sol Includes exhibition announcements for shows at Galerie MTL (Brussels) and Konrad Fischer (Düsseldorf); and art & project, bulletin nos. 32, 43, and 60. |
1971-1972 |
| II.447 | Lippard, Lucy Press release for Lippard lecture at Moore College of Art on October 12, 1972. |
1972 |
| II.448 | Lippincott Inc. | undated |
| II.449 | Link, Anna Twenty-seven unidentified black-and-white photographs. |
undated |
| II.450 | Link, Anna Forty unidentified black-and-white photographs and various contact sheets. |
undated |
| II.451 | Locci, Bruno | 1973 |
| II.452 | Long, Richard 1 of 2 folders. Includes ten black-and-white photographs documenting Long's work. |
1969-1970 |
| II.453 | Long, Richard 2 of 2 folders. Includes exhibition catalogue for, Sculpture by Richard Long Made for Martin and Mia Visser (Note: cover loose) and exhibition announcements for shows at Konrad Fischer (Düsseldorf) and Fernsehgalerie (Berlin). |
1969 |
| II.454 | Lo Savio, Francesco Includes catalogue from the thirty-sixth Venice Biennale. |
1972 |
| II.455 | Lougo, Robert | undated |
| II.456 | Lowe, Steven | undated |
| II.457 | Lozano, Lee Includes correspondence; press release; documentation for Lozano's Wave Series at The Whitney Museum of American Art and Infofiction. Also includes a copy of Men Who Made a New Physics by Barbara Lovett Cline (book opened to page 113 and marked as "Prop for Take Possession"). |
1970-1971 |
| II.458 | Ludlam, Charles | undated |
| II.459 | Lupton, Joanne Four black-and-white photographs and descriptions. |
1972 |
| II.460 | Mackenzie, David | 1973 |
| II.461 | Made in Philadelphia | 1973 |
| II.462 | Maenz, Paul | 1971 |
| II.463 | Mail Art Includes postcard from The Dada Museum, Contact II zine, and Weekly Review by The Northwest Mounted Valise. |
1973 |
| II.464 | Makanna, Phil 1 of 2 folders. Includes slides from film, Death Valley. |
1971 |
| II.465* | Makanna, Phil 2 of 2 folders. Includes black-and-white photographs of Dale M. Lanzone's Public Fountain. |
undated |
| II.466 | Maloney, Martin | undated |
| II.467 | Mangold, Robert Exhibition announcement for New Work at Fischbach. |
1971 |
| II.468 | Mann, Andy | 1972 |
| II.469 | Manzoni, Piero | 1973 |
| II.470 | Mapston, Tim | 1974 |
| II.471 | Marcus, Aaron Includes correspondence, press release for Marcus' A Phone Call Around the World, "Documentation of "An X on America," and a black-and-white photograph of Marcus by Susan Marcus. |
1973 |
| II.472 | Marden, Brice | 1973 |
| II.473 | Marioni, Tom Includes letter from Sharp to Marioni and announcement for a collaborative show between Marioni and Allan Fish. |
1971 |
| II.474 | Marquez, Hudson | 1973 |
| II.475 | Martin, Agnes Exhibition announcement for show at Salvatore (Milan). |
1974 |
| II.476 | Marx | 1973 |
| II.477 | Math, Stuart | 1973 |
| II.478 | Matta | 1973 |
| II.479 | Matta-Clark, Gordon Includes poster for Matta-Clark exhibition at 112 Greene St. Gallery; exhibition announcements for A Series of Partially Totaled Buildings at John Gibson Gallery, Inc. and Alternatives, an all-day show on Mercer St. (June 8-16, 1973); four black-and-white photographs by Caroline Goodden; and a letter to Béar and Sharp from Matta-Clark on the withholding of works from the São Paulo Biennale. Also includes exhibition material from the posthumous exhibition FOOD (1999-2000) |
1970-2000 |
| II.480* | Matta-Clark, Gordon Poster for exhibition at Westfälisches Landesmuseum, Münster. |
1999-2000 |
| II.481* | Max Hutchinson Gallery Poster for Hybrids (performance). |
undated |
| II.482* | Max's Kansas City Mechanical/page lay-out. |
undated |
| II.483 | Mayor, David | 1972 |
| II.484 | [The] Mayor Gallery Includes black-and-white photograph showing a car being overturned on South Molton St., London during demonstrations protesting President Nixon's visit to the city on February 24, 1969. |
1969 |
| II.485 | McCall, Anthony Includes documentation and black-and-white photographs relating to McCall's works: Four Projected Movements, Long Film for Ambient Light and Line Describing a Cone, Maud Heath's Monument, Photo-me Machine, Road Work, and Circulation Figures. |
1972-1975 |
| II.486 | McClintock, Jane | 1981 |
| II.487 | McDonald, Robert | undated |
| II.488 | McLean, Bruce Includes correspondence and postcards from Mclean to Sharp, black-and-white photographs, editorial sketches for Avalanche no. 2, and red plastic toy lips in a stapled wax envelope. |
1969-1971 |
| II.489 | McLean, Robert | 1971 |
| II.490 | Meadmore, Clement Includes catalogue and press release from exhibition at Max Hutchinson Gallery. |
1971 |
| II.491 | Medalla, David | 1962 |
| II.492 | Media Contract Verlag Agentur | 1971 |
| II.493 | Melchert, Jim | 1973 |
| II.494 | Merserau, Carol | undated |
| II.495 | Merz, Mario Includes article on Merz by Germano Celant from Domus no. 439 (June 1971); exhibition announcements; press release; and an installation image of Cancelled Numbers. |
1970-1972 |
| II.496 | Messager, Annette | 1975 |
| II.497 | Metson, Graham | 1974 |
| II.498 | Metz, Mike 1 of 3 folders. Includes eleven black-and-white photographs. |
1972-1973 |
| II.499 | Metz, Mike 2 of 3 folders. Includes correspondence and "blueprints" for performances. |
1971 |
| II.500* | Metz, Mike 3 of 3 folders. Two Metz posters from events at The Study for Performance at Rhode Island School of Design. |
1972 |
| II.501 | Meyers, Frosty | undated |
| II.502 | Michael, Ann | undated |
| II.503 | Michaelson, Ronald Earl Small catalogue with description of works, actions, and performances. |
1971-1977 |
| II.504 | Miller, Brenda Includes exhibition announcements, artist's statement, five black-and-white installation photographs of Verjongen at The Museum Boijmans Van Beuningen (Rotterdam). |
1971-1973 |
| II.505* | Miller, George Poster for exhibition at The Fine Arts Gallery at California State College at Los Angeles (October 17, 1971). |
1971 |
| II.506 | Miller, Larry | 1970 |
| II.507 | Miller, Thomas Grant | undated |
| II.508 | Miscellaneous 1 of 2 folders. Includes exhibition pamphlet from The Shaped Canvas exhibition at the Solomon R. Guggenheim Museum (Note: Preexisting water damage); a portfolio of drawings by El Hortelano; black-and-white photographs of Ilkka Juhani Takalo-Eskola's Human Limits, I am Thinking to Float Away, and A Head as Muse; as well as works by Carl-Erik Ström. |
1964-1980 |
| II.509* | Miscellaneous 2 of 2 folders. Poster for El Hortelano. |
1964-1980 |
| II.510 | Miss, Mary Includes sixteen black-and-white installation photographs and exhibition announcements. |
1973-1975 |
| II.511 | Moholy-Nagy, Laszlo | undated |
| II.512 | Montano, Linda | 1973 |
| II.513 | Moore College of Art | 1973 |
| II.514 | Moorman, Charlotte Program for Women's Video Festival at The Kitchen. |
1972 |
| II.515 | Morgan, Robert | undated |
| II.516 | Morgan, Tony | 1971 |
| II.517 | Morris, Robert Includes film stills and documentation from Morris' Exchange. |
1973 |
| II.518 | Mouraud, Tania Includes exhibition material from The Musée d'Art moderne de la Ville de Paris. |
1973-1976 |
| II.519 | Mueller, Stephen | undated |
| II.520 | Munhall, Edgar Includes numerous letters and postcards from Munhall to Norman Fisher. |
1974 |
| II.521 | Muntadas, Antonio Includes twelve black-and-white photographs and correspondence. |
undated |
| II.522 | Murray, Ian | 1973 |
| II.523 | Museum of Conceptual Art (MOCA) 1 of 2 folders. Includes numerous correspondence between Allan Fish at MOCA and David H. Katzive, Director at the Museum of Contemporary Art Chicago; "Quid Pro Quo Process Sculpture" by Paul Kos; and four color slides -- one marked "Uncle Willoughby." |
1970 |
| II.524* | Museum of Conceptual Art (MOCA) 2 of 2 folders. Poster for 6 Comedy Sonatas at MOCA. |
undated |
| II.525 | [The] Museum of Modern Art Press release regarding the appointment of John H. Limpert, Jr. as Director of Membership and Development; a copy of "Museum Workers Union of America Newsletter" no. 2, July 1971; press clipping from The New York Times detailing museum worker strike (August 21, 1971); press release for the opening of Joan Miró exhibition (October 1973). |
1973 |
| II.526 | Museum of Neo-Eclecticism and Post-Object Art | 1973 |
| II.527 | Museums Includes various press releases and calendars of events. |
1970-1971 |
| II.528 | [The] Natural History Improvisation Company Includes performances flyers and posters and press releases. |
1972-1973 |
| II.529 | Nauman, Bruce 1 of 2 folders. Includes press release, programs for performances, performance and exhibition flyers, edited interview typescript, correspondence, black-and-white photographs of Cubic Foot of Steel Pressed Between my Palms, John Coltrane Piece, Steel Channel Piece, Dead Center, Holograms, Making Faces, and My Name Exaggerated 14 Times Vertically.. |
1965-1970 |
| II.530* | Nauman, Bruce 2 of 2 folders. Posters for Nauman's audio/video projects as well as for Multiples and Graphics at the Palley Cellar. |
1969-1970 |
| II.531 | Nelson, Roger | 1973 |
| II.532 | N.E. Thing | 1970 |
| II.533 | New Artists 1 of 2 folders. Includes fourteen small black-and-white film stills documenting Ilene Segalove's Bra-Fitting Tape; exhibition announcement for Michele Zaza in Bari, Italy; and "Fragments on Signalism" by Miroljub Todorović. |
1973 |
| II.534* | New Artists 2 of 2 folders. "Six Days of Indecent Exposure," article on the work of Andrea Kovac at Yale University. |
1973 |
| II.535 | News Letter Includes two copies of News Letter no.2 (from The Council for the Arts at MIT). |
1973 |
| II.536 | Newsletter on the Arts (Diana Zlotnick) | 1973-1974 |
| II.537 | New York Civil Liberties Union | 1972 |
| II.538 | New York Corres-Sponge Dance School of Vancouver Includes exhibition and performance flyers. |
1970-1973 |
| II.539 | New York Cultural Center | 1971-1972 |
| II.540 | New York State Council on the Arts Includes membership list and press release. |
1977 |
| II.541 | Neustein, Joshua Includes catalogue from Neustein exhibition of drawings at Rina Gallery; photographs of Horizons and Variations, Removal Piece, and Ordering of Property. Folder also includes documentation on other artists working in Israel (such as Avital Geva, Moshe Gerhuni and Gerard Marx) |
undated |
| II.542 | Nevelson, Louise Exhibition announcement for exhibition at The Pace Gallery. |
1972 |
| II.543 | Niblock, Phill | 1970 |
| II.544 | Nolte, Gunter | 1973 |
| II.545 | Nonas, Richard 1 of 2 folders. |
1973-1975 |
| II.546* | Nonas, Richard 2 of 2 folders. Includes small poster for exhibition at 383 West Broadway. |
1974-1975 |
| II.547 | [The] Nonphenomena Foundation | 1973 |
| II.548 | Nordman, Maria | 1974 |
| II.549 | Notargiacomo, Gianfranco Black-and-white photograph of Alphabets. |
1972 |
| II.550 | [La] Nouvelle Revue d'Art Moderne | undated |
| II.551 | Nova Scotia College of Art and Design | 1971 |
| II.552 | Oiticica, Helio Includes three interview typescripts by Liza Béar and Willoughby Sharp, a letter from Sharp to Oiticica, and a contact sheet. |
1970-1971 |
| II.553 | Oldenburg, Claes | undated |
| II.554 | Olson, Jeff | 1973-1974 |
| II.555 | Ontani, Luigi | 1975 |
| II.556 | Onyx | 1971 |
| II.557 | Oppenheim, Dennis 1 of 3 folders. Includes exhibition announcements for shows at The Museum of Conceptual Art (MOCA); two copies of Dennis Oppenheim: Catalyst 1967-1979; press clipping of "Snow Projects from Canadian Border" from The New York Times, 1969; copy of Art Now: New York (Vo1. 1, no. 1); and edited interview transcript from April 17, 1971. |
