About the Artist
Explore life eventsMeeting Points
- Cultural Hubs Berlin
- Photo Industry Hubs Dresden
- Schools Bauhaus, 1919–33 Levy Gallery, 1931–49
- Exhibitions Film und Foto, 1929 Foto der Gegenwart, 1929
- Publications Das deutsche Lichtbild, 1927–38 Foto-Auge, 1929
Artist Chronology
Childhood and adolescence |
Peterhans's father, Andreas, is the director of Zeiss Ikon AG, giving the younger Peterhans an opportunity to experiment with his own cameras from a very early age
At location: Walter A. Peterhans
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Dresden |
June 12, 1897 |
Born
At location: Walter A. Peterhans
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Frankfurt am Main |
1916–19 |
Serves in the German army
At location: Walter A. Peterhans
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Germany |
1919–20 |
Studies mechanical engineering at the Technische Hochschule
At location: Walter A. Peterhans
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Munich |
1921–24 |
Studies mathematics and philosophy at the University of Göttingen
At location: Walter A. Peterhans
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Göttingen |
1925–26 |
Studies photographic processes at the State Academy for Graphic Arts and Printing
At location: Walter A. Peterhans
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Leipzig |
1927 |
Establishes his own photography studio; uses a Linhof camera
At location: Walter A. Peterhans
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Berlin |
1928 |
Becomes a member of the Gesellschaft Deutscher Lichtbildner
At location: Walter A. Peterhans
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Berlin |
1928–34 |
Publishes photographs in Das Deutsche Lichtbild, Gebrauchsgraphik, Die Form, Cahiers d'art, Gebrauchsfotografie—Das Atelier des Photographen, American Photographer, and Das Neue Frankfurt
Contributor: Walter A. Peterhans
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New York Paris Frankfurt Berlin Halle Stuttgart |
February 12–March 5, 1928 |
Foto – Malerei – Architektur at Kunstschule Johannes Itten
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Berlin |
March 25–May 6, 1928 |
Neue Wege der Photographie at Kunstverein Jena
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Jena |
May–October 1928 |
Internationale Presse-Ausstellung des Deutschen Werkbund, aka "Pressa"
Participant: El Lissitzky, Walter A. Peterhans
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Cologne |
1929 |
Franz Roh publishes Foto-Auge: 76 Fotos der Zeit
Contributor: Herbert Bayer, Max Burchartz, Florence Henri, El Lissitzky, Man Ray (Emmanuel Radnitzky), László Moholy-Nagy, Walter A. Peterhans, Albert Renger-Patzsch, Maurice Tabard, Umbo (Otto Umbehr), Edward Weston, Franz Roh, Semyon Fridlyand, Robert Petschow, Sasha Stone, Dziga Vertov, Hans Finsler, Paul Edmund Hahn, J. Jay Hirz
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Stuttgart |
January 20–February 17, 1929 |
Fotografie der Gegenwart at Museum Folkwang
Kestner Gesellschaft v.V, Königstrasse 8, Hannover Galerie Neumann-Nierendorf, Lützowstrasse 32, Berlin Whitechapel Art Gallery, London Frankfurter Kunstverein, Frankfurt Leipziger Kunstverein, Augustusplatz 6, Leipzig Lichthof des Neuen Rathauses, Dresden Kunstverein, Rostock am Adolf-Mittag-See, Städtisches Ausstellungsamt, Magdeburg Landesgewerbeanstalt, Kaiserslautern Vereinigung Göttinger Kunstfreunde, Göttingen
Participant: Berenice Abbott, Herbert Bayer, Aenne Biermann, Max Burchartz, Florence Henri, Lotte Jacobi, André Kertész, Germaine Krull, El Lissitzky, Man Ray (Emmanuel Radnitzky), László Moholy-Nagy, Walter A. Peterhans, Albert Renger-Patzsch, Hans Richter, August Sander, Umbo (Otto Umbehr), Lucia Moholy, Karl Blossfeldt, Erich Comeriner, Eli Lotar, Oskar Nerlinger, Robert Petschow, Frieda Gertrud Riess, Sasha Stone, Hans Finsler, Paul Edmund Hahn, Cami Stone
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Essen |
April 1929–1932 |
Appointed first head of the photography department at the Bauhaus
At location: Walter A. Peterhans
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Dessau |
April 1929–1932 |
Uses 13 x 18 cm and 9 x 12 cm cameras in teaching
At location: Walter A. Peterhans
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Dessau |
May–July 1929 |
Gas und Wasser exhibition of photomontages and photographs from Bauhaus Dessau
Designer: Georg Muche, Heinz Loew
Participant: Walter A. Peterhans, Sasha Stone
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Dessau |
May 18–July 7, 1929 |
Internationale Ausstellung des Deutschen Werkbunds Film und Foto (FiFo) at Städtische Ausstellungshallen
Kunstgewerbemuseum, Zurich Im Lichthof des Ehemaligen Kunstgewerbemuseums, Prinz-Albrechs-Strasse 7, Berlin Stadtmuseum, Danzig Österreichisches Museum, Vienna Agram, Zagreb Münchner Bund/Verein Ausstellungspark München E.V. (as part of Internationale Ausstellung. Das Lichtbild), Munich Asahi Shimbun, Tokyo Asahi Shimbun, Osaka
