We have identified these works in the following photos from our exhibition history.
Recent Acquisitions
Dec 21, 1960–Feb 5, 1961
2 other works identified
Recent Acquisitions
Dec 21, 1960–Feb 5, 1961
1 other work identified
Picasso in the Museum of Modern Art: 80th Birthday Exhibition
May 14–Sep 18, 1962
2 other works identified
Art in a Changing World: 1884–1964: Painting and Sculpture from the Museum Collection
May 27, 1964
2 other works identified
Picasso in the Collection of The Museum of Modern Art
Feb 3–Apr 2, 1972
5 other works identified
Picasso in the Collection of The Museum of Modern Art
Feb 3–Apr 2, 1972
5 other works identified
Pablo Picasso: A Retrospective
May 16–Sep 30, 1980
2 other works identified
Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
5 other works identified
Painting &
Nov 20, 2004–Aug 5, 2015
5 other works identified
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Galerie Kahnweiler (Daniel-Henry Kahnweiler), Paris [1]; acquired by Alfred Flechtheim (1878-1937), Düsseldorf, 1912 [2]; sold Paul Cassirer, Berlin and Hugo Helbing, Munich to Christian Tetzen-Lund (1852-1936), Copenhagen, Denmark, June 5, 1917 [3]; sold through Den Frie, Copenhagen, May 18/19, 1925 [4]. E. and A. Silberman Galleries, Inc., New York by 1958 [5]; sold to Adele R. Levy (1892-1960), New York, February 1958 [6]; acquired by The Museum of Modern Art, New York, 1960 (Mrs. David M. Levy Bequest) [7].
[1] Label on verso: Galerie Kahnweiler, 28, rue Vignon, no. 1023.
[2] Per Pierre Daix, Picasso: The Cubist Years, Boston: New York Graphic Society, 1979, no. 482. On loan from Flechtheim to the exhibition II. Gesamtausstellung, Galerie Hans Goltz, Munich, August-September 1913, no. 125.
[3] Auct. cat. Galerie Flechtheim: Moderne Gemälde, Paul Cassirer, Berlin & Hugo Helbing, Munich, June 5, 1917 no. 207 (Stilleben mit Violine), repr. in Monika Flacke-Knoch and Stephan von Wiese, "Der Lebensfilm von Alfred Flechtheim," Alfred Flechtheim: Sammler. Kunsthändler. Verleger, ed. by Hans Albert Peters, exh. cat. Kunstmuseum Düsseldorf, 1987, p. 296. See also Ottfried Dascher, Alfred Flechtheim: Sammler, Kunsthändler, Verleger, Wädenswil: Nimbus, 2011, p. 434.
[4] Auct. cat. Tetzen-Lunds Samlinger, Den Frie Udstillings Lokaler, May 18-19, 1925, no. 96 (Le Violon). Buyer not known.
[5] Label on verso: E. and A. Silberman Galleries, 1014 Madison Avenue, NY, no. 2392A ( Still Life with Violin). Collection files, Department of Painting and Sculpture, The Museum of Modernn Art, New York.
[6] Collection files, Department of Painting and Sculpture, The Museum of Modernn Art, New York.
[7] Included in the exhibition The Mrs. Adele R. Levy Collection - A Memorial Exhibition, The Museum of Modern Art, New York, June 9-July 16, 1961, pp. 8, 11, 28.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
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