1968-1970 |
| II.558 | Oppenheim, Dennis 2 of 3 folders. Includes a program for film and video projects on view at 98 Greene Street; black-and-white photographs of Wound 1948-1970 and Bananas Mountain; photocopies of various press clippings; catalogue from Nine Days with Dennis Oppenheim at Center of Art and Communication; miscellaneous black-and-white photographs and color slides of Oppenheim and his work. |
1967-1971 |
| II.559* | Oppenheim, Dennis 3 of 3 folders. Poster for Oppenheim exhibition, Ground Mutations, at Reese Palley San Francisco. |
1970 |
| II.560 | Ordover, Jerald | 1973 |
| II.561 | Orentlicher, John | 1974 |
| II.562 | Osowski, Paul Handwritten letter from Osowski to Béar. |
1970 |
| II.563 | Overman, Ken | undated |
| II.564 | Pace Gallery | 1971 |
| II.565 | Padow, Judy | 1971 |
| II.566 | Paik, Nam June Includes correspondence, contact sheet of black-and-white images, and interview transcript of conversation between Paik and Béar. |
1972 |
| II.567 | Panamarenko | 1972 |
| II.568 | Paolini, Giulio Includes exhibition announcements and black-and-white installation images of Apotheosis of Homer, Early Dynastic and Untitled. |
1964-1971 |
| II.569 | Paolucci, Flavio Gallery material from Galerie Stampa. |
1973 |
| II.570 | Parker, Chris Includes black-and-white photograph documenting Parker's Decent into Canyon; program for Circumference; three black-and-white contact sheets; and handwritten letter from Parker to Sharp. |
1970-1971 |
| II.571 | Parr, Mike | undated |
| II.572 | Patella, Luca Includes film stills from SKMP2 |
1968-1970 |
| II.573* | Paula Cooper Gallery Exhibition poster for group exhibition that included works by Jennifer Bartlett, Lynda Benglis, Robert Grosvenor, Keith Hollingworth, Robert Hout, Ulrich Rückriem, Edwin Ruda, Doug Sanderson, Joel Shapiro, Alan Shields, Richard Van Buren, Jaqueline Winsor, KS Zapkus. |
undated |
| II.574 | Pechter, Paul Device Intended to Function as Art Device. |
1970 |
| II.575 | Peck, Robin | undated |
| II.576* | Penck, A.R. Poster for Penck exhibition, Installation, at Anna Leonowens Gallery at Nova Scotia College of Art and Design. |
1973 |
| II.577 | Penelope | 1972 |
| II.578 | Pennypacker, Norm | undated |
| II.579 | Penone, Giuseppe | undated |
| II.580 | Performance Announcements Includes announcements for: Bill Beckley show at John Gibson Gallery, the International Festival of Women and Film, and Patricia and Robert Rohm at the Fine Arts Center at The University of Rhode Island. |
1973 |
| II.581 | Perreault, John Flyer for Perreault performance at St. Mark's Church (March 15, 1972). |
1972 |
| II.582 | Phelan, William 1 of 2 folders. Includes black-and-white photographs of New Things for My Place, Light to Dark Colors Moving Across Table, Fingers Crossed Three Times, Plexiglass Piece Conducting Light to Floor, and Self Reflextion Next to Plexiglass Piece. |
1973 |
| II.583 | Phelan, William 2 of 2 folders. Includes black-and-white photograph of The Empty White Frame on The White Wall and letter from Phelan to Sharp. |
undated |
| II.584 | Piatt, Jim Includes correspondence, photographs documenting Piatt's arm injections and his piece, Head. |
1971 |
| II.585 | Piene, Otto Includes extended version of, "Tomorrow and The Rainbow: About Light, Art and Light Art," lecture given at Harvard University Carpenter Center for the Visual Arts on January 20, 1966. |
1966 |
| II.586 | Pistoletto, Michelangelo Catalogue published by Galleria la Bertesca. Note: in Italian. |
1966 |
| II.587 | Plagens, Peter | 1973 |
| II.588 | Poetry 1 of 2 folders. Includes issue of Lotta Poetica, no. 12. Note: In Italian. |
1972 |
| II.589* | Poetry Poster for 5 Poets. Readings. at 98 Greene Street Loft. |
undated |
| II.590 | Political Includes press releases from the U.S. Committee for Justice to Latin American Political Prisoners (USLA); Photocopy of "If You Are Maimed by a Criminal, You Can Be Compensated (Maybe)" by Wayne King in The New York Times Magazine (note: original restricted for preservation purposes); press release for Open Show at the School of the Visual Art Gallery; "The Manifesto of WSABAL: Women Students and Artists for Black Art Liberation A Student Organization of Black Art Workers"; and a flyer announcing a "Protest Against Art Censorship" at the Solomon R. Guggenheim Museum. |
1970-1971 |
| II.591 | Pomona College Gallery Catalogue for Los Angeles Painters of the Nineteen-Twenties. |
1972 |
| II.592 | Poons, Larry | undated |
| II.593 | Popper, Frank Includes "Problems in the Classification of Contemporary Works of Plastic Art in Motion," "Movements of Light in the Visual Arts," and Naissance de l'art Cinetique. |
1965-1967 |
| II.594 | Postcards | 1973 |
| II.595 | Potts, Don Includes exhibition announcements for My First Car. |
1972 |
| II.596 | Prague, Wolfgang | 1971 |
| II.597 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1970-1975 |
| II.598 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.599 | Press Clippings Preservation photocopies. Note: Originals restricted for preservation purposes. |
1965-1970 |
| II.600 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation pursposes. |
1965-1970 |
| II.601 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.602 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.603 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.604 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.605 | Press Clippings Preservation photocopies. Note: Orginals restricted for preservation purposes. |
1965-1970 |
| II.606* | Press Clippings Note: Restricted. Brittle newsprint; restricted for preservation purposes. Photocopies, for research access, contained in folders above, II.603 - II.605. |
1965-1970 |
| II.607 | Prini, Emilio | undated |
| II.608 | Progressive Architecture | 1970 |
| II.609 | Prospects Issue nos. 2 and.3. Note: In Italian. |
1972 |
| II.610 | Protetch-Rivkin Gallery | 1971 |
| II.611 | [The] Public Eye | 1974 |
| II.612 | Quaderni de Foscherari Bologna Catalogue on Arte Povera that includes essays by Germano Celant. |
1968 |
| II.613 | Questions File | undated |
| II.614 | Rabinowitch, David | 1974 |
| II.615 | Rainer, Arnulf 1 of 2 folders. Includes correspondence and several black-and-white photographs of Rainer distorting his face. |
1971 |
| II.616* | Rainer, Arnulf 2 of 2 folders. Includes poster for Rainer exhibition, Face Design (Munich). |
1969 |
| II.617 | Rainer, Yvonne Includes five black-and-white photographs, copy of essay "On Nancy Graves," and choreography notes. |
1971-1975 |
| II.618 | Raša, T.D. | undated |
| II.619 | Rauschenberg, Robert Black-and-white installation photograph, by Gianfranco Gorgoni, of Early Egyptian Series at the Musee Galleria. |
1973 |
| II.620 | Rautert, Timm | 1971 |
| II.621 | Ray, Man Announcement for Man Ray at Bal Blanc. |
1974 |
| II.622 | Reich, Steve Program for Three Concerts. |
1973 |
| II.623 | Reinhardt, Ad Exhibition announcement for Ad Reinhardt: overzichtstentoonstelling at the Van Abbemuseum (Eindhoven, Holland). |
1972 |
| II.624 | Re: I: Union | 1971 |
| II.625 | [The] Richard Demarco Gallery | 1973 |
| II.626 | Richardson, Sam | undated |
| II.627 | Richter, Gerhard | 1973 |
| II.628 | Ringma, Bettie Small color photograph of Ringma with Angela Davis in New York on November 10, 1975. |
1975 |
| II.629 | Rinke, Klaus 1 of 2 folders. Includes press release from The Museum of Modern Art for Projects: Klaus Rinke and seven black-and-white photographs. |
1960-1973 |
| II.630* | Rinke, Klaus 2 of 2 folders. Page layout designs. |
1960-1973 |
| II.631 | Robertson, Clive Su | 1973 |
| II.632 | Robinson, Victor | 1972 |
| II.633 | Rockburne, Dorothea | 1972-1974 |
| II.634 | Roehr, Peter | 1972-1974 |
| II.635 | Rofhear, Irene Correspondence and handwritten notes. |
1977 |
| II.636 | Romano, Salvatore | 1973 |
| II.637 | Rosler, Martha Incudes postcard novel Tijuana Maid. |
1976 |
| II.638 | Ross, Charles | 1972 |
| II.639 | Rotko, Ruth | 1971 |
| II.640 | Rückriem, Ulrich 1 of 2 folders. Includes correspondence and handwritten letter from Rückriem to Sharp. Also includes edited interview typescript (from Avalanche no. 3). |
1971 |
| II.641 | Rückriem, Ulrich 2 of 2 folders. Includes miscellaneous negatives, contact sheets, and black-and-white photographs. |
1969-1970 |
| II.642 | Ruffi, Gianni Includes three black-and-white installation photographs. |
1972 |
| II.643 | Ruppersberg, Allen Includes brochure for Al's Grand Hotel and "A Lecture on Houdini (for Terry Allen)." |
1971 |
| II.644 | Ruscha, Edward Includes invitation for the release party for Ruscha's Colored People: A New Book by Edward Ruscha at Leo Castelli (New York). |
1972 |
| II.645 | Ruthenbeck, Reiner Includes twenty-two black-and-white installation photographs. |
1969-1970 |
| II.646 | Salvo Includes small catalogue from John Weber Gallery (Note: slight water damage). |
1970-1973 |
| II.647 | Sanderson, Doug Seven black-and-white photographs. |
undated |
| II.648* | Sandfort, Bernhard Poster for Sandfort exhibition, Metastatik: Theorie-Praxis-Malerei, at Produzenten-galerie (Berlin). |
1971 |
| II.649 | Santos, Carlos | 1973 |
| II.650* | Sarenco Exhibition poster for Le "Azioni Poetiche" di SARENCO" at Studio Brescia. |
1972 |
| II.651 | Sato, Masaki | undated |
| II.652 | Savoie, Robert Poster for Oscillations at The Electric Gallery. |
1971 |
| II.653 | Scanga, Italo Includes fifty-four black-and-white photographs (originally in envelope marked "rejects") and performance announcement for show at 93 Grand Street--annotated with handwritten note from Scanga to Sharp and Béar. |
1972-1975 |
| II.654 | Scarff, S. Thomas | 1973 |
| II.655 | Schley, Van 1 of 2 folders. 1974 Avalanche calendar designed by Schley numerous copies of Airline Food. |
1974 |
| II.656 | Schley, Van 2 of 2 folders. Includes inserts, "Different Strokes for Different Folks: An Interview with Van Schley," used in Avalanche no. 7; correspondence related to Schley's participation in the exhibition, Software, at The Jewish Museum (1970); and two photocopies of Sharp's essay, "Place and Process," published in Art Forum (1969). |
1969-1974 |
| II.657 | Schneider, Ira | 1975 |
| II.658 | Schrörck, R.D. | 1973 |
| II.659 | Scull, Robert Includes list of artworks for sale at the Scull Collection Auction at Sotheby Parke Bermet, Inc. on October 18, 1973 and edited interview typescript between Scull and Béar. |
1973 |
| II.660 | Sculpture 3 | 1973 |
| II.661 | Serra, Richard Includes edited interview typescript between Serra and Sharp. |
1973 |
| II.662* | Shaffer, James Silkscreened poster for James P. Schaffer Paralyzes the Universe at Detroit Institute of the Arts. |
1972 |
| II.663 | Shafrazi, Tony 1 of 2 folders. |
1974 |
| II.664* | Shafrazi, Tony 2 of 2 folders. Front page of The Los Angeles Times with article about the vandalizing of Guernica. |
1974 |
| II.665 | Shapiro, Joel | 1974 |
| II.666 | Sharp, Willoughby 1 of 2 folders. Includes correspondence, flyers for Live? and Territories of the Self (a video performance by Sharp), and edited drafts of Sharp's essays, "Post-Studio Sculpture" and "Elemental Sculpture." |
1975 |
| II.667* | Sharp, Willoughby 2 of 2 folders. Poster for lecture-demonstration, "American Art After Andre," given by Sharp at Royal College of Art and black-and-white photograph of Sharp outside speaking to a group. |
