Jeff Wall After "Invisible Man" by Ralph Ellison, the Prologue 1999-2000

  • Not on view

After a brief but eventful career that embodies the hopes and humiliations of African Americans at mid-twentieth century, the hero of Ralph Ellison's celebrated 1952 novel Invisible Man retreats to a secret basement room on the edge of Harlem. There he patiently composes and reflects upon the story we are about to read. "I am invisible,” he explains, "simply because people refuse to see me."

Making pictures out of stories was once the main business of the visual arts. The rising modernist tradition consigned the practice to the margins of advanced art; for most of the past century, "illustration" has been a term of contempt. In this large, richly detailed and thoroughly absorbing photograph, Wall has all but single-handedly reinvented the challenge.

The novel's eloquent prologue is short on specifics, except one: the 1,369 lightbulbs that cover the ceiling of the underground lair. Starting with this fantastic detail, Wall scrupulously imagined in his Vancouver studio the concrete form of Ellison's metaphorical space. Ambitiously reviving a forgotten art, he made visible the Invisible Man.

Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 372.
Medium
Silver dye bleach transparency; aluminum light box
Dimensions
5 ft. 8 1/2 in. x 8 ft. 2 3/4 in. (174 x 250.8 cm)
Credit
The Photography Council Fund, Horace W. Goldsmith Fund through Robert B. Menschel, and acquired through the generosity of Jo Carole and Ronald S. Lauder and Carol and David Appel
Object number
53.2003
Copyright
© 2018 Jeff Wall
Department
Photography

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