Ernst likely painted this work in anticipation of his major one-person exhibition at the Galerie Bernheim, Paris, in December 1928. Ambitious in size, it is a technical tour de force: Ernst built up paint in stages, then used grattage, or scraping with hard-edged tools like spatulas and palette knives, to expose the underlayers and to create surface textures where exceptionally fluid paint is pushed to the tool’s edge. The painting’s elaborate title bespeaks Ernst’s ongoing interest in metamorphosis and what he later described as the “voluntary, if irrational, confounding of the images of human beings” with the multifaceted variety of nature.
Gallery label from Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.