undated |
| II.668 | Sherk, Bonnie 1 of 2 folders. Correspondence and black-and-white installation photograph of Still Life with Calf, Turf, and Cement Block at Reese Palley Gallery. |
1970 |
| II.669* | Sherk, Bonnie 2 of 2 folders. Poster for Include Yourself an event of "alternative events, environments and materials" in San Francisco. |
1970 |
| II.670 | Sherman, Tom | 1973 |
| II.671 | Shunk-Kender Note: Preexisting water damage on handwritten notes. |
undated |
| II.672 | Silverman, Barbara | 1971 |
| II.673 | Simmons, Charles Contact sheets and negatives. |
1972 |
| II.674 | Skelybye, Poul | 1973 |
| II.675 | Smith, Barbara Includes performance flyers. |
undated |
| II.676 | Smith, Larry Includes black-and-white photographs of Re-Location Construct. |
1971 |
| II.677 | Smithson, Robert 1 or 2 folders. Includes handwritten notes and edited text about Smithson's Amarillo Ramp (materials used in Avalanche no. 8). |
1973 |
| II.678 | Smithson, Robert 2 of 2 folders. Includes handwritten notes and edited text about Smithson's Amarillo Ramp (materials used in Avalanche no. 8). |
1973 |
| II.679 | Snow, Michael | undated |
| II.680 | Soft As Art | 1973 |
| II.681 | Software Materials relating to Software exhibition at The Jewish Museum including six black-and-white installation photographs, "The Crafting of Media" by Theodor H. Nelson, and "Notes on Art and Information Processing" by Jack Burnham. |
1970 |
| II.682 | Something Else Press | 1970 |
| II.683 | Sondheim, Alan Includes black-and-white photographs of The Insect as Mechanical System/Body Modification; "Note on Interpretation of a Formula for Counting Hierarchies;" and "Typed Glossolalia: Computer Analysis of Determinism in Man." |
1972 |
| II.684 | Sonfist, Alan Includes black-and-white installation photographs of Landscape Indoors, Landscape, Landscape Outdoors, Element Selection, and One Stage in the Growth and Decay of My Body. |
1972 |
| II.685 | Sonnier, Keith Includes film stills, exhibition announcements, and correspondence. |
1969-1975 |
| II.686 | Souza, Al | 1973 |
| II.687 | Spargo, Patricia | 1973 |
| II.688 | Spoerri, Daniel | 1966 |
| II.689 | Spoleto Catalogue from Spoleto Festival, June 23-July 9, 1972. |
1973 |
| II.690 | Staeck, Klaus | 1971 |
| II.691 | Stark, Larry Includes correspondence and In The Merry Month of May Larry Crossed The U.S.A. Ate McDonald's All The Way Tells His Story Day By Day. |
1971 |
| II.692* | Steirischer Herbst '73 | 1973 |
| II.693 | Stembera, Petr Includes correspondence and forty-two black-and-white photographs by Petr Stembera, Peter Bartoš, J. H. Kocman, and Josef Kroutvor. |
1971 |
| II.694 | Stevens, Graham Five black-and-white photographs of Atmostfields. |
1970 |
| II.695 | Stevens, Wally | 1977 |
| II.696 | ST/ISSUE Vol. 1, No. 2, June-July 1972. |
1974 |
| II.697 | Stromberg, Harvey | undated |
| II.698 | Stöckhert, Brigitte | 1972 |
| II.699 | Stoerchle, Wolfgang 1 of 2 folders. Includes black-and-white photographs of Untitled and Ronald Reagan. |
1970 |
| II.700* | Stoerchle, Wolfgang 2 of 2 folders. |
undated |
| II.701 | Summers, Elaine | 1970 |
| II.702 | Suzuki Graphics | 1970 |
| II.703 | Swann, Charles B. If I am Not a Performer/The Order is Not Easily Changed audio record. Note: record cracked, unplayable. |
undated |
| II.704 | Tacha, Athena Ten Projects for Staircases. |
1970-1971 |
| II.705 | Tavenner, Patricia | 1973 |
| II.706 | Thomas, Gwenn | 1975 |
| II.707 | Time Out Time Out London, March 23-29 1972. |
1972 |
| II.708 | Tiptop Post Cards | 1973 |
| II.709 | Topazzini, Jean Includes handwritten letter from Topazzini to Béar (in French) and L'Aventure Merveilleuse du Très Génial R.M. |
1975 |
| II.710 | Toroni, Niele | 1974 |
| II.711 | Trakas, George 1 of 2 folders. Typed extracts from Trakas' notebooks. |
1971 |
| II.712* | Trakas, George 2 of 2 folders. Poster for Trakas exhibition at City University of New York Graduate Center. |
1975 |
| II.713 | Trantho | undated |
| II.714 | Trbuljak, Goran Includes correspondence and Trbuljak's 1972 Artiste Anonyme. |
1972-1974 |
| II.715 | Tremlett, David Includes press release for Tremlett's The Spring Recordings, Green "and other works made over the last three years" at The Museum of Modern Art. Also includes edited interview transcript (for Avalanche no. 3). |
1973 |
| II.716 | Tsai | undated |
| II.717 | Tuttle | 1974 |
| II.718 | Uecker, Günther | 1970 |
| II.719 | Ulrichs, Timm | 1973 |
| II.720 | Unidentified Photography | undated |
| II.721 | Unidentified Photography | undated |
| II.722* | Unidentified Photography Miscellaneous photographs including a photograph by Paul Wong (possibly featuring Annastacia McDonald and Kenneth Fletcher from the artist group The Mainstreeters). |
undated |
| II.723 | Unknown Artists 1 of 2 folders. Includes miscellaneous postcards and unidentified black-and-white photographs from Gordon Matta-Clark and Jeffrey Lew's trip to Peru. |
1970 |
| II.724* | Unknown Artists 2 of 2 folders. Press clippings. |
undated |
| II.725 | University Art Museum, Berkeley | undated |
| II.726 | Van Abbemuseum Eindhoven Includes exhibition brochure for Experiment in Grafiek. |
1971 |
| II.727 | Van Elk, Ger Includes art & project bulletin nos. 19 and 33. |
1970-1974 |
| II.728 | Van Saun, John Includes black-and-white photographs documenting Van Saun's performance, Fire. Note: Some photographs have preexisting water damage. |
undated |
| II.729 | Van Snick | 1974 |
| II.730 | Vautier, Ben | 1973 |
| II.731 | Vazan, William Includes correspondence, four black-and-white photographs, and Worldline (1969-1971). |
1973 |
| II.732 | Véhicule Art 1 of 2 folders. Includes several flyers and posters, correspondence, and black-and-white photographs of a Robert Longo performance at Véhicule. |
1973 |
| II.733* | Véhicule Art 2 of 2 folders. Exhibition posters. |
undated |
| II.734 | Venet, Bernar | 1972 |
| II.735 | Vergine, Lea "Ill Pubblico Come Cassa di Risonanza" from Domus(September 1973). |
1973 |
| II.736 | Viallat, Claude | 1973 |
| II.737 | Victoria, Ted | 1974 |
| II.738 | Video Includes edited text on videos and films by Keith Sonnier, Ed Ruscha, and Richard Serra. |
1970-1975 |
| II.739 | Vila Flor, Manuel | 1973 |
| II.740 | Vishniac, Roman Press release for The Concerns of Roman Vishniac: Man, Nature and Science at The Jewish Museum. |
1971-1972 |
| II.741 | Vision | undated |
| II.742* | Von Euer, Judith | 1972 |
| II.743 | Von Schlegell, David | 1970 |
| II.744 | Wada, Yoshi | undated |
| II.745 | Wade, Bob | 1973 |
| II.746 | Wall, Jeff | 1971 |
| II.747 | Walther, Franz Erhard Includes handwritten notes, correspondence, and a catalogue for Prozess Material. |
1970-1976 |
| II.748 | Warhol, Andy Includes edited typescript of interview between Warhol and David Bourdon. |
undated |
| II.749 | Watanabe, Hiroshi | 1972 |
| II.750 | Watts, Bob | 971 |
| II.751 | Webb, Jim Black-and-white installation photograph of Webb's Purple Heart. |
1970 |
| II.752 | Weber, John Exhibition announcements. |
1971-1972 |
| II.753 | Wegman, William 1 of 3 folders. Includes numerous correspondence between Sharp and Wegman (Note: some with slight preexisting water damage); a Christmas card; edited interview typescript; contact sheet with black-and-white images: and various descriptions of works and performances. |
1969-1971 |
| II.754 | Wegman, William 2 of 3 folders. Includes exhibition announcements and page layout sketches for Mrs. Burke, I Thought You Were Dead Already (Avalanche no.2). |
1971 |
| II.755 | Wegman, William 3 of 3 folders. Includes black-and-white photographs from Mrs. Burke, I Thought You Were Dead (Avalanche no. 2) and other unidentified photographs. |
1970-1971 |
| II.756 | Weiner, Lawrence Includes several international gallery announcements. |
1970-1974 |
| II.757 | Welch, Roger 1 of 2 folders. Includes photographs and documentation related to Welch's High Jump Piece, Traffic Circle Bisection, Mississippi River Piece, Cell, and Graveyard Work. |
1970-1971 |
| II.758* | Welch, Roger 2 of 2 folders. Poster for Welch's performance, Rituals, at 98 Greene St. Loft on November 1, 1971. |
1971 |
| II.759 | Werner, Kenneth | 1971 |
| II.760 | Wesley, John | 1973 |
| II.761 | West Coast Announcements | 1973 |
| II.762 | Wharton, Margaret Black-and-white photograph of Accordion Chair. |
1975 |
| II.763 | Whitney Museum of American Art Includes press release and thirty-five black-and-white installation photographs from the Whitney Annual: Sculpture 1970. |
1970 |
| II.764 | Wiley, William T. | 1971 |
| II.765 | Whilhite, Bob Black-and-white photograph documenting performance at the Broxton Gallery. |
1975 |
| II.766 | Wilke, Hannah | 1972 |
| II.767 | Wilson, Ian | 1972 |
| II.768 | Wilson, Robert Includes six unidentified black-and-white performance photographs and eleven contact sheets. |
1974 |
| II.769 | Winsor, Jackie 1 of 2 folders. Includes black-and-white installation photographs. |
1973-1974 |
| II.770* | Winsor, Jackie 2 of 2 folders. Includes press clippings. |
1974 |
| II.771 | Winzer, Icke | 1973 |
| II.772 | Witkin, Isaac | undated |
| II.773 | Wojciechowski, Krzysztof Includes fiver black-and-white photographs. |
1974 |
| II.774 | Women's Issues 1 of 2 folders. Includes press clippings, press releases , conference proceedings, correspondence, and edited transcript from the "Critics and Historians Workshop" (workshop included Béar, Linda Nochlin, and Cindy Nemser). |
1972-1978 |
| II.775* | Women's Issues 2 of 2 folders. Includes Women and Art (Winter 1971) and Woman's World (November-December 1971). |
1971 |
| II.776 | Woody, Howard | 1973 |
| II.777 | W.O.R.K.S. | undated |
| II.778 | Young, Irene Exhibition announcement for 4 Boxes at PS 1. |
1979 |
| II.779 | Young, La Monte | 1973 |
| II.780 | Zacharias, Athos | 1973 |
| II.781 | Zaima, Stephen | 1971 |
| II.782 | Zorio, Gilberto Includes five black-and-white photographs. |
1974 |
|
|
||
Series III: Audio Tapes 1968-1978 |
||
|
Series III is comprised entirely of audio files, which are arranged chronologically (chronological arrangement was done by the archivist). For the most part, these recordings document interviews and conversations between Béar, Sharp, and Avalanche-featured artists. Several of the interviews found in this series reflect the interviews reproduced in the magazine such as those with Barry Le Va, William Wegman, Vito Acconci and Tina Girouard. In nearly all instances the interviews included in the pages of Avalanche do not reproduce the exact content heard on these tapes and consequently, researchers are sure to identify editorial changes. It is important to note that all editing was done collaboratively with the artists. There are also recordings included in this series that did not appear in Avalanche. Examples include an interview between Sharp and Ger Van Elk marked "'The Symmetry of Diplomacy'" and another with Meredith Monk marked "Pseudo-Marxism." Recordings of other events such as performances and lectures are also included.
As of January 2015, several of the interviews and their corresponding transcripts were reviewed and annotated by Béar. In several cases, Béar clarified misheard names and marked where interviews took place and for what purposes. Subsequently, researchers will notice that several transcripts contain notations by Béar. Photocopies of any additional notes made by Béar may also be included.
