In this lithograph, blood drips from the mouth of a bust of Marianne, who personifies France and is identifiable by her conical Phrygian cap, an ancient symbol of liberty. The French Revolution's idealistic slogan, "Liberty, equality, and fraternity," is scrawled on the bust's base in blood red, distorted into "Liberty, equality, and fratricide." The print expresses Oskar Kokoschka's fear that with a series of bloody clashes that began in November 1918, post–World War I Germany was descending into civil war. The strife in fact would lead to the overthrow of Germany's imperial government and its eventual replacement with a republic. Although Kokoschka initially associated with artists of the revolutionary November Group, he did not join them and asked that they not list him as a supporter.

Kokoschka's depiction of a blood-smeared artwork proved prophetic: a year after this lithograph appeared, street fighting in Dresden caused damage to a painting in the city's Zwinger museum. Kokoschka made a public statement imploring his countrymen to take their political battles away from cultural sites, bringing upon himself the criticism that he cared more about art than about people.