
George Grosz "The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen) 1920
- Medium
- Watercolor, ink, pencil, and cut-and-pasted printed paper on paper
- Dimensions
- 16 1/2 x 12" (41.9 x 30.5 cm)
- Credit
- Gift of A. Conger Goodyear
- Object number
- 176.1952
- Copyright
- © 2025 Estate of George Grosz
- Department
- Drawings and Prints
- George Grosz has 235 works online.
- There are 18,154 drawings online.
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View the German Expressionism: Works from the Collection project
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Installation views
We have identified these works in the following photos from our exhibition history.
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The Machine as Seen at the End of the Mechanical Age
Nov 27, 1968–Feb 9, 1969
1 other work identified
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Between World Wars: Drawing in Europe and America
Aug 20–Nov 14, 1976
2 other works identified
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Art of the Twenties
Nov 14, 1979–Jan 22, 1980
3 other works identified
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Art of the Twenties
Nov 14, 1979–Jan 22, 1980
5 other works identified
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Drawing in Austria and Germany
May 26–Oct 29, 1985
4 other works identified
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Drawing from the Modern, 1880 - 1945
Nov 20, 2004–Mar 7, 2005
9 other works identified
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Drawing from the Modern, 1880 - 1945
Nov 20, 2004–Mar 7, 2005
8 other works identified
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Drawing from the Modern, 1880 - 1945
Nov 20, 2004–Mar 7, 2005
3 other works identified
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Dada
Jun 18–Sep 11, 2006
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Engineer, Agitator, Constructor: The Artist Reinvented
Dec 13, 2020–Apr 10, 2021
2 other works identified
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Engineer, Agitator, Constructor: The Artist Reinvented
Dec 13, 2020–Apr 10, 2021
4 other works identified
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505: Living in the Age of the Machine
Ongoing
7 other works identified
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505: Living in the Age of the Machine
Ongoing
3 other works identified
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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Dr. Hermann Post, Berlin, then New York. Purchased from Grosz in Berlin in 1920 - at least until 1934 in New York
A. Conger Goodyear, New York. [Purchased from Hermann Post,] by 1936 – 1952
The Museum of Modern Art, New York. Gift of A. Conger Goodyear, October 1952
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