Upon his arrival in New York City in 1927, the artist José Clemente Orozco wrote to his wife, “This incredible city, part amusement park and part growing monstrosity, has changed a great deal since I was last here [eight years ago].” Orozco’s assessment speaks to the exuberant cultural transformations of New York in the Jazz Age. Dealers and patrons began to support and promote communities of avant-garde artists active across the city. Artists, intellectuals, and activists established magazines as platforms for their work and ideas. Among them was Aaron Douglas, who wrote art criticism and provided illustrations for many publications associated with the Harlem Renaissance. For those who incorporated aspects of the urban landscape into their work, like Stuart Davis and John Storrs, the city was both magnet and muse.
Collection 1880s–1940s
509
New York City, 1920s
509
New York City, 1920s
- MoMA, Floor 5, 509 The David Geffen Wing
- This collection gallery is a part of New art from wall to wall.
Artists
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George Ault
American, 1891–19484 exhibitions, 3 works online -
Peter Blume
American, 1906–199251 exhibitions, 18 works online -
Stuart Davis
American, 1892–196472 exhibitions, 26 works online -
Preston Dickinson
American, 1889–193022 exhibitions, 5 works online -
Aaron Douglas
American, 1899–19792 exhibitions, 1 work online - There are 24 artists in this collection gallery online.
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