In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
If you notice an error, please contact us at [email protected].
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Galerie Kahnweiler (Daniel-Henry Kahnweiler), Paris [1]; acquired by Alfred Flechtheim (1878-1937), Düsseldorf, 1912 [2]; sold Paul Cassirer, Berlin and Hugo Helbing, Munich to Christian Tetzen-Lund (1852-1936), Copenhagen, Denmark, June 5, 1917 [3]; sold through Den Frie, Copenhagen, May 18/19, 1925 [4]. E. and A. Silberman Galleries, Inc., New York by 1958 [5]; sold to Adele R. Levy (1892-1960), New York, February 1958 [6]; acquired by The Museum of Modern Art, New York, 1960 (Mrs. David M. Levy Bequest) [7].
[1] Label on verso: Galerie Kahnweiler, 28, rue Vignon, no. 1023.
[2] Per Pierre Daix, Picasso: The Cubist Years, Boston: New York Graphic Society, 1979, no. 482. On loan from Flechtheim to the exhibition II. Gesamtausstellung, Galerie Hans Goltz, Munich, August-September 1913, no. 125.
[3] Auct. cat. Galerie Flechtheim: Moderne Gemälde, Paul Cassirer, Berlin & Hugo Helbing, Munich, June 5, 1917 no. 207 (Stilleben mit Violine), repr. in Monika Flacke-Knoch and Stephan von Wiese, "Der Lebensfilm von Alfred Flechtheim," Alfred Flechtheim: Sammler. Kunsthändler. Verleger, ed. by Hans Albert Peters, exh. cat. Kunstmuseum Düsseldorf, 1987, p. 296. See also Ottfried Dascher, Alfred Flechtheim: Sammler, Kunsthändler, Verleger, Wädenswil: Nimbus, 2011, p. 434.
[4] Auct. cat. Tetzen-Lunds Samlinger, Den Frie Udstillings Lokaler, May 18-19, 1925, no. 96 (Le Violon). Buyer not known.
[5] Label on verso: E. and A. Silberman Galleries, 1014 Madison Avenue, NY, no. 2392A ( Still Life with Violin). Collection files, Department of Painting and Sculpture, The Museum of Modernn Art, New York.
[6] Collection files, Department of Painting and Sculpture, The Museum of Modernn Art, New York.
[7] Included in the exhibition The Mrs. Adele R. Levy Collection - A Memorial Exhibition, The Museum of Modern Art, New York, June 9-July 16, 1961, pp. 8, 11, 28.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-film.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].
This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].