Graphite and crayon on gelatin-silver photograph
Not on view
This 1928 competition called for the design of a multiuse building with a banking hall and retail and office space in central Stuttgart. The photograph used as the basis for the entries represented here features a busy intersection with pedestrians, cars, traffic signs, and the recently completed railroad station by architect Paul Bonatz (German, 1877–1956). Inserted into this milieu, just a corner of the projected building is visible, framed on either side by the existing urban fabric. Photomontage is used to graphically describe the proposed building’s impact on the site, introducing collage as a critical element both in how the city is imagined and how it might be transformed. Mies van der Rohe made use of new building technologies and commercial advertising to distinguish his proposed building, which is sheathed in glass, from its surroundings.
Cut 'n' Paste: From Architectural Assemblage to Collage City, July 10–December 1, 2013.
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Ludwig Mies van der Rohe
American, born Germany. 1886–1969 2063 works onlineOne of the leading lights of modernist architecture, Ludwig Mies van der Rohe created a body of work—ranging from tubular steel furniture to iconic office buildings—that influenced generations of architects worldwide.
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