Exhibition history

Showing 15 out of 5,113 exhibitions online

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Amanda Williams. Currency Exchange, Safe Passage, from the Color(ed) Theory Suite. 2014–16. Pigmented inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Twenty-First Century

216: Building Citizens

Ongoing

MoMA

Collection gallery

The Museum of Modern Art Archives, New York

Contemporary Collection

Nov 16, 2011–Feb 9, 2014

MoMA

Jason Crum (American, 1935–2004). Project for a Painted Wall, New York City, New York. Perspective. 1969. Gouache on photograph. 30 × 20″ (76.2 × 50.8 cm). The Museum of Modern Art, New York. Purchase, 1969

9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design

Sep 12, 2012–Jun 9, 2013

MoMA

Ludwig Mies van der Rohe. Convention Hall Project, Chicago, Illinois, interior perspective. 1954. Collage of cut-and-pasted reproductions, photograph, and paper on composition board, 33 × 48″ (83.8 × 121.9 cm). The Museum of Modern Art, New York. Mies van der Rohe Archive, gift of the architect

194X–9/11: American Architects and the City

Jul 1, 2011–Jan 2, 2012

MoMA

Le Corbusier (Charles-Édouard Jeanneret ). “Ceci n’est pas l’architecture” drawing from Buenos Aires Lecture. 1929. Charcoal and crayon on paper, 39¾ × 25 9/16″ (101 × 65 cm). Gift of Agnes Gund in honor of Patricia Phelps de Cisneros

Building Collections: Recent Acquisitions of Architecture

Nov 10, 2010–May 30, 2011

MoMA

Mircea Cantor. Deeparture. 2005. 16mm film transferred to video (color, silent). 2:43 min. loop. Fund for the Twenty-First Century. © 2008 Mircea Cantor. Image courtesy of the artist and Yvon Lambert Paris/New York

Here Is Every. Four Decades of Contemporary Art

Sep 10, 2008–Mar 23, 2009

MoMA

Rem Koolhaas. Plan of Dreamland. 1977. Watercolor and ink, 41 3/4 × 22″ (106 × 55.9 cm). Gift of Frederieke S. Taylor. © 2008 Rem Koolhaas

Dreamland: Architectural Experiments since the 1970s

Jul 23, 2008–Mar 16, 2009

MoMA

Paul Rudolph. Art and Architecture Building, Yale University, New Haven, Connecticut (partial exterior perspective). 1958. Ink on board, 30 x 40" (72.6 x 101.6 cm). The Museum of Modern Art. Gift of the architect

75 Years of Architecture at MoMA

Nov 16, 2007–Mar 31, 2008

MoMA

Architecture & Design Drawings: Rotation 3

Apr 29–Oct 23, 2006

MoMA

Architecture and Design: Inaugural Installation

Nov 20, 2004–Nov 7, 2005

MoMA

Contemporary: Inaugural Installation

Nov 20, 2004–Jul 11, 2005

MoMA

Renzo Piano | Renzo Piano Building Workshop, architect; Paul Nuttall | Ove Arup & Partners, engineer. London Bridge Tower, London, England. View from the street (computer-generated image). Design 2000–03; projected completion 2009. 1,016 feet (310 meters) high

Tall Buildings

Jul 16–Sep 27, 2004

MoMA

Aldo Rossi and Gianni Braghieri. Cemetery of San Cataldo Modena, Italy. Aerial perspective, 1971. Ink and graphite on tracing paper, 29 7/8 × 56 1/8″ (75.9 × 142.6 cm) (frame). The Museum of Modern Art, New York. Gift of the Howard Gilman Foundation

The Changing of the Avant-Garde: Visionary Architectural Drawings from the Howard Gilman Collection

Oct 24, 2002–Jan 6, 2003

MoMA

Lorna Simpson. Wigs (Portfolio). 1994. Portfolio of 21 lithographs on felt, with 17 lithographed felt text panels, overall: 6′ × 13′ 6″ (182.9 × 411.5 cm). Purchased with funds given by Agnes Gund, Howard B. Johnson, and Emily Fisher Landau. © 2017 Lorna Simpson. Photo: John Wronn

Open Ends

Sep 28, 2000–Mar 4, 2001

MoMA

Architectural Studies and Projects

Mar 13–May 11, 1975

MoMA

Exhibition history

216: Building Citizens

Collection gallery

Contemporary Collection

9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design

194X–9/11: American Architects and the City

Building Collections: Recent Acquisitions of Architecture

Here Is Every. Four Decades of Contemporary Art

Dreamland: Architectural Experiments since the 1970s

75 Years of Architecture at MoMA

Architecture & Design Drawings: Rotation 3

Architecture and Design: Inaugural Installation

Contemporary: Inaugural Installation

Tall Buildings

The Changing of the Avant-Garde: Visionary Architectural Drawings from the Howard Gilman Collection

Open Ends

Architectural Studies and Projects

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