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  • All (540)

  • Art (17)

  • Artists (3)

  • What’s on (15)

  • Magazine (6)

  • Archives (302)

  • Other (193)

  • Visit
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  • Exhibition

    Charles White—Leonardo da Vinci. Curated by David Hammons

    Charles White. Black Pope (Sandwich Board Man). 1973. Oil wash on board, 60 × 43 7/8" (152.4 × 111.4 cm). Richard S. Zeisler Bequest (by exchange), The Friends of Education of The Museum of Modern Art, Committee on Drawings Fund, Dian Woodner, and Agnes Gund. © 2017 The Charles White Archives
  • Exhibition

    Antoni Tàpies in Print

    Antoni Tàpies. The Hands (Les Mains). 1969. Etching and aquatint, plate: 19 9/16 × 15 1/2″ (49.7 × 39.4cm); sheet: 30 1/2 × 23 1/8″ (77.5 × 58.7cm). Donald Karshan Fund. © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris
  • Exhibition

    From the Gilman Collection: Photographs Preserved in Ink

  • Exhibition

    New Concepts in Printmaking 2: Willie Cole

    Willie Cole. Domestic I.D. IV. 1992. Iron scorches and pencil on paper mounted in recycled painted wooden window frame, 35 × 32 × 1 1/8″ (88.9 × 81.3 × 3.4 cm). The Museum of Modern Art, New York. Purchased with funds given by Agnes Gund
  • Event

    On Diane Burns

    Image credit: Diane Burns. Poetry Spots: Diane Burns reads "Alphabet City Serenade.” 1989. Video (color, sound). Image courtesy Bob Holman, www.poetryspots.com
  • Collection gallery

    414: Stephen Prina

    Installation view of Gallery 414: Stephen Prina, The Museum of Modern Art, New York, March 1, 2025–ongoing. Photo: Jonathan Dorado. Digital image © 2025 The Museum of Modern Art, New York. Shown: Stephen Prina. _Untitled/“The history of modern painting, to label it with a phrase, has been the struggle against the catalogue”_—Barnett Newman/(Monochrome Painting, 1988–1989). 1991. Ink wash on rag, barrier paper, and cardboard, 67 parts. The Museum of Modern Art, New York. Committee on Drawings Funds, 2014. © 2025 Stephen Prina
  • Exhibition

    A Print Project by Chuck Close

  • Exhibition

    Simone Fattal: Works and Days

    Installation view of Simone Fattal: Works and Days on view at MoMA PS1 through September 2, 2019. Photo by Matthew Septimus.
  • Exhibition

    Jack Whitten: The Messenger

    Jack Whitten. Atopolis: For Édouard Glissant. 2014. Acrylic on canvas, eight panels, overall 124 1/2 × 248 1/2″ (316.2 × 631.2 cm). The Museum of Modern Art, New York. Acquired through the generosity of Sid R. Bass, Lonti Ebers, Agnes Gund, Henry and Marie-Josée Kravis, Jerry Speyer and Katherine Farley, and Daniel and Brett Sundheim
  • Exhibition

    On-site 2: Chitra Ganesh

  • Exhibition

    Projects 48: Anne Hamilton

    Installation view of Projects 48: Anne Hamilton at The Museum of Modern Art, New York. Photo: Mali Olatunji
  • Exhibition

    On Your Own Time

  • Exhibition

    Kandinsky: Compositions

    Vasily Kandinsky. Watercolor No. 14 (Aquarell No. 14). 1913. Watercolor and ink on paper, 9 3/8 × 12 3/8″ (23.8 × 31.4 cm). Katharine S. Dreier Bequest. © 2016 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: Robert Gerhardt
  • Exhibition

    Companion Pieces: New Photography 2020

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  • Exhibition

    New Ground: Jacob Samuel and Contemporary Etching

    Charline von Heyl. Untitled from Black Sun: The Brief Transit and Violent Eclipse of Harry Crosby. 2013. One from a portfolio of eight etchings with drypoint, roulette, aquatint, and chine collé; plate: 7 13/16 × 6 7/8" (19.9 × 17.4 cm); sheet: 16 15/16 × 15" (43 × 38.1 cm). Publisher: Edition Jacob Samuel, Santa Monica. Printer: Edition Jacob Samuel, Santa Monica. Edition: 10. The Museum of Modern Art, New York. Acquired through the generosity of John Baldessari, Catie and Donald Marron, and Mary M. and Sash A. Spencer. © 2022 Charline von Heyl
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