Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914
Henri Matisse. View of Notre Dame. Paris, quai Saint-Michel, spring 1914

Henri Matisse View of Notre Dame Paris, quai Saint-Michel, spring 1914

  • Not on view

Matisse made several views of Notre Dame cathedral from his quai Saint-Michel studio in 1914. In February his friend Marcel Sembat wrote about two views the artist had completed, one "very beautiful", the other "lopsided", which "no one would understand immediately" but he preferred. Matisse reworked features of this canvas before covering almost the entire surface in blue. He left early compositional elements visible beneath the paint, accentuating the temporal quality of building a work of art over time.

Gallery label from Matisse: Radical Invention, 1913-1917, July 18–October 11, 2010.
Medium
Oil on canvas
Dimensions
58 x 37 1/8" (147.3 x 94.3 cm)
Credit
Acquired through the Lillie P. Bliss Bequest (by exchange), and the Henry Ittleson, A. Conger Goodyear, Mr. and Mrs. Robert Sinclair Funds, and the Anna Erickson Levene Bequest given in memory of her husband, Dr. Phoebus Aaron Theodor Levene
Object number
116.1975
Copyright
© 2019 Succession H. Matisse / Artists Rights Society (ARS), New York
Department
Painting and Sculpture

Installation views

We used machine learning to identify this work in photos from our exhibition history.

MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.

If you notice an error, please contact us at digital@moma.org.

This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

The artist, 1914 - 1954
Artist's estate, 1954 - 1958
Pierre Matisse, New York. 1958 - 1975
E. V. Thaw & Co., New York (acting as agent for Matisse family). 1975
The Museum of Modern Art, New York. Purchased from Thaw, 1975

Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email provenance@moma.org or write to:

Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.