Kurt Schwitters. Merz Picture 32 A.  The Cherry Picture. 1921

Kurt Schwitters

Merz Picture 32 A. The Cherry Picture

1921

Medium
Cut-and-pasted colored and printed paper, cloth, wood, metal, cork, oil, pencil, and ink on paperboard
Dimensions
36 1/8 x 27 3/4" (91.8 x 70.5 cm)
Credit
Mr. and Mrs. A. Atwater Kent, Jr. Fund
Object number
27.1954
Copyright
© 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Department
Drawings and Prints
This work is not on view.
Kurt Schwitters has 95 works online.
There are 14,347 drawings online.

This highly animated picture is dominated by rectangular pieces of paper that cover the surface of the work. Schwitters created the illusion of depth by placing those papers with darker components behind those that are lighter in aspect. The brightest piece of paper, in the center of the composition, shows an eye-catching cluster of red cherries and the printed German and French words for the fruit.

In the winter of 1918–19 Schwitters had collected bits of newspaper, candy wrappers, and other debris, and began making the collages and assemblages for which he is best known today. The Cherry Picture belongs to a group of these works he called Merz, a nonsensical word that he made up by cutting a scrap from a newspaper: the second syllable of the German word Kommerz, or commerce.

By 1921 Schwitters had been painting seriously for ten years, largely in different naturalistic styles. In doing so, he learned how all art was based on measurement and adjustment and the manipulation of a variable but finite number of pictorial elements. He never forgot these lessons, which form a bridge between his earlier, representational work and the purely formal manipulation of found materials in the Merz pictures.

Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 115

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Hjalmar Gabrielson, Göteborg, Sweden. Purchased from Schwitters, by 1922 [1923]
Brita (Gretzer) Holmquist, New York. Inherited from her grandfather, Hjalmar Gabrielson
The Museum of Modern Art, New York. Purchased from Mrs. Brita Holmquist, 1954

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