Upon his arrival in New York City in 1927, the artist José Clemente Orozco wrote to his wife, “This incredible city, part amusement park and part growing monstrosity, has changed a great deal since I was last here [eight years ago].” Orozco’s assessment speaks to the exuberant cultural transformations of New York in the Jazz Age. Dealers and patrons began to support and promote communities of avant-garde artists active across the city. Artists, intellectuals, and activists established magazines as platforms for their work and ideas. Among them was Aaron Douglas, who wrote art criticism and provided illustrations for many publications associated with the Harlem Renaissance. For those who incorporated aspects of the urban landscape into their work, like Stuart Davis and John Storrs, the city was both magnet and muse.
Collection 1880s–1940s
509
New York City, 1920s
509
New York City, 1920s
- MoMA, Floor 5, 509 The David Geffen Wing
-
Stuart Davis Lucky Strike 1921 -
Charles Demuth Vaudeville 1917 -
Charles Demuth Dancing Sailors 1918 -
Charles Demuth Acrobats 1919 -
Preston Dickinson Harlem River before 1928 -
Arthur Dove The Intellectual 1925 -
Edward Hopper Night Windows 1928 -
Oscar Micheaux Excerpt from "Ten Minutes to Live" 1932 -
Elie Nadelman Woman at the Piano c. 1917 -
Georgia O'Keeffe Abstraction Blue 1927 -
José Clemente Orozco The Subway 1928 -
Martin Puryear Cane 2000 -
Florine Stettheimer Family Portrait, II 1933 -
John Storrs Stone Panel with Black Marble Inlay 1920-21 -
James Lesesne Wells Dance Fantasy 1928 -
Marguerite Zorach The Jungle 1936
Artists
-
Stuart Davis
American, 1892–196472 exhibitions, 26 works online -
Charles Demuth
American, 1883–193557 exhibitions, 14 works online -
Preston Dickinson
American, 1889–193022 exhibitions, 5 works online -
Arthur Dove
American, 1880–194636 exhibitions, 7 works online -
Edward Hopper
American, 1882–196778 exhibitions, 18 works online - There are 14 artists in this collection gallery online.
Installation images
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
If you notice an error, please contact us at [email protected].
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-film.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].
This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].