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True Colors: Dawoud Bey on Gordon Parks’s “Harlem Gang Leader”
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Carolyn Lazard’s CRIP TIME
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The Many Layers of Alexander Calder’s Man-Eater with Pennants
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The Historical Present: Pandemic Connections in an Early 20th-Century Photo
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Does Content Matter? In Kurt Schwitters’s Hands, Typography Transcends Language
Kevin Ballon, David Klein
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Asian American and Pacific Islanders Resources for Racial Justice
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How Can We Create Communities of Care?
Arlette Hernandez
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Roz Chast’s Museumland
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Why Did You Stay? On Maroun Bagdadi’s Landmark Film Little Wars
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A Propos of Measuring a Mobile
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How Can Imagination Empower People?
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Roy DeCarava’s Play of Sun and Shade
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Mikeisms: An Interview about the Many Versions of Mike Nichols
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Reimagining Blackness and Architecture
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Cooking with Artists: Caledonia Curry
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Manifesting Statement of the Black Reconstruction Collective
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Everything Is Illuminated: Shuzo Azuchi Gulliver’s Immersive Cinema
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The Feminist Challenge of Wangechi Mutu
Heidi Hirschl Orley
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Jeffrey Lewis on Keith Haring
Jeffrey Lewis
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A Rashid Johnson Sketchbook
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Una conversación con Carlos Amorales sobre futuros apocalípticos
Carlos Amorales, Madeline Murphy Turner
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A Conversation with Carlos Amorales on Apocalyptic Futures
Carlos Amorales, Madeline Murphy Turner
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In Praise of Postcards
Lucy Gallun
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11 Art Books You Need from the MoMA Design Store
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A Close Look at Henri Matisse’s Bather
Michelle Kuo, Anny Aviram
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Cooking with Artists: Dan Herschlein
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Jean-Michel Basquiat’s Expressive Force of Blackness
Hervé Télémaque
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Memories for the Future
Ravon Ruffin
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democracies?
Bani Abidi, Antoni Muntadas, Marshall Reese, Artur Żmijewski, Lina Kavaliunas, Simon Wu
Jan 19, 2021
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Myths of Chivalry
Laura Brodie
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Upside Down, Invisible Sculpture
David Lamelas, Inés Katzenstein
Jan 14, 2021
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Ben Passmore’s This Is Tough
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Sobre la violencia del mundo: una conversación con Regina José Galindo
Regina José Galindo, Madeline Murphy Turner
Jan 12, 2021
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On the Violence of the World: A Conversation with Regina José Galindo
Regina José Galindo, Madeline Murphy Turner
Jan 12, 2021
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Remembering Herman Daled, 1930–2020
Lawrence Weiner, R. H. Quaytman, Dan Graham, Hans Haacke, Christophe Cherix
Jan 6, 2021
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The Reinvention of Things: John Outterbridge, 1933–2020
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Jimmie Durham’s Manhattan Life
Paulina Pobocha
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We Are All Related: Artists, Writers, and More Share Wishes for 2021
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The Course of Empire
Sophie Cavoulacos
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El Derecho a Tener Derechos
Coco Fusco
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The Right to Have Rights
Coco Fusco
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Shopping Phantasmagoria
Katie Farris
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Receding from View: History and Gerhard Richter’s October 18, 1977
Paulina Pobocha
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The FESTAC ’77 Mixtape
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The Fractured World: A Conversation with Elena Damiani
Elena Damiani, Madeline Murphy Turner
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El mundo fracturado: una conversación con Elena Damiani
Elena Damiani, Madeline Murphy Turner
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Starry Night in 3D
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Can Drawing Be a Crime?
Joshua Yaffa
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Re-Imaging America
Thelma Golden, Legacy Russell, Garrett Bradley
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Make Your Own Exquisite Corpse
Alethea Rockwell
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Hounding the Mad Beast of Function
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Safe Passage
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A Curator’s Guide to Degree Zero Exhibition Highlights
Samantha Friedman
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Unreal, Mysterious, Strange
Elizabeth Margulies, Lisa Mazzola
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Paisaje y distancia en la obra de Suwon Lee
Madeline Murphy Turner, Suwon Lee
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Madeline Murphy Turner, Suwon Lee
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David Alekhuogie
Lucy Gallun
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Learning Curve 2
Larissa Raphael
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Zoe Leonard’s Al Rio/To the River
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Özlem Altın
Lucy Gallun
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VOTE
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Mina Stone
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Another Country
John Jeremiah Sullivan
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Irina Rozovsky
Lucy Gallun
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Taken for Granite: A Climber Sees Yosemite from a New Vantage Point
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Historias del paisaje durante la colonización de América
José Alejandro Restrepo, Madeline Murphy Turner
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Histories of Landscape during the Colonization of the Americas
José Alejandro Restrepo, Madeline Murphy Turner
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Iñaki Bonillas
Lucy Gallun
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Framing Reproductive (In)Justice: A Picture Perfect Gruesome Negress Hurt-story
K. Melchor Hall
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Dionne Lee
Lucy Gallun
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Cooking with Artists: Jannis Varelas
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Hank Willis Thomas’s Colonialism and Abstract Art
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José Antonio Suárez Londoño: A Drawing a Day
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For the Houses of Beirut
Sean Anderson
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A Call for Beirut
Clément Chéroux
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Film Vault Summer Camp, Week Four: Art and Artists
Ashley Swinnerton
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Support the People and Culture of Beirut
Ruba Katrib
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Artist Instructions
Danielle Johnson
Aug 26, 2020
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Akram Zaatari and the Arab Image Foundation
Eva Respini, Ana Janevski
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Moké and Congolese Popular Painting
Sammy Baloji, Filip De Boeck, Ugochukwu-Smooth C. Nzewi
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Eiko Otake
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Searching for Iemanjá: Iemanjás’ Festivals
Thomas J. Lax
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Mr. Brown-Guy Goes to the Library
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Searching for Iemanjá: On the Move in Brazil
Thomas J. Lax
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Summers and Sundays with Tina Barney
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Cooking with Artists: Nathan Carter
Mina Stone
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Remembering Lotty Rosenfeld, 1943–2020
Inés Katzenstein, Jason Dubs, Esther Adler
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Simone Forti’s Bag Drawings
Simone Forti, Ana Janevski
Jul 30, 2020
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Projects for an Open City
Evangelos Kotsioris
Jul 30, 2020
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Disability, Equality, and Museums
Francesca Rosenberg, Carrie McGee, Annie Leist
Jul 24, 2020
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Working for Disability Equality
Jul 24, 2020
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Pandemic Time
Romy Silver-Kohn
Jul 23, 2020
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Leticia Gutiérrez, Pablo Helguera
Jul 22, 2020
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Boris Charmatz
Boris Charmatz
Jul 21, 2020
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Visualizing Recovery: The Federal Art Project’s Legacy in Prints
Margot Yale
Jul 17, 2020
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La práctica social a lo cubano
Coco Fusco
Jul 14, 2020
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Gordon Parks: Seeing Color in Black and White
Sarah Meister
Jul 14, 2020
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Anne Teresa De Keersmaeker
Anne Teresa De Keersmaeker
Jul 14, 2020
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Dreams of a Machine
Jul 14, 2020
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Jul 14, 2020
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Social Practice, Cuban Style
Coco Fusco
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Ralph Lemon