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  • Visit
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  • Exhibition

    Hans Hofmann

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (9 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (1 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (10 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (3 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (4 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (5 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (7 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (2 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (11 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (8 of 11)

  • Installation image

    Installation view of the exhibition "Hans Hofmann." (6 of 11)

  • Event

    Black Curators Matter: An Oral History Project, Part Two

    Clockwise, from top left: Richard J. Powell; Aaron Bryant; T. Jean Lax; Kellie Jones. Images courtesy the participants
  • Collection gallery

    523: Mythical Creatures and Radical Abstractions

    Jackson Pollock. The She-Wolf. 1943. Oil, gouache, and plaster on canvas, 41 7/8 x 67" (106.4 x 170.2 cm). Purchase, 1944. ©️ 2022 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
  • Exhibition

    Painting and Sculpture: Recent Acquisitions

    Elizabeth Murray. Beam. November 1982. Oil on canvas, four panels, 9ʹ 2ʺ × 6ʹ 3 7/8ʺ × 3 7/8ʺ (279.4 × 193 × 10 cm). Gift of Anna Marie and Robert F. Shapiro in honor of Richard E. Oldenburg. © 2016 Estate of Elizabeth Murray / Artists Rights Society (ARS), New York
  • Installation image

    Installation view of the exhibition "Abstract Expressionist New York: The Big Picture" (116 of 119)

  • Installation image

    Installation view of the exhibition "The New American Painting and Sculpture: The First Generation." (27 of 36)

  • Exhibition

    Art of the Forties

    Pablo Picasso. The Charnel House. Paris, 1944–45. Oil and charcoal on canvas, 6′ 6 5/8″ × 8′ 2 1/2″ (199.8 × 250.1 cm). Mrs. Sam A. Lewisohn Bequest (by exchange), and Mrs. Marya Bernard Fund in memory of her husband Dr. Bernard Bernard, and anonymous funds. © 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
  • Exhibition

    William C. Seitz: Defending the Modern

    William C. Seitz, May 1964
  • Exhibition

    Abstract Expressionist New York

    Jackson Pollock. Number 1A, 1948. 1948. Oil and enamel paint on canvas, 68″ × 8′ 8″ (172.7 × 264.2 cm). Purchase. © 2010 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
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