MoMA

German Expressionism

Works from the Collection


Styles Themes Techniques | Artists Print Publishers | Illustrated Books Portfolios Periodicals | Maps Chronology

THE COLLECTION

Search Results

Showing 1 of 1

About this work

Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.

Hiob (Job) is a tale of the combative relationship between the sexes, based in part on some of the characters from Kokoschka's first play, Sphinx und Strohmann (The sphinx and the strawman, 1907), and even more loosely on the Book of Job. Kokoschka planned to use it as his contribution to the artist Franz Marc's unrealized plans for an illustrated Bible. The illustrations show Kokoschka turning to a naturalistic style, and pulse with an energy suited to the unpredictable narrative. In Kokoschka's burlesque interpretation of the biblical story, man is tested by woman, not God. The artist inserts many autobiographical elements of his passionate but ill-fated affair with Alma Mahler, who had left him and shortly thereafter married architect Walter Gropius. Kokoschka appears as Job—in this version crazed and cuckolded. He loses his head to Anima, a female soul who might also be the manifestation of his own ego. At the end, she kills him and is revealed to be Eve.

In 1917, the same year Paul Cassirer in Berlin published this book, Kokoschka directed the play's premiere in Dresden. He relied on the vision of the events he developed in his prints, and transposed the final illustration from the book directly onto the stage.

Oskar Kokoschka (Austrian, 1886–1980)

Job, Anima and the Contortionist (Hiob, Anima und der Kautschukmann) (plate, page 27) from Hiob (Job)

View the interactive
page-turning animation »
Author:
The artist
Date:
1917 (executed 1916/17)
Medium:
Lithograph from an illustrated book with fourteen lithographs
Dimensions:
composition (irreg.): 11 5/16 x 9 1/4" (28.8 x 23.5 cm); page: 17 5/8 x 12 5/16" (44.8 x 31.3 cm)
Paper:
Cream, smooth, laid (Old Stratford).
Publisher:
Paul Cassirer, Berlin
Printer of Plates:
Pan-Presse, Berlin
Printer of Text:
W. Drugulin, Leipzig
Edition:
100
Credit Line:
The Louis E. Stern Collection
Copyright:
© 2016 Artists Rights Society (ARS), New York / Pro Litteris, Zurich
Reference:
Raabe 166-5. Arntz 68. Wingler & Welz 92. Rifkind 1572-6.
MoMA Number:
865.1964.6
Themes:
Literary Subjects, Sex
Techniques:
Lithography

Share by E-mail
Share by Text Message