Georges Hugnet, Marcel Duchamp
La septième face du dé: Poèmes-découpages (The Seventh Face of the Die: Collage Poems)
Published 1936
Book with twenty collotype reproductions of collages by Hugnet, some with watercolor additions; letterpress text; line-block illustrations; collage by Hugnet in cut-and-pasted printed papers; publisher’s original regular-edition paper cover with embossed relief-halftone reproduction of a photograph of Duchamp’s Why Not Sneeze Rose Sélavy? (1921) on cut-and-pasted paper; publisher’s original special-edition binding, Couvertures cigarettes (cigarette covers), by Duchamp, with covers of plastic sheets, white cloth, and hand-colored gelatin silver prints on boards; raffia side-sewn binding
Not on view
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Marcel Duchamp
American, born France. 1887–1968 191 works onlineWhen Marcel Duchamp created his most famous work—the industrially produced urinal Fountain —it was largely ignored. Fountain was the high point of Duchamp’s campaign to dismantle and expand the boundaries of what constitutes a work of art; it had begun four years earlier, when he asked, “Can one make works that are not ‘of art’?
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