The original recordings, which were either recorded on cassette or audio reel, were digitally reformatted and burned onto CDs. These CDs are now available to researchers. Transcripts of the CDs' content have also been created and are included in the files with the remastered recordings. Researchers should note that transcripts were not made for recordings of musical performances or those in foreign languages. The original tapes and the preservation masters (preserved on DVD) are marked as restricted for preservation purposes. The reformatting of the audio tapes was largely overseen by the Museum's former Dedalus Fellow, Naomi Kuromiya. |
||
| Folder | Title | Date |
| III.1a | Carl Andre Originally recorded on 7" reel. Interview by Béar and Sharp for Avalanche no. 1. Recorded material on two CDs. |
12/1/1968 |
| III.1b | Mike Heizer Originally recorded on 7" reel. Interview conducted for Avalanche no. 1. Recorded material on two CDs. |
12/1/1968 |
| III.2 | Dennis Oppenheim Originally recorded on 5" reel. Interview conducted for Avalanche no. 1 |
1968 |
| III.3 | Michael Heizer, Dennis Oppenheim, Robert Smithson Originally recorded on 7" reel. Recorded material on five CDs. |
12/1968-1/1969 |
| III.4 | Jan Dibbets Originally recorded on 7" reel. Interview by Béar and Sharp for Avalanche no. 1. |
1/1/1969 |
| III.5 | Dennis Oppenheim, Robert Smithson "Interview with the artists at 204 East 20th St." Originally recorded on 5" reel. Interview with Béar and Sharp for Avalanche no. 1. |
1/1/1969 |
| III.6 | David Tremlett Originally recorded on 5" reel. Incorrectly labeled as interviews with Smithson and Oppenheim, title changed by Archives. Recorded material on three CDs. |
5/24/1971 |
| III.7 | Dennis Oppenheim, Robert Smithson Originally recorded on 5" reel. |
c. 1/1969 |
| III.8 | Dennis Oppenheim Originally recorded on 7" reel. Recorded material on three CDs. |
1969 |
| III.9 | Howard Fried Originally recorded on 7" reel. Interview by Béar for Avalanche no. 4. Recorded material on four CDs. |
5/1/1970 |
| III.10 | Jeffrey Lew, Alan Saret Originally recorded on 5" reel. Interview conducted by Béar and Sharp for Avalanche no. 2. |
12/1/1970 |
| III.11 | Vito Acconci, Terry Fox, Dennis Oppenheim Recording of "discussion" with the artists. Originally recorded on 7" reel. Interview conducted by Béar and Sharp for Avalanche no. 2. |
1/1/1971 |
| III.12 | Vito Acconci, Terry Fox, Dennis Oppenheim Recording of "discussion" with the artists. Originally recorded on 7" reel. Originally marked as "Interview conducted by Béar and Sharp for Avalanche no.2", but in 2015 this recording was re-identified correctly as and interview between Willoughby Sharp interviewed Dennis Oppenheim from April 17, 1971. Recorded on 20th Street in New York City. An edited version of this interview was published by Studio International in November of 1971. |
1/1/1971 |
| III.13 | Vito Acconci Originally recorded on Irish 261 cassette. Recorded material on two CDs. |
8/1/1971 |
| III.14a | Barry Le Va Originally recorded on Ampex 361 cassette. Interview conducted by Béara nd Sharp for Avalanche no. 3. |
c. 1971 |
| III.14b | Robert Morris Originally recorded on Ampex 361 cassette. |
8/1/1971 |
| III.15 | Vito Acconci Originally recorded C90 cassette. |
c. 8/1971 |
| III.16 | Vito Acconci Originally recorded C90 cassette. Recorded material on 2 CDs. |
c. 8/1971 |
| III.17 | Phillip Glass, Germano Celant Originally recorded on 5" reel. Recorded material on 2 CDs. |
1971 |
| III.18 | Jannis Kounellis Originally recorded on 5" reel. Recording contained portions in foreign language; only English portions transcribed. Interview by Sharp for Avalanche no. 5. |
1971 |
| III.19 | Barry Le Va Originally recorded on 5" reel. Interview conducted by Béar and Sharp for Avalanche no. 3. |
1971 |
| III.20 | Barry Le Va Originally recorded on 5" reel. |
1971 |
| III.21a | Bruce McLean Original Scotch C120 cassette was rehoused and original casing destroyed in reformatting process and discarded by AVPS. David Tremlett potentially speaking on tape. |
1971 |
| III.21b | Willoughby Sharp Original Scotch C120 cassette was rehoused and original casing destroyed in reformatting process and discarded by AVPS. David Tremlett potentially speaking on tape. |
1971 |
| III.22 | Ulrich Rückriem "First try and car." Originally recorded on Phillips C120 cassette. Interview by Sharp for Avalanche no. 3. |
1971 |
| III.23 | Ulrich Rückriem "1 and 2." Original Phillips C121 cassette was rehoused, original casing destroyed in the process and discarded by AVPS. Interview by Sharp for Avalanche no. 3. Note: Transcript divided in two folders. Recorded material on two CDs and in folder 1. |
1971 |
| III.24 | William Wegman Originally recorded 5" reel. Not published in Avalanche. Interview by Willoughby Sharp. Recorded material on two CDs. |
1971 |
| III.25 | Lawrence Weiner "Side 1 and 2." Originally recorded on 5" reel. Interview conducted for Avalanche no. 4 |
1971 |
| III.26 | Lawrence Weiner "Side 3 and 4." Originally recorded on 5" reel. Interview conducted for Avalanche no. 4 |
1971 |
| III.27 | Barry Le Va Originally recorded on Maxwell C120. |
c. 1971 |
| III.28 | Italo Scanga Original Sony C30 cassette was rehoused, original casing destroyed in the process and discarded by AVPS. |
c. 1971 |
| III.29a | Vito Acconci "Coltrane - Impression." Originally recorded on Norelco C90 cassette. |
1972 |
| III.29b | Vito Acconci Originally recorded on Norelco C90 cassette. Interview with Béar for Avalanche no. 6. |
1972 |
| III.30a | Vito Acconci Originally recorded BASF C90 cassette. Interview by Willoughby Sharp and Liza Béar for Avalanche no. 5. |
1972 |
| III.30b | Yvonne Rainer Originally recorded BASF C90 cassette. "Interview by Willoughby Sharp and Liza Béar." Mislabeled tape: interview by Béar with Yvonne Rainer for Avalanche no. 5. |
1972 |
| III.31 | Lowell Darling "First tape." Originally recorded on BASF C90 cassette. Interview by Sharp for Avalanche no. 7. |
1972 |
| III.32 | Lowell Darling "Second tape." Originally recorded on BASF C90 cassette. Interview by Sharp for Avalanche no. 7. |
1972 |
| III.33 | Geoff Hendricks, Fluxus Originally recorded on a 5" reel. Interview with the artist. Recorded material on two CDs. |
1972 |
| III.34 | Jannis Kounellis "Rome." Originally recorded on 5" reel; rehoused and original casing discarded by Dedalus Fellow. Side A in foreign language; not transcribed. Interview with Sharp for Avalanche no. 5. Recorded material on three CDs. |
1972 |
| III.35a | Bruce McLean Interview with Willoughby Sharp and Liza Béar. Originally recorded on BASF C90 cassette. Interview not published in Avalanche. |
1972 |
| III.35b | Phillip Glass Originally recorded on BASF C90 cassette. Interview by Sharp and Béar. |
1971 |
| III.36 | Yvonne Rainer Originally recorded on 5" reel. Recorded material on three CDs. |
1972 |
| III.37 | Yvonne Rainer Originally recorded on C90 cassette. Interview by Willoughby Sharp and Liza Béar for Avalanche no. 5. Recorded material on two CDs. |
1972 |
| III.38 | Ed Ruscha Interview by Willoughby Sharp for Avalanche no. 7. Tape was rehoused, original casing destroyed in the process and discarded by AVPS. |
1972 |
| III.39 | Ed Ruscha Originally recorded on BASF C90 cassette. Interview by Willoughby Sharp for Avalanche no. 7. Recorded material on two CDs. |
1972 |
| III.40 | Van Schley Originally recorded on TDK C90 cassette. Interview by Willoughby Sharp for Avalanche no. 7. Recorded material on two CDs. |
1972 |
| III.41a | Van Schley Originally recorded on TDK C90 cassette. Interview with Willoughby Sharp. |
1972 |
| III.41b | William Wegman "Easthampton." Originally recorded on TDK C90 cassette. For Avalanche no. 7. |
c. 1973 |
| III.42 | Richard Serra Originally recorded on TDK C90 cassette. Interview with Willoughby Sharp. |
1972 |
| III.43 | Richard Serra Originally recorded on TDK C90 cassette. Interview with Willoughby Sharp. |
1972 |
| III.44 | Chris Poland Originally recorded on Memorex C-60 cassette. |
4/6/1973 |
| III.45 | General Idea Originally recorded on Phillips C-60 cassette. For Avalanche no. 7. |
4/16/1973 |
| III.46a | Image Bank "Vancouver, Marcel Idea, Mr. Peanut, Dr. Brute." Originally recorded on Memorex C-90 cassette. |
7/13/1973 |
| III.46b | Image Bank Originally recorded on Memorex C-90 cassette. |
7/13/1973 |
| III.47a | Image Bank "Side 3." Originally recorded on Memorex C-90 cassette. |
7/13/1973 |
| III.47b | Image Bank "Blum, Burden." Originally recorded on Memorex C-90 cassette. |
7/13/1973 |
| III.48 | Tina Girouard "10 Chatham Square, NYC." Originally recorded on C-60 cassette. |
9/15/1973 |
| III.49a | Grand Union Dance Company "Produced by WSCB; Joe Barrile, TD." Originally recorded on Memorex C-90 cassette. |
9/22/1973 |
| III. 49b | Grand Union Dance Company "Side 2." Originally recorded on Memorex C-90 cassette. |
10/1/1973 |
| III.50 | Richard Serra "Spin-out, Prisoners' Dilemma." Originally recorded on Ampex C-90 cassette. Interview with Liza Béar for Avalanche no. 9. |
10/30/1973 1/27/1974 |
| III.51 | Steven Laub Originally recorded on Sony C-90 cassette. Interview by Sharp. Recorded material on two CDs. |
11/22/1973 |
| III.52 | Ger Van Elk "The Symmetry of Diplomacy': An interview with Willoughby Sharp. Los Angeles, California." Originally recorded on LNF 120 cassette. Not published in Avalanche. Recorded material on two CDs. |
12/13/1973 |
| III.53 | Vito Acconci Interview by Liza Béar for Avalanche no. 6. Original 5" reel was rehoused and original casing discarded by Daedalus Fellow. Recorded material on two CDs. |
1973 |
| III.54 | Chris Burden Originally recorded on C-60 cassette. Interview conducted by Béar and Sharp. |
1973 |
| III.55 | Tina Girouard "Cecila." Originally recorded on C-60 cassette. Interview by Béar for Avalanche no. 8. |
1973 |
| III.56a | Tina Girouard "Louisiana Live, St. Martinville, Looking for Linoleum." Originally recorded on C-60 cassette. |
1973 |
| III.56b | Tina Girouard "Louisiana Wild/Dialogue." Originally recorded on C-60 cassette. |
1973 |
| III.57 | Tina Girouard "Indian Bayou." Originally recorded on SK C-90 cassette. Recorded material on two CDs. |
1973 |
| III.58 | Tina Girouard | 1973 |
| III.59a | Tina Girouard, Barbara Dilley Originally recorded on C-60 cassette. |
1973 |
| III.59b | Phillip Glass Ensemble Originally C-60 cassette. Interview by Sharp. Not transcribed. |
1973 |
| III.60a | Grand Union Dance Company "PIAF." Originally recorded on BASF C-60 cassette. |
1973 |
| III.60b | Grand Union Dance Company "Barnard College." Originally recorded on BASF C-60 cassette. |
1973 |
| III.61a | Richard Serra "Serra in Amarillo." For Avalanche no. 8. Originally recorded on BASF C-120 cassette. |
1973 |
| III.61b | Richard Serra "CJ and SID Amarillo." For Avalanche no.8. Originally recorded on BASF C-120 cassette. Nancy Holt and Sid Feck Interview. |
1973 |
| III.62 | Richard Serra, Nancy Holt "Amarillo Ramp." For Avalanche no. 8. Originally recorded on Memorex C-60 cassette. |
1973 |
| III.63a | Testing Tape By Liza Béar. Originally recorded on TDK C-90 cassette. |
1973 |
| III.63b | William Wegman Originally recorded on TDK C-90 cassette. Interview by Béar for Avalanche no. 7. |
1973 |
| III.64 | William Wegman Originally recorded on Memorex C-90 cassette. For Avalanche no. 7. |
