“My abstract painting, which emerged in the 1950s, was not a pure geometric abstraction,” Gramcko explained. “Though realized with hard lines and planes of color, its forms were closer to the expressive than to the geometric.” While part of a Venezuelan artistic milieu championing abstraction, Gramcko always affirmed her individuality and rejected all movements and affiliations. This work embraces idiosyncrasy through irregular shapes and eccentric lines rarely seen in the mathematically precise and symmetric work of her colleagues.

Gallery label from

Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift, October 21, 2019–March 14, 2020

Provenance

The artist.
? - November 20, 1996, Magdalena Mujica de Arria, Caracas.
November 20, 1996 - 2016, Colección Patricia Phelps de Cisneros, New York, and Caracas, purchased from Magdalena Mujica de Arria.
2016, The Museum of Modern Art, New York, acquired as promised gift from Patricia Phelps de Cisneros.

Medium Oil on canvas
Dimensions 39 3/8 × 13" (100 × 33 cm)
Credit Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund
Object number 824.2016
Department Painting & Sculpture

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