Collection 1880s–1940s

503

Picasso, Rousseau, and the Paris Avant-Garde

Marie Laurencin. Self-Portrait (Autoportrait). 1906. Colored pencil and pencil on notebook paper, 7 7/8 × 5" (19.8 × 12.5 cm). Gift of Steven C. Rockefeller. © 2021 Artists Rights Society (ARS), New York/ADAGP, Paris
  • MoMA, Floor 5, 503 The Alfred H. Barr, Jr. Galleries

“Long live Rousseau!” These words appeared on a banner decorating a party organized by Pablo Picasso in Paris in 1908. The guest of honor, Henri Rousseau, was a self-taught painter who, despite having been dismissed by the Paris art world, had captured the imagination of Picasso and his milieu. They saw in Rousseau’s work an authentic voice far more vital than what was taught in art academies.

United by a shared dissatisfaction with Western tradition, these artists looked elsewhere for inspiration for their own innovations. Rousseau conjured imaginary jungle scenes from sources such as popular magazines and visits to Paris’s botanical garden and zoo. Picasso and his peers looked directly to African sculpture and masks, which many of them avidly collected. This new awareness of African culture, imported into France via colonial channels, was pivotal in the formation of Cubism.

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Artists

Installation images

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