Photolithograph
Not on view
A single letter dominates this poster, creating a memorable logo for the event. Dexel's design exploits the symbolic and expressive potential of a sinuous S to suggest both lithe, athletic movement and the shape of a racetrack. The publication of Tschichold's book Die Neue Typographie (The new typography) in 1928 had boosted the adoption of modernist graphics in centers across Germany, including Magdeburg, where Dexel had arrived in 1928 to fill the teaching post vacated by his friend Johannes Molzahn.
The New Typography, December 23, 2009–July 26, 2010.
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