This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
Ambroise Vollard (1866-1939), Paris, by 1900 ; sold to Paul Rosenberg (1881-1959), Paris, by 1917 ; sold to Marius de Zayas (1880-1961), New York ; sold to Lillie P. Bliss (1864-1931), New York, by 1921 ; acquired by The Museum of Modern Art, New York, 1934 (Lillie P. Bliss Collection).
 John Rewald, The Paintings of Paul Cézanne, vol. 1, New York: Harry N. Abrams, 1996, no. 555. Vollard stockbook no. 3453[A] (1899-1904). Purchase price: 200 francs. Possibly included in the exhibition Figures de Cézanne, Galerie Vollard, June 27-July 23, 1910 (no. 1: Baigneur). Offered to the American collector John Quinn by Vollard around 1910 (see Robert Jensen,
"Vollard and Cézanne: An Anatomy of a Relationship," Cézanne to Picasso: Ambroise Vollard, Patron of the Avantgarde, ed. by Rebecca Rabinow, exh. cat. New York: The Metropolitan Museum of Art, New Haven and London: Yale University Press, 2006, p. 38).
 Rewald 1996, no. 555. Offered for sale at the exhibition Französische Kunst des XIX. und XX. Jahrhunderts, Kunsthaus Zurich, October 5-November 1917 (no. 38, repr.). Exhibited at Galerie Paul Rosenberg, Paris, in 1917.
 Rewald 1996, no. 555.
 Ibid. Lent anonymously to Loan Exhibition of Impressionist and Post-Impressionist Paintings, Metropolitan Museum of Art, New York, May 3 to September 15, 1921 (no. 10).
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris