Georges-Pierre Seurat Evening, Honfleur 1886
- MoMA, Floor 5, 501 The Alfred H. Barr, Jr. Galleries
- Georges-Pierre Seurat has 9 works online.
- There are 2,456 paintings online.
Installation views
We have identified these works in the following photos from our exhibition history.
-
Art in a Changing World: 1884–1964: Painting and Sculpture from the Museum Collection
May 27, 1964
2 other works identified
-
Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
1 other work identified
-
Selections from the Permanent Collection of Painting and Sculpture
Jul 1, 1993
2 other works identified
-
Collection Highlights (2000)
May 25, 2000–Jan 28, 2001
3 other works identified
-
To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
3 other works identified
-
Painting &
Sculpture II Nov 20, 2004–Aug 5, 2015
5 other works identified
-
Painting &
Sculpture II Nov 20, 2004–Aug 5, 2015
4 other works identified
-
Painting &
Sculpture II Nov 20, 2004–Aug 5, 2015
3 other works identified
-
501: 19th-Century Innovators
Fall 2019–Fall 2021
4 other works identified
-
501: 19th-Century Innovators
Fall 2019–Fall 2021
4 other works identified
-
502: Cézanne, Gauguin, Seurat, Van Gogh
Mar 31, 2023–Mar 10, 2024
3 other works identified
-
502: Cézanne, Gauguin, Seurat, Van Gogh
Mar 31, 2023–Mar 10, 2024
2 other works identified
-
501: French Landscapes and Interiors
Ongoing
1 other work identified
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
If you notice an error, please contact us at [email protected].
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Estate of the artist (Madeleine Knobloch), Paris, 1891 [1]; acquired by Gustave Kahn (1859-1936), Paris, 1892 [2]. Victor Claessens, Waereghem, near Brussels, before 1923 [3]; by inheritance to his son Armand Claessens, Waereghem, near Brussels, 1929 [4]; sold to Wildenstein Galleries, New York, 1937 [5]; sold to Adele R. and David M. Levy, November 1938 [6]; The Museum of Modern Art, New York, 1957 (Gift of Mrs. David M. Levy).
[1] C. M. de Hauke, Seurat et son oeuvre, Paris: Gründ, 1961, no. 167.
[2] Ibid. Henri Dorra and John Rewald, eds. Seurat, Paris: Les Beaux Arts, 1959, no. 171: "Gustave Kahn, Bruxelles (à partir de 1892)." Included in the exhibition Les XX, Brussels, 1892 (no. 8): "Embouchure de la Seine (Honfleur), Soir, appartient à M. G. Kahn."
[3] C. M. de Hauke, Seurat et son oeuvre, Paris: Gründ, 1961, no. 167. See letter Michel Callewaert, V.A. Claessens, Waereghem to C. de Hauke, Paris, January 17, 1958, Jacques Seligmann & Co. records, General correspondence: Michel Callewaert (Box 20, Folder 8), Archives of American Art, Washington, DC. Date of acquisition not known.
[4] Ibid. See Dorra and Rewald, 1959, no. 171. Included in the exhibition L'Impressionisme, Palais des Beaux-Arts, Brussels, June 15-September 29, 1935 (no. 75).
[5] See letter Michel Callewaert, V.A. Claessens, Waereghem to Wildenstein & Co., New York, December 20, 1957, Jacques Seligmann & Co. records, General correspondence: Michel Callewaert (Box 20, Folder 8), Archives of American Art, Washington, DC.
[6] Collection files, Department of Painting and Sculpture, The Museum of Modern Art, New York.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].
This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].