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Bradley-warhol-150x150
February 20, 2015  |  Artists, Collection & Exhibitions
Trains and Cars: A Gallery Tour with The Forever Now artist Joe Bradley

In conjunction with the exhibition The Forever Now: Contemporary Painting in an Atemporal World, we invited several artists from the show to walk us through MoMA’s permanent collection galleries and discuss a few artworks. Revisiting key pieces in the Museum’s collection with these artists has truly given me a fresh perspective on the works themselves and their significance today. Read more

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January 30, 2015  |  Artists, Collection & Exhibitions
Bread Tins and Thumbtacks: A Gallery Tour with The Forever Now Artist Michael Williams

The artists featured in The Forever Now: Contemporary Painting in an Atemporal World all draw inspiration from a dizzying array of art-historical styles and processes. Two years ago, in conjunction with the exhibition Inventing Abstraction, 1910–1925, MoMA asked contemporary artists to discuss works in the show that they found compelling. We thought it might be fun and enlightening to revisit this approach and invite several artists from The Forever Now into the Museum’s collection galleries to see which works pique their interest. Read more

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January 29, 2015  |  Artists, Collection & Exhibitions
Matisse’s Monotypes: An Unexpected Installation
Installation view, Painting and Sculpture Galleries, The Museum of Modern Art. Shown: all works by Henri Matisse. © 2015 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York

Installation view, Painting and Sculpture Galleries, The Museum of Modern Art. Shown: all works by Henri Matisse. © 2015 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York

As the groundbreaking exhibition Henri Matisse: The Cut-Outs enters its final weeks, visitors can rest assured that there’s more Matisse to discover at MoMA. Head to the fifth-floor Painting and Sculpture Galleries, where you’ll encounter an entire room devoted to Matisse’s early-20th-century work—an especially fertile period for this modern master—with an unexpected twist. Read more

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January 22, 2015  |  Artists, Collection & Exhibitions
Jean Dubuffet: Memories from Nature
Installation view of Jean Dubuffet: Soul of the Underground, The Museum of Modern Art, October 18, 2014–April 5, 2015. Photograph by John Wronn

Installation view of Jean Dubuffet: Soul of the Underground, The Museum of Modern Art, October 18, 2014–April 5, 2015. Photograph by John Wronn

In July of 1963 the French artist Jean Dubuffet (1901–1985) declared of his radical lithographs, “Sometimes I took imprints of every chance element that might even suggest something: the ground, walls, stones, old suitcases, any or every sort of object—I even went so far as to do them from the naked skin of a friend’s back—and sometimes I obtained astonishing images…that I had sprinkled with tiny elements such as wires, crumbs, bits of torn paper, and all sorts of debris….” Read more

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Collecting Alvin Lucier’s I Am Sitting in a Room

In 1969 American composer Alvin Lucier first performed his landmark work I Am Sitting in a Room, conceived for voice and electromagnetic tape. Lucier read a text into a microphone. Attempting to smooth out his stutter, he began with the lines, “I am sitting in a room, the same one you are in now. I am recording the sound of my speaking voice.” As described in the text, his voice was recorded, then played back into the room. This process was repeated, and with each iteration Lucier’s recorded speech grew muddled, sounding distant, and specific sonic frequencies started to dominate the recorded sound. Read more

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January 15, 2015  |  Artists, Collection & Exhibitions
Inbox: Christopher Wool

The artist Christopher Wool is never through with a form just because he’s used it before. Rather, in a perpetual cycle of self-appropriation, he runs the visual elements he creates through numerous incarnations, constantly experimenting with shifts in scale and medium. Read more

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January 6, 2015  |  Artists, Collection & Exhibitions
Sturtevant’s Double Trouble

“What floor is the copycat exhibition on?” I recently overheard a museum visitor ask this of a security guard, presumably hoping to locate Sturtevant: Double Trouble. At first glance, the exhibition appears to be a group show of 20th-century masterpieces—a Jasper Johns flag painting here, an Andy Warhol Marilyn Monroe there—until you realize that these are all by Sturtevant, an American artist best known for making her own versions of the works of her contemporaries, including Joseph Beuys, Marcel Duchamp, Keith Haring, and many others. Read more

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December 24, 2014  |  Artists, Collection & Exhibitions
Happy Holidays from MoMA (and Matisse)!
Installation view of Henri Matisse: The Cut-Outs at The Museum of Modern Art, New York (October 12, 2014-February 8, 2015). Photo by Jonathan Muzikar. © 2014 The Museum of Modern Art

Installation view of Henri Matisse: The Cut-Outs at The Museum of Modern Art, New York (October 12, 2014-February 10, 2015). Photo: Jonathan Muzikar. © 2014 The Museum of Modern Art. Shown (from left): Black Leaf on Green Background. 1952. Gouache on paper, cut and pasted. The Menil Collection, Houston; Nuit de Noël. 1952. Maquette for stained-glass window. Gouache on paper, cut and pasted, mounted on board. The Museum of Modern Art, New York. Gift of Time Inc.; Black Leaf on Red Background. 1952. Gouache on paper, cut and pasted. Private collection; Nuit de Noël. 1952. Stained glass. The Museum of Modern Art, New York. Gift of Time Inc.; All works by Henri Matisse. © 2014 Succession H. Matisse/Artists Rights Society (ARS), New York

In 1952 Henri Matisse was commissioned to make a stained-glass window for the Time Life Company.
The window, titled Nuit de Noël, was exhibited at Rockefeller Center during the holiday season, and on December 4, 1952, Matisse wrote to MoMA’s founding director Alfred H. Barr: Read more

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December 5, 2014  |  Artists, Publications
Nicholas Nixon: 40 Years of the Brown Sisters
Cover of Nicholas Nixon. The Brown Sisters. Forty Years, published by The Museum of Modern Art

Cover of Nicholas Nixon: The Brown Sisters. Forty Years, published by The Museum of Modern Art

The Museum of Modern Art first exhibited Nicholas Nixon’s photographs of the Brown Sisters in 1976, as part of his first-ever solo exhibition titled Longer Views: 40 Photographs by Nick Nixon. The series was in its infancy at the time and only two portraits of the sisters existed, Read more

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November 21, 2014  |  Artists, Collection & Exhibitions
“Dear Mr. Szarkowski”: Postcards from Nicholas Nixon

Celebrating the publication and exhibition on the 40th anniversary of Nicholas Nixon’s The Brown Sisters, the Department of Photography wanted to share from its collection a selection of “postcards” by Nixon that the photographer sent to the department’s former director, John Szarkowski. On the back of each of these photographs, one finds letters written by Nixon to Szarkowski. Read more