Participant: Berenice Abbott, Herbert Bayer, Aenne Biermann, Anton Bruehl, Francis Bruguière, Max Burchartz, Florence Henri, André Kertész, Germaine Krull, Helmar Lerski, El Lissitzky, Man Ray (Emmanuel Radnitzky), László Moholy-Nagy, Walter A. Peterhans, Albert Renger-Patzsch, Hans Richter, Aleksandr Rodchenko, Charles Sheeler, Edward Steichen, Maurice Tabard, Umbo (Otto Umbehr), Edward Weston, Lucia Moholy, Werner Rohde, George Hoyningen-Huene, Gustav Klutsis, Karl Blossfeldt, Heinz Loew, Erich Comeriner, Semyon Fridlyand, Roman Karmen, Eli Lotar, Oskar Nerlinger, Robert Petschow, Sasha Stone, Dziga Vertov, Yva (Else Simon), Willy Zielke, Irene Bayer-Hecht, Hans Finsler, Cami Stone
Organizer: El Lissitzky, László Moholy-Nagy, Hans Richter, Edward Steichen, Edward Weston, Dziga Vertov
Visitor: Alexander Hackenschmied
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Stuttgart |
1930 |
Publishes the article "Zum gegenwärtigen Stand der Fotografie" in ReD
Contributor: Walter A. Peterhans
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Prague |
Spring 1930–1932 |
Hajo Rose studies photography with Walter Peterhans and advertising at the Bauhaus
At location: Walter A. Peterhans, Hajo Rose
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Dessau |
June–September 1930 |
Das Lichtbild exhibition
Participant: Aenne Biermann, Bill Brandt, Max Burchartz, César Domela-Nieuwenhuis, Florence Henri, Lotte Jacobi, André Kertész, Germaine Krull, Helmar Lerski, Walter A. Peterhans, August Sander, Umbo (Otto Umbehr), Edward Weston, Lucia Moholy, Werner Rohde, Franz Roh, Marianne Breslauer, Alexander Hackenschmied, Edmund Kesting, Jean Moral, Willy Zielke, Lore Feininger, Hans Finsler
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Munich |
1930–32 |
Irene Hoffmann studies advertising with Joost Schmidt and photography with Walter Peterhans
At location: Walter A. Peterhans, Irene Hoffmann
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Dessau |
1931 |
Exhibition at Delphic Studios
Participant: Walter A. Peterhans
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New York |
1931 |
Jaromír Funke corresponds with and sends photographs to Walter Peterhans
At location: Jaromír Funke
Affiliated: Walter A. Peterhans
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Prague |
February 20–March 11, 1932 |
Modern European Photography at the Julien Levy Gallery
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New York |
1932–Spring 1933 |
Teaches at the Bauhaus
At location: Walter A. Peterhans
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Berlin |
October 1932 |
Horacio Coppola meets Bauhaus student Grete Stern, who introduces him to Walter Peterhans
At location: Walter A. Peterhans, Horacio Coppola
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Berlin |
1932–33 |
Irene Hoffmann studies advertising with Joost Schmidt and photography with Walter Peterhans
At location: Walter A. Peterhans, Irene Hoffmann
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Berlin |
1932–March 1933 |
Hajo Rose studies photography with Walter Peterhans and advertising at the Bauhaus
At location: Walter A. Peterhans, Hajo Rose
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Berlin |
Summer 1933–April 1934 |
Teaches at Werner Graff's photography school
At location: Walter A. Peterhans
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Berlin |
November 7–19, 1933 |
Die Kamera. Ausstellung für Fotografie, Druck und Reproduktion at the exhibition halls of the radio tower
Participant: Walter A. Peterhans, Albert Renger-Patzsch, Umbo (Otto Umbehr), Werner Rohde, Willy Zielke
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Berlin |
1934 |
Horacio Coppola's and Walter Peterhans's photographs are included in a series of "Nouvelles photographies" published in Cahiers d'art
Contributor: Walter A. Peterhans, Horacio Coppola
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Paris |
1935–37 |
Teaches photography at the Reiman school (after 1936, called Kunst und Werk - Privatschule für Gestaltung)
At location: Walter A. Peterhans
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Berlin |
1936 |
Was, Wann, Wie Vergrössern is published
Contributor: Walter A. Peterhans
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Halle |
1938–60 |
Teaches courses in art history and analysis in the Department of Architecture at Illinois Institute of Technology
At location: Walter A. Peterhans
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Chicago |
1942 |
Exhibition at The Art Institute of Chicago
Participant: Walter A. Peterhans
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Chicago |
April 12, 1960 |
Dies
At location: Walter A. Peterhans
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Stetten am kalten Markt |