ARTISTVIEW ALL
Franz Roh
German
1890–1965
February 21, 1890 |
Born
At location: Franz Roh
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Apolda |
1915–18 |
Studies 17th-century Dutch painting under the supervision of Heinrich Wölfflin in preparation for his doctoral degree
At location: Franz Roh
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Munich |
1920–65 |
Writes art criticism for Cicerone, Das Kunstblatt, and Die Kunst
Contributor: Franz Roh
|
Munich Berlin Bremen |
1925 |
Publishes Nachexpressionismus - Magischer Realismus
Contributor: Franz Roh
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Leipzig |
Late 1920s |
Franz Roh travels to the Bauhaus; László Moholy-Nagy encourages him to experiment and create his own photographs
At location: László Moholy-Nagy, Franz Roh
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Dessau |
1928 |
Franz Roh publishes an article about Aenne Biermann's work in Das Kunstblatt
Affiliated: Aenne Biermann
Contributor: Franz Roh
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Weimar |
1929 |
Franz Roh publishes Foto-Auge: 76 Fotos der Zeit
Contributor: Herbert Bayer, Max Burchartz, Florence Henri, El Lissitzky, Man Ray (Emmanuel Radnitzky), László Moholy-Nagy, Walter A. Peterhans, Albert Renger-Patzsch, Maurice Tabard, Umbo (Otto Umbehr), Edward Weston, Franz Roh, Semyon Fridlyand, Robert Petschow, Sasha Stone, Dziga Vertov, Hans Finsler, Paul Edmund Hahn, J. Jay Hirz
|
Stuttgart |
1930 |
Franz Roh publishes L. Moholy-Nagy: 60 Fotos, a monograph on László Moholy-Nagy, as part of the Fototek series
Contributor: László Moholy-Nagy, Franz Roh
|
Berlin |
1930 |
Franz Roh publishes 60 Fotografien, a monograph on Aenne Biermann, as part of the Fototek series
Affiliated: Aenne Biermann
Contributor: Franz Roh
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Berlin |
1930 |
Begins publishing Fotothek, a series of books dedicated to new photography
Contributor: Franz Roh
|
Munich |
June–September 1930 |
Das Lichtbild exhibition
Participant: Aenne Biermann, Bill Brandt, Max Burchartz, César Domela-Nieuwenhuis, Florence Henri, Lotte Jacobi, André Kertész, Germaine Krull, Helmar Lerski, Walter A. Peterhans, August Sander, Umbo (Otto Umbehr), Edward Weston, Lucia Moholy, Werner Rohde, Franz Roh, Marianne Breslauer, Alexander Hackenschmied, Edmund Kesting, Jean Moral, Willy Zielke, Lore Feininger, Hans Finsler
|
Munich |
December 1931 |
Internationale Fotoausstellung im Kunstgewerbemuseum
Participant: Franz Roh
|
Breslau |
July 2–31, 1932 |
Exposition internationale de la photographie at the Palais des Beaux-Arts
Participant: Aenne Biermann, André Kertész, Man Ray (Emmanuel Radnitzky), Franz Roh, Lee Miller, Sasha Stone
Organizer: Cami Stone
|
Brussels |
1933–45 |
During World War II he is considered a degenerate artist and is prohibited from publishing or exhibiting
At location: Franz Roh
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Munich |
Mid 1933 |
Interned at Dachau concentration camp because he championed artists associated with degenerate art in the book Foto-Auge; released after three months
At location: Franz Roh
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Dachau |
April 6–30, 1934 |
The Modern Spirit in Photography and Advertising at the Royal Photographic Society
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London |
1935 |
Raoul Ubac, Franz Roh, and Florence Henri publish photographs in Formes Neues
|
Paris |
1945–65 |
Returns to writing art criticism after the war; contributes to Neue Zeitung
Contributor: Franz Roh
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Munich |
1945–65 |
Works as a professor at the Kunstschule in Saarbrücken and at the Universität München
At location: Franz Roh
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Munich Saarbrücken |
1948 |
Publishes Der Verkannte Künstler, composed of clandestine texts written during the years of the Nazi regime
Contributor: Franz Roh
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Munich |
1948–65 |
Works as co-editor of Die Kunst und das Schöne Heim
At location: Franz Roh
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Munich |
1951 |
Becomes president of the Art Critics' Association in Germany
At location: Franz Roh
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Munich |
December 30, 1965 |
Dies
At location: Franz Roh
|
Munich |