This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Acquired from the artist by Filippo Tommaso Marinetti, Rome, c. 1914 ; Marinetti Estate, Rome, 1944; sold to Leonard Hutton, New York, c. 1970 ; sold to the McCrory Corporation (Meshulam Riklis), September 17, 1971 ; The Museum of Modern Art, New York, 1983 (The Riklis Collection of McCrory Corporation).
 Ingrid Hutton, "The Leonard Hutton Galleries' Involvement with Russian Avant-Garde Art," Art Journal vol. 41, no.3 (1981), pp. 213. Included in Exposizione Libera Futurista Internazionale, Galleria Futurista, Rome, April-May 1914, no. 2 (La fabbrica e il ponte).
 Ibid. Included in the exhibition Russian Avantgarde 1908-1922, Leonard Hutton Galleries, New York, October 16-December 18, 1971, no. 109.
 Collection files, Department of Painting and Sculpture, The Museum of Modern Art, New York.
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