MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.
If you notice an error, please contact us at email@example.com.
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
1910, Pablo Picasso, Paris.
1910 - 1914, Wilhelm Uhde, Paris.
1914 - May 30, 1921, Uhde collection and gallery stock, sequestered during World War I by the French government as enemy property and sold through Hôtel Drouot (Collection Uhde: Tableaux Modernes, Paris, May 30, 1921, lot 44).
May 30, 1921 - May 18-19, 1925, Christian Tetzen-Lund (1852-1936), Copenhagen, purchased at auction Hôtel Drouot and sold at the auction sale of the Tetzen-Lund collection (Franske og Skandinaviske Billeder tilhørende Tetzen-Lund’s Samlinger, Copenhagen, May 18-19, 1925, lot 99).
May 18-19, 1925 - ?, Paul Rosenberg, Paris [possibly on consignment with Galerie Alfred Flechtheim, Berlin and Düsseldorf], purchased at auction from Christian Tetzen-Lund through Wilhelm Hansen.
André Breton, Paris, acquired from Paul Rosenberg.
By 1931 - 1937, René Gaffé, Bruxelles and Cagnes-sur-Mer, purchased through/from André Breton and Paul Éluard, Paris.
1937 - November 1956, Roland A. Penrose, London and Sussex, purchased from René Gaffé through Zwemmer Gallery.
November 1956 - 1979, Nelson A. Rockefeller, New York, purchased from Roland A. Penrose through Alfred H. Barr, Jr.
1979, The Museum of Modern Art, New York, acquired by bequest from Nelson A. Rockefeller.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email firstname.lastname@example.org or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at email@example.com. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication or moma.org, please email firstname.lastname@example.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to email@example.com.