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The Collection
Lovis Corinth. The Sacrifice of Isaac: After Rembrandt (Die Opferung Isaacs: Nach Rembrandt). (1920), dated 1921
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The Collection
Pablo Picasso. Sheet of Studies: Profiles of Marie-Thérèse and Head of Rembrandt with Beret (Feuille d'études. Profils de Marie-Thérèse et tête de Rembrandt au béret) from the Vollard Suite (Suite Vollard). 1934, published 1939
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The Collection
Pablo Picasso. Woman with Veil, Seated Model, and Head of Rembrandt (Femme au voile, modèle assis et tête de Rembrandt) from the Vollard Suite (Suite Vollard). 1934, published 1939
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The Collection
Pablo Picasso. Faun Unveiling a Sleeping Girl (Jupiter and Antiope, after Rembrandt) (Faune dévoilant une dormeuse [Jupiter et Antiope, d'après Rembrandt]) from the Vollard Suite (Suite Vollard). 1936, published 1939
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The Collection
Pablo Picasso. Rembrandt with Turban, Furs, and Elephant Eye (Rembrandt au turban, aux fourrures, et à la œil d'éléphant) from the Vollard Suite (Suite Vollard). 1934, published 1939
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The Collection
Pablo Picasso. Rembrandt Holding the Hand of a Young Woman with Veil (Rembrandt tenant par la main une jeune femme au voile) from the Vollard Suite (Suite Vollard). 1933, published 1939
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The Collection
Rembrandt Harmenszoon van Rijn. Rembrandt: The Hundred Guilder Print (New York: Eakins Press, 1975). c. 1647
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The Collection
Norberto Onofrio. Homage to Rembrandt (Homenaje a Rembrandt) from Actualidad Gráfica-Panorama Artistico. 1977, published 1978
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German Expressionism
Lovis Corinth. The Sacrifice of Isaac: After Rembrandt (Die Opferung Isaacs: Nach Rembrandt). (1920), dated 1921
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Artist
Rembrandt Harmenszoon van Rijn
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The Collection
Pablo Picasso. "Ecce Homo," after Rembrandt from Suite 156. 1970, published 1978
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The Collection
Roe Ethridge. Rembrandt. 2010
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The Collection
Mike and Doug Starn. Double Rembrandt with Steps. 1987-88
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The Collection
José Luis Cuevas. Self-Portrait after Rembrandt (plate, folio 15) from Recollections of Childhood. 1962
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The Collection
Rembrandt Harmenszoon van Rijn. The Officer's Wife. 1636
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The Collection
Heinrich Zille. The Publican (Der Budiker) (plate, folio 48) from the periodical Der Bildermann, supplement to vol. 1, no. 4 (May 1916). 1916
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The Collection
Henry Moore. Two Seated Women. 1967
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The Collection
Heinrich Zille. Standing in Line for Potatoes (Kartoffelstehen) (plate, folio 25) from the periodical Der Bildermann, vol. 1, no. 12 (September 1916). 1916
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Installation image
Installation view of the exhibition "Re-picturing the Past/Picturing the Present" (5 of 17)
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Installation image
Installation view of the exhibition "Impresario: Ambroise Vollard." (35 of 41)