MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.
If you notice an error, please contact us at firstname.lastname@example.org.
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Galerie Kahnweiler (Daniel-Henry Kahnweiler, 1884-1979), Paris ; [sequestered during the war by the French government as enemy property and sold through Hôtel Drouot, Paris, November 17-November 18, 1921] . Pierre Loeb (1897-1964), Paris, by 1932 ; Marie Harriman Gallery, New York, by 1933 ; purchased by Sidney and Harriet Janis, New York, 1934 ; acquired by The Museum of Modern Art, New York, 1967 (The Sidney and Harriet Janis Collection).
 Per Pierre Daix, Picasso: The Cubist Years, Boston: New York Graphic Society, 1979, no. 570: "Galerie Kahnweiler, Paris (archive photograph 248)."
 See note in Daix: "This canvas was probably the Picasso no. 194 in the catalogue of the 2nd Kahnweiler sale, Paris 17-18 November 1921: 'Nature morte, H. 0.65 x L. 0.54 signé au dos et daté 1913,' a work which was sold for 900 fr." Tableaux, aquarelles, gouaches & dessins [2nd sale of Kahnweiler collection], Paris: Hôtel Drouot, November 17-November 18, 1921. According to Daix, the painting was originally signed and dated on the back "Picasso/1913" before it was rebacked in 1950.
 Lender to the exhibition Picasso, Galerie Georges Petit, June 16-July 30, 1932, no. 88, repr. p. 32 (Nature morte à la guitare).
 Included in the exhibitions French Painting, Marie Harriman Gallery, New York, February 21- March 1933, no. 4; Abstract Painting by Four Twentieth Century Artists: Picasso, Braque, Gris, Léger, The Renaissance Society, University of Chicago, January 12-February 2, 1934, no. 12; and Pablo Picasso, Wadsworth Atheneum, Hartford, Connecticut, February 6-March 1, 1934, no. 24.
 Date of acquisition published in The Sidney and Harriet Janis Collection, exh. cat. Kunsthalle Basel et al., New York: International Council of The Museum of Modern Art, 1970, no. 71. Reproduced in Christian Zervos, Histoire de l'art contemporain, Paris: Cahiers d'art, 1938, p. 220: "Picasso, Nature morte à la guitare, printemps 1913 (63 x 54 cm), coll. Sidney Janis." First exhibited at The Museum of Modern Art, New York in 1935: Summer Exhibition: The Museum Collection and a Private Collection on Loan, June 4-September, 24, 1935.
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email email@example.com or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firstname.lastname@example.org. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication or moma.org, please email email@example.com. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to firstname.lastname@example.org.