
Tod Papageorge. New Year's Eve at Studio 54. 1978
Happy Holidays and happy New Year!
We’ll be back on January 2.
Hope you enjoy the holiday season to the fullest.

Tod Papageorge. New Year's Eve at Studio 54. 1978
Happy Holidays and happy New Year!
We’ll be back on January 2.
Hope you enjoy the holiday season to the fullest.
In 1982 Sanja Iveković presented Personal Cuts on prime-time Yugoslavian national television, on TV Zagreb’s 3, 2, 1 – Action! This video is now on view in MoMA’s retrospective Sanja Iveković: Sweet Violence, and I am most grateful to Sanja for giving us the opportunity to present this work on our blog.
This past Thanksgiving I had the privilege of taking part in a time-honored New York City tradition, the Macy’s Thanksgiving Day Parade.
There was a hint of prank and play in the air at The Museum of Modern Art on November 1. Had you been walking in the Museum’s Marron Atrium that day, you may have gotten caught in a flurry of white cards descending from above.
Opening on December 18, Sanja Iveković: Sweet Violence is the first museum retrospective in the United States of the groundbreaking feminist, activist, video, and performance pioneer Sanja Iveković (b. 1949, Zagreb)
MoMA and The Buell Center invited a series of team participants and observers who attended workshops for The Museum of Modern Art’s exhibition Foreclosed: Rehousing the American Dream, which opens in February, to reflect on the project. Here are thoughts from journalist Alex Ulam.
Installation view of title wall for the exhibition Talk to Me: Design and the Communication between People and Objects
Many of the works featured in the exhibition Talk to Me: Design and the Communication between People and Objects are represented on the title wall wallpaper as small, abstract pixel icons.
I’m a big fan of words; letters and the written word to be a little more precise. And not just the sound and meaning, but actual words—their physicality, their shape and form, and how they look. I have a nephew who was crazy for the letter “u”; specifically the lower case “u,” with serifs.
Sum of Days was initially exhibited at the Pinacoteca do Estado de São Paulo between August and November 2010. The invitation from MoMA to make a new version of the piece in the Marron Atrium was a great honor and a chance to reflect on the way the work exists independently of its setting, by seeing what would remain the same and what would be transformed in the new location.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art