1973 |
| III.65 | William Wegman Originally recorded on 5" reel. Recorded material on two CDs. |
5/26/1905 |
| III.66 | Charles Hill, Chris Burden "112 Green." Originally recorded on Ampex C-90 cassette. |
1/10/1974 |
| III.67 | Joseph Beuys "Joseph Beuys at the New School." Originally recorded on Memorex C-60 cassette. |
1/12/1974 |
| III.68a | Joseph Beuys "Joseph Beuys at the New School, second tape." |
1/12/1974 |
| III.68b | Joseph Beuys "Joseph Beuys @ 8:00 Club Music." Originally recorded on Sony C-60 cassette. |
1974 |
| III.69a | Joseph Beuys "Beuys, Stanhope." Originally recorded on Irish C-90 cassette. |
1/13/1974 |
| III.70a | William Wegman "112 Greene." Originally recorded Scotch C-90 cassette. Includes incidental talk before Chris Burden's Back to You and recorded reactions after the piece; includes Wegman's reaction. |
1974 |
| III.70b | David Enbom "Spring St. Bar." Originally recorded on Scotch C-90 cassette. Discussion of video and performance logistics. |
1/14/74 |
| III.71a | Joan Jonas Originally recorded on Scotch C-90 cassette. Interview with Liza Béar. |
1/17/1974 |
| III.71b | Joan Jonas Originally recorded on Irish C-90 cassette. Interview with Liza Béar. |
2/3/1974 |
| III.72 | The Museum of Modern Art "MoMA video panel." Originally recorded on Daltronix C-60 cassette. |
1/24/1974 |
| III.73a | Richard Serra, Vito Acconci "Richard Serra (very little), Vito Acconci, 112 Greene Street." Originally recorded on Irish C-90 cassette. |
1/28/1974 |
| III.74a | Rubin Gorewitz "Gorewitz, copyright meeting." Originally recorded on Irish C-90 cassette. |
1/31/1974 |
| III.74b | Rubin Gorewitz Originally recorded on Irish C-90 cassette. |
1974 |
| III.75a | Joan Jonas, Joel Shapiro "Joan Jonas second tape, Joel Shapiro on Jonas." Originally recorded on Irish C-90 cassette. First several minutes (first two pages of transcript) is a Shapiro interview, followed by Jonas interview. |
2/3/1974 |
| III.75b | Joel Shapiro "Analytical, Liza Béar." Originally recorded on Irish C-90 cassette. |
1975 |
| III.76a | Channel 17, Channel 13 Originally recorded on Irish C-90 cassette. |
2/12/1974 |
| III.76b | Andy Mann, Robert Bell Andy Mann interview by Liza Béar and Willoughby Sharp, "Broadcast Technology discussion, Robert Bell Prisoner's Dilemma video performance." Originally recorded on Irish C-90 cassette. |
1974 |
| III.77a | Joseph Beuys, Richard Serra "Beuys, Public Dialogue, extracts. Richard Serra, extras." Originally recorded on Irish C-90 cassette. |
1974 |
| III.77b | Dennis Oppenheim Originally recorded on Irish C-90 cassette. Interview by Willoughby Sharp for Avalanche no. 9. |
2/12/1974 |
| III.78a | Keith Sonnier "8:30pm, Café K-K, Mott Street, NYC." Originally recorded on Irish C-90 cassette. Interview by Liza Béar for Avalanche no. 9. |
2/18/1974 |
| III.78b | Willoughby Sharp, Liza Béar "Take 3." Originally recorded on Irish C-90 cassette. Béar interviewing Sharp for Avalanche no. 9. |
2/24/1974 |
| III.79a | Robert Bell, Linda Lawton "Robert Bell, Prisoner's Dilemma, Lawton." Originally recorded on Irish C-90 cassette. |
2/22/1974 |
| III.79b | Robert Bell, Linda Lawton, Willoughby Sharp, Liza Béar Originally recorded on Irish C-90 cassette. |
2/22/1974 |
| III.80a | Willoughby Sharp "Mrs. Sharp, Willoughby Sharp, Robert Scull auction." Originally recorded on Ampex C-60 cassette. |
1974 |
| III.80b | Willoughby Sharp, Liza Béar Originally recorded on Ampex C-90 cassette. Interview by Béar about Sharp's video performances for Avalanche no. 9. |
2/24/1974 |
| III.81 | Tony Shafarzi "Shafarzi arraignment." Originally recorded on Irish C-90 cassette. |
2/28/1974 |
| III.82a | Restricted Material | |
| III.82b | Yonne Rainer, Rudolph Serra "Yvonne Rainer, phone. Rudy Serra." Originally recorded on Irish C-90 cassette. Yvonne Rainer long distance phone conversation about film with Béar. Unpublished at Cal Arts. |
2/4/1975-2/5/1975 |
| III.83a | Joel Fisher, John Hilliard Originally recorded on Irish C-90 cassette. Material for Avalanche no. 10 and unpublished material; interview by Béar. |
4/25/1974-4/26/1974 |
| III.83b | John Hilliard "Triple Spacing." Originally recorded on Irish C-90 cassette. |
4/26/1974 |
| III.84 | Joel Fisher Interview by Liza Béar for Avalanche no. 10. Originally recorded on Irish C-90 cassette. |
4/25/1974-4/26/1974 |
| III.85a | Simone Forti "Bronx Zoo." Originally recorded on Ampex C-90 cassette. |
5/6/974 |
| III.85b | Grand Union Dance Company "Barnard College." Originally recorded on Ampex C-90 cassette. |
5/8/1974 |
| III.86a | Jack Smith "Liza Béar, Willoughby Sharp, Luzza, Jack Smith." Originally recorded on Ampex C-90 cassette. Note: Transcript includes notations made by Béar in 2014 (only on first page). |
5/9/1975 |
| III.86b | Jack Smith "Onnasch, NYC." Originally recorded on Ampex C-90 cassette. Note: Transcript includes notations made by Béar in 2014. |
5/9/1975 |
| III.87 | Gordon Matta-Clark "Splitting." Originally recorded on Maxwell C-90 cassette. Radio show interview conducted by Liza Béar; also reproduced in Gordon Matta-Clark (London & New York: Phaidon, 2003), pp. 163-9. Recorded material on two CDs. |
5/21/1974 |
| III.88 | Gordon Matta-Clark This Maxwell C-90 cassette is a duplicate of III.89 and was not digitized. |
5/24/1974 |
| III.89 | Gordon Matta-Clark "155 Wooster Street." Originally recorded on Irish C-90 cassette. Interview by Béar for Avalanche no. 10. Recorded material on two CDs. |
5/24/1974 |
| III.90a | Jack Smith "Getting the photos." Originally recorded on Irish C-90 cassette. |
6/2/1974 |
| III.90b | Diego Cortez Interview by Béar. Originally recorded on Irish C-90 cassette. |
3/13/1974 |
| III.91a | Robert Morgan "Bob Morgan and Friends." Originally recorded on Ampex C-60 cassette. Musical performance not transcribed. |
6/6/1974 |
| III.91b | Robert Morgan, Diego Cortez "Bob Morgan continued, Diego." Originally recorded on Ampex C-60 cassette. Musical performance not transcribed. |
1974 |
| III.92a | Restricted Material | |
| III.92b | Terry Fox "Children's Tapes, transcribed by Liza Béar." Originally recorded on CHF-90 cassette. |
5/27/1905 |
| III.93a | Project '74 Originally recorded on Irish C-90 cassette. Recordings partially in French and German, not transcribed. |
5/27/1905 |
| III.93b | Daniel Buren Interview by Liza Béar. Recordings partially in French and German, not transcribed. Recorded for Avalanche no. 10. Originally recorded on Irish C-90 cassette. |
7/6/1974 |
| III.94a | Project '74, Wulf Herzogenrath Originally recorded on C-90 cassette. |
7/7/1974 |
| III.94b | Wulf Herzogenrath, Vito Acconci Originally recorded on C-90 cassette. Recorded for Avalanche no 11. |
7/7/1974 |
| III.95a | Nam June Paik, Jack Smith, Zoo Originally recorded on C-90 cassette. Recorded for Avalanche no 11. |
7/8/1974 |
| III.95b | Restricted Material | |
| III.96 | Chris Burden "Second interview" with Liza Béar. Originally recorded on Ampex C-60 cassette. |
1974 |
| III.97a | Copyright Phone messages. Originally recorded on Irish C-60 cassette. |
1974 |
| III.97b | Telephone Answering machine recording. Originally recorded on Irish C-60 cassette. |
1974 |
| III.98a | Terry Fox "Transcribed." Originally recorded on Irish C-90 cassette. |
1974 |
| III.98b | Willoughby Sharp "WS, VS, BA, Landry. Transcribed." Originally recorded on Irish C-90 cassette. |
1974 |
| III.99a | Project '74 "Buren, Weiner, Smith, Smith slide show." Originally recorded on Irish C-90 cassette. |
1974 |
| III.99b | Daniel Buren "Buren controversy, Köln, Saturday." Originally recorded on Irish C-90 cassette. |
1974 |
| III.100a | Stone of the Crows, Janis Joplin "Music." Originally recorded on Memorex C-90. Musical performance not transcribed. |
c. 1974 |
| III.100b | Watergate Hearings Originally recorded on Memorex C-90 cassette. |
c. 1974 |
| III.101a | Restricted Material | |
| III.101b | Joseph Beuys "Spring Street Bar, Beuys, JW / JS / LB, legal, Stanhope Hotel." |
1/19/1975 |
| III.102a | Gary Woods "Dialogue." Originally recorded on Columbia C-90 cassette. |
undated |
| III.102b | Gary Woods "Film Statement." Originally recorded on Columbia C-90 cassette. |
1/24/1975 |
| III.103a | Simone Forti Originally recorded on Irish C-90 cassette. Simone Forti interview by Béar for Avalanche no. 10. No Alphonse at the beginning of tape. Note: Folder includes two transcripts; one with notations made by Béar in 2014. |
2/27/1975 |
| III.103b | Cherry Vanilla "Cherry Vanilla at Trudy Heller's." Originally recorded on Irish C-90 cassette. |
2/4/1975 |
| III.104 | Joel Shapiro "Interview with Liza Béar. Avalanche issue no. 11." Originally recorded on Norelco C-90 cassette. Recorded material on two CDs. |
2/5/1975 |
| III.105a | Jack Smith Originally recorded on Daltronix C-90 cassette. Béar, Jackie Winsor, and probably Tina Girourard talking in a club with music in the background. |
c.1975 |
| III.105b | The Museum of Modern Art Originally recorded on Daltronix C-90 cassette. |
c.1975 |
| III.106a | Tibet benefit, John Gibson, Dickie Landry Originally recorded on Irish C-90 cassette. |
c.1975 |
| III.106b | Tibet benefit, Washington Square Church, Meredith Monk Originally recorded on Irish C-90 cassette. |
c.1975 |
| III.107a | Mary Heilmann opening, Holly Solomon Gallery, Rhoda in Potatoland Originally recorded on Ampex C-90 cassette. |
1/24/1976 |
| III.107b | Susan King, Woman's BDG, Gayle Wegman Originally recorded on Ampex C-90 cassette. |
3/11/1976-3/12/1976 |
| III.108a | Restricted Material | |
| III.108b | Richard Serra: wild dialogue, Lowell Darling Originally recorded on Ampex C-90 cassette. Note: |
3/3/1976 |
| III.109a | Richard Serra, Liza Béar, KPFK radio. Originally recorded on Ampex C-90 cassette. For Béar's post-Avalanche radio project. |
2/23/1976 |
| III.109b | Bryan Jones Originally recorded on Ampex C-90 cassette. |
3/8/1976 |
| III.110a | Gordon Matta-Clark, Musso and Frank "WBAI second take, Hollywood." Originally recorded on Ampex C-90 cassette. Interview by Béar for post-Avalanche radio project. |
3/5/1976 |
| III.110b | Gordon Matta-Clark, Palos Verdes Interview by Béar for post-Avalanche radio project. |
3/6/1976 |
| III.111a | Gordon Matta-Clark, Pier 52, Chris Knowles The tape was rehoused; original casing discarded by Daedalus Fellow. Tape had LOL syndrome, extensive preservation measures taken. Originally recorded on Ampex C-90 cassette. |
3/11/1976 |
| III.111b | Ree Morgan, Joyce Shaw The tape was rehoused; original casing discarded by Daedalus Fellow. Tape had LOL syndrome, extensive preservation measures taken. Originally recorded on Ampex C-90 cassette. |
3/11/1976 |
| III.112a | Liza Béar's lecture at Palomar College Originally recorded on BASF C-60 cassette. Includes good details on Avalanche contents and modus operandi. At time of lecture, paired with visual slideshow. Note: Folder includes two transcripts; one with notations made by Béar in 2014. |
3/11/1976 |
| III.112b | Palomar educational TV studio Originally recorded on BASF C-60 cassette. Béar at Palomar TV Studio discussing early history of Avalanche; also includes unpublished interview with Joyce Cutler-Shaw. Note: folder includes two transcripts; one with notations made by Béar in 2014. |
3/11/1976 |
