MoMA
Posts in ‘Collection & Exhibitions’
Rirkrit Tiravanija: Cooking Up an Art Experience

In 1992, Rirkrit Tiravanija created an exhibition entitled Untitled (Free) at 303 Gallery in New York. This landmark piece, in which the artist converted a gallery into a kitchen where he served rice and Thai curry for free, has been recreated at MoMA as part of the installation Contemporary Galleries: 1980–Now on view on the second floor. This back office curry kitchen has been replicated to scale, and the artist worked with MoMA to recreate the experience, with curry prepared and served by the Museum’s restaurant staff daily from noon—3:00 p.m.

In this deceptively simple conceptual piece, the artist invites the visitor to interact with contemporary art in a more sociable way, and blurs the distance between artist and viewer. You aren’t looking at the art, but are part of itand are, in fact, making the art as you eat curry and talk with friends or new acquaintances.

In the video above, Laura Hoptman, curator in the Museum’s Department of Painting and Sculpture, discusses the work, and visitors share their reactions. But come see for yourself, Thai vegetable curry and rice will be served through February 8 only, and the original recipe can be found in the installation.

February 1, 2012  |  Artists, Collection & Exhibitions, Conservation
Diego Rivera: How to Make a Portable Mural

Diego Rivera. Agrarian Leader Zapata. 1931. Fresco on reinforced cement in a galvanized-steel framework, 93 3/4 x 74

The focus of the exhibition Diego Rivera: Murals for The Museum of Modern Art, currently on view on the second floor, is a set of “portable murals” Rivera made for his retrospective exhibition at MoMA in 1931.

Behind the Scenes from Zagreb

Sanja Iveković. Tragedija Jedne Venere (Tragedy of a Venus). Zagreb: Galerija suvremene umjetnosti, 1976

This short account is meant to give a brisk bibliographic tour of a few routes that lead to the current MoMA Library exhibition Scenes from Zagreb: Artists Publications of the New Art Practice.

January 24, 2012  |  Collection & Exhibitions, Design
Suited for Subversion…and Peace, Love, and Understanding

Ralph Borland. Suited for Subversion. 2002. Nylon-reinforced PVC, padding, speaker, and pulse reader. Fund for the Twenty-First Century. Photos by Ralph Borland and Pieter Hugo

Ralph Borland designed Suited for Subversion as a protest tool that could provide protection from police batons during protest events, and at the same time serve to creatively disarm any baton wielders that protesters might confront.

January 13, 2012  |  Artists, Collection & Exhibitions, Fluxus
Case Study: William Pope.L Interprets Fluxkit

Last month, artist William Pope.L spent a day at MoMA, exploring the collections of artists’ multiples on view in Thing/Thought: Fluxus Editions, 1962–1978. While he was here, he produced the above performance video, which incorporates the Fluxkit to incredibly humorous effect.

Checking in on Holding Pattern

View of Holding Pattern installation in MoMA PS1 courtyard. Summer 2011. Photo by Interboro Partners

We thought it might be a good time to check in on Holding Pattern, our project for the 2011 Young Architects Program. Holding Pattern was deinstalled from the MoMA PS1 courtyard four months ago, but the deinstallation didn’t mark the end of the project—just the start of its second phase.

Social Realism: Art for the People

Elizabeth Catlett. Mother and Child. 1956. Terra cotta. The Museum of Modern Art, New York. Gift of The Friends of Education of The Museum of Modern Art, The Modern Women’s Fund, and Dr. Alfred Gold (by exchange). © 2012 Elizabeth Catlett/Lincensed by VAGA, New York, NY

This past summer, the Museum acquired an important sculpture by the African American artist Elizabeth Catlett (b.1915).

January 4, 2012  |  Artists, Collection & Exhibitions
A Sprawling World Suspended? Andrea Zittel in the Contemporary Galleries

Stepping off the streets of an ever-changing New York into the (also ever-changing) galleries of MoMA, a neatly compact silver trailer sits waiting for you on the second floor, as if ready to whisk you away from the city to embark on an adventure on the open road.

What Is a Print? An Interactive Website is Now a Book

Cover of What is a Print? publication

What Is a Print? (2011), by Sarah Suzuki, Associate Curator in the Department of Prints and Illustrated Books, is a publication that grew out of The Museum of Modern Art’s interactive website of the same name.

A Way of Seeing

Willem de Kooning in his studio. Photo © 2012 Tom Ferrara. Artwork © 2012 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

After meeting Bill de Kooning, one thing that first became apparent was that he had amazing skills of observation. Not only was he more visually active than everyone else but he also appeared to enjoy the act of seeing more than anyone.