MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.
If you notice an error, please contact us at email@example.com.
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
The artist, Paris ; sold to Paul Guillaume (1891-1934), Paris, by 1918 ; sold to Albert C. Barnes, (1872-1951), Merion, PA, 1925 . Sold through Galerie Bonaparte, Paris to The Museum of Modern Art, New York, December 1936 .
 First exhibited in de Chirico's studio at 115 Rue Notre-Dame-des-Champs, October 6-30, 1913; see Paolo Baldacci, De Chirico: The Metaphysical Period, 1888-1919, Boston: Little, Brown, 1997, p. 147, no. 23. Included in the Salon des Indépendants, Paris, March 1-April 30, 1914 (no. 682). Also exhibited at Galerie Georges Giroux, Brussels, Exposition d'oeuvres de sculpture et de peinture du Salon des Artistes Indépendants de Paris, May 16-June 7, 1914.
 Reproduced in Les Arts à Paris no. 3 (December 15, 1918), p. 9. Included in the exhibition Peintres d'Aujourd'hui, Galerie Paul Guillaume, December 15-23, 1918 (no. 12).
 Date of acquisition per Paolo Baldacci, De Chirico: The Metaphysical Period, 1888-1919, Boston: Little, Brown, 1997, p. 147, no. 23.
 Letter Gray Williams to Betsy Jones, November 29, 1967, Collection files: " … it was purchased by Alfred from the Galerie Bonaparte in Paris in the summer of 1936." Included in the exhibition Fantastic Art, Dada and Surrealism, The Museum of Modern Art, New York, 1936 (no. 190).
Provenance research is a work in progress, and is frequently updated with new information. If you have any questions or information to provide about the listed works, please email firstname.lastname@example.org or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at email@example.com. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication or moma.org, please email firstname.lastname@example.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to email@example.com.