This brooding face confronts the viewer with an immediacy and deep emotion that leave no doubt about the prophet's spirituality. His hollow eyes, furrowed brow, sunken cheeks, and solemn countenance express his innermost feelings. Three years before Nolde executed this print, he had experienced a religious transformation while recovering from an illness. Following this episode, he began depicting religious subjects in paintings and prints, such as the image seen here.
Nolde had joined the German Expressionist group Brücke (Bridge) in 1906, participating in its exhibitions and in its exchange of ideas and techniques. He taught etching to his fellow members, and they introduced him to woodcuts. During the 1890s, woodcuts had undergone a resurgence and revamping, when artists such as Paul Gauguin and Edvard Munch used them to create bold images that expressed strong emotional content. In Prophet, Nolde also exploits the characteristics inherent to the medium. Coarsely gouged-out areas, jagged lines, and the textured grain of the wood effectively combine in this portrayal of a fervent believer—a quintessential German Expressionist print.
Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 53.