| III.113a | Billy Adler "At Gayle's." Originally recorded on Superscope HR-92 cassette. Unpublished interview with Adler by Béar; discussion of video versus TV. Note: Transcripts includes notations made by Béar in 2014 (on first three pages). |
3/12/1976 |
| III.113b | Bob Wilhite, Susan Mogul "Freeway." Originally recorded on Superscope HR-92 cassette. |
3/13/1976 |
| III.114a | Meatless Martha, Barry Brennan Originally recorded on C-90 cassette. |
3/14/1976 |
| III.114b | Barbara Smith Originally recorded on C-90 cassette. |
3/1976 |
| III.115a | Restricted Material | |
| III.115b | WBAI Originally recorded on Certron C-90 cassette. Potentially formal interview with Wegman for WBAI, post-Avalanche radio project. |
3/22/1976 |
| III.116a | Lowell Darling, Ilene Segalove, Los Angeles Originally recorded on Ampex C-90 cassette. |
3/31/1976 |
| III.116b | Restricted Material | |
| III.117a | Richard Serra "Take two, 3am." Originally recorded on Scotch C-90 cassette. WBAI Radio Wave with Béar and Serra; recorded in New York. |
3/30/1976 |
| III.117b | Diego Cortez "308 Mott Street." Originally recorded on Scotch C-90 cassette. |
4/3/1976 |
| III.118 | Meredith Monk "Quarry Live." Originally recorded on Ampex C-90 cassette. Tape was rehoused; original casing discarded by Daedalus Fellow. Music only, not transcribed. |
4/14/1976 |
| III.119a | Enrico Job Originally recorded on Ampex C-90 cassette. |
4/5/1976 |
| III.119b | Lucio Amelio Originally recorded on Ampex C-90 cassette. |
4/5/1976 |
| III.120a | Meredith Monk "Take one, pseudo Marxism." Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. Monk interview published in Avalanche no. 13. Includes recording of Carl Andre speaking in a panel discussion. Note: Transcript includes minimal notations made by Béar in 2014. |
1976 |
| III.120b | Pseudo-Marxism Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. |
4/9/1976 |
| III. 121a | Richard Serra, Telephone Original tape was rehoused; original casing discarded by Daedalus Fellow. Tape had LOL syndrome, extensive preservation measures taken. Originally recorded on Ampex C-90 cassette. Includes discussion between Serra and Béar on politics in England (to 6:52), followed by phone messages. Note: Folder includes two transcripts; one includes notations made by Béar in 2014. |
4/12/1976 |
| III.121b | Telephone Original tape was rehoused; original casing discarded by Daedalus Fellow. Tape had LOL syndrome, extensive preservation measures taken. Originally recorded on Ampex C-90 cassette. Recording of answering machine; Jimmy Carter speeck of-air recording. Note: Transcript includes minimal notations made by Béar in 2014. |
1976 |
| III.122a | Coleen Fitzgibbon Original tape was rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. |
4/22/1976 |
| III.122b | Grand Union, WBAI "Setting up." Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. |
1976 |
| III.123 | Restricted Material | |
| III.124 | Coleen Fitzgibbon "Take two, Wednesday, 93 Grand Street." Originally recorded on Scotch C-60 cassette. |
5/26/1976 |
| III.125 | House Judiciary Committee Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on C-90 cassette. Recorded material on two CDs/H199 |
7/25/1976 |
| III.126a | Jackie Winsor "Paul Walter's Piece, first take." Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. |
8/26/1976 |
| III.126b | Jackie Winsor "Paul Walter's Piece, audio for video." Original tape rehoused; original casing discarded by Daedalus Fellow. Originally recorded on Ampex C-90 cassette. |
8/25/1976 |
| III.127a | Nancy Holt "Sunday." Originally recorded on Scotch C-90 cassette. |
10/10/1976 |
| III.127b | Nancy Holt, Barbara Kopple "Sunday, Press conference, Harlan Co. USA." Originally recorded on Scotch C-90 cassette. |
10/10/1976-10/14/1976 |
| III.128a | Toronto, A Space, Cable Soho Originally recorded on Maxwell C-90 cassette. |
10/25/1976 |
| III.128b | Restricted Material | |
| III.129a | NYFF, Fassbinder press conference Originally recorded on Scotch C-90 cassette. |
10/1976 |
| III.129b | NYFF, Eric Rohmer press conference, Telephone Originally recorded on Scotch C-90 cassette. |
1976 |
| III.130 | Restricted Material | |
| III.131a | Richard Serra, Portland, Bridge Film Original tape was rehoused; original casing discarded by Dedalus Fellow. Tape had LOL syndrome, extensive preservation measures taken. Originally recorded on Ampex C-90 cassette. No transcripts made. Misidentified tape: Béar and Keith Sonnier meeting with Andy Horowitz in midtown Manhattan, NYC. |
1976 |
| III.131b | Restricted Material | |
| III.132a | Einstein at the Met, Vito Acconci "131 Chrystie." Originally recorded on Scotch C-90 cassette. |
11/22/1976 |
| III.132b | Restricted Material | |
| III.133a | JP Ferraro, VT station "Broadcast possibilities." Originally recorded on Irish C-90 cassette. Béar and Sharp discussing broadcast possibilities at 93 Grand St. with engineer J.P. Ferraro. Note: folder includes two transcripts; one with notations made by Béar in 2014. |
1976 |
| III.133b | Max's: Liza Béar, Willoughby Sharp, JP Ferraro "Broadcast possibilities." Originally recorded on Irish C-90 cassette. Béar, Sharp, and J.P. Ferraro discussion about low-power broadcasting from 93 Grand St; continues at Max's Kansas City. Note: folder includes two transcripts; one with notations made by Béar in 2014. |
1976 |
| III.134a | Tina Girouard "Radio Program, WBAI." Originally recorded on Ampex C-90 cassette. Original tape rehoused; original casing discarded by Dedalus Fellow. |
1976 |
| III.134b | Tina Girouard "Second take." Originally recorded on Ampex C-90 cassette. Original tape rehoused; original casing discarded by Dedalus Fellow. |
1976 |
| III.135 | Charles Hill Originally recorded on C-60 cassette. |
1976 |
| III.136a | Nancy Holt "First tape." Originally recorded on Scotch C-90 cassette. WBAI program with Nancy Holt speaking about Sun Tunnels. Note: Transcript includes minimal notations made by Béar in 2014. |
1976 |
| III.136b | Nancy Holt "Second tape." Originally recorded on Scotch C-90 cassette. WBAI Radio Wave; Nancy Holt interview continued. Note: Transcript includes notations made by Béar in 2014. |
1976 |
| III.137 | Bryan Jones Originally recorded on Crescendo C-90 cassette. Original tape rehoused; original casing discarded by Dedalus Fellow. |
1976 |
| III.138 | Richard Serra "UCLA." Originally recorded on Sony C-90 cassette. Recording of Serra lecture at UCLA on his film Railroad Turnbridge shot in Portland, OR. Note: Transcript includes minimal notion by Béar in 2014. |
1976 |
| III.139 | Bob Wilhite Originally recorded on Tracs C-60 cassette. |
1976 |
| III.140 | William Wegman "WBAI, Hartford." Originally recorded on Maxwell C-60 cassette. Interview with Liza Béar. |
1976 |
| III.141a | Restricted Material | |
| III.141b | Restricted Material | |
| III.142 | Jackie Winsor "Transformation." Originally recorded on Scotch C-60 cassette. |
3/18/1978 |
| III.143 | Jon Gierlich "Installation 'site,' 'Human Wasp,' part of slow scan mess." |
11/7/1978 |
| III.144 | NYSCA media meeting Originally recorded on Scotch C-60 cassette. |
12/12/1978 |
| III.145 | Darcy Lange Original Ampex C-60 cassette rehoused; original casing discarded by Dedalus Fellow. |
1978 |
| III.146 | Darcy Lange Original Ampex C-60 cassette rehoused; original casing discarded by Dedalus Fellow. |
1978 |
| III.147 | Chris Burden Originally recorded on Concertape C-60 cassette. Interview with Chris Burden by Sharp. Note: Transcript includes minimal notations made by Béar in 2014. |
undated |
| III.148a | Cajun sunshine music Originally recorded on C-90 cassette. Musical performance not transcribed. |
undated |
| III.148b | Cajun music, 1930s, dance routines Originally recorded on C-90 cassette. Musical performance not transcribed. |
undated |
| III.149 | Carnegie commission hearings Originally recorded on C-60 cassette. |
undated |
| III.150 | Carnegie commission hearings "Last tape." Originally recorded on C-60 tape. |
undated |
| III.151 | Phillip Glass Ensemble "Music in Twelve Parts." Originally recorded on Irish C-90 cassette. |
undated |
| III.152a | Germaine Greer Originally recorded on Irish C-90 cassette. |
undated |
| III.152b | Robert Scull "Interview with Liza Béar." Originally recorded on C-90 cassette. |
undated |
| III.153a | House Subcommittee Communications Originally recorded on Sony C-90 cassette. |
undated |
| III.153b | Independent Q and A Originally recorded on Sony C-90 cassette. Includes House Subcommitte Communications Meeting and answering machine phone recordings. |
undated |
| III.154 | The Lost Ones "Malibu Mines." Originally recorded on BASF C-120 cassette. Recorded material on two CDs. |
undated |
| III.155 | Alan Saret Originally recorded on C-60 cassette. |
undated |
| III.156 | Ulrich Rückriem Originally recorded on Ampex C-90 cassette. |
undated |
| III.157 | Reiner Ruthenbeck Side A was not transcribed because the audio was too faint. Originally recorded on Scotch C-90 cassette. Recorded material on two CDs. |
undated |
| III.158a | Various 45 RPM Contained all commercial music, not all transferred. Originally recorded onC-120 cassette. |
undated |
| III.158b | Craig and Christopher Contained all commercial music, not all transferred. Originally recorded onC-120 cassette. |
undated |
| III.159 | Ian Wilson Originally recorded on Memorex C-90 cassette. |
undated |
| III.160 | Untitled/Image Bank Originally recorded on 3 1/4" reel |
undated |
| III.161 | Untitled/Image Bank Originally recorded on 3" reel |
undated |
| III.162 | Image Bank Originally recorded on 3" reel |
undated |
| III.163 | Untitled/Image Bank Originally recorded on 3" reel |
undated |
| III.164 | Untitled Originally recorded on 3" reel |
undated |
| III.165 | Paul Woodrow Originally recorded on 3" reel |
undated |
| III.166 | Paul Woodrow Originally recorded on 3" reel |
undated |
|
|
||
Series IV: Administrative and Financial Records 1968-1980 |
||
|
Series IV: Administrative and Financial Records record the fiscal and administrative activities of Avalanche. Through a collection of invoices, bills, receipts, to-do lists, correspondence, subscriber mailing lists, notebooks, ledgers, and calendars the business operations of the magazine are well documented. A substantial amount of material in this series relates to matters of subscription and circulation, which was largely overseen by Avalanche employee, Barry Ledoux. While researchers may notice that correspondence of this nature may be signed by either Barry Ledoux or Barry Sonnier, they should note that this is, in fact, the same person. Invoices and bills are found scattered throughout the files in this series and they often relate to the magazine's production costs. Therefore, researchers will notice that there is quite a bit of overlap in the materials contained within this series. For instance, though there are numerous folders titled "Invoices," invoices may also be found in the "Advertising," "Book Store Orders," "Miscellaneous Business," "Pending," and "Subscriptions" files. Those researchers who are concerned with the readership of Avalanche will find nearly all the records in this series useful, but the files marked "Subscriptions"--which range in their content from correspondence to mailing lists--are particularly informative.
