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Oskar Kokoschka Self-Portrait 1913
- Medium
- Oil on canvas
- Dimensions
- 32 1/8 x 19 1/2" (81.6 x 49.5 cm)
- Credit
- Purchase
- Object number
- 26.1940
- Copyright
- © 2019 Artists Rights Society (ARS), New York / Pro Litteris, Zurich
- Department
- Painting and Sculpture
- Oskar Kokoschka has 144 works online.
- There are 2,392 paintings online.
- View the German Expressionism: Works from the Collection project site
Installation views
We used machine learning to identify this work in photos from our exhibition history.
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The Museum Collection of Painting and Sculpture June 20, 1945–February 13, 1946 2 other works identified -
Oskar Kokoschka July 19–October 4, 1949 -
Summer Exhibition: New Acquisitions; Recent American Prints, 1947–1953; Katherine S. Dreier Bequest; Kuniyoshi and Spencer; Expressionism in Germany; Varieties of Realism June 23–October 4, 1953 3 other works identified -
XXVth Anniversary Exhibition: Paintings from the Museum Collection October 19, 1954–February 6, 1955 1 other work identified -
Art in a Changing World: 1884–1964: Painting and Sculpture from the Museum Collection May 27, 1964 2 other works identified -
Permanent Collection March 29, 1972–April 21, 1980 1 other work identified -
German Expressionism: The Graphic Impulse March 27–July 11, 2011 1 other work identified -
German Expressionism: The Graphic Impulse March 27–July 11, 2011
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Rosy (1892-1926) and Ludwig (1860-1922) Fischer, Frankfurt am Main; sold by Rosy Fischer to the Städtisches Museum für Kunst und Gewerbe, Halle, December 1924 [2]; removed as "degenerate art" by the Reich Ministry for Public Enlightenment and Propaganda, 1937 [3]; on consignment to Karl Buchholz (1901-1992), Berlin, 1939; to Curt Valentin (1902-1954), New York, 1939; purchased by The Museum of Modern Art, New York, April 5, 1940.
[1] One of twenty-four paintings Rosy Fischer sold to the Museum für Kunst und Kunstgewerbe in Halle (contract between Rosy Fischer and the "Stadtgemeinde Halle," December 15, 1924, Archives of the City of Halle). See Andreas Hüneke, “Die lange Geschichte der Hallenser Fischer Bilder,” Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt Am Main, ed. by Georg Heuberger et al., exh. cat. Frankfurt: Jüdisches Museum, 1990, pp. 81-94. Before the painting was removed from the collection in 1937, it was included as "degenerate art" in the exhibition "Entartete Kunst" at the Städtische Galerie Nuremberg, September 7-September 21, 1935; and on display in the "Schreckenskammer / "Degenerate Art" galleries of the Städtisches Museum für Kunst und Kunstgewerbe, Halle, November 27, 1935-July 25, 1937 (see Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin).
[2] EK no. 14199: Selbstbildnis.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email provenance@moma.org or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
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