Claes Oldenburg. Floor Cone. 1962

Claes Oldenburg

Floor Cone

1962

Medium
Synthetic polymer paint on canvas filled with foam rubber and cardboard boxes
Dimensions
53 3/4" x 11' 4" x 56" (136.5 x 345.4 x 142 cm)
Credit
Gift of Philip Johnson
Object number
425.1981
Copyright
© 2018 Claes Oldenburg
Department
Painting and Sculpture
This work is not on view.
Claes Oldenburg has 95 works  online.
There are 1,566 sculptures online.

Floor Cone is one of three large-scale soft sculptures that Oldenburg produced with his then wife, Patty Mucha, for the second exhibition of The Store, at New York’s Green Gallery. Simplified to cone and sphere, the sculpture is instantly identifiable as an ice cream cone. Mucha recalls taking the work for a drive in a pickup truck along West Fifty-seventh Street, where the Green Gallery was located, and encountering a warm reception from children in passing cars, who “shouted out their approval.” However, the sculpture’s relationship to its real-world referent is complicated by both its size and its material. Oldenburg exacerbated this deformation caused by gravity for his 1963 solo show at Los Angeles’s Dwan Gallery, during which he propped Floor Cone upside down against a wall.

Gallery label from Claes Oldenburg: The Street and The Store, April 14–August 5, 2013

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.