The files in this series maintain their original titles, but were rearranged by the archivist alphabetically and then chronologically, if applicable. There are also several files included in this series that may not be considered administrative or financial in nature. Particularly those titled "Televison and Video," "Triple Trouble," "Castelli-Sonnabend Film Catalogue," and "Computer Project." Since most of these are materials correspond to projects that were not directly related to Avalanche and given the fact they came to the museum interfiled among the magazine's administraive records, they continue to remain in this series. |
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| Folder | Title | Date |
| IV.1* | Addresses Includes index cards with addresses; arranged alphabetically. |
1970-1976 |
| IV.2 | Advertising 1 of 3 folders. |
1970-1973 |
| IV.3 | Advertising 2 of 3 folders. |
1970-1975 |
| IV.4 | Advertising 3 of 3 folders. Includes New Times dummy issue. |
1976 |
| IV.5 | Advertising - Invoices 1 of 2 folders. |
1971-1973 |
| IV.6 | Advertising - Invoices 2 of 2 folders. |
1973-1976 |
| IV.7 | Advertising - Correspondence 1 of 3 folders. |
1970-1972 |
| IV.8 | Advertising - Correspondence 2 of 3 folders. |
1971-1973 |
| IV.9 | Advertising - Correspondence 3 of 3 folders. |
1972-1973 |
| IV.10 | Advertising - Correspondence 4 of 3 folders. |
1974-1976 |
| IV.11 | Agency Subscriptions | 1976-1977 |
| IV.12 | Back Issues - Orders and Invoices | 1971-1973 |
| IV.13 | Barry Ledoux/Barry Sonnier 1 of 4 folders. Includes records related to matters of subscription and circulation; predominantly invoices and correspondence. |
1971-1972 |
| IV.14 | Barry Ledoux/Barry Sonnier 2 of 4 folders. Includes records related to matters of subscription and circulation; predominantly invoices and correspondence. |
1971-1973 |
| IV.15 | Barry Ledoux/Barry Sonnier 3 of 4 folders. Includes records related to matters of subscription and circulation; predominantly invoices and correspondence. Also includes letter from former MoMA Library Director, Clive Phillpot. |
1972-1975 |
| IV.16 | Barry Ledoux/Barry Sonnier 4 of 4 folders. Includes records related to matters of subscription and circulation; predominantly invoices and correspondence. |
1972-1977 |
| IV.17* | Bills 1 of 4 folders. Includes miscellaneous invoices. Also includes typeface layout by Lou Van Typographers, Inc. for Avalanche no. 1. |
1970 |
| IV.18 | Bills 2 of 4 folders. |
1970-1972 |
| IV.19 | Bills 3 of 4 folders. |
1971-1974 |
| IV.20 | Bills 4 of 4 folders. |
1977-1976 |
| IV.21 | Bills - Paid 1 of 3 folders. |
1966-1970 |
| IV.22 | Bills - Paid 2 of 3 folders. |
1971-1976 |
| IV.23 | Bills - Paid 3 of 3 folders. |
1973-1975 |
| IV.24 | Bills - Unpaid 1 of 3 folders. |
1968-1971 |
| IV.25 | Bills - Unpaid 2 of 3 folders. |
1971-1974 |
| IV.26 | Bills - Unpaid 3 of 3 folders. |
1972-1977 |
| IV.27 | Bookstore Orders 1 of 3 folders. Includes correspondence between Sharp and Yves Alain Bois. |
1970-1971 |
| IV.28 | Bookstore Orders 2 of 3 folders. |
1971-1974 |
| IV.29 | Bookstore Orders 3 of 3 folders. |
1974-1976 |
| IV.30 | Bulk Orders and Invoices | 1971-1976 |
| IV.31 | Bussiness Cards | |
| IV.32* | Calendars 2 of 2 folders. Two desk calendars. Note: One calendar rolled; one in folder. |
1973-1976 |
| IV.33 | California Bussiness | 1976 |
| IV.34 | Castelli-Sonnabend Film Catalogue 1 of 8 folders. Includes invoices, notes, and edited text on films and videos by Andy Mann, Robert Rauschenberg, David Haxton, Joan Jonas, Robert Morris, Bruce Nauman, Richard Serra, Nancy Holt, Robert Smithson, Lawerence Weiner, Paul Kos, Simone Forti, Vito Acconci, Claes Oldenburg, and John Chamberlain. Note: Catalogue was a side project of Béar's. |
1974 |
| IV.35 | Castelli-Sonnabend Film Catalogue 2 of 8 folders. Includes edited text on films and vidoes by Joan Jonas, Frank Gillette, Vito Acconci, Paul Sharits, William Wegman, Charlemagne Palestine, Nancy Holt, Robert Smithson, Tina Girouard, Robert Rauschenberg, Claes Oldenburg, David Shulman, David Haxton, and John Chmaberlain. Note: Catalogue was a side project of Béar's. |
1974 |
| IV.36 | Castelli-Sonnabend Film Catalogue 3 of 8 folders. Includes "Conditions of Rental and Sale"; film price and check lists; notes and edited text on films and videos by Edward Ruscha, Joan Jonas, Vito Acconci, Richard Serra and Bruce Nauman. Note: Catalogue was a side project of Béar's. |
1974 |
| IV.37 | Castelli-Sonnabend Film Catalogue 4 of 8 folders. Includes edited text on films and videos by Bruce Nauman, Simone Forti, Keith Sonnier, Robert Smithson, Paul Sharits, Robert Morris, David Shulman, Vito Acconci, David Haxton, Claes Oldenburg, Joan Jonas, John Chamberlain and John Baldessari. Note: Catalogue was a side project of Béar's. |
1974 |
| IV.38 | Castelli-Sonnabend Film Catalogue 5 of 8 folders. Includes artist check lists and edited catalogue text facsimilie. Note: Catalogue was a side project of Béar's. |
1974 |
| IV.39 | Castelli-Sonnabend Film Catalogue 6 of 8 folders. Includes catalogue tear sheets, artist check lists, handwritten notes, and edited text on films and videos by Michael Snow, Yvonne Rainer, Mark Rappaport, Barry Gerson,Stanton Kaye and Lynda Benglis. Note: Catalogue was a side project of Béar's. |
1974-1976 |
| IV.40 | Castelli-Sonnabend Film Catalogue 7 of 8 folders. Includes cover page mechanical; film still from William Wegman's Selected Works/Reel #6; edited catalogue text on films and videos by John Baldessari, Peter Campus, Joan Jonas, Simone Forti, Frank Gillette, Tina Girouard, Beryl Korot, Paul Kos, Charlemagne Palestine, William Wegman, Lawrence Weiner, David Haxton, Nancy Holt, Claes Oldenburg, Ed Ruscha, Paul Sharits, and David Shulman. Original folder marked "supplement." Note: catalogue was a side project of Béar's. |
1974-1976 |
| IV.41 | Castelli-Sonnabend Film Catalogue 8 of 8 folders. Includes edited catalogue entries; film still from Richard Serra's Boomerang; and catalogue page proofs (uncut). Note: catalogue was a side project of Béar's. |
1974-1976 |
| IV.42 | Change of Address | 1976-1977 |
| IV.43 | Check Receipts | 1973-1976 |
| IV.44* | Checks Two check books from Manufacturers Hanover Trust Company |
1972-1973 |
| IV.45 | Checks | 1972-1976 |
| IV.46 | Checks Being Held | 1976-1977 |
| IV.47 | Checks To Be Returned | 1973 |
| IV.48 | Complaints | 1971-1977 |
| IV.49 | Complimentary and Exchange Subscriptions | 1970-1971 |
| IV.50 | Consumer Federation of America | 1978 |
| IV.51 | Computer Project 1 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 1. |
|
| IV.52 | Computer Project 2 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 2. |
|
| IV.53 | Computer Project 3 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 3. |
|
| IV.54 | Computer Project 4 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 4. |
1979 |
| IV.55 | Computer Project 5 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 5. |
1979 |
| IV.56 | Computer Project 6 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 6. |
1979 |
| IV.57 | Computer Project 7 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 7. |
1979 |
| IV.58 | Computer Project 8 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 8. |
1979 |
| IV.59 | Computer Project 9 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 9. |
1979 |
| IV.60 | Computer Project 10 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 10. |
1979 |
| IV.61 | Computer Project 11 of 11 folders. Printed messages from experimental project that communicated with artists through interactive transmissions using IP Sharp Terminals. Note: Project outside of Avalanche. Originals on rolls of Thermofax paper; restricted for preservation purposes. Photocopies in folder correspond to orginal roll 11. |
1979 |
| IV.62 | Coordinating Council of Literary Magazine (CCLM) 1 of 4 folders. |
1971-1972 |
| IV.63 | Coordinating Council of Literary Magazine (CCLM) 2 of 4 folders. Materials and research for 1973 CCLM grant application. |
1972-1973 |
| IV.64 | Coordinating Council of Literary Magazine (CCLM) 3 of 4 folders. Includes materials for grant submission and correspondence. |
1974-1975 |
| IV.65 | Coordinating Council of Literary Magazine (CCLM) 4 of 4 folders. Includes CCLM grant application (prepared by Béar). |
1975-1976 |
| IV.66 | Copyright Includes several blank Applications for Registration of a Claim to Copyright. |
1970-1971 |
| IV.67 | Correspondence - Editorial Includes letter to Sol LeWitt (January 30, 1973) and Germano Celant (June 17, 1971). |
1969-1974 |
| IV.68 | Correspondence - General Includes letter from Sharp and Béar to John Lennon and Yoko Ono (June 11, 1971). |
1971-1978 |
| IV.69 | Distribution | 1970-1977 |
| IV.70 | Eastern News Distributors | 1972-1974 |
| IV.71 | Editorial Inludes handwritten notes, Avalanche issue descriptions, and magazine mission-statements. |
1972-1976 |
| IV.72 | European Galleries (Addresses) | 1972-1977 |
| IV.73 | Exhibition | 1969-1973 |
| IV.74 | Exchange Subscriptions (Other Publications) | 1972-1976 |
| IV.75 | Expenses | |
| IV.76* | Film and Video Index cards listing film and video artists, their works, and screening dates. |
1970-1976 |
| IV.77 | Foundations | 1971 |
| IV.78 | Fundraising 1 of 3 folders. |
1970-1971 |
| IV.79 | Fundraising 2 of 3 folders. |
|
| IV.80 | Fundraising 3 of 3 folders. |
|
| IV.81 | Galleys Note: some in poor condition with pages stuck together. |
|
| IV.82 | Gift Subscriptions | 1973 |
| IV.83 | Grants | 1971-1975 |
| IV.84 | Ha-Ha | 1970 |
| IV.85 | Invoices 1 of 3 folders. |
1972 |
| IV.86 | Invoices 2 of 3 folders. |
1972-1973 |
| IV.87 | Invoices 3 of 3 folders. |
1976 |
| IV.88 | Invoices - Paid 1 of 4 folders. |
1971-1972 |
| IV.89 | Invoices - Paid 2 of 4 folders. Predominantely subscription invoices. |
1971-1972 |
| IV.90 | Invoices - Paid 3 of 4 folders. |
1973-1976 |
| IV.91 | Invoices - Paid and Refund Requests 4 of 4 folders. |
1977-1978 |
| IV.92 | Invoices - Unpaid | 1973 |
| IV.93 | Interns | 1971 |
| IV.94 | Labels | 1968 |
| IV.95 | Kineticism Press | |
| IV.96 | Liza Béar Editorial Letters Includes correspondence with Tania Mouraud, Urs Lüthi, Fabio Sargentini, and Rolf Ricke. |
1973 |
| IV.97 | Legal | 1971 |
| IV.98 | Mailing List | 1971 |
| IV.99* | Mailing List | |
| IV.100 | Mailing Permit | 1968-1971 |
| IV.101 | Mary | 1975-1976 |
| IV.102 | Max's Kansas City | |
| IV.103 | Media Alliance | |
| IV.104 | Microfilm | 1976 |
| IV.105 | Miscellaneous Business | 1967-1971 |
| IV.106 | Need Letters Sent | 1975-1977 |
| IV.107 | New Mail 2 of 2 folders |
1973 |
| IV.108 | New Mail 1 of 2 folders. Original folder marked "April 1977." |
1977 |
| IV.109 | New Subscribers | 1975-1976 |
| IV.110 | New York State Council of the Arts | 1971-1977 |
| IV.111 | Newsstand Invoices | 1974-1975 |
| IV.112 | Nigel Greenwood Correspondence | 1971 |
| IV.113 | Notebooks 1 of 3 folders. Seven small notebooks with miscellaneous information on postage, events, "to-do" lists, daily schedules, and contact information. |
1973-1977 |
| IV.114 | Notebooks 2 of 3 folders. Five small notebooks with miscellaneous contact information, notes on finances, and various Avalanche preperation and research notes. |
1974-1975 |
| IV.115 | Notebooks 3 of 3 folders. |
1977 |
| IV.116 | Notebooks-Addresses and Phone Numbers 1 of 2 folder. Note: Fragile condition. Please handle with care. |
|
| IV.117 | Notebooks-Addresses and Phone Numbers 2 of 2 folders. Note: fragile condition. Please handle with care. |
|
| IV.118 | Notebooks-Daily Calendars and Appointment Books 1 of 5 folders. Two notebooks. |
1968-1969 |
| IV.119 | Notebooks-Daily Calendars and Appointment Books 2 of 5 folders. Two notebooks. |
1970-1971 |
| IV.120 | Notebooks-Daily Calendars and Appointment Books 3 of 5 folders. Two notebooks. |
1972 |
