Käthe Kollwitz
Self-Portrait, Hand at the Forehead (Selbstbildnis mit der Hand an der Stirn)
1910, published c. 1946/1948
Etching and drypoint
Not on view
In this searing self-portrait, Kollwitz homes in tightly on her face, isolating her careworn features and grave expression. Brooding introspection permeates Kollwitz's work, which is, at its core, an expression of compassion for her fellow man, especially for the suffering of women, children, and the poor in Germany during the cataclysmic years before, during, and after the two world wars. She dedicated herself to printmaking, believing that it was the medium best suited to social and political commentary. Self-portraiture was an important recurring subject in her work, and this intense, almost confrontational image is a particularly powerful example....
New to the Print Collection: Matisse to Bourgeois, June 13, 2012–January 7, 2013.
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Käthe Kollwitz
German, 1867–1945 49 works onlineBorn in the Prussian city of Königsberg (now Kaliningrad, Russia) in 1867, Käthe Kollwitz established herself in an art world dominated by men by developing an aesthetic vision centered on women and the working class.
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