Oil on canvas
Cézanne rarely hired professional models, but he did so for this work, whose subject is an Italian boy named Michelangelo di Rosa. It is one in a series of four paintings and two watercolors the artist made of di Rosa wearing a red vest. The painting’s first owner, the artist Claude Monet, referred to it as the best picture he owned, and it inspired him to declare that “Cézanne is the greatest of us all.” Nearly half of the Cézanne paintings in MoMA’s collection were originally part of Bliss’s 1934 donation. Boy in a Red Vest is temporarily on view while the other Cézanne paintings given by Bliss travel to the Metropolitan Museum of Art for a special exhibition.
2022
Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Ambroise Vollard, Paris
Claude Monet, Giverny (1895)
Michel Monet, Giverny
Paul Rosenberg, Paris
Mrs. A. Chester Beatty, London
Paul Rosenberg, Paris and New York
David and Peggy Rockefeller, New York (June 1955)
The Museum of Modern Art, New York (1955). Gift of Mr. and Mrs. David Rockefeller
Per Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Le Garçon au gilet rouge”, 1888-90 (FWN 495)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=638 (retrieved Mar 21, 2022).
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Paul Cézanne
French, 1839–1906 25 works onlineThroughout his decades-long career, he dedicated himself to this task, continuously experimenting with his materials and techniques in an effort to record his sensations on paper and canvas.
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Painting
A work of art made from paint applied to canvas, wood, paper, or another support.
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French Landscapes and Interiors
Gallery 501The late 19th century in France was an era of rapid change: the emergence of mass media, new and faster forms of transportation, urban expansion of cities like Paris, and developments in industry.
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