We have identified these works in the following photos from our exhibition history.
German Art of the 20th Century
Oct 2–Dec 1, 1957
30th Anniversary Special Installation - Towards the "New" Museum
Nov 18–29, 1959
3 other works identified
German Expressionism: The Graphic Impulse
Mar 27–Jul 11, 2011
7 other works identified
German Expressionism: The Graphic Impulse
Mar 27–Jul 11, 2011
1 other work identified
German Expressionism: The Graphic Impulse
Mar 27–Jul 11, 2011
5 other works identified
German Expressionism: The Graphic Impulse
Mar 27–Jul 11, 2011
7 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
6 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
2 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
6 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
9 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
3 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
3 other works identified
504: New Expression in Germany and Austria
Oct 21, 2019–Jun 25, 2023
4 other works identified
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
If you notice an error, please contact us at [email protected].
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
The artist, Berlin. Stadtmuseum and Gemäldegalerie, Dresden, 1919 [1]; removed as "degenerate art" by the Reich Ministry for Public Enlightenment and Propaganda, 1937 [2]; in storage at the repository for propaganda exhibitions, Velten (Mark), 1938 [3]. Sold through Stuttgarter Kunstkabinett (Roman Norbert Ketterer), May 10-12, 1950 [3]. On consignment from German private collection to Galerie Wilhelm Grosshennig, Düsseldorf [4]; sold to Curt Valentin Gallery (formerly Buchholz Gallery), New York, [1953] [5]; acquired by The Museum of Modern Art, New York, 1955 (Gertrud A. Mellon Fund).
[1] Inventory no. 1919/88. Before the painting was removed from the collection in 1937, it was included as "degenerate art" in the exhibition "Entartete Kunst" at the Städtische Galerie, Nürnberg, September 7, 1935-September 21, 1935; at the Haus der Kunst, Dortmund, November 11, 1935-December 8, 1935; and at the Volksbildungsheim Frankfurt a.M., September 9, 1936-September 30, 1936 (see Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin).
[2] EK no. 15938: Pharisäer.
[3] Included in the exhibition "Entartete Kunst," Hofgarten-Arkaden, Munich, July 19-November 30, 1937 and other venues (Berlin, Leipzig, Düsseldorf). See Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin.
[4] Auction no. 8, lot no. 1893. See Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin).
[5] Collection files 160.1955, Department of Painting and Sculpture, The Museum of Modern Art, New York.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
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