In the process of creating five busts of Jeanne Vaderin between 1910 and 1916, Matisse radically reconfigured traditional representation of the human face. Jeannette I and II were created directly from the model, which is evident in their characteristic, hawklike profiles. These two works then served as templates for Jeannette III, IV, and V. As he progressed with the series, Matisse dramatically abstracted his subject, organizing the head into increasingly simplified chunks. In 1908 he explained that his goal in portraiture was not to achieve visual precision but rather to reveal the "essential qualities" of his sitters—qualities, he felt, that physical imitation could not capture.
- MoMA, Floor 5, 506 The Alfred H. Barr, Jr. Galleries
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Pierre Matisse Gallery, New York
The Museum of Modern Art, New York. Purchased from Pierre Matisse, 1952
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email [email protected] or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-film.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].