Photo: Noah Kalina. Shown: David Tudor with John Driscoll, Phil Edelstein, Composers Inside Electronics Inc. Rainforest V (variation 1). 1973–2015. Twenty objects, sound, dimensions variable. Realized by Composers Inside Electronics Inc. (John Driscoll, Phil Edelstein, and Matt Rogalsky). The Museum of Modern Art, New York. Committee on Media and Performance Art Funds. ©️ 2019 David Tudor and Composers Inside Electronics Inc. Courtesy BROADWAY 1602 UPTOWN & HARLEM, New York. Installation view, The Museum of Modern Art, New York, October 21, 2019–January 5, 2020

This Series builds upon the Museum’s long history of supporting dance and the performing arts through its collection and exhibition programming, reinforcing MoMA’s role as a bold innovator in positioning live art within broader narratives of art history. Situated at the heart of the Museum, within the collection gallery circuit on the fourth floor, the Studio is the world’s first dedicated space for performance, process, and time-based art to be centrally integrated within the galleries of a major museum. This space is a fundamental element in MoMA’s efforts to frame its collection as a living history for both collection-responsive programming and new commissions by established and emerging artists. The Hyundai Card Performance Series aims to enrich histories of modern and contemporary art, and offers a key platform for artists experimenting with new art forms and engaging with audiences.

Designed to create an open, accessible, and generous experience, the Studio includes a double-height glass wall with a view of 53rd Street, an overlook from the fifth-floor collection galleries, and an entrance on the fourth floor that can be exposed to the adjacent galleries or sealed to control light and sound. The space supports the technical needs of performance with state-of-the-art facilities and acoustics. The scale of the space provides an intimate, focused experience with the work. With a capacity to accommodate multiple configurations, the Studio will be activated throughout the year by a range of performances, programs, and installations through commissions, festivals, residencies, rehearsals, and workshops.

With the opening of this new space dedicated to performing arts, Hyundai Card has renewed its partnership with MoMA to help share experimental media and performance-based programs in the Studio, in the galleries, and beyond.

The Studio program is organized by Stuart Comer, The Lonti Ebers Chief Curator of Media and Performance; Ana Janevski, Curator; and Martha Joseph, Assistant Curator, Department of Media and Performance; and Sophie Cavoulacos, Assistant Curator, Department of Film; with Giampaolo Bianconi, Curatorial Assistant, Department of Media and Performance; produced by Lizzie Gorfaine, Producer, with Kate Scherer, Manager, Performance and Live Programs.

Media and Performance at MoMA is made possible by Hyundai Card.