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  • All (33,623)

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  • All (33,623)

  • Art (27,451)

  • Artists (766)

  • What’s on (2,989)

  • Magazine (214)

  • Archives (1,652)

  • Other (219)

  • Visit
    Plan your visit
    • Tickets
    • Locations, hours, and admission
    • Map, audio, and more
    • Where to start
    • Visitor guidelines and policies
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  • The Collection

    Jean Depara. Magasin de Photographie (Photography Shop). 1958

  • Art term

    Photography and Public Image

  • The Collection

    Christopher Williams. Cutaway model Nikon EM. Shutter:, Electronically governed Seiko metal blade shutter vertical travel with speeds from 1/1000 to 1 second with a manual speed of 1/90th., Meter: Center-weighted Silicon Photo Diode, ASA 25-1600, EV2-18 (with ASA film and 1.8 lens), Aperture Priority automatic exposure, Lens Mount: Nikon F mount, AI coupling, (and later) only, Flash: Synchronization at 1/90 via hot shoe, Flash automation with Nikon SB-E or SB-10 flash units, Focusing: K type focusing screen, not user interchangeable, with 3mm diagonal split image rangefinder, Batteries: Two PX-76 or equivalent, Dimensions: 5.3 × 3.38 × 2.13 in., (135 × 86 × 54 mm), 16.2 oz (460g), Photography by the Douglas M. Parker Studio, Glendale, California, September 9, 2007–September 13, 2007. 2008

  • The Collection

    Unidentified photographer. Photographie Chevrinais, Mayenne. 1911

  • The Collection

    Unidentified photographer. Maréchal-ferrant, Photographie R. Sorin, Parennes. c. 1905

  • The Collection

    Unidentified photographer. Photographie, Maison Rey, 37 bis, rue de Tolbiac, Paris. c. 1915

  • The Collection

    Unidentified photographer. L’atelier de photographie Achille Bouïs, Montauban. c. 1900

  • The Collection

    Unidentified photographer. Florent Miesienski, Photographie & phototypie artistiques, Maison fondée en 1888, Spécialité d’agrandissements au charbon, Avignon. c. 1907

  • The Collection

    Unidentified photographer. Photographe Louis, Atelier spécial d’agrandissements, Reproductions et tous travaux concernant la photographie, Encadrements, Champigné. c. 1907

  • The Collection

    Unidentified photographer. Photographie artistique, Thury. c. 1910

  • The Collection

    Unidentified photographer. Photographie Moderne, Avelghem. c. 1908

  • Playlist

    Pictures by Women: A History of Modern Photography

    Tina Modotti. Workers Parade. 1926. Gelatin silver print, 8 7/16 x 7 5/16" (21.5 x 18.6 cm). The Museum of Modern Art, New York. Given anonymously
  • Art term

    Photography as Witness

  • The Collection

    Christopher Williams. Clockwise from Manufacturer Name (Outer Ring), Michelin zX, Treadwear 200, Traction A, Temperature B, Clockwise from Tire Size (Inner Ring), 135 SR 15, 723 E2 0177523, Tubeless, Radial X, Made In France, TN 2148 20-2044, Tread: 1 Polyester Ply, + 2 Steel Plies, Sidewall: 1 Polyester Ply, DOT FH PI AID X0607, Canada and U.S. Codes Only, Max Load 355 Kg (780 Lbs), Max Press. 350 kPa (51 PSI), V-1, Photography by the Douglas M. Parker Studio, Glendale, California, December 27, 2007–January 2, 2008. 2008

  • The Collection

    COMA Amsterdam / New York, Cornelia Blatter, Marcel Hermans. Strangers: The First ICP Triennial of Photography and Video. 2003

  • The Collection

    Robert Heinecken. John Szarkowski, Director of Photography, Museum of Modern Art, visualizing Irving Penn's still life photograph of fruit. In the style of Arcimboldo, ca. 1580. 1985

  • The Collection

    Eugène Atget. Intérieur photographie. (Atget's workroom). 1910-11

  • The Collection

    Lew Thomas. Bibliography 1, 1976 reprinted from Photography and Language, Camerawork Press. 1978

  • The Collection

    Robert Heinecken. The S.S. Copyright Project : "On Photography". 1978

  • The Collection

    Jules Janssen. Observatoire d'Astronomie Physique de Paris sis à Meudon, Seine-et-Oise: Atlas de Photographies Solaires, 1er Fascicule, 1903. August 5, 1877-June 22, 1894

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