| IV.121 | Notebooks-Daily Calendars and Appointment Books 4 of 5 folders. Two notebooks. |
1973-1974 |
| IV.122 | Notebooks-Daily Calendars and Appointment Books 5 of 5 folders. Two notebooks. |
1975-1977 |
| IV.123 | Open and Questions | 1973-1974 |
| IV.124 | Orders 1 of 2 folders. |
1973 |
| IV.125 | Orders 2 of 2 folders. |
1976-1977 |
| IV.126 | Outstanding Debts | 1975 |
| IV.127 | Painting Symposium 1 of 2 folders. Transcript of symposium dialogue. Orginal folder marked "rough cut." |
1970 |
| IV.128 | Painting Symposium 2 of 2 folders. Transcript of symposium dialogue. Note: Preexisting water damage. |
1970 |
| IV.129 | Parcels Includes a ledger book and invoices. |
1973-1975 |
| IV.130 | Pending Documents concerning issues of subscription and circulation. |
1972 |
| IV.131 | Personal Includes postcards and correspondence. |
1972-1980 |
| IV.132 | Petty Cash | 1976 |
| IV.133 | Postal Service | 1977 |
| IV.134 | Press and Reviews Includes The Western Association of Art Museums Newsletter, vol. 3, no.4 and Clés pour les Arts, no. 7 and no. 10; and preservation photocopies of "Marioni: The Artist as Happening" in Pacific Sun July 7-13, 1971. |
1971-1976 |
| IV.135* | Press and Reviews "Marioni: The Artist as Happening" in Pacific Sun July 7-13, 1971. Restricted for preservation purposes. Photocopies included in folder IV.134. |
|
| IV.136 | Printers' Estimates | 1971-1972 |
| IV.137 | Production 1 of 3 folders. Includes invoices, correspondece, and production schedules. |
1969-1972 |
| IV.138 | Production 2 of 3 folders. Includes typeface catalogues. |
|
| IV.139 | Production 3 of 3 folders. Includes notebook with miscellaneous notes, invoices, and correspondence. |
1973-1976 |
| IV.140 | Promotion | 1975-1976 |
| IV.141 | Public Broadcasting 1 of 3 folders. Includes documentation relating to the Panel Discussions on Pubic Telecommunications (1977) submitted by The Association of Independent Video and Filmmakers, Inc. |
1977 |
| IV.142 | Public Broadcasting 2 of 3 folders. Includes handwritten interview transcript between representatives from the Ford Foundation, Exxon Mobil, and Forrest Meyers. Also includes bill H.R. 12021 from the House of Representatives to ammend long-term financing for the Corporation for Public Broadcasting. |
1977-1978 |
| IV.143 | Public Broadcasting 3 of 3 folders. |
1977-1978 |
| IV.144 | Publishing | 1977 |
| IV.145 | Purchase Orders | 1971-1973 |
| IV.146 | Readership Breakdown | 1970 |
| IV.147 | Receipts | 1970-1978 |
| IV.148 | Rejects | 1972 |
| IV.149 | Renewals | 1972-1976 |
| IV.150 | Rent | 1971-1972 |
| IV.151 | Returned Mail | 1973 |
| IV.152 | Roof Includes negatives and contact sheets. |
1968 |
| IV.153 | Sample Copies Back Issues | 1972-1973 |
| IV.154 | Satellite Litho Corp. | 1973 |
| IV.155 | Science Press | 1973-1974 |
| IV.156 | Small Presses | 1976 |
| IV.157 | Stationary 1 of 2 folders. |
|
| IV.158 | Stationary 2 of 2 folder. |
|
| IV.159* | Subscriptions 1 of 2 boxes. Subscription cards originally marked "current" and "complimentary" subscriptions. |
1970-1976 |
| IV.160* | Subscriptions 2 of 2 boxes. Subscription and renewal cards. |
1970-1976 |
| IV.161 | Subscriptions 1 of 20 folders. Subscription mailer. |
1970 |
| IV.162 | Subscriptions 2 of 20 folders. |
1970-1971 |
| IV.163 | Subscriptions 3 of 20 folders. Correspondence. |
1971 |
| IV.164 | Subscriptions 4 of 20 folders. |
1971-1972 |
| IV.165 | Subscriptions 5 of 20 folders. |
1971-1972 |
| IV.166 | Subscriptions 6 of 20 folders |
1971-1972 |
| IV.167 | Subscriptions 7 of 20 folders. |
1972-1975 |
| IV.168 | Subscriptions 8 of 20 folders. |
1973-1974 |
| IV.169 | Subscriptions 9 of 20 folders. |
1973-1974 |
| IV.170 | Subscriptions 10 of 20 folders. |
1973-1975 |
| IV.171 | Subscriptions 11 of 20 folders. Back issue information. |
1974 |
| IV.172 | Subscriptions 12 of 20 folders. |
1974-1975 |
| IV.173 | Subscriptions 13 of 20 folders. |
1975 |
| IV.174 | Subscriptions 14 of 20 folders. |
1975 |
| IV.175 | Subscriptions 15 of 20 folders. |
1975 |
| IV.176 | Subscriptions 16 of 20 folders. Renewal letter template. |
1975 |
| IV.177 | Subscriptions 17 of 20 folders. |
1975-1976 |
| IV.178 | Subscriptions 18 of 20 folders. Requests for subscriptions and back issues. |
1976-1977 |
| IV.179 | Subscriptions 19 of 20 folders. |
1977-1978 |
| IV.180 | Subscriptions 20 of 20 folders. |
1977-1979 |
| IV.181 | Subscriptions-Invoices 1 of 5 folders. |
1971-1973 |
| IV.182 | Subscriptions-Invoices 2 of 5 folders. |
1974 |
| IV.183 | Subscriptions-Invoices 3 of 5 folders. |
1974-1975 |
| IV.184 | Subscriptions-Invoices 4 of 5 folders. |
1975 |
| IV.185 | Subscriptions-Invoices 5 of 5 folders |
1976-1977 |
| IV.186 | Subscriptions-New Mail | 1972-1973 |
| IV.187 | Subscriptions-Not Paid | 1970-1971 |
| IV.188 | Subscriptions-Paid | 1969-1971 |
| IV.189 | Television and Video 1 of 2 folders. Materials related to public broadcasting. |
1977 |
| IV.190 | Television and Video 2 of 2 folders. Includes recipts, invoices, and notes related to "Art on Video." Also includes mailer for Avalanche videotapes. |
1976 |
| IV.191 | The Association of Independent Video and Filmmakers, Inc. Includes "Testimony for Presentation To: The Subcomimittee on Communications House Interstate and Foreign Commerce Committee for Submission to the Record of the Panel Discussion on Public Telecommunications." |
1977 |
| IV.192 | The New York Book Fair | 1978 |
| IV.193 | The Volunteer Urban Consulting Group | 1976 |
| IV.194 | To Do 1 of 6 folders |
1971-1978 |
| IV.195 | To Do 2 of 6 folders. |
1972-1976 |
| IV.196 | To Do 3 of 6 folders. |
1973-1974 |
| IV.197 | To Do 4 of 6 folders. |
1974-1978 |
| IV.198 | To Do 5 of 6 folders. |
1976-1978 |
| IV.199 | To Do 6 of 6 folders |
1977 |
| IV.200 | Trade Association Directory/New York City Economic Development Administration | |
| IV.201 | Travel | |
| IV.202 | Triple Trouble Includes correspondence, color slides, black-and-white photographs of Béar, Brenda Miller, and Jackie Winsor, and a proposal for a visiting artist program featuring Béar, Miller, and Winsor. |
1977 |
| IV.203 | Typography 1 of 3 folders. Original folder marked "Spare Type." Includes galleys and typography clippings and samples. Note: several clippings stuck together. |
|
| IV.204 | Typography 2 of 3 folders. Original folder marked "Spare Type."Includes typography samples and clippings. Note: several clippings stuck together. |
|
| IV.205 | Typography 3 of 3 folders. |
1972 |
| IV.206 | Urgent | 1972-1973 |
| IV.207 | Walther König - Documenta 5 | |
| IV.208 | Young Filmmakers | 1978 |
|
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Series V: Avalanche Magazine Reprint 2010 |
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|
A complete run of Avalanche was reprinted by Primary Information in 2010. Only 1,000 copies were printed. Produced as a collector's box set, all issues are housed together in one sturdy laminated archival box measuring 10.5" x 19.5". The first eight issues are exact facsimiles of the original magazines while the newspaper issues (nos. 9-13) were reprinted and bound together in a single volume. As a result the last five issues are slightly reduced in scale. |
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| Folder | Title | Date |
| V.1* | Avalanche Reprint One box containing a facsimilie of each issue of Avalanche. |
2010 |
|
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File numbers marked by an asterisk (*) indicate oversize material that has been separated to the end of the collection. Researchers should include the asterisk when issuing a request for such material.
| Series | Folder Range | Box |
| I.A | 1-4, 6-17 | 1 |
| I.A | 18-23, 26-32, 36-37, 40-41 | 2 |
| I.A | 42-46, 48-51, 53-59 | 3 |
| I.A | 60-63, 65-73, 75-80 | 4 |
| I.A | 81, 83, 85-93, 95-97, 99-102 | 5 |
| I.A | 103, 105-120 | 6 |
| I.A | 121-133 | 7 |
| I.A | 134-147, 150, 152-153 | 8 |
| I.A | 155-155, 157-159, 161-164, 166-170 | 9 |
| I.A | 171-172, 174, 176-177, 179-180, 182-186 | 10 |
| I.A | 187-190, 192-197, 199-206 | 11 |
| I.A | 207-209, 211-221 | 12 |
| I.A | 222-239 | 13 |
| I.A | 240-252 | 14 |
| I.A | 253-268 | 15 |
| I.A | 269, 272-283 | 16 |
| I.A | 284, 286-296, 298 | 17 |
| I.A | 299-307, 309-313 | 18 |
| I.A | 314-326, 328-329 | 19 |
| I.A | 330-339, 341 | 20 |
| I.A | 342-353 | 21 |
| I.A | 354-357, 359, 362-368 | 22 |
| I.A | 370-382 | 23 |
| I.A | 383-386, 388-389, 391-393, 395, 398-400 | 24 |
| I.A | 400-413 | 25 |
| I.A | 414-428, 430 | 26 |
| I.A | 433-438, 440-448 | 27 |
| I.A | 449-452, 454, 456-457, 459, 462-470, 472 | 28 |
| I.A | 474-481, 483-485, 487-491 | 29 |
| I.A | 492-495, 498-503, 505, 508-510 | 30 |
| II | 1-7, 9-14, 16-23, 25-30, 32-34 | 31 |
| II | 35-39, 41-44, 46-53, 55, 57-60 | 32 |
| II | 61-78, 80-83, 85, 87-100 | 33 |
| II | 101-111, 114-116, 118-132 | 34 |
| II | 133-140, 142-144, 146-153, 155-167 | 35 |
| II | 169-180, 182 | 36 |
| II | 183, 185-186, 188-198, 200-208, 210-217 | 37 |
| II | 218, 220-227, 229-238, 240-253 | 38 |
| II | 254-268, 270-281 | 39 |
| II | 282-289, 291-293, 295-305 | 40 |
| II | 306-316, 318-344 | 41 |
| II | 345-347, 349-361, 363-370, 372 | 42 |
| II | 374-377, 379-384, 386-391, 394-412 | 43 |
| II | 413-416, 418-419, 421-428, 430-431 | 44 |
| II | 433-443, 445-464, 466-479 | 45 |
| II | 483-499, 501-504, 506-508, 510-516 | 46 |
| II | 517-523, 525-529, 531-533, 535-542 | 47 |
| II | 544-545, 547-558, 560-572, 574-575, 577-583 | 48 |
| II | 584-588, 590-599 | 49 |
| II | 600-615, 617-628 | 50 |
| II | 629, 631-647, 649, 651-660 | 51 |
| II | 661, 663, 665-666, 668, 670-689 | 52 |
| II | 690-691, 693-699, 701-711, 713-721, 723 | 53 |
| II | 725-732, 734-741, 743-757 | 54 |
| II | 759-769, 771-774, 776-782 | 55 |
| III | 1a-113 | 56 |
| III | 14a-29b | 57 |
| III | 30a-47b | 58 |
| III | 48-65 | 59 |
| III | 66-82b | 60 |
| III | 83a-102b | 61 |
| III | 103a-121b | 62 |
| III | 122a-140 | 63 |
| III | 141a-166 | 64 |
| IV | 2-14 | 65 |
| IV | 15-16, 18-20 | 66 |
| IV | 21-29 | 67 |
| IV | 30-31, 33-40 | 68 |
| IV | 41-43, 45-63 | 69 |
| IV | 64-75, 77-78 | 70 |
| IV | 79-88 | 71 |
| IV | 89-98, 100-101 | 72 |
| IV | 102-112 | 73 |
| IV | 113-117 | 74 |
| IV | 118-121 | 75 |
| IV | 122-129 | 76 |
| IV | 130-140 | 77 |
| IV | 141-156 | 78 |
| IV | 157-158, 161-167 | 79 |
| IV | 168-176 | 80 |
| IV | 177-186 | 81 |
| IV | 187-197 | 82 |
| IV | I98-208 | 83 |
| IV | 1* | 84 |
| IV | 76* | 85 |
| IV | 159* | 86 |
| IV | 160* | 87 |
| I.A | 24*, 25*, 33*, 34*, 38*, 47*, 52*, 64*, 74*, 82*, 84*, 94*, 98*, 104*, | 88 |
| I.A | 35*, 39*, 156*, 160*, 165*, 270*, 271*, 297*, 308*, 369*, 394*, | 89 |
| I.A | 148*, 149*, 151*, 173*, 175*, 178*, 181*, 191*, 198*, | 90 |
| I.A | 285*, 327*, 340*, 358*, 360*, 361*, 387*, 390*, 397*, 429*, 431*, 432*, 453*, 458*, 460*, 461*, 482*, 486*, 496*, 506*, 511* | 91 |
| I.A | 396*, 439*, 455*, 471*, 497*, 504*, 507* | 92 |
| I.B | I.B.1* | 93 |
| I.B | I.B.2* | 94 |
| I.B | I.B.3* | 95 |
| I.B | I.B.4* | 96 |
| I.B | I.B.5* | 97 |
| I.B | I.B.6* | 98 |
| I.B | I.B.7* | 99 |
| I.B | I.B.8* | 100 |
| I.B | I.B.9* | 101 |
| I.B | I.B.10* | 102 |
| I.B | I.B.11* | 103 |
| I.B | I.B.12* | 104 |
| I.B | I.B.13* | 105 |
| I.B | I.B.14* | 106 |
| II | 8*, 24*, 31*, 40*, 112*, 168*, 184*, 187*, 209*, 239*, | 107 |
| II | 15*, 45*, 54*, 56*, 79*, 199*, 219*, 269*, 294*, 392*, 417*, 465*, 524*, 534*, 546*, 589*, 616*, 630*, 700*, 722*, 758*, 775* | 108 |
| II | 84*, 113*, 117*, 141*, 145*, 154*, 181*, 228*, 362*, 371*, 378*, 481*, 482*, 724*, 733* | 109 |
| II | 317*, 348*, 373*, 385*, 420*, 432*, 444*, 505*, 509*, 530*, 559*, 650*, 662*, 664*, 712*, 770*, | 110 |
| IV | 17*, 32*, 99* | 111 |
| IV | 44* | 112 |
| V | 1* | 113 |
| I.A | 5*, 10* | FF 1-10 |
| II | 86*, 290*, 393*, 429*, 480*, 500*, 573*, 576*, 648*, 669*, 692*, 742* | FF 1-10 |