Floor 6, Exhibitions Galleries
Edgar Degas is best known as a painter and chronicler of the ballet, yet his work as a printmaker reveals the true extent of his restless experimentation. In the mid-1870s, Degas was introduced to the monotype process—drawing in ink on a metal plate that was then run through a press, typically resulting in a single print. Captivated by the monotype’s potential, he immersed in the technique with enormous enthusiasm, taking the medium to radical ends. He expanded the possibilities of drawing, created surfaces with a heightened sense of tactility, and invented new means for new subjects, from dancers in motion to the radiance of electric light, from women in intimate settings to meteorological effects in nature. The monotype also sparked a host of experiments for Degas, who often used the medium as a starting point from which an image could be reworked and revised. This process of repetition and transformation, mirroring and reversal, allowed Degas to extend his approach to the study of form. The profound impact of his work with monotype can be seen in his variations in different mediums of key motifs, revealing a new kind of artwork that was less about progress or completion than endless innovation.
The exhibition includes approximately 120 rarely seen monotypes—along with some 60 related paintings, drawings, pastels, sketchbooks, and prints—that show Degas at his most modern, capturing the spirit of urban life; depicting the body in new and daring ways; liberating mark-making from tradition; and boldly engaging the possibilities of abstraction.
Organized by Jodi Hauptman, Senior Curator, Department of Drawings and Prints, with Karl Buchberg, Senior Conservator, Heidi Hirschl, Curatorial Assistant, The Museum of Modern Art, and Richard Kendall, independent art historian and curator.
Lead sponsor of the exhibition is The Philip and Janice Levin Foundation.
Major support is provided by the Robert Lehman Foundation, Sue and Edgar Wachenheim III, and Denise Littlefield Sobel.
Generous funding is provided by Mary M. Spencer and by Dian Woodner.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Paint provided by Farrow & Ball.
Additional support is provided by the MoMA Annual Exhibition Fund with major contributions from Alice and Tom Tisch, The Contemporary Arts Council of The Museum of Modern Art, Glenn and Eva Dubin, Blavatnik Family Foundation, The Donald R. Mullen Family Foundation, Inc., The Junior Associates of The Museum of Modern Art, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Franz Wassmer, Karen and Gary Winnick, and from the Susan and Leonard Feinstein Foundation.
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