Marcel Breuer. Club chair (model B3). 1927–1928

Marcel Breuer

Club chair (model B3)

1927–1928

Manufacturer
Attributed to Standard Möbel, Germany
Medium
Chrome-plated tubular steel and canvas
Dimensions
28 1/4 x 30 3/4 x 28" (71.8 x 78.1 x 71.1 cm)
Credit
Gift of Herbert Bayer
Object number
229.1934
Department
Architecture and Design
This work is not on view.
Marcel Breuer has 29 works  online.
There are 9,649 design works online.
There are 650 furniture and interiors online.

While teaching at the Bauhaus, Breuer often rode a bicycle, a pastime that led him to what is perhaps the single most important innovation in furniture design in the twentieth century: the use of tubular steel. The tubular steel of his bicycle's handlebars was strong and lightweight, and lent itself to mass-production. Breuer reasoned that if it could be bent into handlebars, it could be bent into furniture forms.

The model for this chair is the traditional overstuffed club chair; yet all that remains is its mere outline, an elegant composition traced in gleaming steel. The canvas seat, back, and arms seem to float in space. The body of the sitter does not touch the steel framework. Breuer spoke of the chair as "my most extreme work . . . the least artistic, the most logical, the least 'cozy' and the most mechanical." What he might have added is that it was also his most influential work. An earlier version of this chair was designed by Breuer in 1925, and within a year, designers everywhere were experimenting with tubular steel, which would take furniture into a radically new direction. The chair became known as the "Wassily" after the painter Kandinsky, Breuer's friend and fellow Bauhaus instructor, who praised the design when it was first produced.

Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 128

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.