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Posts tagged ‘film’
August 23, 2011  |  Film
Return to Hot and Humid

I just returned from a Maine cabin by a large freshwater lake, where I was frightened of the water. Sharks might maul me, or if not sharks, then perhaps a large snapping turtle out of a Roger Corman film (not that I can recall a Corman film with a killer turtle).

August 22, 2011  |  Film
Delights of a Culinary Cineaste

Festival Director Dieter Kosslick. Photo: Amelie Losier. © Berlinale 2010

MoMA has described me as a Culinary Cineaste and given me Carte Blanche to select some of my favorite food films. My sincere thanks to MoMA and to Rajendra Roy for inviting me. What a pleasure and honor, because food is vital, and not just to me.

August 9, 2011  |  An Auteurist History of Film
Laurence Olivier’s Henry V
Henry V

Henry V. 1944. Great Britain. Directed by Laurence Olivier

These notes accompany the screenings of Laurence Olivier’s Henry V on August 10, 11, and 12 in Theater 3.

I can’t recall an image of an auteur in action that is as stirringly visceral, dynamic, and, frankly, sexy, as Laurence Olivier’s Prince Hal in tights, rousing his army at Agincourt. (Mom, I don’t want to be cowboy or a policeman. I want to grow up to be an auteur!)

August 2, 2011  |  An Auteurist History of Film
Jean Renoir’s The Southerner

The Southerner

The Southerner. 1945. USA. Directed by Jean Renoir

These notes accompany the screenings of Jean Renoir’s </i>The Southerner</a> on August 3, 4, and 5 in Theater 3.</p>

Jean Renoir (1894–1979) made six films during his American exile—all of them worthy projects—but the consensus is that The Southerner is the best.

August 1, 2011  |  Film
Hot and Humid: Some Thoughts, and a Few Questions, about Summer Films
Jaws

Jaws. 1975. USA. Directed by Steven Spielberg. On view in Hot and Humid: Summer films from the Archives

In 2008 the Department of Film “celebrated” summer with a short series of films from MoMA’s collection set during the season in which everyone relaxes in the sun, and most people end up being caught off-guard.

July 26, 2011  |  An Auteurist History of Film
Vincente Minnelli’s Meet Me in St. Louis
July 20, 2011  |  Film, Library and Archives
Film Special Collections, Now 100% More Findable!

"Those Pictures at the 'Movies' started all my troubles," from a postcard series published by the SAS Company, 1914. The Museum of Modern Art, Department of Film Special Collections

Okay, they were previously 0% findable. Still, by adding the MoMA Film Department Special Collections inventory to the MoMA website, film researchers can now discover over 100 primary-source collections on film-related figures and topics. 

July 19, 2011  |  An Auteurist History of Film
Otto Preminger’s Laura

Laura. 1944. USA. Directed by Otto Preminger

Laura. 1944. USA. Directed by Otto Preminger

These notes accompany the screenings of Otto Preminger’s </i>Laura</a> on July 20, 21, and 22 in Theater 2.</p>

Last week I mildly berated Andrew Sarris for pretty much ignoring Michael Powell and Emeric Pressburger in his auteurist bible, The American Cinema. This week, with Laura by Otto Preminger (1905–1986), we have an example of just how influential Sarris was and is.

July 12, 2011  |  An Auteurist History of Film
Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp
July 5, 2011  |  An Auteurist History of Film
Carl Th. Dreyer’s Day of Wrath