Lewis’s paintings, like those of many Abstract Expressionists, straddle the boundary between abstraction and figuration. The predominantly dark palette of this work evokes the nocturnal cityscape of the title; the delicate lines that crisscross the surface have been interpreted as laundry or power lines. In City Night Lewis has transformed this quotidian subject matter into an atmospheric and luminous abstraction. “The elements of painting constitute a language in themselves,” the artist wrote in 1949; the dynamic interplay of light and dark in City Night demonstrates his deft control over the medium.

Gallery label from

Abstract Expressionist New York, October 3, 2010-April 25, 2011.

Provenance Research Project

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The artist
Oral Lovell, Wellesley, MA
Olivia R. A. Lovell of Belleville, NJ (by descent)
Auctioned at Swann Galleries, New York, June 24, 2010, sale 2219 "Out of the Blue: Modern Art and Jazz," lot 16 [as "City Night," 1949]
Acquired at auction by The Museum of Modern Art, New York, with funds provided by Marie-Josée and Henry R. Kravis

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Provenance Research Project
The Museum of Modern Art
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Medium Oil on wood
Dimensions 24 x 18" (61 x 45.7 cm)
Credit Gift of Marie-Josée and Henry R. Kravis
Object number 549.2010
Department Painting & Sculpture

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Norman Lewis

Norman Lewis

American, 1909–1979 10 works online

In a 1968 interview the artist Norman Lewis commented several times on his reputation as a loner.” Self-deprecation aside, Lewis’s comments are surprising given the wide range of his artistic networks throughout his career.

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